...oldest known media, and has remained popular over the centuries; yet Britain is credited with having ‘perfected’ the medium during this period. It was at this time that a number of treatise written on its usage, most famously, Ruskin’s ‘The Elements of Drawing’, which became a best seller during the Victorian period. Three artists in particular- Thomas Girtin, Paul Sandby and J.M.W. Turner- are recognized as having mastered the technique, reinvigorating the use of watercolour. These artists elevated watercolour by depicting subject matter often reserved for oil paint, often on a far larger scale than that which had previously been produced. Not only did these artist contribute greatly to the technical development of the medium, they also helped to pioneer the ‘picturesque’, an aesthetic ideal that was entered into English cultural debate by the writings of William Gilpin in 1782. The term’s meaning became a more specific reference to a way of presenting the English countryside as something constant and stable. It may best be described as a mediator between the opposing notions of ideal beauty and the sublime. These important political and philosophical concepts were explored through watercolour, allowing for the elevation of the technique in this period. Paul Sandby was the earliest of the three eminent watercolourists, being...
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...何梓涵 12010007 To Professor Hou Yiling English Literature The Transient Sublime and Mortality in “Ode to a Nightingale” Composed during the most creative period in Keats’s brief poetic career, “Ode to a Nightingale” has long been regarded as one of the most refined works of his poetry. Previous criticism has comprehensively explored its themes of nature, beauty and mortality, as well as its demonstration of Keats’s notion of Negative Capability. But based on my research, few critical reviews have touched upon the point which I find clearly suggest itself in this poem: that the poet’s experience here depicted is not merely an escape into the realm of ideal beauty, but also an intoxication with the Romantic sublime. Between the sublime and his anticipated death, Keats builds an analogical connection from which he gains insights into both. Hence it is my endeavour in this paper to illustrate that in “Ode to a Nightingale”, Keats describes the entire process of his journey into and back from the sublime, after which he has to face again the transience of the sublime and the mortality of human life. Traditionally, most critics agree on the poem’s theme being the conflict between reality and the Romantic ideal of uniting with nature, among many other contrasts that are present throughout the poem. The most representative interpretation comes from Richard Fogle, who defines the principal stress of the poem as a struggle between ideal and actual, containing more particular antitheses...
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...The Trouble with Wilderness; or, Getting Back to the Wrong Nature William Cronon This will seem a heretical claim to many environmentalists, since the idea of wilderness has for decades been a fundamental tenet-indeed, a passionof the environmental movement, especially in the United States. For many Americans wilderness stands as the last remaining place where civilization, that all too human disease, has not fully infected the earth. It is an island in the polluted sea of urban-industrial modernity, the one place we can turn for escape from our own too-muchness. Seen in this way, wilderness presents itself as the best antidote to our human selves, a refuge we must somehow recover if we hope to save the planet. As Henry David Thoreau once famously declared, “In Wildness is the preservation of the World.“’ But is it? The more one knows of its peculiar history, the more one realizes that wilderness is not quite what it seems. Far from being the one place on earth that stands apart from humanity, it is quite profoundly a human creation-indeed, the creation of very particular human cultures at very particular moments in human history. It is not a pristine sanctuary where the last remnant of an untouched, endangered, but still transcendent nature can for at least a little while longer be encountered without the contaminating taint of civilization. Instead, it is a product of that civilization, and could hardly be contaminated by the very stuff of which it is made...
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...qualities and symbolic significance. The Romanticism Era Introduction During the Romanticism era, emotional expression motivated European artists from about 1820 to 1850. In this era, various artists, such as painters, photographers, musicians, and writers, held the belief that imagination and emotion had more value than reason, civilization was more corrupt than nature, and that ultimately human beings were good (Frank, 2011). As a way to move away from the Neoclassicism fixation classical forms, Romantic artists sought to celebrate nature, rural life, common people and other exotic ideas in their work. Romanticism is demonstrated in such works of art as The Burning of the Houses of Lords and Commons by Joseph Mallard William Turner (Frank, 2011, p. 328), in The Oxbow by Thomas Cole (Frank, 2011, p. 329), and also in Blue Hole, Little Miami River by Robert S. Duncanson (Frank, 2011, p. 330). These three landscape themed paintings represent the Romanticism era by the celebration of nature through great emotion and imagination. The Burning of the Houses of Lords and Commons The Burning of the...
