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The Gothic Age

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The Gothic Age

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Standing before a piece of Gothic art, whether it is a painting, sculpture or a cathedral, you are drawn to a visual exploration like none you have ever seen. Where does the art start and end? The style of Gothic art draws the eye's attention at every turn. A choir of medieval spiritual beliefs is told in art, singing harmoniously in a language from long ago, which eludes us at the frontier of our memory reminding us of stories told throughout the years.
History of Gothic Art Gothic is the name given to the style of architecture, painting, and sculpture which flourished in Western Europe, mainly France and England, between the 12th and 15th centuries. The label of 'Gothic' was coined in Italy, during the Renaissance, as a derogatory reference to the art and architecture of these earlier centuries. The defamation was a comparison to the earlier Goth barbarians. Goths were an ancient Teutonic people, who were an important power in the Roman world from the 3rd to the 6th century AD. The entire Goth population divided into the Ostrogoths and the Visigoths, aligned themselves with the Roman Empire, and set out to conquer and rule. It is during this timeframe that the artistic influence of the Goths took hold and began to spread, mixing Gothic and Roman artistic styles. With the passing centuries, Gothic became more clearly associated with the closing era of the medieval age. In time, the separating point between the Gothic and Roman design would set around the distinctive style which followed the Romanesque era. During the Gothic age communication of craft and style was limited by the physical travel of small guilds of craftsmen. Over time, original ideas imported from earlier sites evolved into new forms, which reflected refined technique and regional influence. This influence due in part to the religious proclivities of the Goth would appear in Christian art forms. Gothic art, as with all art forms during this period, dealt heavily with the spread of Christianity. Therefore, one would find Gothic art forms associated with religious manuscripts, paintings, sculptures, and most notably, architecture. During the middle of the twelfth century, in the region surrounding Paris, several innovative art and craft forms began to coalesce within the renovations of existing church structures. Initially consisting of hybrid elements within earlier buildings, primarily the Romanesque abbeys, the new style soon accentuated its own merits.
Paintings
Gothic style painting draws its inspiration from Gothic style architecture, which predates it by about 100 years. Its mission, to accent the cathedrals created in this new motif of divine light, and naturalism. The gothic themes are preserved in painting: the subject is liturgical; the divine enlightenment is portrayed through the use of brighter colors, compared to Romanesque painting, gothic style illustrated its subjects in a more natural fashion, and there is a certain “softness”, or warmth to these painting unseen before in this medium (Gothic Style). The qualities associated with the gothic painting style first appeared in Italy at the end of the 13th century, and would last until the end of the 15th century. By the end of its appeal, the gothic style would spread out all across Europe, splintering into four separate sub-styles: Linear, Italo-Gothic, International, and Hispano-Flemish. (Gothic Painting) Early Gothic paintings are mainly illustrations on wooden panels. This may have to do with a certain level of poverty, or may represent a certain level of practicality: adornments on the Church’s furniture. The panel was first prepared with a type of preservative. The design was next outlined with a punch, and then painted with a tempera mixture (Early Gothic), an emulsion of color pigments and egg whites. Tempera was the forerunner of oil-based paints (Artlex). The linear style of Gothic painting is known for its understatements. It employees a sophisticated color scheme where background and secondary objects are represented in monochrome and drawn in a sterile, picture within a picture technique. The figures and foreground objects however, have a degree of warmth and are much more expressive than the Romanesque or Byzantine work which preceded this style (Gothic Painting).

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Figure 1:Panel from the Tomb of Don Sancho Saiz de Carillo. Artist unknown. The Italo-Gothic sub-style championed by Ferrer Bassa of Barcelona is noted for its sense of balance and attention to portraying of mannerisms. As in the linear style, background is typically in monochrome, the form difference though is a subtle introduction of perspective, a third dimension.

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Figure 2: Three Women at the Tomb. Bassa, Ferrer Towards the end of the 14th century, a sense of realism began to creep into painting. These facets included a true sense of three dimensions and settings, which were much livelier than before. This technique appealed to many painters of time and this style began to leave Italy, and take up residence all around Europe hence the moniker, “International Style”. At this time, book illumination still accounted for the majority of painting produced. One common type of book was referred to as a Book of Hours, a prayer book that details the daily devotions required of the faithful. In 1412, a wealthy French nobleman, Jean de Berry commissioned three brothers, Pol, Herman, and Jean Limbourg to illustrate a prayer book that would come to be known as Les Tres Riches Heures (Pioch).
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Figure 3: March. From Les Tres Riches Heures The Hispano-Flemish style of gothic painting is the last of the pure gothic styles. It is a synthesis of the International Style, and what would eventually become the early Renaissance. Its unique qualities include an unyielding tendency towards naturalism, the replacement of gold, or monochrome backgrounds with landscapes, and the initial use of oils rather than tempera (Pioch). Luis Dalmau was one of, it not the first of the Hispano-Flemish artists. In 1445, he produced The Retable of the Councillors, an altarpiece that touches upon almost every aspect of the Gothic style.

