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Truth In One Flew Over The Cuckoo's Nest

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Through the narrations, Fowles creates a mirage of truth being unraveled. This approach was intentionally adopted by the author to present a quest for the readers to solve as much as Ayscough hounds the truth of what happened in the cavern. However, as the novel progresses, the readers notice that Ayscough’s pursuit is a pre-determined failure. The information Ayscough receives is insubstantial to successfully illuminate the definite motive behind Bartholomew’s journey, the incident in the cave, and his mysterious disappearance. Ayscough and the readers are subjected to frustration when they are exposed to half-truths, unanswered questions, incompatible viewpoints and incredible stories. The slow realization that the events that have occurred can never align with or satisfy Ayscough’s obsession with rational truth is reaches its climax in the deposition of Rebecca and the conflict that ensues between the Quaker Maid who believes, without the slightest wavering, that not only has she been redeemed of her sinful and shameful past, but that Bartholomew has departed in the symbolic ‘maggot’ and conveys the same to Ayscough without the slightest regard for his superior station and without intimidation hitherto witnessed in all the other witnesses. In fact, while Rebecca Lee’s narrative is the most fantastical, her narrative voice is, ironically, the most powerful.

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