...1: Discuss one of the two founding myths of Rome (You choose which), how did this affect the Roman attitude about themselves? In reference to Rome’s ancient mythology, the founding of Rome was based on two stories that empower their predecessor Romulus and Remus. Moreover, Romulus and Remus were the son of Rhea Silvia and Mars the God of war – which is a way to show that their blood came directly from a great leader. In other words, they were born to give orders and reign. Now, we came bring the implications of the myths; they had two myths which were related to the incident of their birth. Romulus and Remus’s mother Rhea Silvia was destined to be a priestess which requires her to be a virgin, due to the fact that she was no longer a virgin,...
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...In Roman mythology, Romulus and his twin brother Remus were the children of Rhea Silvia and Mars (or in some variations the demi-god hero Hercules). Romulus and Remus are best known for being the founders of the city of Rome. Their story is recorded by many authors including Virgil who claims their birth and adventures were fated in order for Rome to be founded. The Birth & Parentage of Romulus & Remus Romulus and Remus were the direct descendants of Aeneas, whose fate-driven adventures to discover Italy are described by Virgil in The Aeneid. Romulus and Remus were related to Aeneas through their mother's father, Numitor. Numitor was a king of Alba Longa, an ancient city of Latium in central Italy, and father to Rhea Silvia. Before Romulus' and Remus' conception, Numitor's reign was usurped by Nimitor's younger brother, Amulius. Amulius inherited control over Alba Longa's treasury with which he was able to dethrone Numitor and become king. Amulius, wishing to avoid any conflict of power, killed Nimitor's male heirs and forced Rhea Silvia to become a Vestal Virgin. Vestal Virgins were priestesses of Vesta, patron goddess of the hearth; they were charged with keeping a sacred fire that was never to be extinguished and to take vows of chastity. There is much debate and variation as to whom was the father of Romulus and Remus. Some myths claim that Mars appeared and lay with Rhea Silvia; other myths attest that the demi-god hero Hercules was her partner. However, the author...
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...extent to which Roman ideas about their gods and the foundation of their city were influenced by Greek mythology. Ancient Rome is filled with history of great wars and heroes, the mighty and the fallen. They were renowned conquers becoming one of the largest empires of their time. The romans were skilled finding their strengths in the engineering industry as well as the law. Although this ancient civilisation existed millenniums ago, they still effect the times of today. A prime example of this is the language, English. Romans spoke Latin and as they conquered and settled through Europe, “Latin fused with the native languages,” creating the romance languages of today; “Italian, French, Spanish, Portuguese… and Catalan.” The vocabulary of English has also largely derived from the Latin language. Although the current times of today have been influenced by the times of the ancients, the Romans however were influenced to an extent by the ancient Greek’s civilisation. By the 2nd century BC, Rome had a very evident impact from the culture of the Greeks. Greeks had begun to settle on the south then later migrating further north of Italy’s peninsula, and occupying the city of Sicily. There is neither exact date nor event that stipulates the cross of two nations however events such as the Macedonian and Carthage wars of Roman conquest would have aided in the direct contact to Greek colonization. The influence of Greece can be seen throughout every aspect of a Romans day-to-day life...
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...There were many Roman gods who all had a purpose. One important god was Ceres the goddess of harvest, she was significant because Rome relied heavily on their farmers for produce and trade. She was prayed to all of the time for abundance of crops and successful trade and sales. Another crucial god was the god of war, Mars. Since Rome fought many battles and wars like the three punic wars and Caesar's civil war. Mars was prayed to heavily during these times and was always feared during this time because he was believed to be the deciding factor in the outcome. Then there was the king of all the gods Jupiter. Jupiter was the god of the sky, the overseer of Rome, and all its citizens He was the most powerful and the most feared and respected by the romans. He was praised the most for his great power and for the gift of the protection of Rome. Statues of Jupiter have him displayed with perfect bodily expectations with a mighty lighting bolt firmly gripped in his hand....
