...Marcelo Neto US History Hon Mr. Hershaw 11/15/2012 The Scarlet Letter By Nathanial Hawtorne Summary The Scarlet Letter opens with a long chapter explaining how the book came to be written. The narrator was the surveyor of the customhouse in Salem, Massachusetts, where the novel takes place. In the customhouse’s attic, he finds a number of documents, among them a manuscript that was bundled with a scarlet patch in the shape of an “A.” The manuscript detailed events that occurred some two hundred years before the narrator’s time. When the narrator lost his customs post, he decided to write a fictional account of the events recorded in the manuscript. The Scarlet Letter is the final product. The novel begins in the seventeenth-century Boston, when Hester is briefly released from prison so that she can be paraded through town, displaying her scarlet "A" embroided on her chest while standing on top of the town scaffold. She carries her baby daughter, Pearl, in her arms. After being Hester steadfastly refuses to reveal the name of Pearl’s father, so that he might be saved from punishment. Hester Prynne’s long lost husband arrives in the midst of this parade through town. He visits her in prison before her release and asks her not to tell anyone that he’s in town. His plan is to disguise himself so that he can ferret out...
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...Dimmesdale is a very odd character throughout The Scarlet Letter. In the later half of the book, we get to learn a lot about him as a character, why he acts as he does and how he thinks. Dimmesdale is guilty of an abhorred sin in the community and he feels that guilt and remorse haunting him throughout the story. The only way for him to atone this sin is to confess. From beginning to end Dimmesdale is haunted by this sin. He feels physical and mental pain and that pain is shown to us, the readers many times, as well as the other characters. We receive from Hawthorne a couple of different hints to this. One of the major ones that reoccurs is when Dimmesdale clutches his hand over his heart. Not only is this imagery of visible pain unsettling to us, but also to Pearl and Hester who both notice it and question it leading up to Dimmesdale’s confession. This pain that he feels is the guilt from the affair, not only that but the public humiliation and shame that comes to Hester and his daughter Pearl when their community finds out about it. Hester and Pearl both become outcasts and Dimmesdale feels the repercussions of this....
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...violent and rude She is a living scarlet letter She is a wild rose-bush on the prison hall: an evil flower on the prison wall(1.a sin-born infant 2.the emblem of Hester’s guilt and torture 3.the source of Dimmesdale’s agony She is an innocent bush(1.a savor of Hester’s sin 2.a savor for Dimmesdale) Herman Melville title the largest brain and the greatest symbolism D.H. Lawrence Pearl the most modern child in all literature A devilish girl-child tender loving understanding give you a hit a grin of sheer diabolic jeering She is really a combination of good and evil. 2. 一朵野玫瑰 珠儿重要性分析 霍桑和红字：霍桑 红字 On page 81 and 82 Hawthorne describes her beauty very clearly. Pearl is vividly described by Hawthorn in page 81 as the infant whose guiltless life was the product of inscrutable decree of providence. On page 168 hawthorn talks about the light that happily lingers about the child that is lonely as if it is glad to have found such a loving playing mate. We are also told that the sunshine accepts pearl as an equal. The great forest also becomes the playmate of this lonely child. The natural things become her only friends and this in the end makes this child a very weird child. A good example is where Hester tells Dimmesdale that she hardly understands this child but she will love her to the end nevertheless. She goes on and states that sometimes she is afraid of little Pearl. her affinity1 withThe Scarlet Letteris stressed. She is its symbol...
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...The story The Scarlet Letter, by Nathaniel Hawthorne, is a story of sin, redemption, and courage. An article written by Bruce Ingham Granger titled, “Arthur Dimmesdale as Tragic Hero”, refers to one of the characters, Arthur Dimmesdale, as a tragic hero. In this article, it talks about how because of Dimmesdale’s “courage” he is very much a tragic hero, even more so than Hester for many reasons. Two points that I agree with from this article are that Dimmesdale is more of a tragic hero than Hester, and that he’s tragically great because of his confession, although one point that I disagree with is at what point Dimmesdale begins his dark journey. The first reason that I agree with in this article is the claim that Dimmesdale is more of a tragic hero than Hester. In the article Granger writes, “Whereas Dimmesdale’s full revelation on the scaffold is tragic, Hester’s dynamic but lawless behavior in the forest is at best heroically pathetic.” (202). Overall, Hester’s behavior throughout the book is very heroic, which Granger doesn’t show all that...
