...Charlie Chaplin composed his own music for City Lights (1931), Modern Times (1936) and Limelight (1952). That was the exception, and few film-makers would imitate him. He wasn't clear at all whose job was to score the soundtracks. German cabaret pianist Friedrich Hollaender scored Josef von Sternberg's Der Blaue Engel/ The Blue Angel (1930), which included Marlene Dietrich's signature tune Ich bin von Kopf bis Fuss auf Liebe Eingestellt/ Falling In Love Again. Von Sternberg kept changing musicians: Karl Hajos scored Morocco (1930) and Franke Harling Shangai Express (1932) and The Scarlet Empress (1934). In the 1930s, after a few years of experimentation, scoring film soundtracks became an art in earnest thanks to a small group of foreign-born musicians, first and foremost two Austrian-born and classically-trained composers. Erich-Wolfgang Korngold's coined a lush, overwhelming, operatic style with Michael Curtiz's Captain Blood (1935) and especially The Adventures of Robin Hood (1938) and The Sea Hawk (1940), as well as Charles Gerhardt's Anthony Adverse (1936) and Sam Wood's Kings Row (1942). Max Steiner explored many different moods, sensational in Ernest Schoedsack's King Kong (1933), one of the first soundtracks to rely heavily on sound effects, pathetic in Victor Fleming's Gone With The Wind (1939), including Tara and countless references to traditional songs, exotic in Michael Curtiz's Casablanca (1942), melodramatic in Irving Rapper's Now Voyager (1942), gloomy...
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...Music of the Heart: A Documentary Proposal I would like to submit a proposal for a documentary about a museum that would focus on the blind visitors. As a replacement for the traditional visual arts museum or participating in a touch tour, it would be a museum of music history. When an individual visits the museum, they should be able to enjoy the experience with minimal limitations. The group of visitors will experience the stimulation of their audio sense and will be asked to share what they can see in their mind while music is being played, which would be remarkable to be captured on film. In this proposal, I will discuss the purpose of this documentary, what the exhibits will include, and how I will promote this film. I have already selected the group, and location is set in Chicago. I am pleased to share this idea, and it will be one of my finest documentaries to date. It is my intention to entertain and educate. This documentary will be different from what is already involving arts and the blind community. The sense of hearing is believed to be heightened when an individual is visually impaired; therefore, I feel that the experience of a music museum would be an exciting experience for the documented visitors. The group will be led by a guide that will direct them to the exhibits and inform them the history of the featured artist or instrument. There are people in society that demonstrate their ignorance when it comes to the blind community, and assume their lack of vision...
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...[pic] |Course Design Guide College of Humanities SOC/105 Version 5 Introduction to Popular American Culture | |Copyright © 2011, 2010, 2006, 2004, 2003, 2002, 2000, 1999 by University of Phoenix. All rights reserved. Course Description This is an introductory course on modern American culture. The course focuses on the interactions between social forces such as advertising, media, and lifestyle and cultural trends in modern American society. Students are asked to cast a critical eye on current trends and changes in our culture. Policies Faculty and students/learners will be held responsible for understanding and adhering to all policies contained within the following two documents: • University policies: You must be logged into the student website to view this document. • Instructor policies: This document is posted in the Course Materials forum. University policies are subject to change. Be sure to read the policies at the beginning of each class. Policies may be slightly different depending on the modality in which you attend class. If you have recently changed modalities, read the policies governing your current class modality. Course Materials Petracca, M., & Sorapure, M. (2007). Common culture: Reading and writing about American popular culture (5th ed.). Upper Saddle River, NJ: Pearson Prentice Hall. All electronic materials are available on the student website. |Week One: Overview of Culture ...
