...Thomas Dobson Professor Perez Literature 221 25 August 2013 Naturalism When must people think of naturalism they think of nature, and people who love the nature. That is not what naturalism is when it comes to literature. Naturalism is where the character in a story are caught in the forces of nature, and they have no control of their situation. Both Stephen Crane and Jack London did a great job with their short stories when portraying the writing style of naturalism. “The Open Boat” by Stephen Crane four men are on a boat when bad weather approaches them. They have to work together in order to survive this. In “To Build a Fire” by Jack London a man is at war with everything that the nature is putting in his path. He has no control at what is being thrown at him. The short story “To Build a Fire” by Jack London is about a man trying to escape death. The man is in Alaska, and decides to go on a walk with his dog. He is new to the area, and does not understand how bad the conditions really are. The man is supposed to meet up with a few friends at six o’clock. It starts getting colder, and the conditions are starting to worsen. The man falls down, and the snow gets him wet all the way up to his knees. So, he starts a fire to dry himself off, but the ice falls from a tree and kills the fire. He is not able to build another fire. By this point he is beginning to become frostbitten. He has a plan to kill his dog, and stuff his hands inside the dog to rebuild his circulation...
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...The two characters that stand out as being victim of the shaping forces of naturalisms is Paul in Cather’s “Paul’s Case” and the Correspondent in Crane’s “The Open Boat”. In one character it is naturalistic determinate Environment, and the other environment and hereditary. In Crane’s “The Open Boat” the correspondent and other kin, representing different characters within society, are at the mercy of the relentless sea. The sea, which in the story represents life, besides being beyond man’s sphere of influence, is an unpredictable and merciless environment as Crane vividly describes “these waves were most wrongfully and barbarously abrupt and tall”. The Correspondent, throughout his ordeal at sea, tries to reason and make sense of the...
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...and our sky is not harboring some invisible god of all creation. Nature is not a maternal being looking to comfort the creatures who live amongst her, and the conscienceless creature called man, who currently inhabits Earth, will soon be just like the dinosaurs – dead – for the harsh indifference of the soil beneath man’s feet has no opinion on his survival. Naturalism, as described above, is a grim, almost nihilistic, belief system characterized by the idea that the world is exactly as it can be seen; there is no god, but instead science, which can prove every concept and material object within the universe’s physical world. In addition to putting their complete faith...
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...Surratt The Open boat is a short story written and published in 1897. It was written by Stephen Crane detailing his thirty hour experience stranded in the ocean after the S.S. Commodore sank. Stephen, at the time, was a newspaper correspondent and was on his way to Cuba for a job. Crane, along with three others, survived the ship wreck. Once they knew the S.S. Commodore was sinking, they were rescued and boarded a small boat. Shortly after their rescue, Stephen created a short story in which he narrated his personal account. The story is soon published by Scribner’s Magazine. He received praise in America and England for his literary naturalism provided in the story. Throughout Crane’s career as an author, and in the present day, The Open Boat is, in most critics’ opinion, Stephen’s best work as an author. The major theme in this short story is “Man vs Nature”. Crane gives an in-depth, detailed account of what he and three other men experienced against the raging sea. One example of the conflict is, from the start of the story, Crane gives a description of how much visibility there is to navigate the boat. He writes, “These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea” (Crane, 1897). This gives readers an image that for miles nothing other than waves of water could be seen, making it almost impossible to direct the boat in those conditions. Though navigation of the boat had seemed all but...
