...Abstract Raves have historically referred to grass-roots organized, anti-establishment and unlicensed all night dance parties, featuring electronically-produced dance music (EDM), such as techno, house, trance and drum and bass. Since their late 1980s origins in the U.K., raves have gained widespread popularity and transformed dramatically. Consequently, their many cultural traits and behaviors have garnered much sociological interest, which mostly falls into two competing perspectives: cultural studies and public health. In this paper, we review what raves look like today compared to their high point in the 1990s. We then discuss how the cultural studies and public health perspectives define raves and have studied them over time, focusing on the “pet” sociological concepts each has sought to advance. Our analysis of these literatures reveals important differences in rave research by country and over time. We end by discussing the politics associated with the shift in rave research. Introduction Society has been greatly influenced by many alternative scenes, subcultures, or lifestyles oriented around music, youth and young adults (Epstein 1998). Some of the more notable ones include the English punk scene in the 1970s- 1980s, the U.S. jazz (1930s-1940s) and hippie scenes (1970s), and the 1990s rave scenes in the U.K. and U.S. From them have come musical innovation, social identity, fashion and other aesthetic nuances, and mainstream and alternative cultural production...
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...Teenagers And Raves June 4, 2011 Teenagers And Raves “Raves are the focus of a youth-oriented subculture that blends music, art, and social ideals” (e.g., peace, love, unity, respect, tolerance, happiness). Last year there were several raves that attracted over 200,000 teenagers, such as the Electric Daisy Carnival (Maddaus, 2011) that was held in Los Angeles, California. Even though a rave is a place for a teenager to socialize among their age group while listing to the latest techno music, a rave is an unsafe place to attend for a teenager, because of the lack of security and the amount of drugs that are highly prevalent. Raves are a place for teenagers to socialize among their age group while listing to the latest techno music. According to a recent article in Rave Digest, it states “The meaning of raving and the essence of the rave scene have been speculated about to no end, the typical age of a raver is from 15 to 25 years old” (Maddaus, 2011). A rave is a culture of escape, an escape from the real world where teenagers can go and experience a temporary feeling of innocence and forgetting about the problems in the real world. A teenager can listen to a popular D.J spinning the latest new techno music and enjoy it with other teenagers that share similar interest. People agree that a rave is a safe place for many reasons as stated above, also agree that it is a controlled environment that keeps teenagers off the streets and enjoying themselves with other teenagers...
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...my legs have been in constant motion along with my fellow ravers for what feels like days. Techno is the one thing that draws everyone here, as if we were bees being drawn to a flower, the music is the nectar of our ears. We are drawn techno, a type of music that is very misunderstood. Techno is music created using synthesizers and other electronic instruments. Techno- electric music and raves; when many hear these words they most likely think of an underground club that is filled with drugs and drunk kids. This perception has been hanging over this scene for some time now. It seems that has all started to change. This once frowned upon practice referred to as raving and the music that accompanies this event, called techno, is now generally accepted. Now not only young people enjoy this music, a lot of middle- aged people do as well. Today it appears that this once dark practice is now coming to light. This once dark practice has been growing in popularity among the young people for a little over fifteen years. With this rise in popularity comes more than just acceptance. The rave scene needs two things; a DJ and a location. Generally a traditional DJ would take a request for a song, or throw their own spin on them. But now DJ’s do much more then that. Most DJs have gone into the science of music to obtain their goal. This requires equipment that once was very limited, making it hard to acquire. Now it has become something you can purchase at Best Buy or find sites specializing...
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...Raves surfaced as an underground movement in the late 1980s in the United Kingdom and quickly dispersed to other European countries (Abadinsky, 2014). Raves vary in size and are generally announced in circulars and distributed in clubs, on the internet and music stores (Abadinsky, 2014). Raves are secretive high energy all night private dance parties with choreographed neon or laser lights and techno music (U.S. Department of Justice: National Drug Intelligence Center, 2001). Drugs have become a fundamental part of the rave culture (The Federal Bureau of Investigation, n.d.). Raves are trendy among teenagers and young adults (U.S. Department of Justice--National Drug Intelligence Center, 2001). Raves are energetic, all-night dance parties,...
