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The Ideology In Richard Griffith's Birth Of The Nation

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The next stage is development which significantly determines the complications of plot in the specific story. It effectively occupies around two quarter and often involves an unauthentic resolution to the major conflict formed in setup stage. The last stage is referred as resolution, in which the results of main story conflicts move to critical confrontation. This is also termed as Climax; it depicts that at this stage the closure of film tends to be introduced which represents that all the main issues as well as conflicts are resolved in the story. However, in terms of classical narratives it is observed that most of the Hollywood films closes with the sense of protagonists approach such as happily ever after context (Cook & Wang, 2004, pp. 568-569).

2.4.3 Genre
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It can be significantly demonstrated through known classical film “Birth of the Nation” as it was highly cultural influential for the life of Americans and it was repulsive concept of ideology. In the specific film, Griffith performed a role of black who raped greatly helpless white female and who tends to disgrace the innocent white people. In this manner, Griffith in film significantly presented his ideology of racism through an extreme dramatic way. While analysing different ideologies, it has been significantly identified that there are two main types of ideologies including explicit and implicit. The example of implicit ideology can be determined through Disney production films as it generally targets young or teen viewers as in these films good ethical messages are included in order to develop positive morale values. In reference to determine its impact in terms of social practices, example of “Lion King” can be explicitly presented as film demonstrates the decent leadership characteristics and it significance for the followers (Turner, 2012, p.

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