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...THE BUTLER Yashika Westmoreland Ashford University ENG 255: Introduction to film Instructor: Stephanie Micolt 12/22/2013 I will start off my paper by introducing some of the main cast members and the parts that they play in this film The Butler which was released on August 16, 2013 and directed by Lee Daniels who also took part and helping with the production of the film along with Buddy Patrick, Cassian Elwes, Pamela Oas Williams and Larua Ziskin who died while making the film in 2011. This film was also written by Danny Strong. The actors who played in this movie and their roles are as followed. (Forest Whitaker) as Cecil Gains a African American man who ends up becoming one of the best servers in the white house. (Aml Ameen) who plays Cecil when he was younger. (Oprah Winfrey) as Gloria Gains Cecil’s wife. (David Oyelowo) as Louis Gains Cecil’s and Gloria’s oldest son who is all about the civil rights of blacks and participates in a lot of speeches about the rights of blacks. (Elijah Kelley) as Charlie Gains Cecil’s and Gloria’s youngest son. (David Banner) as Earl Gains Cecil’s father who was killed by plantation owner Thomas Westfall. Who killed Earl after he protested that he had raped his wife, played by (Alex Pettyfer). (Mariah Carey) as Hattie Pearl Cecil’s mother. (Terrence Howard) as Howard the Gaines’s neighbor who is trying to pursue Gloria. (Adriane Lenox) as Gina (Yaya DaCosta) as ...
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...Nancy J. Nabong AC 103 : MWF / 1:00 – 2:00 PM I. THE ELEMENTS OF DRAMA 1. PLOT * Most important element of a story: Summary of a play’s story, concerned with what happens in the story * The order of events occurring in a play is referred to as the plot of the drama. It is the basic storyline that is narrated through a play. The entertainment one derives from a play depends largely on the sequence of events that occur in the story. The logical connection between the events and the characters, which enact the story form an integral part of the plot of drama. 2. CHARACTER * These are the people presented in the play that are involved in the perusing plot. Each character should have their own distinct personality, age, appearance, beliefs, socio economic background, and language. * The characters must be shaped to fit the needs of the plot and all parts the characterization must fit together. * Protagonist – the person who is attempting to resolve the problem. The conflict he faces, frequently involves a struggle with some force outside himself (external conflicts) as with an antagonist and or struggle within himself (internal conflict). 3. THOUGHT * What the play means as opposed to what happens (the plot). Sometimes the theme is clearly stated in the title. It may be stated through dialogue by a character acting as the playwright’s voice. Or it may be the theme is less obvious and emerges only after some study or thought. The...
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...Project Management – Case Study 2 Film Prioritisation The purpose of this case is to give you experience in using a project priority sys-tem that ranks proposed projects by their contribution to the organization’s objectives and strategic plan. COMPANY PROFILE The company is the film division for a large entertainment conglomerate. The main office is located in Anaheim, California. In addition to the feature film division, the conglomerate includes theme parks, home videos, a television channel, interactive games, and theatrical productions. The company has been enjoying steady growth over the past 10 years. Last year total revenues increased by 12% to $21.2 billion. The company is engaged in negotiations to expand its theme park empire to mainland China and Poland. The film division generated $274 million in revenues, which was an increase of 7% over the past year. Profit margin was down 3 to 16% because of the poor response to three of the five major film releases for the year. COMPANY MISSION The mission for the firm: Our overriding objective is to create shareholder value by continuing to be the world’s premier entertainment company from a creative, strategic, and financial stand point. The film division supports this mission by producing four to six high-quality, family entertainment films for mass distribution each year. In recent years, the CEO of the company has advocated that the firm take a leadership position in championing environmental concerns. COMPANY...
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...The Art of Music Katrina Dudley-Proby MUS-101 Music Appreciation Michael Rader 01/11/16 Introduction Music has so many components and elements to it, from pitch, sounds, dynamics even durations. It could be someone singing a solo a cappella or with musical instruments. Music is something that is utilized in most of our daily lives rather it be contemporary, rhythm and blues or classical. The mechanisms that are used to produce sounds has a broad range ad categories such as, string, percussion, brass, woodwind, piano or keyboard. In understanding music it is so much more than just sound but it is also history music is a unit of art. Area One In my opinion the composer that was most influential would be Robert Schumann and his wife Clara...
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...Social Justice Week 2014 is student-organized event sponsored by the New Legacy Committee, Beyond Diversity Club, Native American Club, Project Unity Club, Puente Club, and the Associated Students of Sierra College. All events are free and open to the public. Calendar of Events (For more information please contact Jennifer Kattman at jkattman@sierracollege.edu.) MONDAY, OCTOBER 13 9:30-10:50am in the Fireside Room: “Brief History of Protest Music” by Professor Jason Roberts In this presentation, Professor Jason Roberts will look at protest music from the early 1960s to the present with such artists as Joan Baez, the Rolling Stones, Marvin Gaye, Public Enemy, and Rage Against the Machine. 11am-12:20pm in the Fireside Room: “The New Native Intellectualism: Social Media, Social Justice and Native American Studies” by Cutcha Risling Baldy Cutcha Risling Baldy (Hupa, Karuk, Yurok) is an instructor and PhD candidate in Native American Studies. Her research is interdisciplinary (feminist and literary theory, politics and California Indian theory and methodology). Author of “Why We Gather: traditional gathering in native Northwest California and the future of bio-cultural sovereignty” and numerous related publications. Her dissertation (translated) is “To Grow Old in a Good Way” is about the revitalization of the Hupa Women’s Coming of Age Ceremony. Ms. Risling Baldy founded the Native Women’s Collective. 12:30-1:50pm in the Fireside Room: “Louder than Words” by Billy X Jennings...