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...When observing the founding of ancient Rome, one must inquire the authenticity of each and every claim made. This practice is necessary because the history of the birth of Rome and early stages are unconditionally riddled with myth. For this analysis to remain objective and truthful, the author ought to focus on what can be proven, not myth, and the reader should remain cognizant that this is ancient history and the ancient peoples of Rome had little knowledge on how Rome was founded, except for the folklore of their day. Many historians to this day are bewildered by this fragment of civilized history. With this mystery, however, there comes a certain strange, enchanting world to explore. When archeologists discovered the traces of the...
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...deities who were of an entirely other realm, instead now viewing them from the theaters, fighting with, against, and amongst humans and non-gods alike. Their significance now heeds on entertainability. Baldr, son of Odin and born second to Thor, as well as a fellow Aesir god of light and purity, was the first god to ever die, as mentioned previously (Lindow 247-248). Murdered by Hod, his blind, half-brother, he was left to suffer in the “world of the dead,” with his death being labeled as “one of the most important moments” within Norse mythology that historians...
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...World Art Garrett Stokes Garrett Stokes Art 101A, World Art Abbas Daneshvari 8/30/12 Ancient Art History Art history has been a vital part of the modern human experience. For thousands of years, the first painters and sculptors have given us the first displays that allowed people to see and touch tangible artwork. The artwork has also captured the history and lifestyle of that time. Art History has also expressed its social and political events that happened during that time. This gives the present person a good understand on what events took place during that era. Some of the most prominent artwork of the western civilization is Greek, Etruscan and Roman art. That historical artwork has paved the way for modern art to have a place in art history world. I will compare and contrast the Greek, Etruscan and Roman characteristic and traits of its historical artwork. During the Geometric and Orientalizing art in the 900-600 BCE, the human shape returned to Greek art in the structure of bronze statuettes and simple silhouettes and other motifs on Geometric vases. One art example is the Dipylon krater, Athens, ca 740 BCE. During the Archaic Art, 600-480 BCE the earliest real-life stone statues appeared in Greece. The first Greek kouroi copied the frontal poses of early Egyptian statues, however designed the young men nude the same way that the men competed in the Ancient Olympics. In the beginning of the early 6th century BCE, Greek sculptors recreated the magnitude of the...
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...psychological expressions, or Günderrode herself to an image – or a legend – encapsulated by her writings and her relationship to them. This paper argues that Günderrode’s own position on what the self is has been largely neglected as a result of this conflation, and that taking this position into account changes how we understand Günderrode’s articulations of self in her writings. Thus this paper has two goals: to indicate some difficulties in articulating and even constituting oneself sincerely when one’s efforts are unrecognized, belittled, censored, and forced to conform to conventions imposed by a society in which one is marginalized; and to unearth a potentially rich account of the modern self. 1 Letter to Clemens Brentano, 10th June 1804. Wolf p.221....
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...Table of Contents 1. Abstract 1 2. Introduction 2 3. Literature Review 3 3. Hypotheses and assumptions on the movie: 5 4. Christianity in the medieval age 6 5.1. Aslan, the Lion parallel to Jesus Christ 6 5.2. The Table of Stone. 7 6. The seven deadly sins 8 6.1. Gluttony – sin by Edmund 9 7. Knighthood 10 7.1. The battle and the coronation 11 8. Conclusion 12 9. List of References 13 Abstract The purpose of this study is to analyze the medieval influences and aspects in the movie The Chronicles of Narnia; The Lion, The Witch and The Wardrobe. The movie emphasizes important elements of the Middle age. It is about the four Pevensie children, Peter, Suzy, Edmund and Lucy who entered the magic land of Narnia and with the help of Aslan, the Lion, fought the Wicked White Witch Judas. Thus they gave freedom to the other animals and restored peace and harmony in Cair Paravel and Narnia. The film captures brilliantly these moments and transmits them to the public. One of the main focuses of the film was the religious belief ‘Christianity’. The movie responds to the quasi- spiritual Christian beliefs and truths of good versus bad, highlighting the defeat of the Witch and her death. Secondly, it shows how the younger brother Edmund fell in the trap of the White Witch due to his “gluttony” of the Turkish delights and betrayed his brother and sisters. Last but not the least; the movie stresses another...
