...Throughout Sense and Sensibility, characterization was evident. Characterization, as defined above, allowed the reader to receive either direct information about the character, or indirectly told about the character. Austen described Colonel Brandon as, “He was silent and grave. His appearance however was not unpleasing, in spite of his being in the opinion of Marianne and Margaret an absolute old bachelor, for he was on the wrong side of five and thirty; but though his face was not handsome his countenance was sensible, and he address was particularly gentlemanlike” (Sense and Sensibility 22). This described Colonel Brandon as kind and simple. Austen also used more indirect characterization in Sense and Sensibility than in Pride and Prejudice. Marianne was constantly talking about her life and how bad it was. Therefore, readers could conclude that she did not like to hide what she was feeling or thinking. Marianne was melodramatic about her life. Austen also, was careful when she gave each of her characters names. Although not all of them have an appeal when the name was said, when ‘Dashwood’ was said, it left a calm feeling, while ‘Lucy Steele’ was a harsh name just as she was pretty harsh herself. By looking just at the names of her characters, readers would know a little about each one. Characterization was used to enhance the characters, and allowed the reader to connect them to themselves. No matter what piece of work it was, conflicts exist; without conflicts the story...
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...Book Report - Sense and Sensibility In Jane Austen, Sense and Sensibility, the title is a metaphor for the two main characters Elinor and Marianne. Elinor represents sense and Marianne represents sensibility. We find out early that Elinor does not share her feelings. When Edward comes into the story, there was an immediate attraction. She tells no one of her feelings. It was just assumed that they are meant for each other. When Edward has to leave, Elinor says nothing. Edward does promise he will come down and give Margaret an atlas. When the atlas comes and not Edward, the one who ends up crying was Margaret and not Elinor. We do learn, however, that Elinor can get emotional too. When Marianne was playing the piano at their new cottage, Elinor cries as she listens. She said the song was her late father's favorite. Later on in the story, Marianne kept on nagging Elinor for not sharing her feelings. Finally, Elinor shows her emotions by telling her that she did have a broken heart after she found out that Edward had a fiancee - Lucy. Elinor would definitely represent sense. She keeps her thoughts to herself. Maybe it is because she thinks she will not end up hurting so bad as Marianne did. Marianne, on the other hand, represents sensibility. She follows her heart. She does not let anything come in the way of showing her emotions. When she first met Colonel Brandon, it is obvious that he was in love with her at first sight. Marianne, shows very clear that she was not...
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...Jane Austen’s Sense and Sensibility: A look at the role letters play in the text. Sense and Sensibility is constructed in the period of 1790 – 1810 under Georgian rule in England. This forms a vital role in deciphering the book by Jane Austen as societies’ expectations on woman were what gave inspiration to the book itself. Ascertaining their role to find a suitor, woman went out to find not only the greatest gentleman but also a man whom was wealthy enough to support her (and her children) and this was combined with their own societal status. During this period letter were seen as a formal way of communication and they were written in the highest English language known to the writer, it was never the case as in today’s society that it was a form of rumour or conversation. Jane Austen got the ideas behind the book by contrasting two of the major characters against one another Elinor - “Sense” and Marianne - “Sensibility”. Elinor is the sense or wisdom she is all that is moral and just with the world within the book she does what is expected both looking after her family after the death of her father and behaviours which are expected of woman in the period. Marianne is the sensibility of vulnerability of emotions within the story she exhibits all the weaknesses in life of the period. The book unravels the story of both the siblings through the death of their father and how they battle to find an emotional and physical state of calm afterwards. It continues uncovering the relationships...
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...This is the narrative of Elinor and Marianne Dashwood, sisters who individually speak to the "sense" and "sensibility" of the title. With their mom, their sister Margaret, and their stepbrother John, they make up the Dashwood family. Henry Dashwood, their dad, has simply passed on. Norland Park, his home, is acquired by John; to his embarrassment, Henry has only ten thousand pounds to leave to his significant other and girls. On his deathbed, he encourages John to accommodate them and John guarantees that he will do as such. He is as of now affluent since he has a fortune from his mom and is additionally hitched to the rich Fanny Ferrars. Instantly after Henry's entombment, the harsh Mrs. Dashwood moves into Norland Park and keenly induces John not to make any arrangement for his stepmother and...