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...The trailer for the Silence of the Lambs sets the genre of the film as a thriller using various codes and conventions throughout the trailer and the quick establishment of the main character Starling who is a police officer. The use of a voice over allows the audience to know what is occurring and what the protagonist will have to face. The voice over explains severely murder have been occurring, the introduction of Starling allows he audience to have hope that she will be able to solve the murders. Starling is presented as being brave, telling the audience she “does not scare easily”. “At first the trailer begins with a non diegetic sound of a low tone soundtrack that eventually turns into a metal music with screams, this indicates to the audience that the rest of the trailer will be a dark heavy tale. The...
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...Do The Reggay A Brief History of Reggae Music In 1968 the Jamaican music rocksteady gave way as a new rhythm started to emerge from Jamaica – Reggae. The defining characteristic of this new sound was the ‘shuffle’- choppy sounding chords that give reggae music a distinctive sound (Chang & Chen, 1998). According to the Oxford Dictionary the term Reggae is used to refer to all popular music coming from Jamaica since the sixties. However, it also refers to the certain style that was extremely popular in Jamaica from around 1969 to 1983. Jamaican music can be divided into four styles that are distinguishable from one another, ska, rocksteady, reggae and dancehall (Chang & Chen, 1998). Ska became popular in 1960 and lasted to1966, rocksteady from 1966 to 1968 and reggae from 1969 to 1983. Reggae being divided in two time periods, "early reggae," from 1969 to 1974, and "roots reggae," from about 1975 to 1983. From 1983 until now the music has been called dancehall (Chang & Chen, 1998). For the purpose of this paper I am mainly focusing on early and root reggae. During the period of early reggae, the Rastafarian inspiration of roots reggae had not yet taken full effect. While it had similarities to rocksteady and ska, it had a faster and more distinct beat, making it nearly impossible not to move to the music. The lyrics focused on similar topics as rocksteady during the early stages of reggae, songs about love and life in Jamaica were prevalent. However the influence...
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...The fact that the music of films often has powerful effects on its audience is undisputed. Careful examination of the reasons behind these effects, however, has been largely ignored. We tend to compare previously unassociated dramatic pieces we hear to film music - but what piece cannot be compared to film music nowadays? Every pre-composed piece or spontaneous melodic fragment is potential fodder for a cinematic soundtrack. The real questions lie in how and why people have been compelled to combine drama with music throughout history. This essay attempts to clarify some of music's manifold roles in cinema and the reasons behind them by using as an example composer Bernard Herrmann's Citizen Kane soundtrack. In order to address these issues, a brief overview of the history of music in cinema is required. The root of music in film harks back to the Greek melodrams (the precursor in both literal language and event to the melodramas of today), a cross between a play and fledgling opera in which spoken word is accompanied by music.[1] As time passed, melodrams developed into opera, giving rise to types of performances known as number opera (those composed of a collection of closed pieces) and continuous opera (those including nonstop music), divisions that film soundtracks would later echo. Wagner's full-fledged support of program music at this time, as opposed to the absolute music that had previously reigned supreme, resulted in his novel invention of leitmotifs (first used...
