...The two adaptations of the original novel The Great Gatsby, are Baz Luhrmann’s The Great Gatsby and Woody Allen’s Midnight in Paris. Gatsby himself is an extremely wealthy man that started with nothing. Originally, Gatsby was born to a lower class family that barely scraped by working in the coal business. Growing up, he practiced things like posture and poise, doing everything he could to prepare himself for his journey. Soon after Gatsby ran away to make a name for himself in the upper-class city. In both adaptations, Gatsby’s parallels resemble that of Fitzgerald’s novel. The films The Great Gatsby and Midnight in Paris both acts as parallels to the original in their own ways. One could argue that because the adaptation was made in modern...
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...materialistic vision of a big house, nice car, and living the easy life. As represented in the novel The Great Gatsby and Baz Luhrmann’s, The Great Gatsby, the American Dream was more focused on instant gratification of material things and needing material things as an indication of success. In F. Scott Fitzgerald’s, The Great Gatsby and Baz Luhrmann’s, The Great Gatsby, Jay Gatsby is a renaissance man; a man who has it all but started out with nothing. His plan was to achieve his dream. He was so blinded by his possessions, in front of him, that he could not see that money could not buy love or happiness. Fitzgerald demonstrated how a dream can be corrupted by one’s focus on accruing wealth, power, and expensive things. Gatsby’s dream was “ambiguous, contradictory, romantic in nature, and undeniably beautiful while at the same time grotesquely flawed” (Hearne 189). His American Dream had become tarnished and corrupted by the culture of money and opulence that surrounded him. Gatsby was ‘new money’, and his romantic view of the wealthy did not prepare him for the self- absorbed, snobbish, group of people he was about to associate himself with. He threw lavish parties every night, yet he had no real friends to surround himself with. Gatsby bought expensive things and entertained a lot of people, but he was hoping for something more. Nick Caraway realized that Gatsby was involved in a few...
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...Love in The Great Gatsby: “All the bright precious things fade so fast and they don’t come back” Did you know that in Canada almost 40% of first marriages end in divorce? In his adaptation of The Great Gtasby, Baz Luhrmann’s use of props highlights the ideology that love does not last. To express his love, both Daisy and Myrtle receive a string of pearls from Tom. In the flashback scene of Daisy’s wedding day, she receives a letter from Gatsby saying that he is ready to be with her. Just like that, she yells “tell them Daisy’s changed her mind” and proceeds to rip the $350,000 necklace off her neck. Luhrmann positions the camera in a way that it focuses on the pearls scattering all over the floor, showing the dispersion of her love for Tom. Sitting in the tub, Daisy cries hysterically. Gatsby’s letter crumbles to pieces in the water beneath her therefore showing the quick deterioration of her love for Gatsby, then proceeding to marry Tom. Near the end, following her argument with Mr. Wilson, Myrtle runs out towards a car who she believes to be Tom. Daisy collides into Myrtle and the string of pearls around her neck falls to pieces. In the same way, Luhrmann focuses the camera onto the pearls as they shatter and fall to the ground. He also puts this scene in slow motion, further emphasizing the ending of Myrtle’s relationship with both men as well as the downfall of Daisy’s relationship with Gatsby. Throughout the movie, we see the...
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...The Great Gatsby is a book written by F. Scott Fitzgerald. The story follows Nick, the protagonist, as he moves to New York City and starts his new life there. Throughout the book, the reader meets an abundance of horrible characters like Daisy, a self-absorbed and careless beauty, Tom, a brutal and unmoral man, and Gatsby, an ignorant and mysterious fool who wasted his life chasing a hopeless dream. Baz Luhrmann and Woody Allen are just two people who have recreated The Great Gatsby or dedicated a homage to it. Their works have proven effective representations of the film. A director named Baz Luhrmann turned The Great Gatsby into a film. By casting the right actors to portray the characters, Luhrmann effectively recreated the book on screen....
