...by Spike Jonze, to a video he filmed in April of 2011. In this video, an L.A. street dancer named Lil Buck performs a style of dance, which is commonly referred to as “gangster walking”, while classical musician Yo-Yo Ma accompanies him on the cello. The performance cannot be compared to anything else – the blend of street dancing and classical music is truly a unique combination. It’s a combination that we don’t see in everyday life, a distortion of reality – which is most likely why Jonze was drawn to the idea. From his early days as a music video director and all throughout his career, Spike Jonze has had a penchant for escaping the confines of reality. From one of his earliest music videos, which plays in reverse, to films like Being John Malkovich and Where the Wild Things Are, in which he literally brings the viewer in to a new reality. This distortion of reality is a mirror of Spike’s obsession with straying from convention, in narrative and filmmaking technique. While Spike and his characters may seek to escape the confines of reality, what they are really seeking under the surface is acceptance. Spike’s work reveals a common human tension – the desire to be unique, yet also accepted. One reoccurring theme that reverberates through much of Jonze’s work is the idea of a distorted reality. Jonze has proven to be a master of manipulating the techniques of filmmaking to create this effect. During his time as a music video director, Jonze directed a...
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...1990s and 2000s. From big budget blockbusters, to breakout independent films, to discoveries from around the world, we have seen exciting and groundbreaking cinematic work created in the last two decades. For our second installment of our "100 Movies to See Before You Die," we decided to highlight these "Modern Classics" made between 1990 and 2009. Like our first list, we chose movies based on their artistry, originality, and pure cinematic entertainment. And even we were surprised by the results. While big stars like George Clooney, Tom Hanks, and Morgan Freeman are well-represented on the list with three films each, it's acclaimed actress Catherine Keener who appears in the most movies. By working in both independent films like "Being John Malkovich" and studio productions like "The 40-Year-Old Virgin," she personifies the best of the era. Look through the list below to see our choices for the top movies made in the last twenty years. Click on a title to add your comments about that particular choice. And take a look at the original "100 Movies to See Before You Die" to see the seventeen films that appear on both lists. 1990 [pic] Goodfellas DIRECTED BY: Martin Scorsese STARRING: Ray Liotta, Robert De Niro, Joe Pesci WHY YOU SHOULD SEE IT Misery DIRECTED BY: Rob Reiner STARRING: James Caan, Kathy Bates 1991 Beauty and the Beast DIRECTED BY: Kirk Wise, Gary Trousdale STARRING: Paige O'Hara, Robbie Benson [pic] The Silence of the Lambs DIRECTED BY: Jonathan Demme ...
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...When Charlie Sheen receives support from a fellow star, they get rewarded. Director Michael Moore is one such man who has reportedly reached out to the former Two and a Half Men actor for “refusing to walk the plank.” OK! NEWS: CHARLIE SHEEN CREATES “THE MASHEEN” IPHONE APP During Charlie’s “My Violent Torpedo of Truth Defeat Is Not an Option” Tour at the MGM Grand Theater at Foxwoods Resort and Casino on April 17, comedian Jeffrey Ross read a lengthy email he received from Michael, basically endorsing Charlie. “I met Charlie back in 2004. He had my wife and I over to his house for dinner. It was really nice and we had a great time,” Jeffrey read from the letter during the show. “I feel bad to see what Charlie’s been through. Everyone has crossed a … line and he’s had his share.” “I haven’t spoke to Charlie in years, but here’s what I see now… Going on TV, crying fake tears, pouring their souls out to Dr. Phil, apologizing for everything they’ve done since second grade and telling the world they’ve found their Lord? Instead of doing all that, Charlie Sheen refused to walk that plank… and put Charlie Sheen as the first one to say, ‘I’m tired of apologizing for the fact that I’m special,’ ” Michael wrote. “That’s why it’s so important that everybody believes that they themselves can change. That people who have changed and can be kinder to each other and give each other a friggin f***in break.” “That’s why people are pulling for Charlie Sheen,” he explained. “That’s...
