...Sandra Richardson 090713457 Illegal digital downloads and piracy: What effect is this having on the entertainment industry and is there a solution to the problem? Background. The entertainment industry felt their first blow in 1999 when a student developed Napster, a software program allowing millions of users to illegally download and share music files; sparking the beginning of the hundreds of entertainment sharing websites around the world today. Although shut down due to the Recording Industry Association Of America filing a lawsuit because of copyright infringement and suppressed record sales, this did not stop the development of more sophisticated file sharing softwares able to manipulate copyright laws around the world. Downloading films became possible due to increased storage and memory space available on computers, enabling users to download multiple movies in a matter of hours, even before released in cinemas. Currently, Mass media storage devices are available that hold thousands of music and film files on a small box, transferred from the users computer. So what effect is all this having? Has the popularity of illegal downloading affected the profits and jobs of the entertainment industry? Is there a correlation between entertainment stores losing revenue or even going out of business because of suppressed sales and illegal downloads? Does this have a negative effect on the economy through job loss, reduced income tax, fewer artists growing and is there...
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...[Is it ok to download movies and/or music without paying for it? Why or why not? Arguments for and against.] | Emilianos EllinasThe Business of Entertainment, Media and TechnologyOctober 16, 2013 | Debate about legality and appropriateness of downloading copyrighted material is nothing new to the world we live in. Since the advent of P2P technology with Napster in 1999, the Entertainment industry has struggled to grasp the magnitude of this emerging cultural phenomenon. Never again in human history was it as effortless, economical and fast to copy and distribute music and movies to the masses. A few decades back, the entertainment industry faced a similar predicament regarding music cassettes and VHS tapes. They swore in belief that these “parasitic” technologies would disrupt economic growth forever. Yet again, history proved them utterly wrong, as they bigger than ever. The main arguments branch into three lines of defense against downloading: (i) how the artists make a living; (ii) the Entertainment industry’s growth and affluence; (iii) the claim “without copyright, there will be no culture” . Nowadays, artists expect to be paid, and remuneration is their incentive to stay creative and continue working, because at the end of the day this is how they pay their bills. Does this support the viewpoint that this will make the industry shrink, and less creative content will be available for our enjoyment? Every year the industry announces a higher number in lost profits...
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...knowledge He has bestowed upon us while making this argumentative research paper. We would also like to thank our fellow classmates, who have helped us in ways they did intend to, but have greatly influenced on how this research paper turned out. And to our parents, for their ever so unrelenting support in making this argumentative research paper. And lastly, we want to thank our English teacher Vivien Grace Agbon-Juhahib, Ph.D., for her guidance and imparting her knowledge towards us students. Table of Contents Acknowledgement ……………………………………….. 2 Table of Contents ……………………………………….. 3 Abstract ……………………………………….. 3 Introduction ……………………………………….. 5-6 Background ……………………………………….. 7-8 Thesis Statement ……………………………………….. 9 Argumentation ……………………………………….. 9 I. ……………………………………….. 9 II. ……………………………………….. 10 III. ……………………………………….. 11 IV. ……………………………………… 12 Conclusion ……………………………………….. 13 Summary ……………………………………….. 13 References ……………………………………….. Abstract Since the establishment of the Internet, people have been using this power of communication and using it to utilize their files: they can use it to send their files to others and receive others’ files as well. But over the years as the Internet grows...
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...taped music off your favorite radio station? That's the old way you would do it if you can't afford the albums. Today people are not only downloading music off the internet but also pictures, movies, games, software and any other kind of computer files that could be beneficial. Each week there are more than one billion downloads of music files alone. Participation in file sharing has also grown. Over 60 million Americans above the age of twelve have downloaded music (Ipsos-Reid, 2002b). File sharing is heavily linked to youth. While a majority of Americans under 18 years old have downloaded and half of those are heavy users, only a fifth of those aged 35-44 have downloaded files (Edison Media Research, 2003). Among U.S. adults at least 18 years old, the number of downloaders has about doubled since 2000 (Pew Internet Project, 2000 and 2003). Because physical distance is largely irrelevant in file sharing, individuals from virtually every country in the world participate. When peers download, they don't all download from one place. Millions of peers around the world are connected and they download files off of each other's computer. Popular networks are Kazaa, WinMX, Limewire, Morpheus, Frostwire and many more. Downloading files is free, but many people are confused that it would be stealing. The RIAA (Record Industry Association of America) had announced that it is stealing, but people won’t stop. Peers know that P2P programs still exist and they keep on trading, sharing and...
