...Coming of Age Narrative It was a late afternoon during her freshman year. Young Heather McRea had just heard of her father’s first heart attack, officially known as myocardial infarction, whose symptoms include a feeling of discomfort similar to heartburn, shortness of breath, nausea, feeling faint, a cold sweat, or feeling tired. She was terrified. Suddenly, the late assignment which she was trying so hard to complete before it would no longer be accepted by her teacher seemed significantly less important. “How could this have happened?” she thought to herself. Later that night, Heather McRea had discovered the cause of her father’s heart attack. According to the doctor who had informed her of the cause of her father’s heart attack, the heart attack had most likely been caused by a diet which included excessive...
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...Novels are criticized to see if the author creates a book that will stand the test of time. Jane Eyre and The Joy Luck Club both connect the maternal figure and use the narrative language to tell the stories of the women in both novels. Charlotte Brontë has created a novel that is referenced often and allows coming of age novels to spring-board off of her beliefs. Amy Tan’s coming of age novel could stand to be the test of time and can be modeled after Jane Eyre. Jane Eyre not only stands the test of time by showing the importance of women in society through Jane, but also first person to iterate the importance that Charlotte Brontë draws the reader into the narrator’s feelings. The Joy Luck Club uses the narrative language which can stand the test of time for the future similarly to Jane Eyre and develop characters through first person. Often times Brontë does not mention Jane’s mother, however, when she does elaborate on a...
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...The Civil War was not only fought in battlefields, but also in the daily lives of southerners at home. Victoria Ott’s study in Confederate Daughters: Coming of Age in the Civil War examines the unique demographic of young women coming of age during the time of the war. The sources for her study come from young women born between 1843 and 1849 to wealthy secession supporting families in the south. The study is chronologically organized and seeks to understand how the young women’s gender and upbringing tied their generation together and shaped support for the Civil war, even after it ended. The late antebellum is the first period examined, specifically young women’s lives before the war. Education is emphasized as the means by which women...
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...of stories united by their particular settings, characters, themes and narrative conflicts’ (Worland 2007, pg15). This assignment will look at the generic conventions a coming of age/ teen film (what we expect to see), aspects such as typical situations, stock characters, style, icons and setting. In terms of themes in coming of age (teen films) (subjects that are dealt with within the text) they tend to focus around, first love, rebellion, and conflict with parents, teen angst or alienation. In terms of what we would typically see within the genre ‘teen/coming of age’ film it is in the interest of the target audience and making the plot relatable and focus on their interests. The first trailer to be analysed is “Mean Girls”, a teen movie released in 2004. The style of “Mean Girls” is glossy, the use of high key lighting creates an expensive look and the contrast of high/bright colours makes the film more vivid and eye catching the use of the bright colours encourages a cheerful and young audience. In the first shot we see ‘Kady Heron’ in class she looks bland and has no character and is introduced as the new ‘student’ which is typical for the plot of a teen (coming of age movie) and the non-diegetic sound tracking playing in the back background gives us insight into the genre as we see both a stock character and a typical situation with a pop soundtrack clearly illustrating the theme of coming of age. Surrounded by stock characters that feature in a teen movie; teachers...
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...acclaimed ‘let the right one in’ (based on a novel of the same name by author John Ajvide Lindqvist) is an arthouse, low budget horror-thriller set in Blackeberg (a suburb of Stockholm, Sweden) in the early 1980’s. This essay will investigate the themes of the horror genre focusing on narrative codes and conventions including Claude Lévi-Strauss’ binary oppositions and Roland Barthes’ action and enigma codes, concluding with whether ‘Let the right one in’ is a typical representation of these theories. ‘Let the right one in’ falls mainly into the category of horror, in someways staying quite typical to its genre. For example it features typical narrative elements of the horror genre including murder and survival as well as style conventions such as low-key lighting and an ominous score. However, ‘Let the right one in’ also subverts these conventions by challenging various narrative elements. Alfredson was unconcerned with vampire conventions associated with the horror genre and scaled down many...