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...An English author widely read in the nineteen-hundreds, was Jane Austen. Although Austen’s works were widely read and popular in her lifetime, she published her works anonymously. All of her books are mainly about of her bright, young heroines in courtship and finally marriage, even though Austen herself never married. Her best-known books include PRIDE AND PREJUDICE. Virginia Woolf, a renown critic in Austen’s time called Austen "the most perfect artist among women." Austen’s position as part of the upper class of the early nineteenth century British society gave her not only a subject for her novels but also the time needed for writing. Jane Austen was born, in Steventon, Hampshire, where her father, Rev. George Austen, was a rector. She was the second daughter and seventh child in a family of eight. Austen’s father’s unexpectedly retired after twenty-five years of living in Steventon; hence the family sold off everything and moved to Bath. Jane, aged twenty-five, and her elder sister, Cassandra (age twenty-eight), were considered to be confirmed old maids, followed their parents. Jane Austen was mostly tutored at home, and irregularly at school, but she received a broader education than many women of her time. She started to write for family amusement as a child. Her parents were avid readers; Austen's own favorite poet was Cowper. Her earliest-known writings date from about 1787. Very shy about her writing, she wrote on small pieces of paper that she slipped under the desk...
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...his son John promise to care for his stepmother and three half-sisters. Mr. John Dashwood initially intends to keep his promise and treat his female relatives generously, but his wife Fanny, a narrow-minded and selfish woman, convinces him to leave them only five hundred pounds apiece. Fanny moves into Norland immediately following Mr. Henry Dashwood's death and becomes mistress of the estate, relegating John's stepmother Mrs. Dashwood and half-sisters Elinor, Marianne, and Margaret to the status of mere visitors. Fanny's brother, Edward Ferrars, visits Norland for several weeks and develops a strong attachment to Elinor Dashwood. Edward is the eldest son of a man who died very rich; now his entire fate depends upon his mother's will. Although he is shy and not particularly handsome, he has an open, affectionate heart. His mother and sister want him to distinguish himself and earn prestige, but Edward is a simple man, who longs only for domestic comfort. In her discussions with her mother and her older sister, Marianne Dashwood expresses her disappointment that Edward is not a more striking, artistic, poetic man. She can tell...
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...The Project Gutenberg EBook of Sense and Sensibility, by Jane Austen This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Sense and Sensibility Author: Jane Austen Release Date: May 25, 2008 [EBook #161] [This file last updated September 6, 2010] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK SENSE AND SENSIBILITY *** SENSE AND SENSIBILITY by Jane Austen (1811) CONTENTS CHAPTER I CHAPTER VI CHAPTER XI CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XXI CHAPTER XXII CHAPTER CHAPTER XXVI XXVII CHAPTER CHAPTER XXXI XXXII CHAPTER CHAPTER XXXVI XXXVII CHAPTER XLI CHAPTER XLII CHAPTER CHAPTER XLVI XLVII CHAPTER XVIII CHAPTER XXIII CHAPTER XXVIII CHAPTER XXXIII CHAPTER XXXVIII CHAPTER XLIII CHAPTER XLVIII CHAPTER XIX CHAPTER XX CHAPTER XXIV CHAPTER XXIX CHAPTER XXXIV CHAPTER XXXIX CHAPTER XLIV CHAPTER XLIX CHAPTER XXV CHAPTER XXX CHAPTER XXXV CHAPTER XL CHAPTER XLV CHAPTER L CHAPTER 1 The family of Dashwood had long been settled in Sussex. Their estate was large, and their residence was at Norland Park, in the centre of their property, where, for many generations, they had lived in so respectable a manner as to...
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...Jane Austen: A Life Revealed Novels written by Jane Austen are timeless and will never be forgotten because of her witty remarks and sophisticated style of writing. She gives her readers a sense of what it was like to live in the Georgian era which was from 1714 to 1830 in England. During this time women like Jane and the lower class were not treated fairly as everyone else. They were not obligated to receive an education as we are today and they could not get jobs, instead they were forced to do all of the house chores. They were also forced into marriage just for the economic benefits since women could not have jobs. Although most women decide to stick to house chores, activities like sewing, and cross stitching Jane took a different path,...
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...Introduction It appears that like many great artists, the writer Jane Austen was not greatly appreciated in her own time. 1 Austen came from a big family being the seventh child of George and Cassandra Austen. To some, the way Austen does not seem so bad as she had a family who liked each other and a Father who worked as an Oxford-trained rector in Steventon, Hampshire, England. Austen's was a household where learning and imagination were encouraged. In Austen's lifetime she completed six novels. However, her two novels considered literary classics were Pride and Prejudice and Sense and Sensibility. Austin went by the pen name: “The Lady”. Also, Austen had a special relationship with her only sister Casandra and her father. It should...