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...24 Hour Party People, named after the Happy Mondays song of the same name, tells the story of Manchester’s popular music scene from the late seventies to the early nineties. It begins with the punk rock era and moves on to the “Madchester” scene (a music scene in Manchester out of which emerged a style of music that combined alternative rock, psychedelic rock, and dance music) which started in the eighties and then declined in the early nineties, and lastly the film moves to the birth of rave music in the nineties. The film centers on Tony Wilson(who consistently breaks the fourth wall by narrating the film to the audience), played by Steve Coogan, who gives a great performance, and the real Tony Wilson even has a brief appearance as a TV director. The real life Tony Wilson was a television personality, radio presenter, founder and manager of The Hacienda nightclub, and one of the co-founders of the record label Factory Records. Wilson and his friends attend the first Sex Pistols concert in Manchester, a show that would inspire much of the crowd to become musicians. This included Wilson and his friends, who were inspired to create Factory Records, a record label that would bring Manchester’s music to the world. It became one of the most important labels in Rock music but also one of the least financially successful. Wilson genuinely loved the new style of music and was able to help out doomed bands by signing them to his record label. Interestingly, Wilson gave artists full...
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...Analysis of how and where the influence of bass culture has occurred in the United Kingdom Name Institution Introduction Bass culture began as one of the key musical paradigm shift of the rave and breakbeat hardcore in the United Kingdom in the early years of the 1990. Since its introduction in the 1980’'s, bass culture has undergone significant transformation in terms of style and incorporating dance elements from different music genres such as dancehall, hip hop, funk, and electro music among other music genres. Some of the pioneers considered having brought the bass to the UK between the years 1980-1990 include Joey Beltram, CJ Bolland, L.A. Style, and Richie Hawtin. However, historical analysis shows the period 1898 to 1992 as the period of “cross pollination” of the bass culture. This period saw the incorporation of the UK hard-core sound into the bass culture. The process included incorporating hard-core sounds from different countries such as the Belgium, Germany, and the Holland. Therefore, this essay discusses the ways in which the bass culture had developed in the UK and period when it witnessed greatest significant influence on the culture. How the Bass Culture occurred in the United Kingdom over the Last 6 Decades The bass culture was introduced in the UK by the influx of the Jamaican reggae musicians in the early ages of the 1950’s. However, it did not emerge as expected due to constraints such as violence...
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...a dangerous drug that should never be taken under any circumstance. Ecstasy is in fact a synthetic methamphetamine derivative, also known as; Meth, Crystal, or Glass. MDMA has many street names which include: XTC, Go, Ecstasy, Disco Biscuit, Cristal, X, Adam, Bean, E, M, Molly, and Roll. Ecstasy is widely used at events as dance club or "rave" parties, but is not exclusive to those events. It has been used at house parties, and in school environments. A "rave" is a large event that features what has been commonly referred to as “Dance” music with lights and special effects played by D.J.s who specialize in this form of music. Raves are held in everything from night clubs to abandoned buildings to fields. Ecstasy was first synthesized in 1912 by a German company, possibly to be used as an appetite suppressant or a weight-loss drug. However, it was never marketed due to the unusual side effects of the drug. Ecstasy produces both stimulant and psychedelic effects, enabling those who take the drug to remain active for longer periods of time with less fatigue. This, in fact, is why Ecstasy is seen as a drug of choice at such events as dance raves, and other all-night activities. There is a strong misperception that use of Ecstasy is safe unless the drug is somehow tainted with some other illicit substance. In fact, Ecstasy is classified as a Schedule I Controlled Substance. Schedule I Controlled Substances have no medicinal use in the United States, and have a high potential for...
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...The references of Molly and drugs in general have come apart of our music culture…references to Molly can be seen a lot in hip hop with lyrics such as: “MDMA got you feeling like a champion/the city never sleep better slip you an Ambien.” Jay-Z “Empire state of mind; “Something about Mary, she gone off that Molly/Now the whole party is melted like Dali.” Kanye West “Mercy”; “Taken four door Bugatti/I’m the life of the party/let’s get these hoes on the Molly.” Rick Ross “Pop that”; “Now you know I’ on that Molly/told her I’m not trying to polly.”-French Montana “Molly”. It’s clear that the talk about Molly runs rampant through hip hop but it’s not only just there. Miley Cyrus is catching steam behind her coming back on the scene summer song “We Can’t Stop” that references using Molly while partying “So la da da di we like to party/dancing with Molly/doing whatever we want.” Icon Madonna is also catching slack for referencing Molly at the Ultra Music Festival, while introducing a performer. “How many people in the crowd have seen Molly?” That one question erupted with cheers from the audience. Did everyone in that crowd see Molly? Obviously it has nothing to do with music genre, it’s not just one type of music promoting and...
