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Turn Taking in Conversations: Overlaps and Interruptions

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Turn-taking in Conversations: Overlaps and Interruptions - Recorded Conversation Analysis -

Introduction Turn-taking behavior and interaction patterns play a key role in the process through which the participants interpret each-other's meanings and interactions. The study of "rules" of conversational behavior, turn-taking, overlapping of turns, pausing between the turns, etc. was pioneered by Sacks, Schegloff and Jefferson (1974). Interruption, according to West and Zimmerman, disrupts a current speaker - although disruption as such can also be regarded as interaction. Drummond claims that the disruptive potential of a turn can and should be evaluated based on the way the overlap was resolved in the interaction. Lerner (1989) observes that there are interruptions which can be justified in the ongoing interaction based on the sequential context of turns that lead to interruptive turns. He calls these justified interruptions. There are also "delayed completions", which represent a device for resolving overlap; a locator producing them might have been 'interrupted' by a current speaker before reaching the end of a (prior) turn - this gives the locutor the status of an interuptee, and thus the interuptee gains the "right" to complete his or her previous turn by interrupting the current speaker.

In defining overlaps, the following qualify as important concepts: 1. Transition Relevant Places (TRPs) - they are a natural place for the occurrence of short overlaps or simultaneous onsets of turns. Overlaps related to TRPs are short and produced when one or more interlocutors perceive a projected TRP in the ongoing turn and initiate their own turn(s) with a brief overlap of speech.

2. Discourse Management Devices (DMDs) - they are produced to show, first of all, an agreement about the distribution of the interactive roles. The listening party will produce the DMDs to show that the speaker is being listened and understood. DMDs consist mostly in short feedbacks or possible ways to complete one's turn.

3. Simultaneous onsets - they take the place of TRPs, because the turn that is perceived to be available is taken by two or more participants. In this case, at a certain point, the interactants display obedience to the one of the "rules" of conversations, the one that states that only one person speaks at a time. Therefore, the others give in and only one of them continues speaking.
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4. Laughter and shared laughter - it can bring the interactants in a closer alignment with each other if they are joining in as participants in the laughing sequence. Moreover, one interactant ca start laughing alone, and others may join in, thus displaying understanding and creating closeness.

5. Simultaneous turns - it is the contrary of the "rule" observed by Sacks, Schegloff and Jefferson, that when the interactants speak at the same time, they prefer to give the floor only to one person.

6. Delayed Completions or "justified" interruptions - they signify instances of turn-changes in which an interactant, by reverting back to his or her previous turn, indicates that the turn was not finished yet, thus evoking a right to interrupt whoever started to speak before the turn in question was completed. They can occur either through an audible overlap of speech, or as an Interjacent Onset, in which the interactant wishing to revert to the previous turn will do it during a pause in the current speaker's turn.

7. Interruptions - one of the main criteria characterizing interruptions is the displayed noncomprehension due to an intervention by someone other than the original addressee/recipient. Interruptions do not include any of the above-characterized concepts' features.

The text analyzed in this paper is a recording from March 2001 of two undergraduate students studying at "Ovidius" University of Constanta. The interlocutors are two young girls, aged between 25 and 30 years old. The language register used is informal, being assumed that they are friends, they have known each other for a long time, and the subjects discussed by them are mostly memories and trivial facts. From this point on, the paper is going to present instances of "violating" the "rules" of turn-taking in conversation; these are overlaps and interruptions. The concepts of overlapping met in the text discussed will be analyzed throughout the text, according to the order of appearance. The translation considered as the subject of this discussion is not word-for-word, it is rather an interpretation of the talk, taking into consideration the fact that, as previously mentioned, the register used is rather informal, if not slang (at certain moments). I will ask the reader to bear in mind the fact that the present study is the first analysis of this kind performed by the author and that the analyzed text is actually a translation (rather an interpretation) of the real conversation; therefore, the reader should consider the author's rather humble skills of handling turn-taking behavior and interaction patterns in a real-life, familiar conversation.
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The analysis of the various overlapping and interruption instances in the text:

