The Location of Culture, by Homi K. Bhabha; 285 pp. New York: Routledge, 1994, $49.95.
This book assembles several of Homi Bhabha's most significant essays, allowing for an examination of his contribution to contemporary literary theory. As a self-described postcolonial critic, often compared with Edward Said or Gayatri Spivak, Bhabha is perhaps most well-known for his theory of cultural hybridity, which he develops in "Signs Taken For Wonders" and several other essays included in this collection. Bhabha argues that hybridity results from various forms of colonization, which lead to cultural collisions and interchanges. In the attempt to assert colonial power in order to create anglicized subjects, "[t]he trace of what is disavowed is not repressed but repeated as something different--a mutation, a hybrid" (p. 111). This hybrid trace contradicts both the attempt to fix and control indigenous cultures and the illusion of cultural isolation or purity. His project thus adapts poststructuralist challenges to stable or fixed identities, attempting to "rename" postmodernism from a postcolonial perspective (p. 175), and allowing sustained attention to the ways in which race, gender, community, and nationality converge. One of his major contributions to theories of cultural production and identity is that he examines these various intersections closely, and avoids simply listing them or elevating one aspect of his analysis over others.
Eight of the twelve chapters in this volume have been published previously, though some contain significant revisions. Throughout, Bhabha provides a nonteleological series of readings from the Enlightenment to the present. He draws most often upon psychoanalytic approaches, with particular attention to Frantz Fanon, in his focus upon documents from British missionaries and colonial administrators in India, and upon such writers as Salman