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Figure 4:Luis Dalai’s Retable of the Councillors
Architecture
Gothic architecture was a building technique that was used in the construction mainly of Churches during the years 1137 and 1144. The period of Gothic architecture began with the rebuilding of the abbey church of Saint-Denis near Paris, France. “But architecture is more than simply a technique. It has a permanence of its own, and it conditions the minds as well as the footsteps of the people who make use of it. Gothic was not dark, massive, and contained, like the older Romanesque style, but light, open and aerial, and its appearance in all parts of Europe had an enduring effect on the outlook of succeeding generations.” (Branner,1961) Gothic architecture is synonymous with high arches and ceilings. “Gothic cathedrals use refined, upward –striving lines to symbolize humanity’s upward striving to escape the bounds of earth and enter the mystery of space (the kingdom of heaven). The pointed arch is the most easily identifiable characteristic of this style.” (Sporre, p 246) Now that we understand the style of Gothic architecture, we need to explore what the style represented. One of the first things we have discovered is that the Gothic Architect took their job very seriously. “One of the major responsibilities of the Gothic architect was the structure of the building. Whether it was large or small, simple or complex, the edifice had to stand, or it would serve no purpose whatever.” (Branner, 1961)
Sculptures - What it represented To fully understand sculptures of this time you need to know about the medieval person's belief in god. The cathedral was an expression of their faith; everybody in the community contributed something. Those people with no gold to give would quarry stones. To them the cathedral was to be the most beautiful structure around and no task was considered too great for God's glory. The cathedral was also to be "read" by the people, and as most of the population was illiterate, stories where told using pictures. The sculptures built into the pillars clearly do this, with stories ranging from The Garden of Eden to haunting images of eternal damnation. A popular form of gothic sculpture was Gargoyles which where incorporated into architecture. When Gothic Cathedrals were built their roofs where covered with ugly, threatening sculptures. This belief came from ancient times when it was thought they would keep evil influences away.
|[pic] |[pic] |[pic] |

Pictures provided by Historical Reproductions Gothic sculpture was closely tied to architecture, since it was used primarily to decorate the exteriors of cathedrals and other religious buildings. The earliest Gothic sculptures were stone figures of saints and the Holy Family used to decorate the doorways of cathedrals. Sculptures assumed an increasingly prominent role during the High and late Gothic periods and were placed in large numbers on the facades of cathedrals, often in their own niches.
|[pic] |[pic] |[pic] |

Pictures provided by Gothic Art & Architecture Digest The best known examples of Gothic sculptures which have lived on through history and still have a great presence in today’s architecture development are the gargoyles. While these fearsome creatures may seem grotesque at first glance, give them another look. You'll find they have their own special charm. Their main purpose was to protect and ward off evil.
How the Gothic style influenced Cultures To Be Completed Still
Conclusion
At the end of the research – the team will be able to highlight how Gothic Art played a big part in the Middle Ages and how it has influenced modern times.

References
Artlex on Tempera. Retrieved from the World Wide Web on Saturday, August 3rd, 2002. Available at http://www.artlex.com/ArtLex/t/tempera.html Branner, R. (1961) Gothic Architecture, New York: Braziller, 1961, p. 10-20. [Online] Available http://www.columbia.edu
Early Gothic Painting. Retrieved from the World Wide Web on Saturday, August 3rd, 2002. Available at http://www.kfki.hu/~arthp/tours/spain/p_13.html
Elements and principles of sculptural. Encyclopedia Britannica http://www.britannica.com/eb/article?eu=117482 [online] [Accessed August 3, 2002].
Gothic Art & Architecture: [online] http://www.ragz-international.com/gothic_art.htm
Gothic Painting. Retrieved from the World Wide Web on Friday, August 2nd, 2002. Available at http://www.kfki.hu/~arthp/tours/spain/p_14_15.html
Gothic Style. Retrieved from the World Wide Web on Saturday, August 3rd, 2002. Available at http://arthistory.about.com/library/bl101_gothic.htm http://encarta.msn.com/find/Concise.asp?z=1&pg=2&ti=761576689 http://www.artlex.com/ArtLex/g/gothic.html http://www.elore.com/Gothic/introduction.htm Pioch, N. (2002). Masters of Illumination. Retrieved from the World Wide Web on Saturday, August 3rd, 2002. Available at http://www.ibiblio.org/wm/paint/tl/gothic/international.html
Sporre, D. (2002) The creative impulse, an introduction to the arts. Boston: Pearson Custom Publishing.

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