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...Comparison Approaching the end of forced slavery, birth was given to the new genre of literature. Fugitive Slave Narratives, the new genre, have become highly recognized in the literary world. These narratives have been analyzed thoroughly by scholars, as well as influenced the enhancement of learning today. Well-known author, Frederick Douglass, was able to recollect and share his childhood through his book entitled “Narrative of the Life of Frederick Douglass.” Slave Narrative author, Harriet Jacobs, also shared her slave childhood through her book “Incidents in the Life of a Slave Girl.” Both authors take out a piece of them and put it down on paper for the public to be aware of the things they suffered through. However, the contrast in their gender influences the differences in their experiences. Although it would be coming to an end, Frederick Douglass and Harriet Jacobs were born into slavery. Together, they suffered pain and agony of seeing things that children should see. In recalling their childhood, both authors can remember pain. Douglass watched African-American men and women beaten by their masters for any or no reason at all. Jacobs had her family torn apart from her every time one of her masters died. The two wrote explaining not only their suffering and agony, but also their excitement. Douglass was being taught to read and write by his mistress and even when she was instructed to discontinue his teachings, he continued to learn any way he saw fit. When...
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...The two readings that I have chosen to write my final paper for our “Queer Americans” class over are Middlesex and Fun Home. Although the two books are very different stories, they also have undeniable similarities at the same time as they portray the struggles as well as the rewards in dealing with their queer sexualities. These readings connect well because they both deal with two coming of age individuals dealing with struggles in discovering their sexualities, with very dysfunctional home lives. The way queerness is depicted between the two storylines have been drawn out in two very unique, yet equally effective within the messages that the books portrayed. Queerness, usually a word or phrase that describes a type of sexuality, it correlates...
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...“Pro- slavery writers recognized that The Interesting Narrative was ‘calculated to increase the odium against the West-India planters’ at the time when Parliament was actively considering bills to abolish the slave trade,” states Carretta. This alone is a reason to discount the argument. If the argument is raised by a desperate and partial source, it cannot be regarded as legitimate. The pro-slavery writers were clearly fearful of the Parliament’s coming decision to abolish the slave trade. Consequently, they franticly flailed for a counter argument and settled on this heart wrenching and popular story to soften their cruelty in the eyes of the...
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...Here you go. Be warned...it's long: Ok, so here’s the argument: Let’s begin with the traditional narrative: At Muhammad’s death, there is a power struggle between Abu Bakr and Ali. The supporters of Abu Bakr’s claim are the Sunnis, the supporters of Ali’s claim are the Shi’ite. The Sunnis believe that leadership should be elected from those who deserve it, the Shi’ite believe it should be passed down Muhammad’s bloodline. The Sunnis win out and Abu Bakr takes power. Over time, these two groups have various fights resulting in the civil war termed the Fitnah. There are major theological which are a direct result of differences on where spiritual authority rests. My response: None of this makes sense. Let’s start at the beginning. At Muhammad’s death, there is supposedly a struggle between Abu Bakr and Ali over who should be the leader. This doesn’t make sense. Ali is far too young to be a contender for leadership. Remember, this is still in the early stages of Islam, so everyone is used to the pre-Islamic leadership structure. The leader is traditionally the sheikh, an elder of the tribe who brings wisdom and experience to the table. Abu Bakr, at 61 years old, fits that bill. Ali? He’s in his early 30’s. No one will take his leadership seriously. And that’s something that is very important because whoever takes leadership is going to face rebellion. What happens when you have an extremely strong leader and he dies? People start rebelling. They test how much power the successor...
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...The Use of Narratives and Its Effect on Stories The use of narrative view are important for an author. It determines how the reader interpret the story and ultimately understanding the theme. In the work of “Hills Like White Elephant” Ernest Hemingway uses third person objective point of view to present the conflict of a young couple over the difficult decision of whether to have an abortion. In comparison to Hemingway’s work, “Great Falls” by Richard Ford, tells the story of the breakdown of the parents’ relation through the eyes of the protagonist Jackie. The authors of the two short stories use these different points of view, to allow the reader understand the overall themes of the stories; which are the essence of a good story. “Hills Like White Elephant” begins with the description of the setting. Soon the narration leads to the two characters, the American and his girlfriend, Jig. Their conversation begins at the bar beside the train station, where momentarily they will head towards Madrid. The conversation, however, is not an enjoyable one. The couple argues about an “operation” that Jig will receive when they arrive at Madrid. After an intense debate, the woman agrees to have the operation (Hemingway, 661-665). “Great Falls”, on the other hand, through first person narrative, takes the reader back to the protagonist’s childhood, to one incident which his parents are facing a break up in their relationship. After a hunting trip with his dad, Jackie realizes...