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...before 1796, Elinor and Marianne. Once she finished the novel in 1811, its title became Sense and Sensibility ("Jane Austen" par 24). After she returned from boarding school permanently she started writing a piece called First Impressions but it later became known as Pride and Prejudice (Warren par 8). Jane’s father tried to get one of Jane’s pieces published by sending it to an esteemed publisher in London by the name of Thomas Cadell. Unfortunately Cadell was not interested at all and declined to publish the work without even reading a sentence before sending it back. Jane’s father was very supportive of her writing and although he tried to help get Jane published it isn’t known if Jane had any idea that he did that for her (Warren par 9). A friend of the family, Harris Bigg-Wither proposed to Jane in December of 1802, Jane accepted the proposal because she knew that her family could benefit from the money he had. But then Jane took back her acceptance the very next day. A few years later, in a letter to her niece who had asked for some relationship advice, Jane told her that she should not marry a man that she did not love even if it was for some financial security. This very statement is a common theme in Jane’s writings (Warren par 12). Jane’s father died in 1805, upon her father’s death, Jane removed herself from her mother and sister for a short time in Southampton but returned to Chawton (Austen-Leigh 148 par 1). Her first published book was Sense and Sensibility in 1811....
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...his large library. Her family produced plays and Jane Austen took part in these. Most of them were comedies which gave Jane the opportunity to develop her comic and satirical senses. During her lifetime she was not famous because she wanted to keep anonymity. So, instead of writing her name on the books, she just put "by a lady". It is only in the 19th century that she got famous when her nephew wrote A memoir of Jane Austen. This book even included some of her writings that were never published before. She never got married, although she was once proposed to and she never had any children. During the year of 1816, Jane Austen’s health became worse and she died in July in 1817 at the age of 41 years old. But the exact reasons of her death remain vague, some say it was Addison syndrome, other say Hodgkin’s disease, there are several hypotheses. The famous English author is buried in the North aisle of Winchester Cathedral. * Main works She started by writing poems when she was 12 years old. By the time she was 18, she started creating longer and more sophisticated pieces of writing. Around 1795, at 20 years old, she composed, Elinor and Marianne, which is known today as Sense and Sensibility, a work of romantic fiction which portrays the life and loves of the Dashwood sisters, Elinor and Marianne. In 1796, Jane began a second novel First Impressions, which has become today Pride and Prejudice and which she completed one year later....
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...A MARXIST READING OF JANE AUSTEN’S PERSUASION Abstract This essay analyzes how issues related to money and social class are presented in Jane Austen’s Persuasion . The method used will be a close reading as well as aspects of Marxist literary criticism, a theory that will be presented in the second chapter. Background information about the author and her time will then be given in the third chapter. In chapter four, the character of Sir Walter Elliot will be analyzed, in chapter five Elizabeth Elliot, and in chapter six William Elliot. Some of the other characters will be analyzed, more briefly, in the seventh chapter. Conclusions will then be drawn in the eighth and final chapter. 1. Introduction ......................................................................................... 2. Theory and method .............................................................................. 2.1 Close reading ............................................................................................ 2.2 Marxist literary criticism ................................................................................ 3. Background .......................................................................................... 3.1 Jane Austen and her time ......................................................................... 3.1.1 Titles and ranks .......................................................................................... 3.2 Class in Jane Austen’s novels .....................
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...Högskolan i Halmstad Sektionen för Humaniora Engelska 61-90 The Importance of Class and Money A Marxist Analysis of Jane Austen’s Persuasion Therese Andersson C-essay Tutor Kristina Hildebrand Abstract This essay analyzes how issues related to money and social class are presented in Jane Austen’s Persuasion. The method used will be a close reading as well as aspects of Marxist literary criticism, a theory that will be presented in the second chapter. Background information about the author and her time will then be given in the third chapter. In chapter four, the character of Sir Walter Elliot will be analyzed, in chapter five Elizabeth Elliot, and in chapter six William Elliot. Some of the other characters will be analyzed, more briefly, in the seventh chapter. Conclusions will then be drawn in the eighth and final chapter. 2 Table of contents Abstract.....................................................................................................2 Table of contents.......................................................................................3 1. Introduction.........................................................................................4 2. Theory and method..............................................................................5 2.1 Close reading............................................................................................5 2.2 Marxist literary criticism................................................
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