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...modernism was engaged into the Southwest. In the nineteenth century, O’Keeffe captured the western landscape and the spiritual mystique of the New Mexican badlands. This exhibition revealed the artworks of Georgia O’Keeffe. For this exhibition, the following three artworks being used are: Red Hills with Bones (1927), Red Hills with Flowers (1937), and Black Place II (1944-45). These paintings gave a good representation of O’Keeffe’s life and presented some historical relevance from the perspective of American modernism through the landscapes of the American Southwest. The range of works in the exhibition provided the opportunity for an installation of groupings by themes such as balance of life and death, simplicity in detail, and sublime beauty of the American Southwest near Santa Fe, New Mexico. Among these themes, this exhibition captured the spiritual beauty of the Southwest. Both nature and its environment are the focus of creative experimentation of composition, form, and the properties of light, color, and infinite space. Even the balance of nature in the desert inspired Georgia O’Keeffe to explore the New Mexico’s universal nature. This exhibition challenged the viewers to focus on the simplicity in O’Keeffe’s compositions as well as the bold colors and light in these artworks in a two-dimensional space. Also, the viewers will be challenged with what art critics think about these artworks. The layout of the exhibition is essential to reveal these three artworks...
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...Both artists, Samuel Palmer and William Blake were two artists that were truly ahead of their time period. Both artists style was so advance for their time they did not fit into their art historical category during their era. Samuel Palmer was born in Surrey Square, St. Mary’s, and Newington. When Palmer was a child he was very frail and required a nurse growing up. Mary Ward would be his nurse to aid young Palmer, and also contributed to the development of his mind, and implanting the love of poetry in him at a young age. Palmer father’s trade was a big factor into Palmer’s intellectual development. The books the father was trading constantly changing, and Palmer’s reading skill was improving greatly and taking in everything he was learning from the various books. He read books like fiction, travel, religion, and poetry. His dad also taught him English, and had intellectual discussion on all type of subjects while walking in the neighbouring countryside. His mother encouraged Palmer copy architectural and botanical drawings and prints of easel paintings and frescoes during his younger years. But Palmer felt copying these skills was not his calling and he preferring authorship. After the death of Palmer’s mother, a minor artist had played an important role in Palmer’s life. That artist name was William Wate that had landscapist ability that cause people to make them interested in his work. Wate happened to have extremes passion for Romantic aesthetic, and also showed...
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...and filtering into water streams where it contaminates inland waters and seas thus effecting aquatic fauna as well. Moreover, this widespread use of antibiotics in CAFOs has also sparked an increase in antibody resistance amongst pathogens which poses a threat to the human population especially when possibilities of infectious diseases crossing over from CAFO animals to humans is very probable (Henning 65-70). Furthermore, proponents of the grass-fed label emphasize the quality of grass-fed meat as being sublime both in taste and in nutritional quality. Grass-fed meat advocates highlight the fact that grass-fed meats have a “better fat profile” and contains many good nutrients such as omega-3’s, linoleic acid, and vitamin E all which promote good health. As for the exorbitant price of grass-fed meat, proponents reply that quality outcompetes quantity in the long run and points out that excessive meat consumption is not healthy and perhaps cutting back is for the best (Turner 46). Finally, falling awkwardly in the middle of all of this are the group of people whose sole concerns are the wellbeing of the animals. This group of people are not as concerned about the environment rather they mainly argue against the inhumane practices on farms in general. Where pasture farms find amputations and mutilations done without malicious intent to be “ok” this group of people consider it an inhumane practice which violates animal rights. As for CAFO practices, this particular viewpoint condemns...
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...Introduction A t this point in our social history we are experiencing trends in marketing and consumerism that no cultural phenomena in antiquity has prepared us for. Each day between the hours of waking and sleeping we are exposed to 3000 – 5000 marketing messages across every shape and flavour of media mankind has been able to devise in good conscience (Story 2007). Every niche, of every segment, of every market, for every product, has a multitude of competitors vying for space of mind, seeking to differentiate, remind, inform, or persuade themselves into our lives and shopping trollies (Copley 2004). This clutter, consternation, and competition has taken the humble consumer transaction to be something more akin to game theory, and contemporary marketing strategy has become a battle of minds and wills (Lee, Broderick, and Chamberlain 2007). Each new generation of consumer finds themselves delivered deeper into an environment of increasing media and message saturation. But, with every generational cycle a further sophistication in the adaptive discretionary filtering system is created in order for these individuals to preserve some degree of highly guarded ‘psychic space’, and as such ‘marketing professionals are keenly aware of the obstacles posed by both information-processing limitations and viewer opposition’ (Rumbo 2002). ‘The multiplicity of advertising mes¬sages to which each consumer is exposed dictates that advertisers place a lofty premium on the much-coveted...
