...father was from the well-to-do, conventional Baggins family, but his mother was from the Tooks, a wealthy, eccentric family infamous for their unhobbitlike tendency to go on adventures. Despite his Took blood, however, Bilbo prefers to stay at home and live a quiet life. On the day the story begins, Bilbo is enjoying a pipe outside his front door when an old man with a long cloak and a staff arrives. After the old man introduces himself, Bilbo recognizes him as the wizard Gandalf, who has created spectacular fireworks displays on holidays in Hobbiton, but Bilbo still looks on the old wizard with a suspicious eye. When Gandalf asks if Bilbo would be interested in going on an adventure, Bilbo declines and quickly excuses himself. He invites the wizard to come over for tea sometime but only so as not to seem rude—in reality, he wants nothing to do with Gandalf and his adventures. When the doorbell rings the next afternoon, Bilbo assumes it is Gandalf. To his surprise, a dwarf named Dwalin pushes past him and promptly sits down to eat. Soon, other dwarves begin to arrive, and as Bilbo’s neat little home becomes crowded with dwarves, Bilbo becomes increasingly confused and annoyed. At last, Gandalf arrives...
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...well-stocked kitchen, nestled in a snug little village under a hill. Bilbo’s ancestry is somewhat noble by hobbit standards: his father was from the well-to-do, conventional Baggins family, but his mother was from the Tooks, a wealthy, eccentric family infamous for their unhobbitlike tendency to go on adventures. Despite his Took blood, however, Bilbo prefers to stay at home and live a quiet life. On the day the story begins, Bilbo is enjoying a pipe outside his front door when an old man with a long cloak and a staff arrives. After the old man introduces himself, Bilbo recognizes him as the wizard Gandalf, who has created spectacular fireworks displays on holidays in Hobbiton, but Bilbo still looks on the old wizard with a suspicious eye. When Gandalf asks if Bilbo would be interested in going on an adventure, Bilbo declines and quickly excuses himself. He invites the wizard to come over for tea sometime but only so as not to seem rude—in reality, he wants nothing to do with Gandalf and his adventures. When the doorbell rings the next afternoon, Bilbo assumes it is Gandalf. To his surprise, a dwarf named Dwalin pushes past him and promptly sits down to...
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...J.R.R Tolkien’s novel The Hobbit follows the journey of one central hero, Bilbo Baggins, and his company of dwarves as they embark to Erebor to retake the dwarves’ homeland. This epic tale can be analyzed using a mythological, biographical, or historical critic’s point of view. There are also a few themes seen throughout the novel, including greed and the journey. From a mythological standpoint, one could mention the works of literature that Tolkien himself said has influenced his fantasies about the fabled land of Middle-earth: Iceland’s Poetic Edda and Beowulf. Some tales in Norse mythology can also be analyzed to apply to Tolkien’s novel. Based on a biographically and historically opinion, one might talk about the World Wars’ effect on Tolkien and his novels. Another approach that could be taken is one based on the archetypes seen in The Hobbit; the hero, Bilbo Baggins, and the villain, the dragon Smaug. One could connect the archetypes and events of The Hobbit to those of Beowulf. The Hobbit could also be seen as a novel of the genre bildungsroman, which means “coming-of-age” and focuses on the emotional and physical development of the main character. The use of mythological criticism in the analysis of J.R.R Tolkien’s first novel The Hobbit is by far the most popular among renowned literature critics – one of whom was CS Lewis, an author of children’s fantasy novels himself. It is easy to explain the story from a mythological point of view; many ancient texts have themes...
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...Bilbo Baggins Character Analysis Rough Draft “Hobbits really are amazing creatures… You can learn all that there is to know about their ways in a month, and yet after a hundred years they can still surprise you at a pinch.” Bilbo is relatable to many people, even though he is a hobbit and not human. Bilbo found characteristics of himself that he did not know he had. Now he has more titles than just the hobbit under the Hill, he is an adventurer. Tolkien uses Bilbo as the central character to tell the audience that such a great event can change a person, but it is important for that person to keep their beliefs. Tolkien has created Bilbo as someone that can be related to. Tolkien clearly describes Bilbo’s Baggins-side, a well-respected hobbit family, and his Took-side, the out-there and adventurous family that “[wishes] to go and see the great mountains… and wear a sword instead of a walking stick.” It is easy to relate to someone like this by enjoying the comfort of everyday life, but also wishing something fun, exciting, and new would happen. This helps Tolkien introduce Bilbo as the protagonist and help the readers be more empathetic towards him. Because Bilbo’s Took-side led him go on this...