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...The Divine Comedy represents the mature Dante’s solution to the poet’s task annunciated in The New Life. Its three canticles (the Inferno, the Purgatorio, and the Paradiso) display a nearly limitless wealth of references to historical particulars of the late Middle Ages and to Dante’s life. Even so, its allegorical form allows these to function as symbols. The Pilgrim’s journey through Hell to Heaven thus becomes an emblem of all human experience and a recognition of life’s circularity. The “Comedy” of its title is, therefore, the situation of life and the accumulation of experience that attends it. Correspondingly, however, chronological placement of the narrative from Good Friday through Easter Sunday, 1300, particularizes the experience even as it implies the death and rebirth that attends a critical stage of any person’s life. The poet tells his readers in the first line of the Inferno that he is midway through life, and indeed Dante would have been thirty-five years of age in 1300. Though he maintains present tense throughout the poem, he is, however, actually writing in the years that follow the events that he describes. This extraordinary method allows the Poet to place what amounts to prophetic utterance in the mouth of the Pilgrim. Dante thus maintains and further develops the thesis of The New Life, that the progress of the Pilgrim corresponds directly to the progress of the Poet. The literal journey that the Pilgrim undertakes toward the Beatific Vision succeeds only...
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...dracontias 1 2007 no. 1 2007 1 dracontias 1 2007 2 dracontias 1 2007 Melez! Occasionally, one encounters persons calling themselves “theoretical magicians” and thus meaning that they subscribe to the magical paradigms without practising magic. But, theoretical magic is a contradiction. Magic is practice, action. Eugenio Trias, professor in philosophy, have pointed out that the word magic can be traced back to the same root as make (Swedish makt meaning ‘power’, German machen meaning ‘do’ or ‘make’). Magic is a creative, creating force through which the magician enables his visions through action. This is echoed in the Draconian magical formula: Visio, Vires, Actio: Vision, Force, Action. Practising magic, however, is an art that demands dedication, patience and discipline. A process of ennobling is demanded to develop the magical abilities, a path of initiation, an alchemy in which vision and action are united into a whole. The Magical Week on Gotland is the most important magical highlight of the year, where we unite magical work with inspiring social activities and there will be a unique opportunity to work magically in depth together with others in Dragon Rouge. The Magical Week 2007 we will focus on Visio Vires Actio – The Draconian Alchemy and we will ennoble our magical abilities during intensive magical operations. HDHM! Dracontias No. 1 2007 In this issue: Editorial A few words by Thomas Karlsson The Path Through the Underworld By Anne L. The Manala...
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...Twins Photo: Twins A Thing or Two About Twins They have the same piercing eyes. The same color hair. One may be shy, while the other loves meeting new people. Discovering why identical twins differ—despite having the same DNA—could reveal a great deal about all of us. By Peter Miller Photograph by Martin Schoeller Every summer, on the first weekend in August, thousands of twins converge on Twinsburg, Ohio, a small town southeast of Cleveland named by identical twin brothers nearly two centuries ago. They come, two by two, for the Twins Days Festival, a three-day marathon of picnics, talent shows, and look-alike contests that has grown into one of the world's largest gatherings of twins. Dave and Don Wolf of Fenton, Michigan, have been coming to the festival for years. Like most twins who attend, they enjoy spending time with each other. In fact, during the past 18 years, the 53-year-old truckers, whose identical beards reach down to their chests, have driven more than three million miles together, hauling everything from diapers to canned soup from places like Seattle, Washington, to Camden, New Jersey. While one sits at the wheel of their diesel Freightliner, the other snoozes in the bunk behind him. They listen to the same country gospel stations on satellite radio, share the same Tea Party gripes about big government, and munch on the same road diet of pepperoni, apples, and mild cheddar cheese. On their days off they go hunting or fishing together. It's a way...
