...William Shakespeare: Love and Tragedy The Elizabethan era (1500-1600) was a great age fro poets, artists, and writers to become illustrious around the country and be fortunate enough to entertain Queen Elizabeth. A man from a family of farmers and glove makers didn’t know that his entertain plays for Elizabeth I would one day become a masterpiece in English literature. It was in the 1500 when the Renaissance was in its initiation. The entire world was going through this moment where the rebirth of cultural ideas such as the study of literature and ancient values brought interest to the people living in this era. William Shakespeare became one of the most respected playwrights for his famous plays such as Romeo and Juliet and Macbeth among other respected and famous works. (www.britannica.com/ebc/article-9376718, www.britannica.com/shakespeare) Born the 23rd of April 1564 in Stratford-upon-Avon, England, Shakespeare has captivated reader’s hearts by his romantic, humerous, and historic plays. During the 1500s, the Renaissance was a massive curiosity for everyone. Renaissance era was a period where everyone was interested in the affairs of the Greek and Roman cultures and when William Shakespeare was born. Being the middle brother of the Shakespeare’s, William son of John Shakespeare and Mary Arden was interested in writing since he was a child. Baptized in the Holy Trinity Church, William was raised in a family of seven children in the town of...
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...One of William Shakespeare’s great advantages as a writer was that, as a dramatist working in the public theater, he was afforded a degree of autonomy from the cultural dominance of the court, his age’s most powerful institution. All over Europe, even if belatedly in England, the courts of the Renaissance nation-states conducted an intense campaign to use the arts to further their power. The theater, despite its partial dependency on court favor, achieved through its material products (the script and the performance) a relative autonomy in comparison with the central court arts of poetry, prose fiction, and the propagandistic masque. When Shakespeare briefly turned to Ovidian romance in the 1590’s and, belatedly, probably also in the 1590’s, to the fashion for sonnets, he moved closer to the cultural and literary dominance of the court’s taste—to the fashionable modes of Ovid, Petrarch, and Neoplatonism—and to the need for patronage. Although the power of the sonnets goes far beyond their sociocultural roots, Shakespeare nevertheless adopts the culturally inferior role of the petitioner for favor, and there is an undercurrent of social and economic powerlessness in the sonnets, especially when a rival poet seems likely to supplant the poet. In short, Shakespeare’s nondramatic poems grow out of and articulate the strains of the 1590’s, when, like many ambitious writers and intellectuals on the fringe of the court, Shakespeare clearly needed to find a language in which to speak—and...
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...As You Like It will be for many of you a rather difficult play to appreciate and interpret simply on the basis of a reading. The reasons for this are not difficult to ascertain. The play is, as I have observed, a pastoral comedy, that is, a comedy which involves a traditional literary style of moving sophisticated urban courtiers out into the countryside, where they have to deal with life in a very different manner from that of the aristocratic court. This play, like others in the Pastoral tradition, freely departs from naturalism, and in As You Like It (certainly by comparison with the History plays) there is little attempt to maintain any consistently naturalistic style. This can create problems for readers unfamiliar with the conventions of pastoral, especially those who find it just too artificial and incredible to grasp imaginatively. After all, how are we to understand the unmotivated family hatreds which launch the action? We are simply not given any sufficiently detailed look at why Oliver hates Orlando (he himself does not understand the reason) or why Duke Frederick hates Duke Senior and turns on Rosalind so suddenly or, what is most surprising of all, why the nasty people whose animosities have given rise to the plot so suddenly and so conveniently convert and become nice people just in time to wind the plot up happily under the supervision of the goddess Hymen, the Greek deity of marriage, who arrives as an unexpected but welcome guest. But these...
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...the play,as you like it,written by shakespeare during the Elizabethan age,belongs to the literary tradition known as Pastoral which typically involves exits from urban or court life to the world of nature. In the opening scene of this play,we are firstly exposed to the main hero,Orlando who is describing his plight to the servant,Adam. This whole scene deals with the theme of primogeniture that corrupts the brotherly love. Hence,this particular part of the play is important for us as readers to understand to what extent who is loyal and who is not as we are provided with a clear insight on the Elizabethan society during Shakespear’s time. Therefore,it is also crucial to note that shakespeare uses dramatic techniques such as the themes of usurpation and jealousy,the main characters,Orlando and Oliver,pastoral setting of the play and the language in order to mark the significance of this opening scene. in the opening scene,orlando introduces one of the play’s important themes : primogeniture,a policy whereby the eldest son inherits everything. Orlando, being the youngest brother in his family, faces the problem that he has received a meager inheritance as a result of this rule. ‘’..it was upon this fashion bequeathed me by will but a poor….and there begins my sadness.’’ Hence we see that the system of hierarchy was not a fair system as where the elder brother usurps everything for himself. Yet,a stronger aspect that takes over is jealousy. ‘’..for my part he keeps me rustically...