"Anca: In '89, from the Revolution, I told you, when everybody was in strikes I was in the fifth grade, I told you that we… Oohh… we organized a strike, we didn't want our French teacher anymore Rodica: Yeah, we didn't want our Romanian teacher anymore and we were older . We were [in…] Anca: We were in the fifth grade […] Rodica: […] seventh grade. Yes, because you are two years older than me"

This first instance of interruption is actually a Delayed Interruption. After Rodica's first line of this excerpt, we have a short pause, used to give the speaker time to think about her following words. Anca interrupts the first speaker with a line in which she assumes her interlocutor's next words, therefore giving Rodica the status of an interuptee. Rodica interrupts and corrects Anca, by the "right" she was given as an interuptee, to continue her idea.

"Rodica: Yes, and ( ) And who was the instigator? I was. "I won't enter the class…" We were in eight grade and had to take an exam to get in high school and I had no idea about Romanian, you know? Anca: ((laughing)) Yeah, but I…we didn't like that we had too difficult homework And she wanted us to study, as well. Rodica: Do you know what she used to do? She used to come:: and when she got her salary, she used to count her money… And afterwards she used to go to the back of the classroom and rise her ((laughing)) stockings a little. Anca: ((laughing))"

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Here, we meet instances of Laughter and Shared Laughter. Anca is the first interlocutor to be laughing. Having remembered and told something funny, Rodica starts laughing afterwards, making Anca join in. This instance of shared laughter is a mark of displaying understanding and creating closeness between the interlocutors.

"Anca: The secretary from the school where that guy was killed, around Tic Tac… It is said that they were hanging around. Rodica: Yes? What a thing… Anca: She said she went to the funeral and ( Rodica: And what happened to that guy?" )

This excerpt displays two of the concepts discussed in the introductory part: Discourse Management Devices (DMDs) and Interruptions. First of all, after Anca's first line, Rodica presents a proof of her interactive role and of the fact that she is listening and understanding her interlocutor ("Yes? what a thing…"). Secondly, Anca's second line is interrupted after the short pause by Rodica, who changes the subject discussed previously.

Anca: So, they belonged to this group… And these two guys who died, Dragos and another one, Radu, were at the center. Like you would say…you know? The founders. And this other guy, I don't remember his name… Ciprian! The one who killed him, Ciprian. Rodica: This one was younger, because they were in high-school, studying to become policemen. Anca: Yeah, yeah, whatever. And a sly boot (guttersnipe) was racketing all the time, and these guys didn't want him in the group anymore. And the in the Easter Eve, he was still racketing and I don't know what. Rodica: Did he get drunk?

Interrupting what Anca was saying, Rodica comments upon the murderer's age. Showing little consideration about Rodica's comment, Anca expresses a sort of approval and continues her talk. After she finishes her line, her interlocutor addresses a question, functioning as a Discourse Management device, to show that she is listening and that she wants to maintain the flow of the conversation and to get more information about the subject.

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"Anca: I don't know if he was necessarily drunk, but the guys told him: "Look, stay here. Can't tou see we cannot get along anymore?" They were only starting fights and scandals and all that… And that guy got angry and he said: "What? You don't want me? What am I?" and he also told them "When you--" … they were at the church or somewhere in town, whatever, and he told them: "When you will get back, I will kill you!" And the guys got back home, there were three of them, and when they got back, and… So that guy got out of the edifice hall. There, in front of the edifice, got out of the edifice hall holding a bat and a knife Rodica: Yes."

This excerpt shows once more a Discourse Management device, expressed by Rodica's approval, or short feedback, in order to keep the flow and to show understanding and attention towards her interlocutor's long talk.