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...The classic novel, Of Mice and Men, written by John Steinbeck was made into a movie in 1992. The novel, which takes place in the 1930’s, follows the lives of two men, George Milton and Lennie Small, as they try to attain their dream of owning their own farm and “live off the fatta the lan’”. George is a smart man who always seems to have things figured out. Lennie is massive, a contradiction of his last name, but has the mind of a young child. George looks after him, but it is not easy since Lennie always seems to get himself in some kind of trouble. As they struggle towards their dreams, George and Lennie face obstacles that test their friendship. In the end, with Lennie dead, George finds out that dreams aren’t worth striving for, and eventually, loneliness overcomes everything. The book Of Mice and Men differed from the movie adaptation, with the portrayal of Curley’s wife, and Lennie’s death scene. Along with those differences there are aspects in the movie that show a strong resemblance to those in the book, like how the characters were written, and how they were acted. The movie of Of Mice and Men had many differences while still giving the same messages that the book intended on having. A major difference between the book Of Mice and Men and the movie was Lennie’s death scene. In the book there was a scene in which Lennie was alone, where George told him to go in case he ever got in trouble. At that moment Lennie was hallucinating about his Aunt Clara and rabbits. This...
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...In 1992, Gary Sinise made a movie version of Steinbeck John’s novel, “Of Mice and Men.” Both the movie and book are set in California during the Great Depression era and tells the story of two men, constantly in the run trying to make a living. The two main character George and Lennie, whose role was well played by Gary Sinise as George and John Malkovich as Lennie are a team of two. George being the brains and Lennie being the bronze. The two of them are different from all those other ranch workers as mentioned frequently throughout the movie and book by George, “With us it ain’t like that. We got a future. We got somebody to talk to that gives a damn about us.” This dialogue is pivotal piece in the entire story because one of the main themes...
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...A major motif of John Steinbeck's Of Mice and Men is the American dream and the drive to attain it. The life of a ranch hand is grim, yet the characters in the novel are still vulnerable to dreams of a better life. The dream of owning land, called the American dream by some, is what motivates George and Lennie in their work on the ranch. It is their friendship that sustains this dream and makes it possible. While the dreams are credible to the reader, in the end all dreams are crushed, and the characters are defeated by their circumstances. The characters in Of Mice and Men have very little to look forward to as migrant ranch hands. They travel from ranch to ranch with all of their possessions in a bundle, looking for work for fifty dollars a month, and that work does not usually last very long. If a man is a good worker, he might be kept on at the ranch indefinitely and wind up as Candy does, old and crippled, just waiting until he is no longer useful. George explains the despair of a ranch hand to Lennie: Guys like us, that work on ranches, are the loneliest guys in the world. They got no family. They don't belong no place. They come to a ranch an' work up a stake and then they go inta town and blow their stake, and the first thing you know they're poundin' their tail on some other ranch. They ain't got nothing to look ahead to. (Steinbeck 13-14) Despite their destitute state, many of the characters in Of Mice and Men are prone to dream. George...
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...John Steinbeck: Of Mice and Men This scene in Of Mice and Men is made extra tense by the author, John Steinbeck, by a mixture of linguistic devices, description and speech. Curley’s wife is introduced in this scene and it starts by describing her. In the novel “Of Mice and Men” John Steinbeck tells a story of dreams, hopes and loneliness. We are introduced to a majorly significant and complex character, Curley’s wife. Steinbeck shows us that Curley’s wife is flirtatious, mischievous but most of all an isolated character. She plays a main part in the novel; in doing this she displays and presents many of the main themes. Before we are presented to Curley’s wife, Candy talks about her, to George and Lennie. She is spoken about in a gossipy manor. “I think Curley’s married a … tart.” Steinbeck is prejudicing and preparing us before we meet Curley’s wife. He does this, so that we have an influenced preliminary impression of Curley’s wife and the way she acts. Steinbeck creates tension in this scene as, at the start, he builds up a stark image in our mind about how Curley’s wife looks. He also makes it very clear to us what both George and Lenny are thinking. Lenny is dazzled by Curley’s wife’s beauty whereas George is more wary of her and knows better than to chat with her too long. We develop an initial perception of Curley’s wife as being flirtatious and promiscuous. This is shown at the entrance of Curley’s wife’s. Steinbeck first introduces us to her appearance, “full...
