Ansel Adams was a masterful photographer and a lifelong conservationist (a person who works to preserve and protect the environment) who encouraged understanding of, and respect for, the natural environment. Although he spent a large part of his career in commercial photography, he is best known for his photographs of landscapes.
Ansel Easton Adams, the only child of Charles Hitchcock and Olive Adams, was born on February 20, 1902, in San Francisco, California, near the Golden Gate Bridge. In 1906 an aftershock from the famous earthquake of that year threw him to the floor and gave him a badly broken nose. His father, a successful businessman who owned an insurance agency and a chemical factory, sent him to private, as well as public, schools. Adams was shy and self-conscious about his nose and had problems in school. He received only an eighth-grade education, preferring to learn mainly through following his own interests. From a young age he enjoyed the outdoors, taking many long walks and exploring.
At the age of twelve Adams taught himself to play the piano and read music. Soon after, he began lessons and for the next twelve years he studied piano, intending to make his living as a concert pianist. However, at a family trip to Yosemite National Park in 1916, he made his first amateur photos with Kodak Brownie box camera, is said to have determined his direction in life. The next year, Adams returned to Yosemite with a better camera and a tripod. That winter, he worked part-time for a San Francisco photo finisher where he learned basic darkroom techniques. Adams explored the High Sierra, in summer and winter, developing the stamina and skill needed to photograph at high altitudes and in difficult weather.
In 1919 he joined the Sierra Club, an organization devoted to protecting the wilderness of the Sierra Nevada. Adams' role in the Sierra Club grew rapidly and the Club became vital to his early success as a photographer. His first photographs and writings were published in the Sierra Club Bulletin. Adams also got involved politically in the Club, suggesting proposals for improving parks and wilderness, and soon became known as both an artist and defender of Yosemite. In 1934, Adams was elected as a member of the Board of Directors of the Sierra Club, a role he maintained for 37 years. His tenure spanned the years that the Club evolved into a powerful national organization that lobbied to create national parks and protect the environment from destructive development projects.
In 1930 Adams met the famous photographer Paul Strand (1890–1976) while they were working in Taos, New Mexico, and the man and his work had a lasting effect on Adams's approach to photography. Strand encouraged Adams to change his approach from a soft expression of subjects to a much clearer, harder treatment, so-called "straight photography." This idea was further reinforced by his association with the short-lived, but important, group of photographers known as f/64 (referring to the lens opening which guarantees a distinct image), which included Edward Weston (1886–1958) and Imogen Cunningham (1883–1976). This group helped the development of photography as a fine art.
Adams went on to open the Ansel Adams Gallery for the Arts. He also taught, lectured, and worked on advertising assignments in the San Francisco area. During the 1930s he also began his extensive publications on methods of photography, insisting throughout his life on the importance of careful craftsmanship. In 1936 Alfred Stieglitz (1864–1946) gave Adams a oneman show in his New York gallery—only the second time the work of a young photographer was exhibited by Stieglitz.
In 1940, Adams organized “A Pageant of Photography”, the most important and largest photography show in the West to date, attended by millions of visitors. Adams completed a children’s book with his wife Virginia Best and the “Illustrated Guide to Yosemite Valley” during 1940 and 1941. Adams also began teaching in 1941 at the Art Center School of Los Angeles and in 1945, he was asked to form the first fine art photography department at the California School of Fine Arts. In 1952 Adams was one of the founders of the magazine “Aperture”, a journal of photography showcasing its best practitioners and newest innovations. In June 1955, Adams began annual workshops, teaching thousands of students until 1981.
In one sense Ansel Adams's work is an extensive record of what is still left of the wilderness, the shrinking untouched part of the natural environment. Yet to see his work only as photographic images is to miss the main point that he tried to make: without a guiding vision, photography is not necessarily an important activity. The finished product, as Adams saw it, must be thought up before it can be executed. With nineteenth-century artists and philosophers (seekers of wisdom) he shared the belief that this vision must be inspired by life on earth. Photographs, he believed, were not taken from the environment but were made into something greater than themselves.