"Anca: And he started threatening them, I don't know what and to manifest himself around (…) He took him and he put the knife on his neck and this Dragos and him being good friends… It has been told that it is unknown…either he had jumped on this guy to defend the other one and he got stabbed, or he had said something like: "Instead of killing him, kill me"… Rodica: OOhh, I don't think that he sid something like that. Anca: That's not clear . The third one, that Nicu, they say he ran and he admit it: "I ran and hid" He was scared, you can tell it... When that guy took out the knife and put it to the other guy's neck, he ran… Okay, let's say you run, but you go and let somebody know! Rodica: Of course, he ran and ( )"

Another instances of Rodica's interventions to maintain the flow of the conversation (using a DMD) as an interactive interlocutor is presented with the help of the comments she makes in stating her opinion about the situation. She also shows that she is paying attention to her friend's remarks and wishes to continue the talk.
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"Rodica: Yeah, the [angry guy… Anca: Rodica: stabbed" [Yeah: this Radu, crazy as well… they say he got

In this short excerpt, there are two instances of concepts related to overlapping and maintaining the flow of the conversation. On one hand, Anca's overlapping talk is related to Transitional Relevant Places; we have this short overlap, because Anca assumed Rodica's end of line and started making her own comments. After Anca's line, Rodica interferes again, by offering a way of completing Anca's talk; thus, she uses a Discourse Management device.

"Anca: He stabbed that one in the back too, they say he didn't even feel it When they afterwards reached the hospital with this Dragos, who I don't know if he was already dead or something like this… (…) They say that she took his knife and washed it, she changed him, washed all his blood-stained clothes, I don't know what, to = Rodica: = hi[de him Anca: [cover him up

Rodica: Of course"

After Anca's pause at the end of her talk, Rodica uses another instance of DMDs, by offering to finish her interlocutor's turn, and thus overlapping with Rodica's line - and she accepts the comment.

"Anca: And they took her, his aunt, and his [mother for concealment Rodica: [Well, yes, accomplice, complicity

Anca: His mother was saying that the day of his funeral, Wednesday was his funeral"

We meet here another instance of DMDs, where Rodica seems to have unwillingly interrupted Anca, by wanting to express her position of an interactive interlocutor and her understanding

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of her friend's idea; only this time, Rodica's comment entirely overlaps her interlocutor's sentence end. Therefore, Anca uses a justified interruption to continue her main idea.

" Anca: His mother was saying that the day of his funeral, Wednesday was his funeral. (…) So as he wouldn't testify against her son. Rodica: So in this family they are all = Anca: = Yes, and:: slayers

Rodica: ( ) And his mother, they should all be put in jail And doesn't this guy have a father?"

Having been interrupted by Anca during her pause (of her first line), Rodica performs a justified interruption, continuing her idea.

"Anca: ( ) They can take him out as crazy, but as long as he is detained by the police, he has done all the psychological tests =

Rodica: = You can bet on it Anca: And they have no chance = Rodica: = That's true."

We have two instances of DMDs, in which Rodica, after the gaps Anca leaves once with finishing her ideas, expresses her approval and makes short comments to show that she is following and that she understands the subject.

"Anca: They said he was going to receive a just punishment And you saw… But wait, you don't travel by trolley because there, at :: how is it called? at that news stall where the trolley turns around in front of Jackobs Rodica: yeah, yeah Anca: They brawled there and there are flowers and his picture there
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Rodica: Yes? Anca: That's the way it is…"

Two last instances of DMDs worth mentioning are, on one hand, the approval expressed by Rodica towards her talk, and on the other hand, her brief question; these are used, again, to maintain the flow and to show interest and participation in the conversation.

Conclusion: From all the devices that are characterized as being specific to overlapping and interruptions in daily conversational talk, the most often used are Discourse Management Devices (ten instances) and Delayed Interruptions (three instances). The other concepts used, i.e. Laughter and Shared Laughter, Transitional Relevant Places, and Interruptions, were used only one time during the conversation. Therefore, the instances of interrupting or of overlapping that disrupt the flow of the conversation are not many, fact which proves that the talk was not very tensioned, but rather "successful".

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