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...on Red by Warren Ellis Cully Hamner Starring Bruce Willis Morgan Freeman John Malkovich Karl Urban Mary-Louise Parker Helen Mirren Music by Christophe Beck Cinematography Florian Ballhaus Edited by Thom Noble Production company DC Entertainment di Bonaventura Pictures Distributed by Summit Entertainment Release date September 29, 2010 (Austin Fantastic Fest) October 15, 2010 Running time 111 minutes Country United States Language English Budget $58 million[1][2] Box office $199 million[1] Red is a 2010 American action comedy...
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...screenplay for "Adaptation." Kaufman, the most gifted screenwriter of the 2000s, is concerned above all about the processes of thought and memory. His screenplay for Spike Jonze's "Being John Malkovich" (1999) involved a way to spend 15 minutes inside the mind of another person. Michel Gondry's "Human Nature" (2001) is concerned about the Nature vs. Nurture theories of our behavior: Do we start this way, or do we learn it? Jonze's "Adaptation" (2002) contrasts the physical evolution of orchids (which assume fantastic forms to earn a living) with identical twins, one who writes from his nature and the other from his nurture. In George Clooney's "Confessions of a Dangerous Mind" (2002), he shows the game show creator Chuck Barris leading a double life as a deadly CIA assassin (Barris believes this story is factual). Kaufman's first film as a director, "Synecdoche, New York" (2008), is his most challenging. He attempts no less than to...
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...Even films which are shot and edited using digital technology, in most cases, eventually will be printed onto film in order to be projected. I am interested in the transformation of storytelling and narration caused by digital revolution. I will analyse the shift that occurred in cinema after 1997, when the video techniques became more popular. I would like to avoid simplifying or dismissive statements about the aesthetics developed by digital techniques. It is a very rare occurrence for a film to be entirely analogue or digital. Therefore, I intend to talk about the intersection of digital and analogue techniques and the effect that digital practices have upon the tradition of storytelling. In their analysis of new media, Anna Everett and John T. Caldwell describe this intersection of analogue and digital with a term “digitextuality”. This fusion of “digital” and “intertextuality” illustrates the process in which old media acquire new shape and form: M.A. Digital Culture and Technology New digital media technologies make meaning not only by building a new text through absorption and transformation of other texts, but also by embedding the entirety of other texts (analogue and digital) seamlessly within the new. 1 My intention is to discuss the artistic rather than economical aspects of digital cinema. Simply because digital filmmaking is cheaper and more accessible than 35 mm film and it is difficult to argue with it. However, the fact that late 90s brought inexpensive...
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...A funny new twist on a classic love story, WARM BODIES is a poignant tale about the power of human connection. After a zombie epidemic, R (a highly unusual zombie) encounters Julie (a human survivor), and rescues her from a zombie attack. Julie sees that R is different from the other zombies, and as the two form a special relationship in their struggle for survival, R becomes increasingly more human - setting off an exciting, romantic, and often comical chain of events that begins to transform the other zombies and maybe even the whole lifeless world As much as I enjoy "The Walking Dead" on AMC and movies such as "28 Days Later," one of my ongoing complaints about the explosion of the zombie genre is the general mopery and overall predictability of those ever-staggering creatures. They lurch. They snarl. They sniff the air for the scent of human flesh. They pounce and gnaw. They pound windows and doors, and express frustration when confronted with 10-foot-high cyclone fences. And then they get shot in the head and die. That's pretty much it. We almost never get inside the rotted mind of the zombie or see things from the zombie point of view. They're forever penned in as the Big Metaphor. One of the many exhilarating pleasures of "Warm Bodies" is the flipping of that script. This is a bloody fresh twist on the most popular horror genre of this century, with none-too-subtle echoes of a certain star-crossed romance that harks back to a certain bard who placed a certain...