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... Ecstasy has been abused in many different ways since its inception in the 1970s. It was first used in guidance to help with psychotherapy, without evidence of supported research and FDA approval, until 1985 when the DEA classified ecstasy as a Schedule 1 Substance, which is a drug with a risk of excessive abuse and has no proof of being used medicinally (National Institute on Drug Abuse, 2013). Ecstasy is taken orally and can either be in the form of a capsule or tablet. Origins of abuse of ecstasy are said to have been by young adults and teenagers at house parties in the Netherlands; furthermore, the popularity of the drug rose over time and eventually became a trend in the rave/all-night party scene. Today, young adults and adolescent teenagers mainly abuse ecstasy to have fun at nightclubs, raves, and/or rock concerts. It has been reported that 1.5% (roughly 3.4 million) of Americans at least the age of 12 have tried ecstasy at least once in their life; unfortunately, a considerable amount of abuse, 5% or 1.4 million people, was found in Americans between the ages of 18 and 25. Some people use ecstasy for therapeutic reasons, such as adrenergic uptake inhibitors, hallucinogens, and serotonin agents, to feel euphoric, empathetic, and an increase in energy (National Institutes of Health, 2008). Shockingly, others even combine ecstasy with other drugs to heighten the effects and make them last longer: This can cause negative side effects afterwards, such as depression, problems...
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...advertising techniques were set in motion and a special promotion with NBC's Celebrity Apprentice was launched; nevertheless, questions remained about how effective those were in luring the target market. So company Research Analyst Aprille Byam quickly set out to get a better feel for market perceptions and behavior, hoping she might also generate excitement around the new technology. Aspiring to bridge the gap between quantitative and qualitative research, she worked with online panel management provider Vision Critical in 2007 to create Print Rave, a fusion of Web-based panel and online community that allowed the company to both directly communicate with users and moderate member-to-member interactions. That combination allowed Eastman Kodak to delve into the hard questions and keep users engaged so that it could gather the insight needed to forge ahead in the inkjet space. The Challenge: When Eastman Kodak broke onto the consumer inkjet scene in February 2007, leading competitor Hewlett-Packard had already secured a strong reputation for reliable products, a loyal customer base, and a 33% global market share. To acquire its own piece of the pie, Eastman Kodak needed to build excitement around a product that, although innovative in its own...
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...Pop Culture and me lets face it Electronic dance music also known as EDM has become an “it sensation” in the music world. Over the past few years the genre of music has become such an important part of our lives because it's basically everywhere. Now, in 2013 you don't necessarily need to go to a club scene to enjoy the performance of a Dj, you can see them in movie trailers, billboards, commercials, radios, and live streams playing from all over the world. Let me define to you exactly what Electronic Dance Music really is. It a set of percussive electronic music genres produced primarily for environments centered in dance-based entertainment, such as nightclub settings. The music is largely created for use by disc jockeys and is produced with the intention of it being heard in the context of a continuous DJ set; wherein the DJ progresses from one record to the next via a synchronized segue or "mix". For me this genre of music has become part of my life, it is what my friends and I associate with and most importantly my whole generation and even past generations listen too. In these last two years I have grown to love this type of music more and more. I am lucky enough to have attended a few Edm concerts and the experience I had for each one was simply a truly unique experience. Throughout my life I have been to a few concerts from different types of music like rap and country and even an Italian concert, but nothing compares to Electric Daisy Festival or The Last Tour...
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...Pretty much as they did amid the pop shake celebration blast of the 70s and the open air rave blast of the 90s, promoters have moved rapidly to benefit from this developing celebration circuit by flooding the business sector with new EDM celebrations, making them bigger booking lineups stuffed with built genius entertainers, and charging more for nourishment, beverage and gifts. Throughout the most recent couple of years there has been a blast of new EDM celebrations in the US that parallels the development of pop celebrations in the 70s. In 2011, for instance, the EDM celebration circuit developed to incorporate new occasions, for example, Electric Forest, Escape From Wonderland and Dancefestopia. It appears that the rise and hazardous development of "EDM-configuration" music celebrations is generally a North American wonder. Somewhere else on the planet particularly in Europe. Electronic music celebrations appear to have an unbroken authentic connection with the late 20th century rushes of pop and shake celebrations and rave style open air occasions however globalization happens. As of now, there gives off an impression of being developing cross-preparation between the North American EDM celebration circuit and the bigger worldwide circuit of electronic music celebrations like Belgium based Tomorrowland...
