...RESEARCH PAPER FFD 122: History of Art and Design 2, Spring 2010 GUIDELINES 1. PURPOSE OF THE RESEARCH PAPER: One of the aims of History of Art and Design is to develop a historical and critical sensibility about artistic and cultural production. To test this ability, you will prepare a research paper about an object of art or design of your choice, based on the “Five Contexts of Art and Design” topics of this semester: MAKING, STYLE, IDEOLOGY, USE and MEANING. 2. CONTENT OF THE RESEARCH PAPER: Your chosen artwork/design CAN NOT be from an artist or an example that has been discussed in class. Check the course syllabus for a list of all works that are in the lectures. You are advised to choose a well-known work of a famous artist/designer so that you can easily find sources related to that work. You are discussing your chosen object, NOT its photograph. Do not talk about your object’s image but its ACTUAL three-dimensional reality, as much as you can understand it. Keep in mind the sub-themes for each of the themes of the semester because you will write about ONE sub-theme from each theme. | | | | |MATERIALS: How the choice of materials made by the artist or designer influences the form of the end | | |product. ...
Words: 1583 - Pages: 7
...it’s a common assumption that art is something of an elitist subject that cannot or should not be interpreted by those from the working classes. However how true is this? Some suggest that this is no longer the case, whilst others insist this was never the case at all. Writers such as Jones (2014) suggests that particularly within political art, and in terms of the Turner prize, there still remains faux intellectualism and that ‘Political art used to be real and urgent. Now it is an art world fashion.’ And ‘to put it bluntly, radical art has to have some human warmth and passion. Otherwise it is elitist masturbation.’ While many argue that art is for everyone and something that we all experience in...
Words: 2352 - Pages: 10
...an important artistic/aesthetic achievement when they advocate morally ‘wrong’ ideologies? Devereaux writes about three possible methods in which we can evaluate this film and/or its aesthetic qualities. They are, 1.) Formalism, 2.) Sophisticated formalism, and 3.) Nonformalism. She finds claims that the first two are weak but argues in favor of nonformalism. I will claim that all three forms of interpretation are weak and she errors in arguing for nonformalism. Formalism can be understood by the separation of aesthetics and moral content. Someone who has adapted the formalist view would evaluate...
Words: 945 - Pages: 4
...ART AS A MIRROR OF SOCIETY Art is seen as mirror of our society. It is therefore a source of communication put into meaning by ones ideology and inspiration, which allows us to related to Art in our own way. Visual Arts evokes conversation and seeks to solve problems of creativity and visual communication which has become a dominant global, social, racial, political, religious and capitalist force. The commercialization and commodification of this Visual Art shapes perceptions of visual cultures and visual communication. Art is therefore a reflection of a society influenced by ones own self concepts and experiences. – Differences + Value = Meaning society puts to define differences. Though Art is popular culture, John Stoy defines popular culture as an empty conceptual category, one that can be filled in a wide variety of often conflicting ways, depending on the context of use (Cultural Theory and Popular Culture Pg. 1. 1998) Process of defending popular culture. * Smaller number of people engaging in what the way of life is. * Raymond Williams – ‘Popular’ term developed as a kind of negative condition, of the ‘Common People’ – ‘loud, vulgar based’ by the late 18th century associated with widespread usage.’ Shift-negaive to (positive) popular of definition to (culture) popular culture. * Inference that popular culture is negative (initially) * Issues of authenticity very important * Issues of comodification and commercial item...
Words: 686 - Pages: 3
... * Gorbachev and His aims/Policies (glasnost And perestroika) and (1931-1991) consequences of the soviet state * consequences of Gorbachev’s policies for Eastern European; reform movements: Poland- the role of solidarity; Czechoslovakia- the velvet revolution; fall of the Berlin wall * china: Mao (1935-1976) Conditions that produced authoritarian and single party states * emergence of leaders: aims, ideology, support * methods of force and legal used to establish authoritarian * form of government ideology establishment * nature, extent and treatment of opposition establishment * domestic policies and impact (structure and organisation of government and administration * political, economic , social and religious policies within domestic policies and there impact * role of education, the arts, the media, propaganda in domestic policies and...