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...in The Scarlet Letter and the House of The Seven Gables, on the other; though we should hardly have understood the promise had not the fulfillment explained it. The shorter pieces have a lyrical quality, but the longer romances express more than a mere combination of lyrics; they have a rich, multifarious life of their own. The material is so wrought as to become incidental to something loftier and greater, for which our previous analysis of the contents of the egg had not prepared us. The Scarlet Letter was the first, and the tendency of criticism is to pronounce it the most impressive, also, of these ampler productions. It has the charm of unconsciousness; the author did not realize while he worked, that this "most prolix among tales" was alive with the miraculous vitality of genius. It combines the strength and substance of an oak with the subtle organization of a rose, and is great, not of malice aforethought, but inevitably. It goes to the root of the matter, and reaches some unconventional conclusions, which, however, would scarce be apprehended by one reader in twenty. For the external or literal significance of the story, though in strict correspondence with the spirit, conceals that spirit from the literal eye. The reader may choose his depth according to his inches but only a tall man will touch the bottom. The punishment of the scarlet letter is a historical fact; and, apart from the symbol thus ready provided to the author's hand, such a book as The Scarlet Letter...
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...Effects of adultery on the parties involved in the works of Chekhov 1. Introduction “In the latter part of the nineteenth century, a type of novel centered on wifely adultery flourished in Continental Europe”.1 Examples include Nathaniel Hawthorne’s “The Scarlett Letter”, Leo Tolstoy’s “Anna Karenina” and Gustav Flaubert’s “Madame Bovary”, but also short stories by the Russian writer Anton Chekhov. The topic of adultery could be explored in many different ways and where most writers focused on the social problems of infidelity, especially when committed by a woman, Chekhov presented the relationships between the lovers and their families. Furthermore, I feel like the characters always give some kind of justification for being unfaithful, may this be a sensible reason or not. Therefore, for the purpose of this paper, I would like to further explore the “justifications” given by the cheating parties, the way it affects their relationships with their spouses and family, but also the role that society plays in the way that they handle their respective affairs. Furthermore, I will take a look at the way in which the characters deal with the guilt that they have, concerning their spouses and personal consequences. For this reason, I will be examining two short stories by Chekhov, “The Grasshopper”, published in 1892 and “The Lady with the Dog” from 1899, as well as the play “Three Sisters” from 1900. Furthermore, I would like to start with a brief look at the socio-historic context...
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...Frankenstein Notes ------------------------------------------------- Some Interesting Points * There is a chilling logic in the creature's arguments. Why should he not respond in kind to the way that he has been treated by both his maker, who should have cared for him and looked after him, and by mankind as a whole? If the creature is inhuman, it is only because he is imitating the inhumanity of the human species. Therefore, I think that the novel presents Victor as being more inhuman. * Victor is alien in his society in the way that he removes himself from others, for example when he goes about creating the daemon/creation. Victor is very secretive and seems to like it that way... he doesn't really try to understand people like the creation does. The creation tries again and again to belong in the community, its his greatest desire. With Victor, on the other hand, there seems to be a gulf between him and the rest of society. * Justine’s trial testifies to the inhumanity of man. What is important to note is the way this links in to a vital theme of the novel, which is the presentation of the creature himself. He starts off innocent and wanting a relationship with his maker. It is the way that he is shunned by his maker and by humanity and treated cruelly that forces him into cruelty, but this cruelty is only paralleled by the monstrous nature of humanity as displayed in incidents such as the trial of Justine. We cannot expect the creature to be good when...
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...biblical Church Discipline 1 Mark Dever Mark Dever is pastor of Capitol Hill Baptist Church in Washington, D.C. A graduate of Cambridge Universit y, Cambridge, England, he is the author of Nine Marks of a Healthy Church and a recent book on Richard Sibbes. He is a contributing editor to The Founders Journal. Emily Sullivan Oakey was born, educated, and then taught in Albany, New York. As with many other women of the mid-nineteenth century, she spent a good bit of time writing down her thoughts—sometimes as part of a journal, other times as part of articles, very often in poetry. She published many of her articles and poems in daily newspapers and in magazines. As a young woman of twenty-one, perhaps inspired by Jesus’ Parable of the Sower, she wrote a poem about sowing and harvesting. Some twenty-five years later, in 1875, the poem was set to music by Philip Bliss and appeared in print for the first time under the title “What Shall the Harvest Be?”2 The little group of Christians who formed what would become Capitol Hill Baptist Church selected that very song as the first song to be sung in their meetings together, in February of 1878: Sowing the seed by the daylight fair, Sowing the seed by the noonday glare, Sowing the seed by the fading light, Sowing the seed in the solemn night. O, what shall the harvest be? O, what shall the harvest be? Very appropriate words to ring off the bare walls and bare floorboards of the building they met...
