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Sweethearts Biography

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The birth of the International Sweethearts of Rhythm led to the ‘Double-Victory’ campaign against racism and fascism as well as the rise of ‘Internationalism’ and the ‘women’s movement’ from 1940s onwards. (Tucker, 2000, 166, 172, 167) Founded by Dr. Laurence C. Jones, with the notion of creating an all-female jazz group in Piney Woods, the band consisted of 16 teenage girls of various ethnic and racial backgrounds. (Tucker, 2000, 183)

As Tucker argues, Sweethearts represents an ‘alternative social vision’ to discrimination. They exemplify variety within restricted ‘black space’. From the lyrics of ‘Jump Children’, ‘waist-long hair’ suggests the white Euro-American beauty standards that the Sweethearts are constantly stacked up against white bands. (Tucker, 2000, 172) On the other hand, the phrase ‘something that takes them anywhere’, ‘something’ can be interpreted as a ‘racial pride’ with instrumentalists’ mothers as disseminators of African American cultural heritage, or as a confirmation of women’s culture that is beyond restrictions. (Tucker, 2000, 172) …show more content…
One of which was that musicians were wearing dresses of uncertain nationalities; Winburn’s sarong was characteristic of ‘Pacific Islanders’ in war. (Tucker, 2000, 172) This variety of racial groups depicted another viewpoint of looking at ‘blackness’ as a huge category of ‘2nd class status’. Women being legitimate as musicians provided a view that women, regardless of race and orientation, are able to work together in harmony. (Tucker, 2000, 173-4) Additionally, in terms of music, internationalism created a new musical genre that incorporated rhythms and effects of various styles. ‘Black stagings’ of ‘Internationalism’ also highlighted discrepancies and vagueness of the Jim Crow laws. (Tucker, 2000,

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