A film that foregrounds the use of duration, the time it takes for an action to be completed on screen is equal to the time it takes that action to be completed in real life. The example I found within "The Early Films of Andy Warhol" by J.J. Murphy, was Andy Warhol's film Sleep. Murphy states, that the viewers saw the film as an uncut shot of a man sleeping peacefully in his bed. However, the film itself was heavily edited by Andy Warhol to give the impression that it was an uncut shot. The reason being that duration heavily relies on the actual time it takes to complete an everyday action. Which, is supported by the mainstream cinema's use of duration, often only showing seconds of a character completing the action. Murphy explains that during