Words: 780 - Pages: 4
...walks of life that consume it. For example the existence of laws, arts, religion, and government are the meat and potatoes of civilization without these essential elements humans would be reduced animals that eat to live and breed without leaving a mark or legacy of his own. The fact that humans even want to leave legacy is interweaved into building blocks of civilization. As defined by dictionary.com civilization is an advanced state of human society, in which a high level of culture, science, industry, and government has been reached. (Dictonary.com) Are humans defined by their civilizations acceptance of their cultural ideologies? How do these ideologies play out in society and what role do these ideologies play in civilization? * The answer is the humanities rule our existence. Humanities because it is the outward expression of our selves our ideas and culture. Humanities capture the human spirit, soul, and inner thoughts and express them in three different ways through visual art, performing art, and literary art. These arts impress upon our society to shape our ideas of the world around us, and how we fit into the grand scheme of civilization. In reality you cannot have a civilization without humanities. * The humanities are broken down into different categories. The visual arts are comprised of painting, sculptures, architecture, photography, and film. (Pearson Education Prentic Hall). The pictorial arts are the derivative of the medium used to create it, how light...
Words: 489 - Pages: 2
...which considered the highest gods as ultimately transcendent and formless (Puzak, 2012), and hence it was extremely likely that Buddhism inherited some of the Vedist aniconic ideologies. In the early day of Buddhism, holy books were written by followers of the first Buddha and they recorded the teaching and lifestyle of Buddha, and it was very likely that the followers still held the old Vedism aniconic ideology when they wrote the book. In the Buddhist holy book “Jaiminiya Upanishad Brahmana” the aniconism ideology in Buddhism is clearly shown in which the book which described Buddha as not human merely but of Universal form, and this idea in Buddhism has changed during time but it is still similar to the Vedist...
Words: 1777 - Pages: 8
...Chapter 1 What is Art? In both the sciences and the arts we strive to weave our experiences into coherent bodies of knowledge and to communicate them. Art… • enhances daily experiences. • is linked to quality of life. • touches everyone. • is all around us. The Meaning of the Word Art… • Ability - The human capacity to make things of beauty and things that stir us. • Process - The different forms of art such as drawing, painting, sculpting, architecture, and photography. • Product - The completed work Whatever the definition, it is important to know the vocabulary of art in order to understand it. Some “Truths” About Art 1. There is no agreed-upon definition of art. 2. Art does not necessarily have to be beautiful. 3. Art can be created for any number of reasons. The Philosophies About Art: Many philosophers have argued that art serves no function, that it exists for its own sake. Some have asserted that the essence of art transcends the human occupation with usefulness. Others have held that in trying to analyze art too closely, one loses sight of its beauty and wonderment. Understanding and appreciating art… The questions to ask… • “Why was this created?” • “What is its purpose?” What Are the Purposes of Art? ART AND BEAUTY • Art adds beauty to our lives by looking to nature • Art depicts both Western & Non-Western concepts of beauty “A Closer Look” A Portrait in the Flesh Sometimes artists try to improve on nature...
Words: 880 - Pages: 4
...It can be significantly demonstrated through known classical film “Birth of the Nation” as it was highly cultural influential for the life of Americans and it was repulsive concept of ideology. In the specific film, Griffith performed a role of black who raped greatly helpless white female and who tends to disgrace the innocent white people. In this manner, Griffith in film significantly presented his ideology of racism through an extreme dramatic way. While analysing different ideologies, it has been significantly identified that there are two main types of ideologies including explicit and implicit. The example of implicit ideology can be determined through Disney production films as it generally targets young or teen viewers as in these films good ethical messages are included in order to develop positive morale values. In reference to determine its impact in terms of social practices, example of “Lion King” can be explicitly presented as film demonstrates the decent leadership characteristics and it significance for the followers (Turner, 2012, p....