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...Prometheus author · Mary Wollstonecraft Shelley type of work · Novel genre · Gothic science fiction language · English time and place written · Switzerland, 1816, and London, 1816–1817 date of first publication · January 1, 1818 publisher · Lackington, Hughes, Harding, Mavor, & Jones narrator · The primary narrator is Robert Walton, who, in his letters, quotes Victor Frankenstein’s first-person narrative at length; Victor, in turn, quotes the monster’s first-person narrative; in addition, the lesser characters Elizabeth Lavenza and Alphonse Frankenstein narrate parts of the story through their letters to Victor. climax · The murder of Elizabeth Lavenza on the night of her wedding to Victor Frankenstein in Chapter 23 protagonist · Victor Frankenstein antagonist · Frankenstein’s monster setting (time) · Eighteenth century setting (place) · Geneva; the Swiss Alps; Ingolstadt; England and Scotland; the northern ice point of view · The point of view shifts with the narration, from Robert Walton to Victor Frankenstein to Frankenstein’s monster, then back to Walton, with a few digressions in the form of letters from Elizabeth Lavenza and Alphonse Frankenstein. falling action · After the murder of Elizabeth Lavenza, when Victor Frankenstein chases the monster to the northern ice, is rescued by Robert Walton, narrates his story, and dies tense · Past foreshadowing · Ubiquitous—throughout his narrative, Victor uses words such as “fate” and “omen” to hint at the tragedy...
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...CFC YOUTH FOR CHRIST 3‐Year Pastoral Formation Track Year 1 YOUTH CAMP MANUAL 2009 Revised Edition CFC Youth for Christ YEAR 1: YOUTH CAMP MANUAL (2009 Edition) 1 The CFC Youth for Christ Youth Camp Manual TABLE OF CONTENTS I. ORGANIZING A CFC YOUTH FOR CHRIST YOUTH CAMP A. The Youth Camp B. The Challenges C. The Youth Camp Objectives D. Important Conditions E. Practical Considerations II.THE TEAM LEADER’S GUIDE A. Youth Camp General Schedule of Activities B. Goals of the Youth Camp C. Achieving the goals of the Youth Camp through the YFC 4F’s D. Attitudes of the Youth Camp Team Leader E. Roles and Responsibilities of the Team Leader/Assistant Team Leader F. Roles and Responsibilities of the Couple Coordinators G. Practical Matters in the Youth Camp Preparations H. Practical Tips I. Speaker’s and Sharer’s Profile III.THE YOUTH CAMP TALKS A. The Gospel Message B. Sharing the message in the Youth Camp C. The Gospel and Youth Camp talks D. Final Tips E. Talk 1: God’s Love and His Plan for Us F. Talk 2: Who is Jesus Christ to Me? G...
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...A TEACHER’S GUIDE TO THE SIGNET CLASSIC EDITION OF GEORGE ORWELL’S ANIMAL FARM By HAZEL K. DAVIS, Federal Hocking High School, Stewart, OH S E R I E S W. GEIGER ELLIS, ED.D., E D I T O R S : UNIVERSITY OF GEORGIA, EMERITUS and ARTHEA J. S. REED, PH.D., UNIVERSITY OF NORTH CAROLINA, RETIRED A Teacher’s Guide to the Signet Classic Edition of George Orwell’s Animal Farm 2 INTRODUCTION Animal Farm is an excellent selection for junior and senior high students to study. Although on one level the novel is an allegory of the 1917 Russian Revolution, the story is just as applicable to the latest rebellion against dictators around the world. Young people should be able to recognize similarities between the animal leaders and politicians today. The novel also demonstrates how language can be used to control minds. Since teenagers are the target not only of the educational system itself but also of advertising, the music industry, etc., they should be interested in exploring how language can control thought and behavior. Animal Farm is short and contains few words that will hamper the reader’s understanding. The incidents in the novel allow for much interactive learning, providing opportunities for students to dramatize certain portions, to expand on speeches, and to work out alternative endings. The novel can be taught collaboratively with the history department as an allegory of the Russian Revolution, allowing students to draw parallels...