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...media policy brief 1 Creative Destruction and Copyright Protection Regulatory Responses to File-sharing Bart Cammaerts and Bingchun Meng London School of Economics and Political Science Department of Media and Communications LSE Media Policy Project: Media policy brief 1 Creative destruction and copyright protection Acknowledgements The authors would like to thank Professors Robin Mansell and Sonia Livingstone for their insightful editorial contributions on earlier drafts of this media policy brief. We are also grateful for the research and organizational assistance of our resourceful and talented interns: Dorota Kazcuba, Nate Vaagen, Ben Murray, Davide Morisi and Liam O’Neill. In addition, Jim Killock and Mark Margarattan contributed to stimulating discussion during the project’s expert meeting on ‘File-sharing, the DEA and its implementation’. The LSE Media Policy Project is funded by the Higher Education Innovation Fund 4. LSE Media Policy Project Series Editors Zoetanya Sujon and Damian Tambini Creative Commons copyright licence, Attribution-NonCommercial. This license lets others remix, tweak, and build upon your work non-commercially, and although their new works must also acknowledge you and be non-commercial, they don’t have to license their derivative works on the same terms. March 2011. LSE Media Policy Project. http://blogs.lse.ac.uk/mediapolicyproject/ 1 LSE Media Policy Project: Media policy brief 1 Creative destruction and copyright...
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...Companies: Embrace the Digital Music Era Our forms of music have drastically changed in correlation to current cultural advances. We have gone from vinyl records to cassettes, which were very popular in the 1970s followed by the revolutionary digital technology of a compact disc. Now, we are in an era that is progressively becoming more and more digitized with different audio formats through the Internet. Every day, thousands of people with a computer or access to one participate in peer-2-peer networks to share digitized formats of music, videogames, movies or other applications (“Peer-to-Peer File-Sharing”). The shift of music from compact discs to mp3’s has financially affected the music industry. Not only is money lost on the decreasing sales of outdated CD’s, but also on litigation circling the issues of copyright. Any downloaded music, videogames, movies, or applications from peer-2-peer networks sites are protected by copyright law and once downloaded are now considered copyright infringed. Over the years, The Recording Industry Association of America (RIAA) and its associated record companies have taken much time and spent a good amount of money to conduct investigations and prosecute individuals involved in illegal music file sharing and copyright infringement. However, the Internet has proven to move faster than the prosecutions of individuals responsible for illegal music downloading, which, in the long run, has had very little effect. As we continue moving farther...
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...Innovative Models for Doing Business in the Music Industry Table of Contents 1 Introduction 1 2 Reasons for Changes in Consumer Thinking 2 2.1 New Technology Changes the Way Consumers Experience Media 3 2.2 Development of P2P File Sharing 3 2.2.1 Generation 1: Napster 3 2.2.2 Generation 2: The Pirate Bay 4 3 Company Attitudes Towards Changing Business Climate 5 3.1 The Industry Reaction on File Sharing 5 3.2 Technologial Countermeasures 6 3.3 Taking Chances with the New Climate 7 4 Analysis of Different Business Models and Market Conditions 9 4.1 A New Business Model – A Good Business Model? 10 4.1.1 Streaming Media Services 11 4.1.1.1 Spotify 12 4.1.2 Single-song Download Services – Online Music Stores 13 4.1.3 Music Rental Services 14 4.2 Study Case: Tip-Jar - The Radiohead Business Model 15 4.3 Study Case: CD-giveaway - The Prince Business Model 16 5 Conclusions 18 References 19 Introduction The emergence of new media, digital technology, and changing consumer expectations has given the music industry the challenging task of scrutinizing their own business models and methods, forcing companies to revise their business structure and adopt new sources of revenue for the twenty-first century. The main goal of this study was to find out the trends which have affected the industry past years and shaped it towards the present state, reveal how the current climate is, and point out some possible future success factors and new models of...
