...Shakespeare’s use of comedy in “A Midsummer Night’s Dream” Shakespeare creates comedy in his play “A Midsummer Night’s dream” through the different scenarios in the play that take place which all have at least an element of humour. He creates comedy in a number of ways and it makes the play humorous as a whole. However he uses dark comedy in several scenes of the play. Through the lovers; Hermia, Lysander, Helena and Demetrius, we see humour in the way they have love triangles. The fact that Hermia and Lysander are in love, but Demetrius chases after Hermia and Helena chases after Demetrius is humorous itself. Shakespeare’s use of comedy in the love triangles is a form of comical relief to a certain extent. This is because as tension builds up between the lovers, in act 3 scene 2 both Lysander and Demetrius fall in love with Helena because of the “Love in idleness”, which ends up in a big argument with Hermia. The fact that each character does not know why the males suddenly love Helena makes the scene, which is supposed to be serious, humorous. Shakespeare uses dark humour, however, because it is meant to be a sad and confusing experience for Hermia and Helena, though it is fiendishly comical. Furthermore, Shakespeare’s use of comedy between the lovers is not over done, like the mechanicals. The fact that both Lysander and Demetrius loved Hermia before the fairies interfered with the love triangles, shows more of the dark humour. Lysander used to think of Hermia as his “gentle...
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...Shakespeare’s Four Different Kinds of Love in AMND A Midsummer Night’s Dream is a comedy/fantasy fiction by William Shakespeare wrote in 1595 or 1596 where Theseus plans to marry Hippolyta, and where lovers spend the night in the forest and fairies do spells and pranks on them. The play takes place in Athens. The plays first performance was on January 1, 1605 (Study.com, 2003-2018) and has been a popular play all over the world, ever since. The play is about love; it is not a tragedy. There were many different types of love portrayed in the play. Shakespeare talked about four different kinds of love in A Midsummer Night’s dream. He talked about forced love, parental love, romantic love, and complicated love. Forced Love- At the beginning of the play Theseus and Hippolyta have a forced love....
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...in common? According to Shakespeare’s play “A Midsummer Night’s Dream”, pouring a love potion on two separate love interest did not make for a good night. Thankfully, George Lucas’s storyline explained Shakespeare’s play in the animated movie ‘Strange Magic’. While there are some differences, the similarities between “A Midsummer Night’s Dream” and ‘Strange Magic’ are salient. While the plots are similar, each work stands alone due to their differences. “A Midsummer Night’s Dream” is one of Shakespeare’s play comedies. The play begins with Theseus who is preparing the city for his marriage to Hippolyta with a festival. Theseus is named the Duke of Athens, which makes him have the highest title Meanwhile, Egeus enters followed by Hermia, Lysander, and Demetrius. Hermia is Egeus’ daughter and she is in love with...
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...nature. In the first clip, the love expressed between Theseus and Hippolyta is evident, and mutual. Where as in the second clip, the setting is more formal and their wedding prep seems as though it’s something Theseus wants more than Hippolyta. This was clearly noticed in the end of the second clip, when the look in Hippolyta’s eyes portrays more skepticism or fright than it does true love. Considering that I have varying ideas as to what Shakespeare’s plays, and A Midsummer Night’s Dream more specifically, “should be” visualized as, I wasn’t very surprised by the emotions displayed in either clip. From the text and previous assumptions of Shakespeare’s play writing, I expected Theseus to be overly excited to be marrying Theseus, as he was more than likely the one that initiated the wedding. The first clip was a little surprising, because I didn’t expect Hippolyta to be that in love with and engulfed in Theseus. Whereas the second clip fit closer with my expectations; I had a preconceived interpretation that a lot of the men in Shakespeare’s plays forced the women into a marriage, whether it was mutual or not. 2) This play was most likely had two contrasting interpretations during the 1960’s and the 1980’s because the overall beliefs and impressions of the decades were extremely different. Throughout the 1960’s women’s rights movements were just starting to set foot, and many women still complied with what male figures in their life suggested for them – as Hippolyta does with...
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...middle ground, or dealing with relatives. In Shakespeare’s play, A Midsummer Night’s Dream, the course of true love is very rough. At least three of the couples in this Shakespearean work have troubles in obtaining a relationship that is not ridden with hardships. Oberon and Titania fight over a boy who invokes feelings of jealousy in Oberon. Lysander and Hermia’s relationship does not have the approval of Hermia’s father. Demetrius loves Hermia, but Helena longs for him to return the love that...