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...The Lord of the Rings: Tolkien and Historical Influence- Struggle Between Dictatorship and Democracy The Lord of the Rings being deemed the greatest fiction that arose from the twentieth century pretty commonplace. The trilogy is a masterpiece blessed upon our society by John Ronald Reuel Tolkien. Even within this mystic land of elves, dwarves, orcs, and hobbits, there can be sociological patterns found that mirror our real world. The ‘power of power’ is indisputable in Middle-Earth just as much as this holds on our actual Earth. The national system operates all the same as eighteenth to twentieth century developing major countries; consisting of social classes, a brawl for dominance, and an ultimate decay of culture and civilization. Furthermore, when J.R.R. Tolkien was constantly inquired about the origin of his initial influence for constructing the series, the best answer he gave was, “An author cannot of course remain wholly unaffected by his experience”. He denies the story have an intentional allegory to World War I, World War II, or any historical events for that matter. Nevertheless, it is still noteworthy to take into two facts. One, Tolkien was sent to fight for the British in front-line battle during World War I. Two, both of his sons were sent to fight in World War II during the pinnacle of Tolkien’s construction of the Lord of The Rings novels. He insists that there was no deliberate alignment of his hero’s journey epic with the unfortunate fate of the real...
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...Liam Rawson World Literature Assignment 1 An analysis of the role of minor characters in The Visit and Chronicle of a Death Foretold in establishing a collectivistic or individualistic society. March 13, 2011 Word Count: 1073 Rawson 1 Without any characters; there is no story. Every tale needs a knight in shining armor to save the endangered princess or a misguided hero to meet a tragic end. A protagonist and an antagonist are the most basic of writing conventions and are crucial to the story. It is important; however, to not overlook the roles of minor characters in the plot. For example, Snow White would have been a radically different story without the seven dwarves. This exemplifies how minor characters can drastically influence the outcome of a story in a number of ways. In both Durrenmatt’s The Visit and Marquez’s Chronicle of a Death Foretold, the minor characters have an influential role in determining the fate of the protagonist. These minor characters are used by Durrenmatt and Marquez to establish an individualistic or collectivistic society within their works and by doing so isolate the protagonists and lead them to their deaths. In a collectivistic society, the people tend to view themselves as part of a group and hold the needs of the group over that of the individual. This is the society which Durrenmatt has presented in The Visit. In Durrenmatt’s The Visit, the town of Guellen is populated by minor characters lacking any names. Throughout the...
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...The Walt Disney Company SWOT Analysis BUS 206 April 1 2015 Matthew LaPorte The Walt Disney Company is one of the most famous entertainment corporations in the world today with a diverse portfolio including movies, television shows, theme parks, and merchandising. Some of the most famous icons in American pop culture have come from Disney, most famously their mascot Mickey Mouse. Entire generations of American children have now grown up watching and consuming Disney productions across different forms of media or going on vacation at the massive Disney theme parks in California or Florida. For these reasons, the Walt Disney Company remains a very interesting corporation The Disney Company got its start in 1923 when brothers Walt and Roy decided to start an animation company in Hollywood. Walt Disney has already had experience in animation, but his first few cartoons with his own company were failures. In fact, Walt almost lost control of his company when a rival lured away almost all of his employees after Walt refused to sell his company to his competitor. The Disney Company’s fortunes changed when Walt came up with the idea of Mickey Mouse and produced Disney’s first sound film Steamboat Willie. This cartoon was an immediate success, due in part to the fact that this was the very first animated film to have synchronized sound. The success of Steamboat Willie opened the doors for Walt Disney to produce numerous Mickey Mouse cartoons that found success and established...
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...Republic of the Philippines Department of Education Region IV – A CALABARZON Division of Lipa City LIPA CITY NATIONAL HIGH SCHOOL Lipa City Q3W4 Day 1 - 4 : Duration : 1 hour Resources : chalkboard, pentel pen, cartolina, chalk, copy Reading Reference : I’m Glad a Little Guy by Carlos P. Romulo, I am a Filipino by Carlos P. Romulo Objectives : At the end of the lesson, the students are expected to: Employ a variety of cohesive devices in composing short written personal discourse. Organize information gathered from primary and secondary reference. Compose a capsule biography of person interviewed using appropriate literary and cohesive device. Use predictive and anticipatory devices/tasks to activate prior knowledge about the topic reading/viewing selection. Respond to ideas, issues, and concerns presented in a reading or viewing selection in creative form. Arrange words in clusters. Use variety of expressions to affirm, to negate, to see further clarification and to summarize points in a dialogue or interview. Note specific details of text listened to. Formulate assumptions and predictions about the content of the narrative text. Prepare a list of available primary and...
