...v ‘My Mom’s a Naked Jungle Woman:’ David Good on Finding His Mother Added by Lydia Bradbury on May 27, 2014. Saved under Lydia Webb, U.S., Venezuela Tags: good [pic]Divorced parents are a common enough occurrence in the United States that when a child says, “My parents are divorced,” it hardly raises an eyebrow. But for David Good, it was a painful reality he sought to avoid mentioning, mostly because he would have to explain where his mother was, which meant telling people that she lived in a tribe in Venezuela that was stuck in the Stone Age. Good’s mother, Yarima, is a member of the Yanomami tribe, a tribe that still maintains the vast majority of its ancient traditions, including rituals, feasts, games and living in the “shabano,” a large, circular communal house. After marrying Kenneth Good, an anthropologist studying the tribe, she lived with him in the U.S., but found the isolation from her family too hard to bear. She returned to the Amazon Rainforest in Venezuela, leaving David and his siblings with their father in America. After years of separation, David Good finally went to Venezuela to find his mother, and to face up to a fact he had avoided for so many years: “My mom’s a naked jungle woman.” At its heart, this story is one about love and family, which can sometimes be a truly multicultural experience. David Good is a true-blue American son. As a child, he played Little League baseball and had a paper route. For a boy raised in Pennsylvania...
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...Налогообложение населения Франции Среди ведущих развитых стран Францию отличает высокая доля обязательных отчислений (налоговых платежей и взносов в фонды социального назначения) в валовом внутреннем продукте. В налоговой системе Франции подоходный налог составляет 18,1% доходов бюджета. Он стоит на втором месте после НДС. В основном налоговая система Франции похожа на системы США. Отличия небольшие: налоги на социальное страхование здесь уплачивают только трудящиеся (а у нас в стране - только работодатели), к тому же здесь присутствует так называемый профессиональный налог, который уплачивают лица работающие, но не вознаграждаемые заработной платой. Данный налог привлек мое внимание потому, что сейчас наши граждане изыскивают все новые пути для заработка денег, а государство еще не может уследить за всеми работами, поэтому нам может пригодиться в данной ситуации профессиональный налог. Другая отличительная черта системы обязательных отчислений во Франции – высокая доля взносов в фонды социального назначения. По доле взносов в фонды социального назначения в сумме ВВП Франция занимает первое место среди развитых стран. Еще одной особенностью Франции является низкий уровень прямого налогообложения и одновременно высокий уровень косвенного. При этом во Франции – высокая доля поступлений от налогов на товары и услуги в ВВП ив общем объеме обязательных отчислений. Косвенные налоги дают около 60% налоговых доходов общего бюджета. Около 40 % доходов общего бюджета обеспечивают...
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...Meek Mill continued to fire insults at Drake during a Thursday concert in New Jersey, delivering an awkward freestyle that invoked both the ubiquitous "ghostwriting" leveled against his Canadian rap rival – and, for reasons unclear, Caitlyn Jenner. "Did five months, came home, that's perfect timing / To make a sucka nigga look sucka without trying / If Quentin Miller wrote that shit, what were we buying?" Meek raps in the above clip, MissInfo reports. "Niggas turn to hoes; Caitlyn Jenners turn to Drizzy Drakes." Read more: http://www.rollingstone.com/music/news/meek-mill-invokes-caitlyn-jenner-in-new-drake-diss-20150807#ixzz3iAq4Jft0 Follow us: @rollingstone on Twitter | RollingStone on FacebookLater in the two-minute freestyle, Meek references Drake's "Started From the Bottom" and notes that, "All that bullshit you sellin', real niggas never buyin'." Meek's New Jersey verbal assault is only his latest as opener on Nicki Minaj's Pinkprint tour: "Everybody catching bullet holes, including Drake and the whole OVO," he rapped during a Tuesday show in Charlotte, referencing a shooting following Drake's OVO Fest. The entire Meek-Drake feud began after Meek accused the rapper of using a "ghostwriter" – referencing Quentin Miller, a Drake collaborator openly credited for his contributions – which launched a series of responses both recorded and live. Drake's meme-crammed, guest-assisted OVO Fest performance looked like a knockout blow, but Meek hasn't slowed down, even threatening...