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...Dekada '70 (English: 70s Decade) is a 2002 Filipino drama film released based on a book called Dekada '70 written by Filipino author, Lualhati Bautista. Plot The film tells the story of the life of a middle-class Filipino family who, over the space of a decade, become aware of the political policies that have ultimately led to repression and a state of Martial law in the Philippines. Filipina actress Vilma Santos stars as Amanda, who realizes the implications of living within a dictatorship after sorting out the contradictory reactions of her husband and five sons. Her husband (Julian), played by Filipino actor, Christopher de Leon, supports his eldest son's (Jules), played by Filipino actor, Piolo Pascual; efforts to rail against the government while refusing to follow Amanda's wish to find a job. Her second son (Gani), played by Filipino actor, Carlos Agassi, is in the United States Navy. Her third son (Eman), played by Filipino actor, Marvin Augustin, writes illegal political exposes. The fourth son (Jason), played by Filipino actor, Danilo Barrios fell victim to a corrupt police department, and her youngest son named (Bingo), played by Filipino actor, John W. Sace, is still a boy. [edit] Cast * Christopher de Leon - Julian Bartolome Sr. * Piolo Pascual - Julian "Jules" Bartolome Jr. * Marvin Agustin - Emmanuel "Em" Bartolome * Carlos Agassi - Isagani "Gani" Bartolome * Danilo Barrios - Jason Bartolome * John Wayne Sace - Benjamin "Bingo" Bartolome ...
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...Semester Term Paper: Film Sound Katayoun Nawabi University of North Carolina at Chapel Hill On my honor, I have neither given nor received aid in completing this assignment. _____________________________ Katayoun Nawabi In analyzing film, critics constantly gloss over the importance of the use of sound. Those critics that do touch on the function of sound often underestimate its role in the overall impact of the film as a whole. There are those that are of the opinion that there has been little, if any, real contributions made by sound in film. Should sound have been added to film at all? A look back at the history of film, from silent movies to “talkies” to major motion pictures of the 1990s, will help establish the fact that film has not only benefited from the addition of sound, but has only gotten more sophisticated with time. “Reevaluating the role of sound in film history and according it its true importance is not purely a critical or historical enterprise. The future of cinema is at stake. It can be better and livelier if it can learn something valuable from its own past” (Chion, 1994, p. 142). There is no argument that, in cinema, it is the image that will continue to radiate power and spectacle. However, the technological and conceptual advances that have been made over the decades reinforce the fact that it is the role of sound to decorate the image and “show” us what it wants us...
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...media policy brief 1 Creative Destruction and Copyright Protection Regulatory Responses to File-sharing Bart Cammaerts and Bingchun Meng London School of Economics and Political Science Department of Media and Communications LSE Media Policy Project: Media policy brief 1 Creative destruction and copyright protection Acknowledgements The authors would like to thank Professors Robin Mansell and Sonia Livingstone for their insightful editorial contributions on earlier drafts of this media policy brief. We are also grateful for the research and organizational assistance of our resourceful and talented interns: Dorota Kazcuba, Nate Vaagen, Ben Murray, Davide Morisi and Liam O’Neill. In addition, Jim Killock and Mark Margarattan contributed to stimulating discussion during the project’s expert meeting on ‘File-sharing, the DEA and its implementation’. The LSE Media Policy Project is funded by the Higher Education Innovation Fund 4. LSE Media Policy Project Series Editors Zoetanya Sujon and Damian Tambini Creative Commons copyright licence, Attribution-NonCommercial. This license lets others remix, tweak, and build upon your work non-commercially, and although their new works must also acknowledge you and be non-commercial, they don’t have to license their derivative works on the same terms. March 2011. LSE Media Policy Project. http://blogs.lse.ac.uk/mediapolicyproject/ 1 LSE Media Policy Project: Media policy brief 1 Creative destruction and copyright...
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...RESEARCH My coursework task was to create a new film, featuring a trailer, storyboard; at least one promotional poster and DVD cover. I had free choice over my genre and I chose to use musical documentary because it’s a genre I’ve watched many films on. This made research pleasurable, because I was adding to my existing knowledge on a topic I already felt comfortable with. One feature I found in most of the films I watched was the idea of a musical journey or adventure, with many twists and turns and some surprise element in the form of a slight cliff-hanger or change of pace. In essence, my personal target was to create a fictional documentary on a strongly musical-related basis. In order to nail my genre, watching many films to get a sense of conventions seemed to be the best idea. One film that I instantly found very useful was School of Rock. This film showed many of the genre conventions I would need and had a very formulaic structure to it. In aid of my DVD cover, I looked at many titles and found myself drawn to strong images of live scenarios, instantly showing off their music influences. A good example of this is the cover for School of Rock, which (ignoring the title) instantly linked to a musical background because of the large central image of a man (Jack Black) standing in the centre of the image with a guitar, highlighting the musical element of the film. I took strong inspiration from this, leading me to use a similar image for my cover, using a live...
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