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...Data Hora Título da Série / Filme (PORT) Título do episódio (PORT) Episódio número Diretor Ano de Produção Sinopse Classificação indicativa País de Origem Classificação do conteúdo 18/09/2015 06:00:00 As Aventuras de Brandy e Sr. Bigodes Teste de Estresse/Um Probleminha 35 Russell Marcus 2006 As aventuras de Brandy e o Sr. Bigodes é uma comédia animada que conta as aventuras de dois amigos pouco comuns, uma cachorrinha mimada e um coelho maluco, em sua nova e atípica casa no Amazonas. LIVRE ESTADOS UN 04 18/09/2015 06:30:00 PHINEAS E FERB Só Sobremesas 208 Zac Moncrief 2013 Phineas e Ferb, dois médio irmãos de 10 anos de idade, decidirão que cada dia se volte mais emocionante do que o anterior através de fabulosas aventuras, como construir uma montanha russa que desafie todos os limites em seu próprio pátio traseiro. LIVRE ESTADOS UN 04 2013 "A Xerife Callie no Oeste", o primeiro desenho para crianças situado no velho oeste, conta a história de Callie, uma amável gatinha xerife que, ao lado dos seus amigos, o delegado pica-pau Bico e o divertido parceiro Toby, um cacto, cuida de Recanto Amigável Feliz, uma simpática cidadezinha na fronteira. Juntos, eles garantem que todos sigam o "Código de Cowboy", que incentiva a justiça, honestidade, hospitalidade, cooperação e trabalho duro. LIVRE ESTADOS UN 04 2014 Art Attack, uma produção nova, original e exclusiva...
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...CHAPTER 2. A HISTORY OF DRUG AND ALCOHOL ABUSE IN AMERICA Written by: Tammy L. Anderson To appear in: Harrison, L., Anderson, T., Martin, S., and Robbins, C. Drug and Alcohol Use in Social Context. Belmont, CA: Wadsworth Publishing -1- A HISTORY OF DRUGS AND ALCOHOL IN THE UNITED STATES Introduction The purpose of this chapter is to review the history of drug use and its social control in the United States so that students can gain an improved and thorough understanding of today’s problems and policies. Our approach to this matter is sociological, i.e., exploring how the interconnection between culture, social institutions, groups, and individuals function to create drug-related phenomena. A sociological approach integrates many kinds of social, cultural, political, and economic factors that manifest themselves in everyday life. While pharmacology helps us comprehend how specific drugs impact brain activity, sociology can inform us about the social roots of drugrelated behaviors which ultimately shape beliefs and behavior and motivate social policy. Therefore, a review of drug use in the U.S. and the social response to it must consider many diverse phenomena. This broader framework will move us beyond domestic borders and into the international community, for the history of drug abuse is an international, socio-political marvel. Another idea warrants mentioning before we begin our history lesson. It centers on the idea that drug use and abuse are socially...
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...International Journal of Applied Linguistics & English Literature ISSN 2200-3592 (Print), ISSN 2200-3452 (Online) Vol. 2 No. 4; July 2013 Copyright © Australian International Academic Centre, Australia A Stylistic Analysis of D.H. Lawrence’s ‘Sons and Lovers’ Nozar Niazi English Department, Lorestan University, Khorramabad-Iran E-mail: nozar_2002@yahoo.co.in Received: 04-04-2013 doi:10.7575/aiac.ijalel.v.2n.4p.118 Abstract Accepted: 14-05-2013 Published: 01-07-2013 URL: http://dx.doi.org/10.7575/aiac.ijalel.v.2n.4p.118 This paper aims at analyzing D.H. Lawrence’s ‘Sons and Lover’ using a stylistic approach. Stylistics is a study of the amalgamation of form with content. The stylistic analysis of a novel goes beyond the traditional, intuitive interpretation, because it combines intuition and detailed linguistic analysis of the text. The defining elements of modern language are within the text itself, not prescribed from outside. With modernist texts, usually understanding comes from close study of the language system defined within the text itself. Form, technique and style are considered not as a mere vehicle of the content of the story, but an integral part of the work’s meaning and value. In our analysis of ‘Sons and Lovers’ the resources of language: lexis, syntax, phonology, figurative language, cohesion and coherence, are discussed in relation to the style of discourse in order to explore hidden meanings in the text. The resources of language are shown...
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...This is a featured article. Click here for more information. Something (Beatles song) From Wikipedia, the free encyclopedia "Something" Picture sleeve for 1982 reissue of the single Single by The Beatles from the album Abbey Road A-side "Come Together" Released 6 October 1969 (US) 31 October 1969 (UK) Format 7" Recorded 2 May, 5 May, 16 July, 15 August 1969 EMI Studios, London; Olympic Sound Studios, London Genre Rock pop[1] Length 2:59 Label Apple Writer(s) George Harrison Producer(s) George Martin Certification 2x Platinum (RIAA)[2] The Beatles singles chronology "The Ballad of John and Yoko" (1969) "Something" / "Come Together" (1969) "Let It Be" (1970) Music sample "Something" 0:00 Abbey Road track listing 17 tracks Side one "Come Together" "Something" "Maxwell's Silver Hammer" "Oh! Darling" "Octopus's Garden" "I Want You (She's So Heavy)" Side two "Here Comes the Sun" "Because" "You Never Give Me Your Money" "Sun King" "Mean Mr. Mustard" "Polythene Pam" "She Came In Through the Bathroom Window" "Golden Slumbers" "Carry That Weight" "The End" "Her Majesty" "Something" is a song by the Beatles, written by George Harrison and released on the band's 1969 album Abbey Road. It was also issued on a double A-sided single with another track from the album, "Come Together". "Something" was the first Harrison composition to appear as a Beatles A-side, and the only song written by him to top the US charts before the band's break-up...