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...<How Faithful Is The Great Gatsby?> By David Haglund Ever since Baz Luhrmann announced that he was adapting F. Scott Fitzgerald’s The Great Gatsby—and especially after he revealed that he’d be doing it in 3-D—much digital ink has been spilled about the hideous sacrilege that was sure to follow. Nevermind that Luhrmann’s previous adaptation, William Shakespeare’s Romeo + Juliet, was quite true to both the language and the spirit of that legendary play; Gatsby, as David Denby puts it in The New Yorker this week, is “too intricate, too subtle, too tender for the movies,” and especially for such an unsubtle filmmaker as Luhrmann. So the argument goes, anyway. In fact, Fitzgerald’s novel, while great, is not, for the most part, terribly subtle. And though it has moments of real tenderness, it also has melodrama, murder, adultery, and, of course, wild parties. In any case, we can put aside, for the moment, the larger question of whether Luhrmann captured the spirit of Gatsby, which is very much open for debate. There’s a simpler question to address first: How faithful was the filmmaker to the letter of Fitzgerald’s book? Below is a breakdown of the ways in which the new film departs from the classic novel. The Frame Story Luhrmann’s chief departure from the novel arrives right at the beginning, with a frame story in which the narrator Nick Carraway (Tobey Maguire), some time after that summer spent with Gatsby & co., has checked into a sanitarium, diagnosed...
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...F. Scott Fitzgerald's “The Great Gatsby” was an excellent book and was filmed numerous times to try to capture Fitzgerald's vision. The most recent (2013) version directed by Baz Luhrmann was a flashy modernized take on the classic. With the modern music and language along with the editing of the overall movie it gave it a present day feel. The book was set in the 1922 and all of the music that they used comes out of the 2000s, and having the script mainly this eras speech pattern. Not necessarily modern day slang but, taking out the boring unnecessary dialog that this generation probably won't understand. This gave the overall production a modern day feel. I'm not mad at this though. It wasn't meant to be an exact copy of the book. Luhrmann...
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...F. Scott Fitzgerald, an author whose work is drenched in period-specific notations, is sure to prefer Jack Clayton’s 1974 adaptation of his novel The Great Gatsby due to its use of music from the time in which the novel was set and written. Throughout the film, music, both background and prominent, is taken directly from the 1920s. Some examples of tracks used in the film from this time period are I’m Gonna Charleston Back to Charleston written by Lou Handman, Five Foot Two, Eyes of Blue written by Ray Henderson, and When You and I Were Seventeen written by Charles Rosoff and Gus Kahn. The versions of the songs included in the soundtrack for the film were all performed by Nick Lucas, a jazz musician whose career began in 1910 and peaked in...
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...writers of the 20th century and the time called the „Jazz Age”. His most famous works are „The Curious Case of Benjamin Button” and „The Great Gatsby” which have been adapted into films. The Great Gatsby has been the basis for many movie adaptations of the same name in 1926, 1949, 1974, 2000, and the latest in 2013. 2. Baz Luhrmann Mark Anthony "Baz" Luhrmann (1962 - ) is an Australian film director, screenwriter and producer. He is best known for directing Strictly Ballroom, Romeo + Juliet, Moulin Rouge, Australia and the newest version of The Great Gatsby released in 2013. 3. „The Great Gatsby” – the plot of the novel The Great Gatsby is an American novel written in 1925 that follows a cast of characters living in the fictional town of West Egg on Long Island in the summer of 1922. The story primarily concerns the young, handsome and mysterious millionaire Jay Gatsby and his unrealistic illusion and passion for the beautiful Daisy Buchanan. Major characters Nick Carraway – a Yale graduate originating from the Midwest, a World War I veteran, and, at the start of the plot, a newly arrived resident of West Egg, who is about 30 years old. He serves as the first-person narrator of the novel. He is Gatsby's next-door neighbour and a bond salesman. He is an easy-going, occasionally sarcastic, and quite optimistic person. Jay Gatsby (originally James "Jimmy" Gatz) – a young, handsome and mysterious millionaire with shady business connections, originally from North...
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...Baz Luhrmann's The Great Gatsby is a rendition of F.Scott Fitzgerald novel with the same name. The great Gatsby is a melodramatic love story based out of New York in the 1920’s.dream like quality produced by digital animation takes you into a trance during the entire film. Hope and fantasy are prevalent in Gatsby while trying to win over his love. Star power is displayed with Gatsby the main character portrayed by Leonardo DiCaprio and caraway played by Toby Maguire. Elaborate grand sets and glamorous costumes captivate the audience. Gatsby yellow car is used as symbolism to show his demise. Elaborate sets were extremely visually stimulating and stunning. Sydney, Australia is the location where the film was created with various still shots taken in New York along with in helicopter shots in Manhattan, umpteen live action shots were on partial sets and filmed with use of a green screen and filled in later with digital effects.Flashy and captivating wardrobe was used all throughout the film, winning Gatsby the best production and costume award at the academy awards. In the beginning Gatsby represents hope Gatsby represents hope and the belief that dreams and fantasies can occur if you put hope into it. He fell in love with a beautiful woman then got deployed for war, in which time she remarried and he hadn’t seen her for five years. He bought an elaborate mansion across the pond from hers and throws the most lavish glamorous popular parties in the city where he spent an immense...