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...December December 1989 Article 6 Natural Supernaturalism in "Riders to the Sea" Keith N. Hull Colby Library Quarterly, Volume 25, no.4, December 1989, p.245-252 This Article is brought to you for free and open access by DigitalCommons@Colby. It has been accepted for inclusion in Colby Quarterly by an authorized administrator of DigitalCommons@Colby. For more information, please contact swcole@colby.edu,kjgillum@colby.edu. Hull: Natural Supernaturalism in "Riders to the Sea" Natural Supernaturalism in "Riders to the Sea" by KEITH N. HULL "Riders to the Sea" most allow the validity of of her dead sea's I Maurya's visionwide-ranging, son and thecritics supernatural identity. Nicholas Grene, a illuminating commentator, states at one N DISCUSSING point in his essay on "Riders" that "Synge wins from his audience the willing suspension of disbelief by the strength and actuality of his dramatic image. . . . We not only believe that Maurya saw Michael on the grey pony, we believe Michael was there."! Robin Skelton, general editor of Synge's Collected Works, states directly that the play's "emphasis upon the dominance of the sea makes the sea itself into a power, a god."2 On the other hand some critics take a rationalistic view of "Riders," emphasizing its naturalism. Weldon Thornton says, "Synge . . . did not attempt to define a genre for the play, since his concern was with reality and the service of the truth."3 Malcolm Pittock, harshly rationalistic, criticizes Synge...
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...Instead of contemplating and debating ideals, logic, extinguished emotion, or consummate beauty, people would explore and analyze reality. 3)The Romans painted directly on the walls of their rooms, and also on portable panels. In Third and Fourth Style wall paintings, we can even see imitations of portable paintings - these are paintings of paintings, as it were. Domestic interiors were claustrophobic - windowless and dark - so the Romans used painted decoration to visually open up and lighten their living spaces. Technical elements of Roman painting include the fresco technique; brightly colored backgrounds; division of the wall into multiple rectangular areas; multi-point perspective; and effects 4)Naturalism in art refers to the depiction of realistic objects in a natural setting. The Realism movement of the 19th century advocated naturalism in reaction to the stylized and idealized depictions of subjects in Romanticism, but many painters have adopted a similar approach over the centuries. Naturalism began in the early Renaissance, and developed itself further throughout the Renaissance. 5)An arch is a structure that spans a space and supports a load. Arches appeared as early as the 2nd millennium BC in Mesopotamian brick...
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...are Impressionate works of art by Paul Gauguin, Vincent Van Gogh, and Edward March. This paper will include the description of the works including the styles, a summary of the artists’ personal philosophies of art as well as trends and schools of thought in the art world at the time and in the place the artist was working. Summary Description of the works /style The painting called the “Vision after the Sermon” which is a symbolist of art. Pauls’ used the dropping of a brushstroke called “cezannist” that included matte fields of persuasively movement and non-naturalistic colors. Those colors express the supreme visions of “Breton” as the farmer women’s. . (Kang, 2011) This work is also considered as Gauguin’s definite departure of naturalism that controls impressionism. His colors are without gradients, and it’s contrary to the traditions of the Renaissance. In this works he also ignored the rules of perspective. Because he made the figures on the foreground too large in relation to Jacob and the Angel. He also blocks the view of the wrestlers which according to the tradition should have been the central element of the whole composition. This painting was rejected by the church of Pont-Aven. (Kang, 2011) The painting called the “The Starry Night,” was painted by Vincent Van Gogh. This painting was a night sky filled with swirling cloud, the stars ablaze with their own luminescence and bright crescent moon. (Van Gogh, 2011)The features within this painting everyone can relate...
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...1. Literature of the 17th century. John Milton. “Paradise Lost”. John Bunyan. “Pilgrim’s Progress”. The peculiarities of the English literature of the 17th century are determined by the events of the Engl. Bourgeois Revolution, which took place in 1640-60. King Charles I was beheaded in 1649& General Oliver Cromwell became the leader of the new government. In 1660, shortly after Cro-ll’s death, the dynasty of the Stuarts was restored. The establishment of new social&eco-ic relations, the change from feudal to bourgeois ownership, escalating class-struggle, liberation movement and contradictions of the bourgeois society found their reflection in lit-re. The main representatives of this period is: John Milton: was born in London&educated at Christ’s College. He lived a pure life believing that he had a great purpose to complete. At college he was known as the The Lady of Christ’s. he Got master’s degree at Cambridge. It’s convenient to consider his works in 3 divisions. At first he wrote his short poems at Horton. (The Passion, Song on May Morning, L’Allegro). Then he wrote mainly prose. His 3 greatest poems belong to his last group. At the age of 23 he had still done little in life&he admits this in one of his sonnets. (On his 23d B-day) In his another sonnet he wrote on his own blindness. (On his Blindness) Milton wrote diff. kinds of works. His prose works were mainly concerned with church, affairs, divorce & freedom. The English civil war between Charles...