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...FREE! An autumn festival of art, knowledge and imagination bloomsburyfestival.org.uk | Follow us: @bloomsburyfest #bloomsburyfest Introduction Welcome to the Bloomsbury Festival This October the Bloomsbury Festival spills out into the area’s streets, shops, museums, libraries and laboratories with a truly eclectic line-up of unexpected, enlightening and extraordinary things to see and do. Take a musicals masterclass from Sir Tim Rice, hear Turner Prize winner Mark Wallinger in conversation, listen to Iain Sinclair on Bloomsbury and radicalism, and discover Sir Andrew Motion’s personal literary refuges. We’ve extended the festival to six days, giving you more time to explore over 200 free events across Bloomsbury. The all-new Bloomsbury Lunch Breaks and After Work Sessions will make midweek in midtown a breeze, leading up to an inventive weekend of street parties and open squares. This is a festival you can escape and relax into, whether it’s jazz and gin in a private square, or piano recitals in the stunning new Dairy Art Centre. Our year-round outreach programme shows what neighbours, no longer strangers, can achieve together. This is a festival that couldn’t happen anywhere else. This is Bloomsbury - we hope you’ll enjoy it with us! Find more information about the festival and every event online at bloomsburyfestival.org.uk Introduction As the new Festival Director, I am proud to present the 2013 Bloomsbury Festival programme, created and led by the people that...
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..."Nature's first green is gold" ......................Nothing Gold Can Stay by Robert Frost Frost's poem contains the perfect image of Vermont's spring landscape. The hardwoods lose their leaves in autumn and stay bare through the winter. In spring, the first green to appear is really gold as the buds break open. The willows and maples have this temporary gold hue. In only a few days, the leaves mature to green. Figurative Language Figurative language uses "figures of speech" - a way of saying something other than the literal meaning of the words. For example, "All the world's a stage" Frost often referred to them simply as "figures." Frost said, "Every poem I write is figurative in two senses. It will have figures in it, of course; but it's also a figure in itself - a figure for something, and it's made so that you can get more than one figure out of it." Cook Voices p235 Metaphor A figure of speech in which a comparison is made between two things essentially unalike. To Frost, metaphor is really what poetry is all about. He is notably a poet of metaphors more than anything else. This is so important, we should hear directly from the poet. Frost said," Poetry begins in trivial metaphors, pretty metaphors, 'grace metaphors,' and goes on to the profoundest thinking that we have. Poetry provides the one permissible way of saying one thing and meaning another. People say, 'Why don't you say what you mean?' We never do that, do we, being all of us too much poets. We like...
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...A CASE STUDY TO UNDERSTAND THE FACTORS THAT PROMOTE AND FACILITATE MEDICAL TOURISM IN THAILAND WITH REGARD TO SERVICES PROVIDED BY HOSPITALS A CASE STUDY TO UNDERSTAND THE FACTORS THAT PROMOTE AND FACILITATE MEDICAL TOURISM IN THAILAND WITH REGARD TO SERVICES PROVIDED BY HOSPITALS Tejasvi Vasudevan An Independent Study Presented to The Graduate School of Bangkok University In Partial Fulfillment of the Requirements for the Degree Master of Business Administration 2014 2014 Tejasvi Vasudevan All Rights Reserved This Independent Study has been approved by The Graduate School Bangkok University Title: A case study to understand the factors that promote and facilitate medical tourism in Thailand with regards to services provided by hospitals Author: Ms. Tejasvi Vasudevan Independent Study Committees: Advisor Dr. Sriwan Thapanya ………………………………………………………………………… Field Specialist …………………………………………………………………………… (Asst. Prof. Dr. Sivaporn Wangpipatwong) Dean of the Graduate School Tejasvi Vasudevan. Master of Business Administration, May 2014, Graduates School, Bangkok University Title: A case study to understand the factors that promote and facilitate medical tourism in Thailand with regards to services provided by hospitals (72 pages) Advisor of Independent Study: Dr. Sriwan Thapanya ABSTRACT The aim of this study is to understand reasons behind the growing medical tourism industry in...
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