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...prevalent in “Ligeia.” The reader is left with a quandary at the end of the narrative. Is the narrator experiencing some supernatural phenomenon or is the narrator unreliable due to his drug use, insanity, or any other number of reasons? Ligeia is described with specific markers early in the story giving the reader the impression that she is from a multitude of cultural areas and has lived in ancient times. Her husband claims she has the nose of Hebrews, a chin of the Greeks, and the beauty of the Turkish people (Poe 394-395). She can also speak a multitude of ancient languages. The narrator states, that “In the classical tongues was she deeply proficient” (Poe 396). These suggest, along with other intimations, that she may have been reincarnated. In the end of the story, the narrator’s second wife, Rowena, has “shaken off, utterly, the fetters of Death” (Poe 403). This alone would be a supernatural occurrence, but then the narrator claims his second dead wife has reanimated as his first dead wife. He states, “these are the full, and the black, and the wild eyes-of my lost love-of the lady-of the LADY LIGEIA” (Poe 403). Unfortunately, the narrator also makes it known that he “had become a bounden slave in the trammels of opium” (Poe 399). Poe forces his readers to interpret the story for themselves. The reader...
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...Octavia Butler presents a dystopian society in which humans draw little agency. Isolated from Earth, Humans (who are referred to as Terran throughout the story) are stranded animals on a far away world and are used by Tlic as birthing vessels. Despite its very overt science fiction elements, Bloodchild is as much as story about a far off dystopia as it is a story located in present conditions. That is to say, Bloodchild embeds enough elements of current Western civilization within its narrative that the story positions itself as a dystopia of the present day. First, Bloodchild confuses the reader’s notion of space and temporality by gradually revealing its science fiction and dystopian elements. The story opens with the line, “My last night of childhood began with a visit home” (3). Here, Bloodchild positions itself as a coming of age story. This is critical because immediately, at the stories inception, the story posits an exploration of distinctly human themes: rites of passage, coming of age, loss of childhood, etc. This is juxtaposed with the way the gradual revealing of dystopian elements in Bloodchild. For instance, it is not until page 25 (out of 32) that the reader finally learns that the story does not take place on earth. T’Gatoi says, “And your ancestors, feeling from their home world, from the own kind who would have killed or enslaved them – they survived because of us” (25). The overall effect of the gradual development of the dystopian elements is that it...
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...his small town. The moment would play more authentic if we found out that Daley was intentionally in town with the hope of running into Cooper but was too ashamed to look him up. Flashbacks show us how Cooper came of age as part of a tent revival team led by his charismatic father and the massive yet gentle ex-con turned pianist BIG-BIG. The music is the star of the show here ranging from gospel to rockabilly. Cooper is quite literally baptized by storm and sings his first song – we’re told it’s an Elvis classic – as his muscular guardian angel BLONDIE dances on stage. We learn Blondie is an angel from the way Cooper’s father questions his son and the way he accepts the idea of someone who’s there that he can’t see. This is one of many parallels to Christian doctrine in regards to the idea of faith as the substance of things hoped...
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...activity by which an individual or gathering gets to be rationally grouped in somebody’s mind as "not one of us" which practices inclusion and exclusion this is shown In age when the attention is on the twin extremes of the age range such as younger and older and unintentionally normalizes those in the middle years. This is also shown in disability also known as othering people with disabilities which involves both components of attraction and repulsion where there is positive which represents disabled heroes and negative which represents impairments that are seen unusual, and unappealing human beings. And last but not least in sexuality where there is heterosexing of work and different spaces...
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...In these works, Ecclesia is shown looking proud and regal with a chalice and a cross staff. Synagaga however, looks lost and defeated; she is blindfolded and her staff is broken. She is interested in where these images come from and how they fit in the context of society. To look at this, Juliette will look at antisemitism in the middle ages and what forms it takes. Motifs such as blood libel, money lending, and status as “Christ killers” all contribute to the anti-Semitic climate that these images of Ecclesia and Synagaga were made, thus explaining some of the motivation behind their...
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