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...Nathaniel Hawthorne, “Young Goodman Brown” Goodman Brown was not asleep in this short story. As I read, I believed that Goodman did indeed meet the devil in the forest. If he had indeed dreamt about the trip he was sent on and meeting the devil, I think his nervousness would have been described in more detail then it was. Concentrating more on the anxiety he was feeling would have led the reader to believe that the events were not real. I also saw this story as an allegory. I saw the allegory after reading the story two times. I think it is centered on Goodman Brown having a bumpy past and that he wants to go beyond his past and reach heaven. The characters names also show the religious allegory in the story. The names Goodman and Faith are used and the characters are then soon faced with terrifying evil. I think that Goodman Brown and his wife, Faith’s names symbolize that they are good, religious people and that Goodman is making up everyone being evil in his head. I found an essay by Alexa Carlson that described the symbolism in light vs. dark, forest vs. town, nature vs. human, and fantasy vs. reality. In her paper, Essay #1: Young Goodman Brown, she states that “…fantasy vs. reality are employed to reinforce the idea that good and evil have been set up as strict categories into which no one, not even the religious figures of the community, fit neatly.” As she later writes, if Hawthorne was apprehensive about “what he considers right and wrong in terms of human behavior, I...
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...aggressive and said he would defend Darwin -This all leads to religious doubt Scientists are agnostics – don’t know if there is a God or not. There is no proof and evidence is not available to determine if there is or isn’t a God. German Higher Criticism -A bunch of philosophers of the 1870s basically trying to save the Bible from science fiction -Argue that you have to get rid of the things that are purely supernatural elements to save the Bible -You don’t want to throw out the whole Bible – there’s still a lot of relevant things -Morals, ethics and legal codes are still relevant Social Darwinism -Application of Darwins idea to society -“Survival of the fittest” – competition in natural world Realism (Naturalism) -Realistic art vs idealized art...
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...A2 Religious Studies Revision Booklet To be used alongside the textbook and your classnotes. Contents G581: Philosophy of Religion Religious Language......................................................………p.1 Religious Experience........................................................…...p.7 Miracles..................................................................…………...p.12 Nature of God............................................................………...p.16 Life and Death.........................................................…………..p.20 G582: Religious Ethics Meta-ethics...........................…………………………………….p.25 Free Will and Determinism………………………………….……p.28 Conscience.......................…………………………………….…p.32 Virtue Ethics………………………………………………………..p.36 Sexual Ethics…………………………………………………...….p.40 Environment and Business Ethics……………………………….p.44 Religious Language Introduction The problems of religious language: • If we use language univocally about God, then we are limiting him / making him like a human • If we use language equivocally about God, we cannot be sure what the word means when applied to God • Are statements about God supposed to be cognitive – if so, what evidence proves / disproves them? • Are statements about God supposed to be non-cognitive – if so, do they have any meaning? The Verification...
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...Lesson Nine A Dill Pickle Part One Warm up I. Dictation Katherine Mansfield (1888—1923), British short-story writer, was born in Wellington, New Zealand. She is considered one of the greatest masters of the short-story form. At the age of 18 she settled in London to study music and to establish herself as a writer. In 1918 she married English literary critic ，John Middleton Murry. Mansfield's middle class provided the setting for many of her stories and mortality—perhaps due to her illness—dominated her writing. Her background years were burdened with loneliness , illness, jealousy and alienation —all reflected from her work in the bitter depiction of marital and family relationships of her middle-class characters. As a New Zealand's most famous writer, she was closely associated with D.H. Lawrence and something of a rival of Virginia Woolf. Her short stories are also notable for their use of . Much influenced by Russian writer Anton Chekhov, Mansfield depicted events and _____ changes in human behavior. II. Poem Appreciation Camomile Tea ——by Katherine Mansfield Outside the sky is light with stars; There's a hollow roaring from the sea. And, alas! for the little almond flowers, The wind is shaking the almond tree. How little I thought, a year ago, In the horrible cottage upon the Lee That he and I should be sitting so And sipping a cup of camomile tea. Light as feathers the witches fly, The horn of the moon is plain to see; By a...
