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Exploring Self

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Submitted By maggiechou
Words 1300
Pages 6
Mengfei Zhou (Candy)
English 111-Essay 3
October 23, 2011

Exploring Self
Fighting against social expectations and conventional morals on the journey of progressing-liberation, women have to insist on the quest for female identity with unrelenting passion during a male-dominated period. According to Fox-Genovese’s argument that Edna’s immaturity allows her to question her social position as a social truth. However, I would argues that, in The Awakening written by Kate Chopin, Edna sets an impressive example that presents us with a figure who takes a weary and tough journey in seeking liberation and authentic identity in a complex society, along with exploring self. The courageous soul seems to be the essential beacon guiding her through this tough tunnel, whereas, she finally understands that being herself in an authentic society will be the first step in truly achieving liberation.

Quite a few people claim that Edna already has an authentic life, since she is well protected by her husband, who looks at his wife “as one looks at a valuable piece of personal property which has suffered some damage” (The Awakening, Page 4) My view, however, is that this has the same meaning as Edna being a caged bird who is not fully understood by others. The author writes: “Her eyebrows were a shade darker than her hair. They were thick and almost horizontal, emphasizing the depth of her eyes. She was rather handsome than beautiful.” (The Awakening, Page 5) We learn that Edna’s powerful and serious impression foreshadows her internal strength and masculinity. According to Chopin’s description, Edna defines herself properly: “In short, Mrs. Pontellier was not a mother-woman. The mother-woman seemed to prevail that summer at Grand Isle […] fluttering about with extended, protecting wings.” (The Awakening, Page 9) Firstly, the mother-woman depicts a typical-identity for a woman during the late nineteenth century in America. A mother-woman could be defined as a woman who idolizes her children, worships her husband, and esteems it a “holy privilege to efface themselves as individuals and grow wings as ministering angels.” (The Awakening, Page 9) This shows a constricted environment of forcing women to stay in a limited space without getting involved in the active society. The social expectations make women cast themselves off to follow the conventional rules. However, it seems Edna wants to do whatever she wants to do, and her rebellious ideas gradually appear on the surface. Edna is quite different from other women in the story, since “The Awakening is densely peopled with socially adapted women. And the social requires underscoring.” (Fox-Genovese, Page 259) Edna, brave and stubborn, shows her complete unwillingness to submit herself to the conventional morals and codes.

The limited space, Grand Isle, enshrouds the terrible condition and the depression of poor Edna. Fox-Genovese asserts that “If The Awakening begins with a domestic space carved out from the masculine world, it ends with an oceanic maternal space that negates the entire world.” (Page 258, Lines 67-69) This comparison between beginning and ending setting graphically illustrates the metamorphosis of Edna and her achievement of liberation and individuality. When writing about the seduction by the sea, Chopin uses a sequence of short sentences which are repeated in the first chapter and last chapter: “The voice of the sea is seductive; never ceasing, whispering, clamoring, murmuring, and inviting the soul to wander for a spell in abysses of solitude; to lose itself in mazes of inward contemplation.” (The Awakening, Page 14) The imagery of the ocean setting represents the romance, sexual desire, indolence, and most interestingly, the abyss of curiosity. Edna’s imagery of the oceanic world is part of the process of self-discovery and self-conscience, as the ocean tempts the soul towards the “abysses of solitude”. (Page 14) The “maze” suggests that minds sometimes intertwine to form an organic whole and thus become persuasive, showing that Edna gets lost in a world of imagination. When Edna and Madame Ratignolle have a nice conversation on the beach, the oceanic world helps Edna to have the liberating thoughts for past and future life. She talks freely about her true feelings, “Sometimes I feel this summer as if I were walking through the green meadow again; idly, aimlessly, unthinking and unguided.” (The Awakening, Page 17) These vivid images used by Edna to interpret her life and experience relates to the exploration of herself. Compared with Madame Rotignolle, who is socially adapted and content with conventional life like all the other women, Edna suddenly realizes that she has to make all the decisions on her own. This makes her feel guilty and miserable about continuing to move blindly through the fog of marriage with her husband. Meanwhile, Edna audaciously bids her defiance to the conventional expectation on women and suppresses the active resistance form her severe husband.

Throughout the novel, Mademoiselle Reisz serves as another catalyst in encouraging Edna to find herself in the authentic world. Listening to Risz’s music, Edna responds to it in a spiritual way. The author says: “When she heard it there came before her imagination the figure of a man standing beside a desolate rock on the seashore. He was naked. His attitude was one of hopeless resignation as he looked toward a distant bird winging its flight way from him.” (The Awakening, Page 25) This shows that music evokes Edna’s desire for sex and a more passionate life. Her imagination about the male figure clearly depicts the world of her own mind. Surely, it is common that she will be blamed for having a desire of sex and crazy actions. However, Mademoiselle Reisz serves as a force in supporting Edna to talk with her inner figure and find out the true self, regardless of other interpretations. In general, Mademoiselle Reisz nurtures the quest for individuality and female liberation: “Mlle. Reisz stands for the possibility of female independence”, (The Awakening, Page 269, Line 152) and this especially sets a good example for Edna to appreciate. According to the author’s argument, Mlle. Reisz encourages Edna to choose her own lifestyle and defy expectations, by writing, “Her music indeed seduces and entwines Edna, blending into, even as it seems to articulate, the nameless, shapeless longing that consumes and fires Edna’s soul”. (The Awakening, Page 260, Lines 154-157) Edna seems to recover from Reisz’s artistic and sensual seduction, and gradually chooses to live alone without any social restriction by dedicating herself to her lover and to art. Edna is willing to defy conventional expectations and becomes an artist with a brave soul. Searching for absolute individuality, Edna has to give up valuable things, like honor and family obligations. The pleasure of nice music makes the main character immerse herself in a world filled with interest. This will definitely help Edna to better understand herself, and to find the things necessary to fill her empty soul.

Considering all the factors above, we may say that Edna Pontellier is brave enough to defy social expectations and eventually find her own voice in the crowd. During her journey of self-discovery, Edna is satisfied in realizing herself and pursuing her inner desires. Even when she commits suicide in the sea, a lot of happy and memorable images flood her mind. At last, “she felt like some new-born creature, opening its eyes in a familiar world that it had never known”, (The Awakening, Page 109) and this represents another new awakening by achieving innocent thoughts from the beginning of her childhood. It is sagacious to state that Edna finds herself and achieves her feminine identity in such a complex society only with relentless efforts. Her indescribable hunger for liberation and social position helps her to get out of the abyss of suffering, and to achieve a new birth of self.

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