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...10000 quiz questions and answers www.cartiaz.ro 10000 general knowledge questions and answers 10000 general knowledge questions and answers www.cartiaz.ro No Questions Quiz 1 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 Carl and the Passions changed band name to what How many rings on the Olympic flag What colour is vermilion a shade of King Zog ruled which country What colour is Spock's blood Where in your body is your patella Where can you find London bridge today What spirit is mixed with ginger beer in a Moscow mule Who was the first man in space What would you do with a Yashmak Who betrayed Jesus to the Romans Which animal lays eggs On television what was Flipper Who's band was The Quarrymen Which was the most successful Grand National horse Who starred as the Six Million Dollar Man In the song Waltzing Matilda - What is a Jumbuck Who was Dan Dare's greatest enemy in the Eagle What is Dick Grayson better known as What was given on the fourth day of Christmas What was Skippy ( on TV ) What does a funambulist do What is the name of Dennis the Menace's dog What are bactrians and dromedaries Who played The Fugitive Who was the King of Swing Who was the first man to fly across the channel Who starred as Rocky Balboa In which war was the charge of the Light Brigade Who invented the television Who would use a mashie niblick In the song who killed Cock Robin What do deciduous...
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...Recap... And all i could think of is "This is so K-drama cliché." I stretched my hands for support. But the guy had other ideas. He grabbed my waist and carried me bridal style. “Aish! Put me down.” I barked swinging my legs back and forth trying to get out of his cast iron grip. “Stop squirming…” he spoke. His voice sent a surge of chills down my spine; I looked up to see a handsome guy with soft brown eyes, chiseled jaw and long eyelashes staring back at me. my throat went dry; This guy was beyond gorgeous. “Yah! We’re here.” He spoke nudging me from my daydream. “O-oh” I replied hoisting myself as he put me down. ”Omo! Kenchana?” the cute old nurse spoke caressing my arm soothingly. I nodded my head in response. “I just need some ice for my ankle.” I said rubbing my swollen egg shaped ankle. .. Minho’s POV I walked down the corridor, observing my surroundings until some girl bumped into me sending her falling to the ground flat on her bum. I stretched my hands to help her up; she took my hands and tried to support herself up but I noticed her struggling she must have hurt her leg… so I grabbed her smooth legs and carried to the nurse’s office to get checked. She squirmed in my arms trying to make me let go. “Stop squirming” I told her looking her silky brown air. Her chocolate eyes met mine and I swore my heart stopped. She had this long hair, plump lips and rosy cheeks. When our eyes met I glanced away. I noticed we reached the nurse’s office. “Yah we’re here.” I said...
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...THE HERO WITH A THOUSAND FACES JOSEPH CAMPBELL BO I. L I N G EN SERIES XVII PRINCETON UNIVERSITY AND PRESS P R I N C E T O N OXFORD Copyright © 2004 by Princeton University Press Published by Princeton Unhxmt^Pms, U WiffiaM SUrtt, Pnnceton, New Jersey 08540; im^inii!-. •:-..• punght i 1-49 by Botiingen e d i t i o n l n ' i l h Foundation, rc't.'itii.yi •: • andpttt t*j''!' !_•"' . !.,.: b% :''ohi: •• Bough, one-volume edition, p. 386. Copyright, 1922 by The MacmiUan Company and used with their permission). Compare Sigmund Freud: "I recognized the presence of symbolism in dreams from the very beginning. But it was only by degTees and as my experience increased that I arrived at a full appreciation of its extent and significance, and I did so under the influence of . . . Wilhelm Stekel. . . . Stekel arrived at his interpretations of symbols by way of intuition, thanks to a peculiar gift for the direct understanding of them. . . . Advances in psycho-analytic experience have brought to our notice patients who have shown a direct understanding of dream-symbolism of this kind to a surprising extent. . . . This symbolism is not peculiar to dreams, hut is characteristic of unconscious ideation, in particular among the people, and it is to be found in folklore, and in popular myths, legends, linguistic idioms,, proverbial wisdom and current jokes, to a more complete extent than in dreams." {The Interpretation of Dreams, translated by...
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