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...GOGUR SOIGJ SLGKHOSRIGJ OSRGU OSRIGJ SOGHOSRIG OSIG SOIGJ OSRUIGWR89 GSOIJG LSKGJOWRIG SOIGJ SGKLJHS OLIG OSRGU SOGIU SOGU SOGUIWER GWOEIFJ SEFLKJSA OLIFJU OEFU OEIUF E8FUASODIJ LCKJOAIFJU OAEFUASODFI SDOIHJOASLDFJOAIFUJ AODFIU ASUS DFUJSOLDFJLSKJFOIEFUJ WEOFIU WEOFIU WE9US OFIJS DLKJSOGIOSUF0E9FU SLDJVS ODLISODUI OE9UFW0E9UF SODIJF SDOFJ SOFJWOUF SOFIJSJDLFJS OEFIJ F OSF OSDIF OSDF JSLDJFSDF OSDFJ OSDLFJ SLDF JLSDFJK LSODFJOEFJOWE EW OWEU OUF OS SDF JSLDSDF JOEEF Ogggggggggggggg yyyyyyyyyyyy uuuuuuuuuuu I iiiiiiiiiiiii iiiiiiiiiiii 888888888888 77777777777777 yyyyyyyyyyyyyyy fgfffffffffffffff gggggggggggggggg hhhhhhhhhhhhhhh hbbbbbbbbbbbbbbbb nnnnnnnnnng t ttttttttttty yyyyyyyyyyyyyyy tttttttttttt gggggggggggggg fffffffffff dddddddd rrrrr eeeeeeeeeee ewwwwwwww ssssssss cccccccccccc iiiiiiiiiii jjjjjjjjjjj nnnnnnnnnnnnn g bggyjukg ghjgkygt h uygkjh ftyur fhgfy ti687t guyf tiy ff hgftyi hgfi676 ftj ftu ygfhgftu vghj tyf iuygf hgf rtdu hgf iuyt 887ytg f tf 76 yutf ytf drtu ytf ytf ui io8y 86fgu ygjhgf ytfdyt d iuygt uyto876 87tuguygt uyt utiyiyuweiyrawi efiawyef wi w iewi rweoweiur o woue oe rowerui owieru weruwo oeiru weouwr eer owe woeuiwr e orw erwe r wer wer we w erwer we weowue were r owe weowueroweur woeghshf kfw e oowefu woeu woegowgowegoweijfshefk...
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...Introduction to graphics and LCD technologies NXP Product Line Microcontrollers Business Line Standard ICs Agenda Passive and active LCD technologies – How LCDs work, STN and TFT differences – How data is converted to colors on the LCD LCD signal interface and timing parameters – LCD signals and timing – Controlling the backlight Introduction to frame buffers with the LPC32x0 MCU – How graphics data is stored in memory – Color depth and lookup tables System considerations for LCD based systems – Mapping LCD data signals to the LCD controller signals – LCD data bandwidth Examples Passive and active LCD technologies How an LCD works An array of Liquid Crystal segments – When not in an electrical field, crystals are organized in a random pattern – When an electric field is applied, the crystals align to the field – The crystals themselves do not emit light, but ‘gate’ the amount of light that can pass through them • Crystals aligned perpendicular to a light source will prevent light from passing through them Each LCD segment is aligned with an electric field A light source (backlight) is needed to drive light through the aligned crystal field Courtesy of Sharp Passive displays Passive LCD panels – Consists of a grid of row and columns electrical signals – Columns and rows connect perpendicularly to every segment in the LCD • Columns and rows are multiplexed to many different segments – An IC controls which column and row are selected...
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...Rrrrr…. Boom!!! The sound when our car slammed into the pole. We were going to ski at Boreal and stay in Reno. An unfortunately accident happened on the first day, as we going of the highway, my uncle started to slow down and turn but the melted ice that dried up on the road made our car slip and we hit a pole. After 10 min. of trying to get the car out with snow right between the front and back tires so we had to get a truck to tow us out. This day was already bad and I had a feeling that it won’t be getting better. After, we started driving toward the parking lot when we heard clunking noises coming from our car so my uncle and I went outside to check on the car. “Muyi, put your snowshoes on!” my mom exclaimed. I didn’t follow those...
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...[ROCKET LAUNCHER] [A C++ coding] Tenzin Kunsel T.C.V SCHOOL SELAQUI P.O-SELAQUI DEHRADUN [ROCKET LAUNCHER] [A C++ coding] Tenzin Kunsel T.C.V SCHOOL SELAQUI P.O-SELAQUI DEHRADUN Contents DEDICATION 1 ACKNOWLEDGEME ___________________________________________________________________2 CERTIFICATES 3 CODES 4 PHOTO 5 BIBLOGRAPHY _______________________________________________________________________6 This project is dedicated to all those digital world revolutionist and for my beloved country and the country man who is under the reign of the P.R.C govt ACKNOWLEDGEMENT I would like to express my special thanks of gratitude to my teacher B.tech Palden Tsewang as well as our principal Mr. Duke Tsering who gave me the golden opportunity to do this wonderful project on the Rocket Launcher, which also helped me in doing a lot of Research and I came to know about so many new things I am really thankful to them. Secondly I would also like to thank my parents and friends who helped me a lot in finalizing this project within the limited time frame. CERTIFICATE This is to certify that master Tenzin Kunsel of Class XII A has completed his project on time and Put a great effort in making this a successful one. Teacher sign. Invigilator sign. //KUNSEL & TSUNDUE //TERMINAL PROJECT //Username:foreverknight //pswd:rocket123 #include<iostream.h> #include<conio.h> #include<dos.h> ...
