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The Way We Are Belonging

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Ann Hui's The Way We Are is claimed to be a realistic film, that relies a lot on the accurate representation of working-class life Hong Kong. Thus, the use of everyday objects in the film is of particular significance, since the everyday objects and the apartment interior create the believable presentation of human existence. In the first shots of the film, the audience can see the sleeping teenage boy. What is the detail that we notice at once? The print on the bedding: Disney-theme pink sheets and pillow covers. However banal this detail seems, it seems to be quite a deliberate choice, primarily, because of the stereotypically 'girly' bed covers used by an almost grown-up male, creating a contrast that is difficult to miss. Thus, the director draws the audience's attention to the Mickey and Minnie Mouse bedding, which is certainly linked to globalization, or, more specifically, Disneyzation, of Hong Kong. The American influence is not pressing but it is there, almost subconscious. Another detail reflecting Western influence that is frequently used by the director is the characters' clothing. For example, in the first scene where the boy and his mother are having breakfast, he is wearing a …show more content…
The presence of a toy in the bathroom does not seem necessary for any purpose, which suggests this is a deliberate choice of designer or cinematographer. This use of everyday objects that clearly demonstrate influences outside Hong Kong, demonstrate the globalization of different cultures that came to Hong Kong and became a part of its own culture. It is fair to say, the presence of these objects is not oppressive but these really represent the cultural mix of Hong Kong contemporary

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