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...touch (421 only) VOCABULARY 1. Action-packed 2. Moving 3. Impressive 4. Well-received 5. Subtle 6. Depressing 7. Poignant 8. Entertaining 9. Offbeat 10. Understated 11. Pacey 12. Predictable 13. Enjoyable 14. Unconventional 15. Compelling 16. Slow- moving 17. Powerful 18. Charming 19. Epic 20. Overstated 21. Hilarious 22. Oversimplified 23. Perceptive 24. Flat 25. Sentimental 26. Gripping 27. Brilliant 28. Dramatic 29. Soppy 30. Insightful 31. Bleak 32. Stylish 33. Amusing 34. Thought-provoking 35. Dated 36. Intelligent 37. A shoe-string budget 38. Box-office smash 39. A flop 40. Rave reviews 41. Film-buff 42. It’s nothing to write home about to have no bearing on 43. It doesn’t hold water 44. To blow out of proportion 45. To be accountable to 46. A bone of contention 47. To get one’s money worth 48. To be rooted to the spot 49. To be dimly aware of to pinpoint 50. To be much to the point 51. to come up with 52. a follow up 53. a rule of thumb 54. gut feeling 55. a stand-alone film 56. to be highly lucrative 57. a proven track record 58. to incite the wrath of film critics 59. contender 60. snubbed 61. nominee 62. glitz 63. razzmatazz 64. nail-biter 65. harrowing 66. disparity 67. tedious/boring/deadly dull ...
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...planet named Alpha Centauri B-4. The planet is known by the locals as Pandora, which is populated by exotic plants and weird creatures. The human travelers intend on seizing the wealth the planet has to offer. The savior of the story is a former Marine by the name of Jake Sully. Jake Sully joins the native population of the planet in the hopes of avoiding planetary conquest by the human travelers set on depleting Pandora of its environmental wealth. The movie Avatar is a great success with its great action scenes, its creation of futuristic vehicles, the creation of new alien life forms, the expert use of CGI, the beautiful and awe inspiring cinematography, and the selection of vivid and brilliant colors for use throughout Pandora. Avatars introduction and use of the Combat Amp Suit, Grinder Vehicle and Scorpion Gunship helped in taking the combat scenes from an everyday science fiction fight to a whole new level. With raising the bar in combat fight scenes the Combat Amp Suit accessories displayed in the movie emphasize the detail spent by James Cameron in creating the perfect combat vehicle for his movie. The combat suit is fitted with cannons, flamethrower, slashing blade and various firing projectiles. The Grinder Vehicle is an ATV on steroids. The Grinder Vehicle is instrumental in helping the human travelers gain access through the dangerous and dense forest to the indigenous population. The Grinder is fitted with cannons and missiles that help to blow up...
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...9-502-040 OCTOBER 5, 2001 DOUGLAS B. HOLT Mountain Dew: Selecting New Creative Standing at the front of a PepsiCo conference room, Bill Bruce gestured enthusiastically, pointing to the sketches at his side. Bruce, a copywriter and Executive Creative Director, headed up the creative team on the Mountain Dew account for PepsiCo’s advertising agency, BBDO New York. In fact, it was Bruce who devised the famous “Do the Dew” campaign that had catapulted Mountain Dew to the number three position in its category. With his partner, art director Doris Cassar, Bruce had developed ten new creative concepts for Mountain Dew’s 2000 advertising to present to PepsiCo management. Gathered in the room to support Bruce and Cassar were BBDO senior executives Jeff Mordos (Chief Operating Officer), Cathy Israelevitz (Senior Account Director), and Ted Sann (Chief Creative Officer). Each of the three executives had over a decade of experience working on Mountain Dew. Representing PepsiCo were Scott Moffitt (Marketing Director, Mountain Dew), Dawn Hudson (Chief Marketing Officer, and a former senior ad agency executive), and Gary Rodkin (Chief Executive Officer, Pepsi Cola North America). Scott Moffitt scribbled notes as he listened to Bruce speak. Moffitt and the brand managers under him were charged with day-to-day oversight of Mountain Dew marketing. These responsibilities included brand strategy, consumer and sales promotions, packaging, line extensions, product changes, and sponsorships....
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