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...ME 303 MANUFACTURING ENGINEERING PROBLEM SETS Prepared by: Kamil Özden Ural Uluer Salih Alan Mehmet Bilal Atar PROBLEM SET FOR CHAPTER 2 Q2.1 A copper bar is to be cold rolled into a section which must have a min. tensile strength of 390 MPa. If the final cross-sectional area is 20.13 mm2 and assuming the flow properties of the workpiece material are given as K = 450 MPa, n = 0.33. Calculate the followings: a) The tensile strength of the annealed material. b) The initial diameter of the copper bar. Solution It is important to understand the question well. In this question, the copper bar is annealed first then a cold rolling operation is done on it. Initial diameter of the copper bar is same before and after the annealing operation. a) Flow stress of the plastically deformed bar could be shown as shown in Course Slides at UTS Then UTS of the original bar (no annealing, no cold working) is found as below: = 450 (0.33)0.33 = 312.12 MPa . As u u Since before necking occurs ( < n) area stays constant at the whole bar, the formula below could be used: By putting the area ratio into the formula (i) UTS of the annealed material is found as: b) For this question d0 can be found by using the ratio: if < n (which means necking is not started yet) with the UTScw value given in the question as UTScw = 390 MPa, to check the value So > n which means that necking started, then UTScw becomes equal to flow stress of the deformed material, Q2.2 A...
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...TeA M YYe PG Digitally signed by TeAM YYePG DN: cn=TeAM YYePG, c=US, o=TeAM YYePG, ou=TeAM YYePG, email=yyepg@msn .com Reason: I attest to the accuracy and integrity of this document Date: 2005.07.04 23:45:43 +08'00' ������������ Want to learn more? We hope you enjoy this McGraw-Hill eBook! If you’d like more information about this book, its author, or related books and websites, please click here. HOW TO ACE THE BRAINTEASER INTERVIEW JOHN KADOR M C G R AW- H I L L N E W YO R K MADRID C H I C AG O SAN FRANCISCO MILAN SYDNEY LISBON TO RO N TO LONDON S A N J UA N MEXICO CITY SEOUL NEW DELHI SINGAPORE Copyright © 2005 by John Kador. All rights reserved. Manufactured in the United States of America. Except as permitted under the United States Copyright Act of 1976, no part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. 0-07-144606-0 The material in this eBook also appears in the print version of this title: 0-07-144001-1. All trademarks are trademarks of their respective owners. Rather than put a trademark symbol after every occurrence of a trademarked name, we use names in an editorial fashion only, and to the benefit of the trademark owner, with no intention of infringement of the trademark. Where such designations appear in this book, they have been printed with initial caps. McGraw-Hill eBooks are available at special...
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...Contents Cover Title Copyright Dedication About the Author Step One Wanting Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Step Two Taking Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Step Three Living Chapter 18 Acknowledgements This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorized distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly. Version 1.0 Epub ISBN 9781409016915 www.randomhouse.co.uk Published by Vintage 2010 2 4 6 8 10 9 7 5 3 1 Copyright © Isaac Marion 2010 Chapter heading illustrations from Gray’s Anatomy modified by author © Isaac Marion 2010 ‘Heart rose’ illustration on title page © Isaac Marion 2010 Isaac Marion has asserted his right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published...
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...A Practical Guide to Linux Commands, Editors, and Shell Programming SECOND EDITION ® Mark G. Sobell Upper Saddle River, NJ • Boston • Indianapolis • San Francisco New York • Toronto • Montreal • London • Munich • Paris • Madrid Capetown • Sydney • Tokyo • Singapore • Mexico City Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trademark claim, the designations have been printed with initial capital letters or in all capitals. The author and publisher have taken care in the preparation of this book, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The publisher offers excellent discounts on this book when ordered in quantity for bulk purchases or special sales, which may include electronic versions and/or custom covers and content particular to your business, training goals, marketing focus, and branding interests. For more information, please contact: U.S. Corporate and Government Sales (800) 382-3419 corpsales@pearsontechgroup.com For sales outside the United States, please contact: International Sales international@pearson.com Visit us on the Web: informit.com/ph Library of Congress Cataloging-in-Publication...
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...Acknowledgments ix Acknowledgments This book owes a great deal to the mental energy of several generations of scholars. As an undergraduate at the University of Cape Town, Francis Wilson made me aware of the importance of migrant labour and Robin Hallett inspired me, and a generation of students, to study the African past. At the School of Oriental and African Studies in London I was fortunate enough to have David Birmingham as a thesis supervisor. I hope that some of his knowledge and understanding of Lusophone Africa has found its way into this book. I owe an equal debt to Shula Marks who, over the years, has provided me with criticism and inspiration. In the United States I learnt a great deal from ]eanne Penvenne, Marcia Wright and, especially, Leroy Vail. In Switzerland I benefitted from the friendship and assistance of Laurent Monier of the IUED in Geneva, Francois Iecquier of the University of Lausanne and Mariette Ouwerhand of the dépurtement évangélrlyue (the former Swiss Mission). In South Africa, Patricia Davison of the South African Museum introduced me to material culture and made me aware of the richness of difference; the late Monica Wilson taught me the fundamentals of anthropology and Andrew Spiegel and Robert Thornton struggled to keep me abreast of changes in the discipline; Sue Newton-King and Nigel Penn brought shafts of light from the eighteenthcentury to bear on early industrialism. Charles van Onselen laid a major part of the intellectual foundations on...
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