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...the metaphysical poets John milton Jonathan Swift mark Twain mary Shelley Nathaniel hawthorne Oscar Wilde percy Shelley ralph Waldo emerson robert Browning Samuel Taylor Coleridge Stephen Crane Walt Whitman William Blake William Shakespeare William Wordsworth Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Edited and with an Introduction by Sterling professor of the humanities Yale University harold Bloom Bloom’s Classic Critical Views: William Shakespeare Copyright © 2010 Infobase Publishing Introduction © 2010 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data William Shakespeare / edited and with an introduction by Harold Bloom : Neil Heims, volume editor. p. cm. — (Bloom’s classic critical views) Includes bibliographical references and index. ISBN 978-1-60413-723-1 (hardcover) ISBN 978-1-4381-3425-3 (e-book) 1. Shakespeare, William, 1564–1616—Criticism and interpretation. I. Bloom, Harold. II. Heims, Neil. PR2976.W5352 2010 822.3'3—dc22 2010010067 Bloom’s Literary Criticism books are available at special discounts when purchased in bulk...
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...Constructive Speech What determines the outcome of someone’s life? Is it the choices they make or is it the situations they have been placed into? Good morning Mrs.Gittins, mediator, scores, my opponents, my colleague and audience. My partner and I agree on the fact that Willie is most definitely not to blame for the situation he has ended up in. In Willy’s case the outcome of his life is based on the situations he was placed into. We believe this is due to the fact that during his childhood years a father figure was not present. Also, Willy’s wife Linda Lowman clearly understood that her husband was mentally unstable but she decided to turn a blind eye and deny just like the rest of society and pretend as if everything were okay. In the play, Willie’s character is a tragic hero and an unconscious victim. He sees the world around him changing and his own inability to change with it seals his fate. The audience learns that Willie strongly believes that success is not what you know, but who you know and how well you are liked. At one point in time Willie was a very successful salesman, when Howard’s father ran the company. Many promises were made between Willie and Howard’s father across that desk in the office. Despite the fact that Willie worked hard his entire life, and was rewarded very little, the promises that he believed in for all his years of work and strived towards fell through. Now that he is old and not able to keep up at the pace he used to Howard thinks...
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...Throughout Scene 1-4 Macbeth is portrayed as a heroic and valiant man, however with sly and manipulative characteristics brought out by the Witches. The use of structure and language allows Shakespeare to present both Macbeths flaws and weaknesses to the audience. The arrangement of the meeting place for the witches, in act 1 upon hill in dark and destructive weather, symbolises the witches as a representation for temptation, foreshadowing Macbeth’s potential human weakness to be susceptible to temptation, before we are even introduced to Macbeth himself. Shakespeare presents Macbeths character as brave and fearless in Scene 2; without Macbeth being present. “Till he unseamed him from the nave to th’chaps and fixed his head upon our battlements”, this quotation is said by the captain, who is commending Macbeth for defeating the leader of the rebel army. We can see from this, how Macbeth posesses a merciless attitude and has no problem boasting his achievements in such a crude manner. The use of vivid imagery depicts Macbeth’s bravery in slaughtering the enemy, despite the brutality of the death. The gratitude proclaimed by the Captain also highlights Macbeth’s loyalty and devotion to the King, placing Macbeth on a pedestal to highlight Macbeth’s vast downfall later on in the play. In addition to this the Captain uses a simile, “Like Valour’s minion carved out his passage till he faced the slave”. Again, this depicts Macbeth as a courageous hero who used his ruthless bravery...