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...A. Hall A. Casey ENG 1010 January 17, 2015 The similarities and differences of Hermia, Lysander, Demetrius, and Helena relationships Relationships are hard. Many people go about life with hopes of one day finding true love. Then there are others who are compelled to love a person although the person they love does not share the same love interest. In some cultures relationships are arrange amongst parents while other cultures leave love to the free will of the individuals in love. In Shakespeare’s play A Midsummer Night’s Dream the readers are introduce to two couples who share some of these similarities and quite a few differences. While many people misinterpret lust as love, love is an act of free will because love cannot be forced, in order for love to prosper there has to be a mutual affection between two people, and thus concluding that love is more powerful force than lust. The play A Midsummer Night’s Dream takes place in Athens under an Athenian society. In Athenian culture, the law of a father holds that a father has control to choose his daughter’s perspective suitor. This portrays in the start of the play with Egeus and his daughter Hermia. Egeus files a complaint against his daughter Hermia with the king of Athens, Theseus. Full of vexation come I, with complaint/ Against my child, my daughter Hermia. I beg the ancient privilege of Athens: / As she is mine, I may dispose of her, / Which shall be either to this gentleman/ Or to her...
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...METATHEATRE IN A MIDSUMMER NIGHT’S DREAM (SHAKESPEARE). The term metatheatre is used to refer to any instance in which a play draws attention to itself as a play, rather than pretending to be a representation of “reality.” Various uses of metatheatrical devices can be found in the works of William Shakespeare. One of Shakespeare’s favorite such devices is the “play-within-a-play.” With this device, the theatre audience finds itself watching an audience (on stage) watching a play. The play-within-a-play is thus a self-reflexive device that addresses the question of where audience reality ends and theatrical illusion begins. Shakespeare often incorporated the device as an integral part of his plots. A famous example can be found in Hamlet, in which a play is used as part of the effort to uncover the guilt of Hamlet’s Uncle Claudius. Another famous play-within-a-play is found in A Midsummer Night’s Dream. In this work, the play performed by Nick Bottom and his friends takes up almost the entire final act. It appears after the major issues of A Midsummer Night’s Dream have been resolved, and thus it is clearly not integral to the development of the plot. Nonetheless, as this paper will argue, the play-within-a-play in A Midsummer Night’s Dream serves an important function by making commentaries on the events that occurred in the first four acts. Various metatheatrical elements can be found throughout A Midsummer Night’s Dream. For example, Bottom appears...
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...prideful “possession” of her, and Helena’s love for Demetrius is stopped by his arrogant rejections and his “spotted and inconsistent” heart (Act 1, Scene 1, line 110). The disagreement between Hermia and her father lies in the fact that Egeus is arrogant in his position of power over Hermia, and he refuses to compromise. He states, “As she is mine, I may dispose of her” (Act 1, Scene 1, line 42). Egeus’ diction is hostile and patronizing; he uses the word “mine”, which takes away Hermia’s humanity, as if she were...
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...Shakespeare’s comedy A Midsummer Night’s Dream has many different plotlines and characters. One of these plotlines is the story of the four lovers which involves Helena. She is clearly envious of her best friend Hermia which results in many different catastrophes throughout the play. Helena proves to be a jealous friend when she asks Hermia how she stole Demetrius’ heart, when she tells Demetrius about Hermia and Lysander’s plan to run away, and when she accuses Hermia of making the two men pretend to fall in love with her. The first we see of Helena is in Act One Scene 1 in The Palace of Theseus. Helena is first seen to be jealous of Hermia when she asks her how she stole Demetrius’ heart. In the play, Hermia is set to marry Demetrius but refuses...
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...In A Midsummer's Night Dream, Shakespeare’s use of characterisation and symbolism helps develop the audience's understanding of the theme that love makes people act foolishly. Shakespeare exaggerates the selfish actions, beliefs, behaviours and thoughts of the characters when they are under the influence of love, and to further underline this theme, he also utilises the aesthetic device of symbolism to demonstrate how people in this state act recklessly and with blind indifference. All the characters are perceived as deeply preoccupied with their own feelings and intentions and all are very self-centred. Firstly, there is a love quadrant between Hermia, Helena, Demetrius and Lysander. They are all self-absorbed and all have different intentions...
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...Shakespeare's great use of irony, helped this play become so popular. Verbal irony is when the speaker says the opposite of what they mean. Dramatic irony is when the audience knows something that the characters don’t know. One theme or lesson you can take from this play is , “The course of true love never did run smooth” (1.1.134). https://www.shmoop.com/midsummer-nights-dream There are a lot of examples of dramatic irony in A Midsummer Night’s Dream. One example was when Titania fell in love with Bottom which was the man who turned into a donkey. “Fetch me that flower . . . . The juice of it on sleeping eyelids laid will make man or woman madly dote upon the next live creature that it sees” (2.1.175- 178).https://www.shmoop.com/midsummer-nights-dream This shows...
