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Chinese Opera

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Submitted By graham
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Chinese Opera Company

Classical Chinese opera has existed for over 250 years, starting about the same time, more or less, as the beginnings of Italian opera. Unlike Italian opera, which is really a sung drama, Chinese opera is a mixture of high-pitched singing, acting, clowning, acrobatics and kung fu, with many unique conventions such as masks, face-painting, minimalist stage setting, and elaborate costumes giving no regard to different dynasties in China’s history. It relies upon the audience’s own imagination and understanding to fill the gaps. Because of the sheer number of Chinese worldwide, naturally commands a much larger audience overseas than at home.

Frequently, an evening’s programme would consist of excerpts from different operas with no relation to each other. Given this, The Chinese Opera Company (TCOC)has attempted to combine traditional opera with modern theatrical concepts. Classical Chinese opera was banned in China during Mao’s Cultural Revolution but is now attracting young audiences while satisfying older connoisseurs. The older population sees it as a link to their Chinese Heritage; the youth see it as a statement of China’s acceptance in the word. Expatriates see it as a sign of Chinese culture which separates them from Western Culture. However, with the acceptance of the various cultures in China, it has become clear that Chinese opera exists in many forms depending on the ethnic groups which comprise modern China.
Reaching Out to a Wider Audience - Making Them Lifelong Enthusiasts The Chinese Opera Company aims to reach all persons from 7 to 70 years of age, regardless of what dialect they speak or where they live. It does not perform only at Beijing National Theatre with its comfortable seats and good acoustics, but makes educational tours to all corners of the world, putting on shows in country

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