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...Hamlet’s Struggle with Life and Death In Act III, scene I of Hamlet, by William Shakespeare, the thematic imagery, along with the symbolic use of syntax and diction that Shakespeare uses helps convey Hamlet’s state of mind as troubled and as having a painful view to life which, overall, is subtly expressed with weakness as he talked about death. Death is a major theme in Hamlet and through Shakespeare’s astonishing words in his “To be, or not to be,” soliloquy; it is obvious that Hamlet is conveyed as a troubled character. He is unsure about death. “To be, or not to be, that is the question:” (line 1), proves that Hamlet is troubled because the use of a colon is a sign that he is not only answering his own question, but he is expressing opposing views about life thus leaving him with an unsure decision about suicide. He answered himself by saying: “Whether ‘tis nobler in the mind to suffer/ The slings and arrows of outrageous fortune;” (Lines 2-3.) This imagery shows that Hamlet questions the honor of death, and since he is open to death he does not realize whether it would be honorable to go through the act of committing suicide or if it would be considered a sin. This makes him have a troubled state of mind because he has these two opposing views of death floating in the vastness of his thoughts. The first sentence of his soliloquy finishes with: “Or to take arms against a sea of troubles, / And by opposing, end them.” (Lines 4-5.) Hamlet still questions life and suicide...
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...William Shakespeare’s The Tragedy of Hamlet, Prince of Denmark, there are many themes of betrayal, plotting, deceit, and revenge. With so much going on it can be hard to distinguish a character’s motives and plots, especially with regards to the main protagonist, Hamlet. This clearly disturbed character, whose problems over the course of the story take their toll on his emotional as well as physical health. His plot for revenge is never explicitly clear to the reader, as his monologues get more and more dark and vague. This leaves a lot of his actions up to interpretation, most clearly his descent into madness, which while some see as an act, others see as the result of a deep depression. Many people have vastly different opinions on the topic, and for the rest of time they will only be that, as Shakespeare is no longer here to give a definitive answer of his intentions. That is not to say that these different ideas have no merit however, as it has been a topic that has been heavily debated for years. Some say that Hamlet was driven insane by the death of his father, and the “betrayal” of his mother. Others say that his madness was all a plot to trick and confuse the antagonist, Claudius. While others even see it as a mixture of both, with Hamlet slowly losing his mind over...
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...The story opens in ancient Britain, where the elderly King Lear is deciding to give up his power and divide his realm amongst his three daughters, Cordelia, Regan, and Goneril. Lear's plan is to give the largest piece of his kingdom to the child who professes to love him the most, certain that his favorite daughter, Cordelia, will win the challenge. Goneril and Regan, corrupt and deceitful, lie to their father with sappy and excessive declarations of affection. Cordelia, however, refuses to engage in Lear's game, and replies simply that she loves him as a daughter should. Her lackluster retort, despite its sincerity, enrages Lear, and he disowns Cordelia completely. When Lear's dear friend, the Earl of Kent, tries to speak on Cordelia's behalf, Lear banishes him from the kingdom. Meanwhile, the King of France, present at court and overwhelmed by Cordelia's honesty and virtue, asks for her hand in marriage, despite her loss of a sizable dowry. Cordelia accepts the King of France's proposal, and reluctantly leaves Lear with her two cunning sisters. Kent, although banished by Lear, remains to try to protect the unwitting King from the evils of his two remaining children. He disguises himself and takes a job as Lear's servant. Now that Lear has turned over all his wealth and land to Regan and Goneril, their true natures surface at once. Lear and his few companions, including some knights, a fool, and the disguised Kent, go to live with Goneril, but she reveals that she plans...
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...Imagery is very important in poetry. It is used to give the reader a visual or sense of what the author is talking about. Imagery triggers something in the brain that then gives us the ability to correlate a word with a sound, smell, feelings or even sight. Without any type of imagery, it would make it very difficult to relate with the author. Color imagery is used to trigger sight and make us visualize colors and associate it with the words either preceding or proceeding. In the two poems, “Nothing Gold Can Stay” by Robert Frost and “Spring and All” by William Carlos Williams, color imagery plays a big role in describing the scene. “Nothing Gold Can Stay” by Robert Browning is a poem about nature and how everything is so beautiful at first, but it then becomes subsides and isn’t as wonderful. “Nature’s first green is gold”, this could refer to the sunrise in the morning (499). This reminds me of all the gorgeous hues of a sunrise and how the sky and everything the sun hits seems golden. It could also be referring to seasonal changes. When spring is around, all the flowers and sunlight look amazing, but when the flowers start turning into leaves and falling off, it is a little upsetting to look at. “So dawn goes down to day”, this gives me the sense that Frost is talking about the early mornings (499). Watching dawn turn into day is disappointing, especially when you get to see all the natural colors coming from dawn and then it just turns into another plain day. The last line...