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...RESTORING THE VALUE OF THE CEDI DISTINGUISHED SPEAKER SERIES LECTURE by: Dr. Mahamudu Bawumia Visiting Professor of Economic Governance Central University College Ghana MARCH 25, 2014 1 Mr. Chairman Pro-Chancellor for Central University Members of the Board of Regents President J.A. Kufuor Members of the Council of State Members of Parliament Excellencies, Members of the Diplomatic Corps Representatives of Political Parties Captains of Industry and Finance Distinguished Invited Guests Faculty Students Members of the Media Ladies and Gentlemen I would like to begin by thanking all of you who have taken time out of your busy schedules to make the journey to this beautiful and serene campus this evening. For me, it is an honor and a privilege to be delivering my first public lecture as visiting professor at Central University College on a topic that is literally on the minds of most Ghanaians today. What can we do about what appears to be a perpetually declining value of our currency, the cedi? I would like to say from the outset that this subject is very much one of economics and not politics. It is therefore important that we stick to 2 the empirical evidence and data1 in reaching conclusions. I am hoping that at the end of this lecture, some light would be thrown on the issue for a dispassionate and nonpartisan discussion by all stakeholders that would inure to the benefit of Ghana. Mr. Chairman, the exchange rate is a price, just like the price of any good or service...
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...know: a biographical critical analysis on Unless by Carol Shields Belo Horizonte 2013 Sumário Introduction 3 Men and Women 4 Writers and Readers 7 Goodness 9 Mothers and Children 10 Referências 13 Women we know: a biographical critical analysis on Unless by Carol Shields Introduction Unless is the last novel written by Carol Shields, before she passed away of breast cancer in 2003. The novel is structured in a first person narrative; the narrator is Reta Winters, a 44-year old writer and translator. Throughout the narrative, the reader follows a linear chain of thoughts by Reta on the central theme of the novel, which is her quest to find out why her daughter Norah decided to drop out of university and live on the street with a sign on her chest written "Goodness". The essay will be developed through research in primary sources – interviews – in order to analyze Carol Shield’s work using mostly, but not only, her own concepts and reflections on Literature, writing and being a writer, and composition process of Unless. Many scholars have made researches on the novel, especially about language resources, metafiction and gender issues. The most cited work is Nora Foster Stovel’s ““Because she is a woman”: Myth and Metafiction in Carol Shield’s Unless”. By investigating her compositional process in interviews, the intention of the essay is to create an analysis on the novel; the focus of the analysis will be on the preoccupation...
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...C DESIGN ERS R E D I STACY LONGSTREET T S SE N IOR A RT DI REC TOR R P G R& D A RT DI REC TOR S GWENDOLYN F.M. KESTREL , JENNIFER CLARKE WILKES, KOLJA RAVEN LIQUETTE DEVELOPMENT TEAM KARIN JAQUES, STACY LONGSTREET C OV E R A RT I S T BRUCE R. CORDELL , ANDY COLLINS, ROB WATKINS EDITORS STEVE PRESCOTT I N T E R IOR A RT IST S MICHELLE LYONS, CHRIS SIMS EDITI NG MANAGER KIM MOHAN DESIGN MANAGER STEVEN BELLEDIN, ED COX, DAARKEN, WAYNE ENGLAND, EMILY FIEGENSCHUH, CARL FRANK, DAN FRAZIER, BRIAN HAGAN, RALPH HORSLEY, CHRIS MALIDORE , JIM NELSON, ERIC POLAK CA RTOG R A PHE R CHRISTOPHER PERKINS DEV ELOPMEN T MANAGER MIKE SCHLEY GRAPHIC DESIGN ER JESSE DECKER DIRECTOR OF RPG R&D DEE BARNETT G R A P H IC P RODUC T ION S P E C I A L I S T BILL SLAVICSEK P RODUC T ION MA NAGE R S ERIN DORRIES IMAGE T ECHN ICIAN JOSH FISCHER, RANDALL CREWS CHRISTINA WILEY Playtesters: Kraig Horigan, Jason H. Haley, Richard Hughes, Richard Stephenson. Some information in this book is taken from or derived from Draconomicon: The Book of Dragons by Andy Collins, Skip Williams, and James Wyatt. Based on the original DUNGEONS & DRAGONS® rules created by E. Gary Gygax and Dave Arneson, and the new DUNGEONS & DRAGONS game designed by Jonathan Tweet, Monte Cook, Skip Williams, Richard Baker, and Peter Adkison. This product uses updated material from the v.3.5 revision. This WIZARDS OF THE COAST® game product contains no Open Game...