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...Personally I do agree. My mother has expectations for me to get a perfects job later in the future, and study something that has a high paying job, such as a doctor or some form of a engineer. Although they may seem plausible for me, I just won't engage myself towards the subject enough to enjoy it for the rest of my life. Something that I would have interest into would be business. Any kind. So I would have a larger variety of doors to go through, since business also has a lot of openings. Being able to get great to perfect grades (80%+) was also an expectation. Considering all the stress and conditions that I have, it would take a while or wouldn't happen. Hence getting the grades, it would also give a variety for universities, such as University of Toronto(UofT), York University (YorkU), or even Ryerson University (Ryerson). All of the universities has great courses for the medical field, engineering, and/or business. Having to do so, my mother still has those expectations, still “complaining” or nagging about my academics. If it were to slow down on the strictness, it would give me a larger space without the stress, giving me a broad idea of what to...
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...Is Google’s Philosophy of “Don’t be Evil” being compromised at the cost of doing big business Google has always wanted to be the people’s favourite by having a strong set of business morals and gaining the confidence of its users by having a motto, “Don’t be Evil”. Even as it has created goodwill, Google wrestles with difficult choices that will enable it to continue expanding while sustaining the guiding vision of its founders’ mantra. They've taken a stand against pop-ups and pop-under and refused ads from sites they consider to be overly negative. All the while, they've stubbornly kept the Google homepage concise and pristine. On just a faint whisper of a marketing campaign, the company pulled in an estimated $70 million last year (a third from licensing fees and the rest from ads) (McHugh, Josh, Google vs Evil, Wired, 2002). Should Google play ball with repressive foreign governments? Refuse to link users to "hate" sites? Punish marketers who artificially inflate site rankings? Fight the Church of Scientology's attempts to silence critics? And what to do about the cache, Google's archive of previously indexed pages? Are the questions often asked. Most major companies refer to a detailed code of corporate conduct when considering such policy decisions. General Electric devotes 15 pages on its Web site to an integrity policy. Nortel's site has 34 pages of guidelines. Google's code of conduct can be boiled down to a mere three words: Don't be evil. (McHugh, Josh, Google...
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...|Movies Illustrating Social Psychological Phenomenon: | | | |Willy Wonka and the Chocolate Factory | |[pic] | |Issues dealing with prejudice, discrimination, attitudes, attitude change, person perception, self, social influence, helping behavior, | |empirical methods, parenting styles commentary, competition | | | |Lord of the Rings | |[pic] | |Issues dealing with attitudes, violence, deception, compliance, obedience, person perception, self, altruism, interpersonal attraction, | |personal relationships, helping behavior, aggression ...
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...artistic forms of self-expression. Movies we see at theatres, on television, or home video are typically narrative films. They tell stories about characters going through experiences. But what are they really about? What is the content of a film? DIGGING DEEPER: FOUR LEVELS OF MEANING Recounting the plot of a movie, telling what happens, is the simplest way to explain it to someone else. But this is neither a film review nor a film analysis. It’s merely a synopsis that anyone else who sees or has seen the movie will likely agree with. This level of content may be called the referential content, since it refers directly to things that happen in the plot and possibly to some aspects of the story that are merely implied by the plot. In John Boorman’s Deliverance (1972), four men from the city go on a weekend canoe trip that unexpectedly becomes a life or death struggle for survival of man against man and man against nature. Some characters survive, others don’t. Most films can be analyzed more thoroughly to reveal deeper levels of meaning. A review (perhaps 400-1200 words) typically includes personal impressions and evaluations of a movie’s content and techniques. A good review may be subjective, yet still touch superficially on topics that might be explored in more detail in a longer formal analysis. An analysis (perhaps 1200-12,000 words) attempts to determine how the film actually uses various cinematic techniques and elements of film or narrative form to make a...
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