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...Running head: COLOR OF IMAGERY IN POEMS 1 COLOR IMAGERY IN POEMS 2 Color imagery; also known as color symbolism is a literary tool that refers to the meaning associated with a certain color. The color symbolizes a feeling or meaning. Author’s use color imagery to help the reader reference the feeling or meaning. In literature it is an object or reference used to provide meaning to the writing beyond what is essentially being described. It can be restrained or obvious, used cautiously or strong. An author may repeat the same object to communicate a deeper meaning or might use distinctions of the same object to produce a mood or feeling. Nothing Gold Can Stay, written by Robert frost in the year 1923, uses color imagery. The title of the poem is a metaphor where the gold represents value and wealth so when it says nothing gold can stay it means that nothing that is precious or of great value in the materialistic way can last forever. Gold symbolizes materialism it will not last for long and it gives an untrue happiness. Gold and other things such as, money can take years to accumulate but can be depleted in an instant. On the other hand, things having emotion and sentimental values cannot be bought with money and therefore will remain with us throughout our life. Frost says “nature’s first green is gold” he compares the color of nature “green’ with something that can be bought; gold. He is trying to portray that...
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...ENG340b Professor V. Levchev Final Paper Imagism and Symbolism: American Poets in Europe The key aspects discussed in this paper are American Imagists in Europe in the beginning and the middle of 20th century. However, everything has its roots and its beginnings. The same way imagism movement initially developed from symbolism, very popular literary movement of the end of 19th century, which influenced most of the imagist poets. Symbolism was an art movement originated in France, Belgium and Russia in the end of the 19th century, which remained prominent almost until the end of the World War II. This movement was a reaction to the predominating at that time standards and rules of realism. It appeared as a new manifestation of the romanticism and was concerned about preserving individualism in the modern world, absorbed by the mass culture.1 Usually being enclosed in free verse, symbolism was about expression of author’s personal emotions. It handled very composite feelings that appeared from the everyday life in the world and was rather about evoking than about describing. It used an object, person, colour or just a word in order to represent or describe something else. It was used when an author wanted to create some specific mood or any given emotion in his piece.2 Being tired of realism, Ezra Pound and T. S. Eliot, introduced symbolism to the America. Nevertheless, Pound was looking for something else, for something new in his poetry and, along with some...
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...William Carlos Williams and His Imagist Poetry Modernism and Imagism, two movements in literature ,which were developed in the 20th century .At the beginning of the decade ,modernism was a revolution of style .Crime, depression, and materialism filled this era. Musician, artists,and writers broke away from technique to create a new art.Also, imagism brought fragmental and chaotic life where nobody felt secure and happy.After that,modernism was related with decent and realistic art form.The modernist artists like Edwin Dickinson and a painter Arthur Dove looked for an object of inspiration ,individual vision and the value of immediate observation where they emphasized on surroundings around them in everyday life.Some modernists were supported by photographer and gallery owner Alfred Stieglitz who obtained the power to change the drift of American art. Moreover,art,drawing and painting were based on subjects describing actual world ideas.Also, modernism was a variety of ‘’-ism’’ such as Fauvism,Cubism,Dadaism and Futurism to break away the previous rules of orientations,color,and writing in order to their own visions. Some time after modernism,the imagist poets began to gain importance.They wrote short poems that their work would be rich and direct.They focused on individual...
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...'The Fault In Our Stars': Love In A Time Of Cancer In his Pulitzer Prize–winning book The Emperor of All Maladies: A Biography of Cancer, Siddhartha Mukherjee writes that as recently as the 1950s, cancer was so feared and taboo that the New York Times refused to print the word in a support-group advertisement. It was the second-leading cause of death in the United States then — just as it is now — but it was as mysterious to most people as mortality itself. There is something monstrous about a disease that kills by wanting to live; cancer's goal is to grow and prosper, with absolutely no regard for its host. It makes sense that people couldn't speak about it — it's not easy to commiserate about a nightmare. And yet, human instinct tells us to band together to fight our enemies, even on the cellular level. Gradually, with scientific breakthroughs and education, cancer became less of a mum word and more of a buzzword. Hollywood jumped on the drama surrounding the disease, and soon films like Terms of Endearment and Beaches were keeping tissue companies in business. Novels and magazine articles highlighted survivor stories; television started adding characters afflicted with illness. Even Sex and the City's carousing Samantha had her share of chemo. In recent years, the trend has gone one step beyond talking about cancer — the goal now, at least for pop culture, is to find the humor in it. Fortunately, John Green is the kind of writer to deliver it. John Green is the New...
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