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...BELEN V. FORTU Chief, Budget & Fiscal Division JOSE C. DAYRIT Chief, Research & Publications Division AVELINA M. CASTAÑEDA Chief, Special & Commemorative Events Division ROSAURO G. UNTIVERO Historical Researcher & Editor EULOGIO M. LEAÑO Chief Historical Writer-Translator & Publications Officer GENEROSO M. ILANO Auditor JOSE RIZAL (1861-1896) THE FIRST FILIPINO A Biography of José Rizal by LEÓN Ma. GUERRERO with an introduction by CARLOS QUI R INO ( Awarded First Prize in the Rizal Biography Contest held under the auspices of the José Rizal National Centennial Commission in 1961) NATIONAL HISTORICAL COMMISSION Manila 1974 First Printing 1963 Second Printing 1965 Third Printing 1969 Fourth Printing 1971 Fifth Printing 1974 This Book is dedicated by the Author to the other Filipinos Speak of me as I am; nothing extenuate, Nor set down aught in malice, Shakespeare: °the/Lo. Paint my picture truly like me, and not flatter me at all ; but remark all those roughnesses, pimples, warts, and everything as you see me. — Oliver Cromwell. Report me and my cause aright. The rest is silence. Shakespeare : OTHELLO PREFACE Like most Filipinos I was told about Rizal as a child, and to me, like to most, he remained only a name. In school I learned only that he had died for our country, shot by the Spaniards. I read his two novels in...
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...1984 George Orwell 1949 Chapter 1 It was a bright cold day in April, and the clocks were striking thirteen. Winston Smith, his chin nuzzled into his breast in an effort to escape the vile wind, slipped quickly through the glass doors of Victory Mansions, though not quickly enough to prevent a swirl of gritty dust from entering along with him. The hallway smelt of boiled cabbage and old rag mats. At one end of it a coloured poster, too large for indoor display, had been tacked to the wall. It depicted simply an enormous face, more than a metre wide: the face of a man of about forty-five, with a heavy black moustache and ruggedly handsome features. Winston made for the stairs. It was no use trying the lift. Even at the best of times it was seldom working, and at present the electric current was cut off during daylight hours. It was part of the economy drive in preparation for Hate Week. The flat was seven flights up, and Winston, who was thirty-nine and had a varicose ulcer above his right ankle, went slowly, resting several times on the way. On each landing, opposite the lift-shaft, the poster with the enormous face gazed from the wall. It was one of those pictures which are so contrived that the eyes follow you about when you move. BIG BROTHER IS WATCHING YOU, the caption beneath it ran. Inside the flat a fruity voice was reading out a list of figures which had something to do with the production of pig-iron. The voice came from an oblong metal plaque like a dulled mirror which...
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...1984 By George Orwell Download free eBooks of classic literature, books and novels at Planet eBook. Subscribe to our free eBooks blog and email newsletter. Part One 1984 Chapter 1 I t was a bright cold day in April, and the clocks were striking thirteen. Winston Smith, his chin nuzzled into his breast in an effort to escape the vile wind, slipped quickly through the glass doors of Victory Mansions, though not quickly enough to prevent a swirl of gritty dust from entering along with him. The hallway smelt of boiled cabbage and old rag mats. At one end of it a coloured poster, too large for indoor display, had been tacked to the wall. It depicted simply an enormous face, more than a metre wide: the face of a man of about forty-five, with a heavy black moustache and ruggedly handsome features. Winston made for the stairs. It was no use trying the lift. Even at the best of times it was seldom working, and at present the electric current was cut off during daylight hours. It was part of the economy drive in preparation for Hate Week. The flat was seven flights up, and Winston, who was thirty-nine and had a varicose ulcer above his right ankle, went slowly, resting several times on the way. On each landing, opposite the lift-shaft, the poster with the enormous face gazed from the wall. It was one of those pictures which are so contrived that the eyes follow you about when you move. BIG BROTHER IS WATCHING YOU, the caption beneath it ran. Inside the flat a fruity...
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...In Cold Blood Truman Capote I. The Last to See Them Alive The village of Holcomb stands on the high wheat plains of western Kansas, a lonesome area that other Kansans call "out there." Some seventy miles east of the Colorado border, the countryside, with its hard blue skies and desert-clear air, has an atmosphere that is rather more Far West than Middle West. The local accent is barbed with a prairie twang, a ranch-hand nasalness, and the men, many of them, wear narrow frontier trousers, Stetsons, and high-heeled boots with pointed toes. The land is flat, and the views are awesomely extensive; horses, herds of cattle, a white cluster of grain elevators rising as gracefully as Greek temples are visible long before a traveler reaches them. Holcomb, too, can be seen from great distances. Not that there's much to see simply an aimless congregation of buildings divided in the center by the main-line tracks of the Santa Fe Rail-road, a haphazard hamlet bounded on the south by a brown stretch of the Arkansas (pronounced "Ar-kan-sas") River, on the north by a highway, Route 50, and on the east and west by prairie lands and wheat fields. After rain, or when snowfalls thaw, the streets, unnamed, unshaded, unpaved, turn from the thickest dust into the direst mud. At one end of the town stands a stark old stucco structure, the roof of which supports an electric sign - dance - but the dancing has ceased and the advertisement has been dark for several years. Nearby is another building...
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