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...Project Key Words…………………………………………… | 1 | 1.1.2 What is Freeform Gameplay?.............................. | 1 | 1.1.3 Project Goal…………………………………………………….. | 1 | 1.1.4 Project Context……………………………………………….. | 2 | 1.1.5 Project Objectives…………………………………………… | 3 | 1.1.6 Techniques for Realisation………………………………. | 3 | 1.1.7 Structure of This Report………………………………….. | 4 | Section 2: The Contextual Review……………………………………….. | 6 | 2.1 Market Research…………………………………………………….. | 6 | 2.1.1 Categorisation of Gameplay Elements…………….. | 6 | 2.1.2 Game Comparisons…………………………………………. | 8 | 2.1.3 Comparison Analysis………………………………………. | 9 | 2.2 Market Surveys……………………………………………………….. | 11 | 2.2.1 Target Audience……………………………………………… | 11 | 2.2.2 Survey Approach…………………………………………….. | 11 | 2.2.3 Questionnaire…………………………………………………. | 12 | 2.2.4 Survey Results………………………………………………… | 12 | Section 3: Project Planning………………………………………………….. | 17 | 3.1 Design Blueprints……………………………………………………. | 17 | 3.1.1 Design Approach…………………………………………….. | 17 | 3.1.2 Design Document……………………………………………. | 17 | 3.1.3 Production Planning……………………………………….. | 19 | 3.1.4 Testing Plan……………………………………………………. | 20 | 3.1...
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...The Walt Disney Company: A Corporate Strategy Analysis Written by Carlos Carillo, Jeremy Crumley, Kendree Thieringer and Jeffrey S. Harrison at the Robins School of Business, University of Richmond. Copyright © Jeffrey S. Harrison. This case was written for the purpose of classroom discussion. It is not to be duplicated or cited in any form without the copyright holder’s express permission. For permission to reproduce or cite this case, contact Jeffrey S. Harrison (RCNcases@richmond.edu). In your message, state your name, affiliation and the intended use of the case. Permission for classroom use will be granted free of charge. Other cases are available at: http://robins.richmond.edu/centers/center-‐for-‐active-‐business-‐education/research/case-‐network.html November 2012 "Walt was never afraid to dream. That song from Pinocchio, 'When You Wish Upon a Star,' is the perfect summary of Walt's approach to life: dream big dreams, even hopelessly impossible...
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...Trade and Unemployment: What do the data say?∗ Gabriel Felbermayr† Julien Prat‡ and Hans-Jörg Schmerer§ , , September 2010 Abstract This paper documents a robust empirical regularity: in the long-run, higher trade openness is associated to a lower structural rate of unemployment. We establish this fact using: (i) panel data from 20 OECD countries, (ii) cross-sectional data on a larger set of countries. The time structure of the panel data allows us to control for unobserved heterogeneity, whereas crosssectional data make it possible to instrument openness by its geographical component. In both setups, we purge the data from business cycle effects, include a host of institutional and geographical variables, and control for within-country trade. Our main finding is robust to various definitions of unemployment rates and openness measures. Our preferred specification suggests that a 10 percent increase in total trade openness reduces aggregate unemployment by about three quarters of one percentage point. Keywords: international trade, real openness, unemployment, GMM models, IV estimation. JEL codes: F16, E24, J6 ∗ We are very grateful to two anonymous referees, to Luca Benedictis, Peter Egger, Benjamin Jung, Wilhelm Kohler, Devashish Mitra, Christopher Pissarides, Richard Upward, as well as participants at the CESifo Munich - Tübingen workshop, and workshops at the Universities of Aarhus, Göttingen, Leicester, Uppsala and Nottingham. † Corresponding author. University of Stuttgart-Hohenheim...
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...ITU-T Technology Watch surveys the ICT landscape to capture new topics for standardization activities. Technology Watch Reports assess new technologies with regard to existing standards inside and outside ITU-T and their likely impact on future standardization. Previous reports in the series include: Intelligent Transport Systems and CALM Telepresence: High-Performance Video-Conferencing ICTs and Climate Change Ubiquitous Sensor Networks Remote Collaboration Tools Technical Aspects of Lawful Interception NGNs and Energy Efficiency Standardization Activities for Intelligent Transport Systems Distributed Computing: Utilities, Grids & Clouds The Future Internet ICTs and Food Security Biometrics and Standards Decreasing Driver Distraction ICT as an Enabler for Smart Water Management Using Submarine Communications Networks to Monitor the Climate Standards and eHealth The Optical World Trends in Video Games and Gaming ITU-T Technology Watch Report September 2011 Video gaming is a global phenomenon, a fast-moving multibillion dollar business, cutting across all age groups and gender. This ITU-T Technology Watch Report surveys some of the latest developments in the world of video games, describes the most common gaming platforms and terminals and highlights new technologies enabling a better gaming experience and associated standardization activities. http://www.itu.int/ITU-T/techwatch Printed in Switzerland Geneva, 2011 The rapid change of...
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