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...TermPaperWarehouse.com - Free Term Papers, Essays and Research Documents The Research Paper Factory JoinSearchBrowseSaved Papers Search over 100,000 Essays Home Page » English and Literature Explore the Different Attitudes to Love Are Presented by the Characters in Romeo and Juliet and the Speakers in the Sonnets You Have Studied In: English and Literature Explore the Different Attitudes to Love Are Presented by the Characters in Romeo and Juliet and the Speakers in the Sonnets You Have Studied Explore the different attitudes to love are presented by the characters in Romeo and Juliet and the speakers in the sonnets you have studied. Love is presented through the use of characters, themes, linguistic, structural and contextual references. That pieces are ‘Romeo and Juliet’ written by William Shakespeare, ‘Sonnet 116’ by William Shakespeare again, ‘Sonnet 43’ by Elizabeth Barrett Browning, ‘Sonnet 130’ by Shakespeare and also ‘Sonnet 18’ again by Shakespeare. They were all written in the time that was considered the Elizabethan Era. A religious theme is set in both Romeo and Juliet and sonnet 43 to convey the attitudes to love. In Romeo and Juliet the theme of religion is used to express their love between each other and suggesting it is similar to religion can impose that it is a life-long commitment and will always be there even if they lose faith. At that time their attitude towards religion was very strong and it was their integral, which links to the...
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...history may not always be gathered from the most historically accurate information or the most reliable sources. I have learnt a significant amount about the great depression, civil rights movement, Wars involving America, terrorism and other important events in American history. Up until the end of the 1920’s America was a country of success and great hope. The standard of living was high for the people who were wealthy and white, racism seemed to be a massive problem in America prior to this time and many decades following. While racism towards black people was an issue, it appears the sexist views towards...
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...Best Global Brands 2013 Table of Contents JEZ Leadership is evolving. It must now be shared. CEOs, CMOs, and consumers all have the power to drive brand value. Brands are where business strategy meets reality. GINNI The New Rules of Brand Leadership 2 From Information to Intelligence 82 Best Global Brands 2013 Sector Leadership 86 BISH 10 Creative Leadership 70 Methodology 120 China’s New Brand Leaders 74 Contributors 126 Corporate Citizenship 2.0 78 MARK CHIEKO The New Rules of Brand Leadership By Jez Frampton In our globalized, hyperconnected age, one question persists in boardrooms, corner offices, business schools, and conferences all over the world: What is leadership and how has it changed in the 21st century? Driven by rapid technological advancement, the digitization of nearly everything, and the ever more intricate interdependencies of the global market, the business landscape has transformed over the past two decades. Operating in a bewildering new environment in which little is certain, the pace is quicker and the dynamics more complex. Those who lead today’s brands can no longer rely on once immutable truths or principles of leadership honored in times past. It is a new world. And as purchasing increasingly shifts from a physical experience to a virtual one and transaction-based interactions between brands and consumers shift to relationship-based interactions, new skills and sensibilities are needed. Leadership...
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...Best Global Brands 2013 Table of Contents JEZ Leadership is evolving. It must now be shared. CEOs, CMOs, and consumers all have the power to drive brand value. Brands are where business strategy meets reality. GINNI The New Rules of Brand Leadership 2 From Information to Intelligence 82 Sector Leadership Best Global Brands 2013 10 86 BISH Methodology Creative Leadership 70 120 Contributors China’s New Brand Leaders 74 126 Corporate Citizenship 2.0 78 MARK CHIEKO The New Rules of Brand Leadership By Jez Frampton In our globalized, hyperconnected age, one question persists in boardrooms, corner offices, business schools, and conferences all over the world: What is leadership and how has it changed in the 21st century? Driven by rapid technological advancement, the digitization of nearly everything, and the ever more intricate interdependencies of the global market, the business landscape has transformed over the past two decades. Operating in a bewildering new environment in which little is certain, the pace is quicker and the dynamics more complex. Those who lead today’s brands can no longer rely on once immutable truths or principles of leadership honored in times past. It is a new world. And as purchasing increasingly shifts from a physical experience to a virtual one and transaction-based interactions between brands and consumers shift to relationship-based interactions, new skills and sensibilities are needed. Leadership roles...
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