Words: 1422 - Pages: 6
...edu/users/mhudelson/StudyGuides/GreekRoman_WA.htmlProf. Goux ART-5 1 June, 2015 The Mandala: A Comparison of Tibetan Buddhist and Native America Culture Early non-western thought often revolved around the concept of cyclical time. The circularity (a perfection that can never truly be attained in reality due the inevitable variation on the most infinitesimal level) was commonly represented in art and could often be intended to represent cyclical time or the cyclical nature of the world. Mandalas, which are literally translated as circles of essence, were used to represent a sense of order that seemed apparent in the universe at the time of ancient humans. Now, this thought should not be thought of as primitive, like most early western historians would inaccurately assume. The cyclical time and circular order of the universe seemed to be inherent in the common lives of early civilizations, and they simply applied their own form of logic to make predictions about the world around them. So, at its core, this can be considered quite advanced. The most renowned forms of mandalas are apparent in Hinduism and subsequently Buddhism; however, it is now clear that Native Americans also created such “mandalas” with similar social and religious applications. The Native American circles of essence were essentially medicine wheels (although many circular spiritual forms of art existed also). With this regard the Mandala will be related to the medicine wheel. In addition, the symbolism of such art is extremely similar and corresponds...
Words: 1436 - Pages: 6
...Paris and Europe the art world was consisting changing and in the years of 1889 and 1889 the threshold of debate was between the traditional artist and a new wave of modern artist. Traditional artist believed in the ideology of traditional and aesthetic art as the foundation of art and should not be changed. However, modern artist such as impressionist believed that the old art world was becoming boring and that there needed to be a change. For my inquiry class I was given the opportunity to play the artist named Jean Leon Gerome. Gerome is a famous traditional artist who despises the new art wave and believes that it is considered sloppy with no obvious message in the art work. To have the privilege to play Jean Leon Gerome...
Words: 1342 - Pages: 6
...think - this was achieved by making sure that only certain things were safe to think - and more importantly safe to say. Hitler was able to gain more and more followers and appeal to the people due to the severe state of the German economy and the critical state of the people that had no savings, no assets and practically no food. The Versailles treaty had simply been a recipe for destruction for the Weimar Republic and the crisis was the last straw leading to its demise. Hitler was the only one that was offering immediate solutions, not future ones such as his opponents did, and used large scale propaganda to make the people truly believe in his new ideology that was in a sense, a new way of life. He could not have chosen a more competent propaganda minister to accomplish this than Joseph Goebbels, who took full control of the media, arts and information influx in Germany. Hitler...
Words: 3015 - Pages: 13
...somewhat less violent provoking scores seen between Fluxus artistry. Nyman also marks a distinct shift away from the central Fluxus ideologies, regarding danger music, as he claims, " More recent danger music involves more direct conflict with performers or spectators." (New Directions in Music, Michael Nyman) The pieces that will be ethically evaluated are Danger Music Number Nine by Dick Higgins, Music for Wise Men by Jed Curtis and Music for a Revolution by Takehisa Kosugi of which draw upon this violent art form. Ethical intuitionalism, the...
Words: 934 - Pages: 4
...the most philosophically fascinating uses of cinema, is a vehicle for propaganda. Granted all mass media-books, television, music, newspaper, radio and nowadays the internet - can be used for propaganda, that is, as tools for getting a message broadly accepted in a target audience. But, it has been argued that film-as opposed to literature, the plastic arts, music and the other performing arts-has a unique power as a tool for propaganda" (Jason203). "The films of a nation reflect its mentality in a more direct way than other artistic films because films are never the product of an individual and the films address themselves and appeal to the anonymous multitude" (Kraucer, 5). This is why Hitler and the Nazi party decided to use film as a method for spreading their ideology. Film allowed them to reach the masses in a way that other mediums just couldn't do. Plus the "anonymous multitude" would be able to view the films and accept the ideology without anyone else knowing. Since the cinema was such a big operation the Nazi party could keep an eye on the message to make sure it was correct to the ideology of Hitler. This was not an underground operation where the message could get misinterpreted or where someone down the line of production could...
Words: 2724 - Pages: 11
...movement with many nuanced, smaller branches that all intertwined to create a tree of change. The transformation of ideology was present in art, science, even religion. Revolution was the driving force behind the time, and it infected every aspect of society, causing them to all be connected. People became fed up with being told what to do, and began defying the expectation to be complacent by questioning everything around them, and starting to widen their horizons beyond what they had been force fed their whole lives. Discoveries were made concerning the theory of the universe, and what was really at the center of it. In 1514, Nicholas Copernicus realized that Earth was not the center of the universe; but rather, the sun was (Doc. 2). His heliocentric theory revolutionized science for years to come. As people became aware that they could “do anything with themselves” as long as they applied themselves, the carefully painted facade they were living started to peel away (Doc. 8)....
Words: 498 - Pages: 2