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...main characters believe this is reality, but is it? Helena and Demetrius, Hermia and Lysander, and Theseus and Hippolyta are the main lovers throughout the story. Each with different roots of love. Shakespeare wants to open our eyes to the ways we become fools for love. These characters are a true definition of lovesick. They appear to be in love with love, more than in love with each other. Demetrius is a fool because he is unaware that his love changes throughout the play. At the start of the play Demetrius does not love Helena. Demetrius says, "I love thee not, therefore pursue me not." (II, ii, 188) "Hence, get thee gone, and follow me no more."(II, ii, 194) In III ii, Demetrius after being juiced begins to love Helena. Demetrius says, "Lysander, keep thy Hermia; I will none. If ever I loved her, all that love is gone. My heart to her but as guest- wise sojourned, And now to Helen is it home returned, There to remain." (III, ii, 169-173) This proves he is a fool, because he is not aware of his changing love for Helena. Helena is a fool because Demetrius does not love her but she still persists in chasing him. Demetrius says, "I'll run from thee, and hide me in the brakes, And leave thee to the mercy of wild beasts." (II i, 199-201) "Do I entice you? Do I speak you fair? Or rather do I not in plainest truth Tell you I do not, nor I cannot love you?" Demetrius clearly illustrates to Helena that he has no interest, but Helena persists. (II i, 202-204) If any of the four characters...
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...Theseus’s Judgment Hermia, Lysander, Helena, and Demetrius are all impacted by Theseus's judgement in William Shakespeare's, A Midsummer Night’s Dream. The story begins with Hermia’s father wanting her to marry Demetrius, but she loves Lysander. Also, Helena loves Demetrius, but he wants nothing to do with her. Theseus is seen as the most powerful character in the play, so others look to him for advice. Hermia’s father goes to Theseus and asks for his opinion on his daughter’s future spouse. Theseus has changing views on love throughout the play. In the beginning, Theseus believes that love is supposed to be joyful and chosen by the father, but later he believes that it should be chosen freely. In the beginning of the play, Theseus is speaking to his fiancé, Hypolita, about their wedding. He complains that the moon isn’t moving fast enough. This means he wants time to pass faster so it will be their wedding day sooner. This shows that he is very in love with his bride-to-be. Readers are introduced to Theseus’s views on love later in the conversation. He says, “Turn melancholy forth to funerals. The pale companion is not for our pomp” (14-15). Theseus is explaining that sadness is only for funerals, and they don’t want it at their wedding. This line shows that Theseus thinks wedding celebrations should be very happy occasions. Therefore, he...
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...play features fairy magic (like Oberon's love potion), silly pranks (like the transformation of a guy's head into that of a jackass), and the botched performance of a play-within-the-play by a bunch of wannabe actors. Need we say more? Clever dialogue and witty banter: Check. Shakespeare is a huge fan of punning and snappy wordplay, so naturally, his characters know how to get their witty repartee on. Shakespeare reserves some of the best dialogue for his warring lovers, especially Oberon and Titania, and even the "rude mechanicals" manage to wow us with their clever banter. Deception and disguise: Let's see…Hermia and Lysander try to sneak away from Athens to elope (behind Egeus's back). Also, Titania and the young lovers have no idea they've been drugged by Oberon and his magic love juice. So, check. Mistaken identity: Check. Sort of. In most of Shakespeare's other comedies, someone usually runs around in a disguise to mask his or her identity. (Sometimes, a lover is even tricked into sleeping with the wrong person by mistake.) This isn't necessarily the case in A Midsummer Night's Dream, unless we count the fact that the love juice causes Titania to fall head over heels in love with an "ass." In other words, Titania mistakes Bottom for a creature who is worthy of her love and affection. The same can be said of the other lovers who are dosed with Oberon's magic love potion. Multiple plots with twists and turns: Check. There are several lines of action in A Midsummer Night's...
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...Chapter II: literature of the renaissance (End of the 15th - beginning of the 17th century) In the 15th - 16th centuries capitalist relation began to develop in Europe. The former townspeople became the bourgeoisie. The bourgeoisie fought against feudalism because it held back the development of capitalism. The decay of feudalism and the development of capitalist relation were followed by a great rise in the cultural life of Europe. There was an attempt at creating a new culture which would be free from the limitation of the feudal ideology of the Middle Ages. The epoch was characterized by a thirst for knowledge and discoveries, by a powerful development of individuality. It was then that great geographical discoveries of Columbus, Magellan and other travelers as well as astronomical discoveries of Copernicus, Bruno, Galilei were made. The invention of the printing press (Fyodorov in Russia, Guttenberg in Germany, Caxton in England) contributed to the development of culture in all European countries. Universities stopped being citadels of religious learning and turned into centers of humanist study. There was a revival of interest in the ancient culture of Greece and Rome ("Renaissance" is French for "rebirth"). The study of the works of ancient philosophers, writers, and artists helped the people to widen their outlook, to know the world and man's nature. On the basis of both the ancient culture and the most progressive elements of the culture of the...
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