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...Case Studies Radical innovation at Philips Lighting 1.0 Introduction To state the obvious, radical innovation isn’t easy. It involves taking a leap into the unknown – and is particularly difficult for established organizations who have a track record of success which they don’t want to put at risk. So how does an organization jump the tracks? How can it switch off its immune system and open itself up to new – and potentially dangerous – inputs? How can it reframe, let go of its old ways of looking at the world and take on something which is very new – but by definition untried and risky? These are not academic challenges but the very stuff of innovation management – the essence of what it means to lead strategically. Put very simply, innovation is a survival imperative. If organizations don’t change what they offer the world – products and services – and the ways in which they create and deliver those offerings (processes) then they risk being left behind and at the limit disappearing. History shows us an almost Darwinian pattern of the rise of new entrepreneurial and agile organizations which mature, become comfortable and then fat and gradually lose their edge. Middle age gives way to a kind of sclerosis where change is reduced to smaller and smaller increments until one day the organization is upstaged by external events and unable to move fast enough to cope. It is the new kids on the block who exploit the new technology, pick up on the new market...
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...------------------------------------------------- Culture of India From Wikipedia, the free encyclopedia Part of a series on the | Culture of India | | History | People | Languages[show] | Mythology and folklore[show] | Cuisine | Religion | Art[show] | Literature[show] | Music and performing arts[show] | Media[show] | Sport | Monuments[show] | Symbols[show] | * India portal | * v * t * e | The culture of India is the way of living of the people of India. India's languages, religions, dance, music, architecture, food, and customs differ from place to place within the country. The Indian culture, often labeled as an amalgamation of several cultures, spans across the Indian subcontinent and has been influenced by a history that is several millennia old.[1][2] Many elements of India's diverse cultures, such as Indian religions, yoga and Indian cuisine, have had a profound impact across the world. Contents [hide] * 1 Religions * 2 Perceptions of Indian culture * 2.1 Arranged marriage * 2.2 Wedding rituals * 3 Greetings * 4 Festivals * 5 Animals * 6 Cuisine * 7 Clothing * 8 Languages and literature * 8.1 History * 8.2 Epics * 9 Performing arts * 9.1 Dance * 9.2 Drama and theatre * 9.3 Music * 10 Visual arts * 10.1 Painting * 10.2 Sculpture * 10.3 Architecture * 11 Sports and martial arts * 11.1 Sports ...
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...OLD ENGLISH LITERATURE • Palaeolithic nomads from mainland Europe; • New inhabitants came from western and possibly north-western Europe (New Stone Age); • in the 2nd millennium BC new inhabitants came from the Low Countries and the middle Rhine (Stonehenge); • Between 800 and 200 BC Celtic peoples moved into Britain from mainland Europe (Iron Age) • first experience of a literate civilisation in 55 B.C. • remoter areas in Scotland retained independence • Ireland, never conquered by Rome, Celtic tradition • The language of the pre-Roman settlers - British (Welsh, Breton); Cornish; Irish and Scottish Gaelic (Celtic dialect) • The Romans up to the fifth century • Britain - a province of the Roman Empire 400 years • the first half of the 5th century the Angles, Saxons, and Jutes (N Germany, Jutland) • The initial wave of migration - 449 A. D. • the Venerable Bede (c. 673-735) • the Britain of his time comprised four nations English, British (Welsh), Picts, and Scots. • invaders resembling those of the Germans as described by Tacitus in his Germania. • a warrior race • the chieftain, the companions or comitatus. • the Celtic languages were supplanted (e.g. ass, bannock, crag). * Christianity spread from two different directions: * In the 5th century St Patrick converted Ireland, in the 7th century the north of England was converted by Irish monks; * in the south at the end of the 6th century Aethelberht of Kent allowed the monk Augustine...
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