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...Erik Estrada English 12 Julian 21 January 2014 Music Piracy Ever wondered how the music that you listen to probably every day of your life becomes the music that you love so much? Well there is a long and tedious process that goes into to making just one song. The artists does his or her best to make a song that he or she likes and also a song that all of the fans would enjoy too. It takes days, maybe even weeks to just make one single song; and there are so many components or people that go into its creation. To start, there are songwriters and audio engineers, computer technicians and also the actually artist or artists in the song, and all of those people profit off of that one song. So when a person goes online and decides to illegally download a song using either a digital storage locker or a peer-to-peer site you a basically stealing money from a people that worked really hard on making that song, and when not just one but thousands and millions of people start to do that, that takes a big toll and has a big impact on those people. This type of stealing is called music piracy and music piracy is a serious problem and affects the music industry in many different ways, from revenue loss, to a decline in jobs. Music piracy is the illegal copying or distributing of music that a company did not give permission to do. Music piracy has been on a rapid increase since the beginning of the 2000s. In 2005, the International Federation of the Phonographic Industry (IFPI) estimated...
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...Music Piracy and its Effects on the Demand, Supply, and Prosperity of the Music Industry Abstract In an era where pop culture and technology are rapidly growing, intertwining and becoming embedded in the everyday lives of Americans, it was inevitable that their paths would cross. Possibly the most affected medium of pop culture is the music industry. The growth and development of the internet is either their biggest gift or biggest curse. Modern technology has made wide-scale trading of music possible in the form of MP3 files available over the internet for free. Users can simply upload the files to these sharing sites and millions of others at any given time have the ability to download it from them. The Recording Industry Association of America, however, doesn’t share the enthusiasm about these file sharing practices. To them, it is stealing from the record company and from the artist themselves. Consumers don’t tend to see it that way. The issue that arises here is whether or not should music be accessible for free trade over the internet. On the one hand, it is thought that MP3 downloads reduce sales of legitimate CDs. On the other hand, it can be argued that downloading free MP3s could actually encourage someone to buy a CD which they may not have purchased had they not heard it in its entirety. This is known as the sampling effect. The focus of this research paper will be to paper analyze the impact of music file sharing on the demand, supply, and prosperity...
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...INTRODUCTION The growth of internet and its ever increasing pervasiveness has caused extensive digitization of copyrighted content not limited to a single format and subsequently an increase in online piracy. This combined with the advent of P2P file sharing mechanisms as a massive means of infringement practice has led to a paradigm shift in the approach to copyright infringement. Where unauthorized copying of a work was earlier considered a means of increasing a work’s market by stimulating its network effects, it is today seen as an unfair practice, a hindrance to the content owners and artists creative and financial viability. This shift has seen associations like RIAA (Recording Industry Association of America) and MPAA (Motion Picture Association of America) take desperate measures to curb illegal file sharing, the latest means of which is the “Three Strikes Rule” also known as The Graduated Response Plan. This paper starts with a brief overview on why copyright laws are important to content owners and discusses illegal file sharing, its history and the various means used for it. We then discuss the various approaches that representative bodies like RIAA have taken in the past and why the transition to the Graduate Response Plan, how it operates, its relative advantages and disadvantages to the various set of people involved in the copy right system and finally some mutually beneficial strategies that if implemented can make the Graduate response System more effective...
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...Violation of your copyright privileges, and how you feel knowing that thousands of users are simply copying and sharing your composition, for which they might have paid for otherwise. Peer-to-Peer (“P2P”) file sharing is a way of exchanging or transferring files of which you do not have permission to share can have serious consequences. We have worked hard to compose this new pop song and it is unfair that others are sharing and copying this song without paying for it. We are in the business of entertaining our fans but we are also a business and as such, we rely on the revenues generated from the sales of our music. • Enabling your case as a consideration in the purview of “fair use” under the law. Fair use is a concept that allows use of limited portions of a copyrighted work, without the permission of the copyright owner, for purposes such as scholarship, research, and criticism. Fair use does not mean that if you think it's fair that you should be able to use a work, it's okay. Rather, whether a particular use of copyrighted material is a fair use must be judged according to the four criteria in the Copyright Act: Purpose and character of the use (why do you want to use it?). Nature of the copyrighted work (what kind of work is it?). Amount and substantially used (how much do you want to copy?). Effect on the potential market for or value of the work (will your copying contribute to decreasing the value or demand for the work?). ...
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...Academic Research and Communication Skills (ARCS) “What are the good effects of Piracy in the entertainment buisness?” Candidate Name: Sumeth Madan Candidate Number: 1156FAGD011 Session: 2012-2015 Subject: ARCS Word Count : 4538 Supervisor: Hans Kirkels Draft – Final 19th June 2013 | Abstract: Background - Piracy in the Internet is defined as the evil force that is destroying the entertainment industry. This blame has been put on since the invention of the Internet and its file sharing ability. It has recently been observed that a significant number of reasons can help in proving that piracy does have a good effect on the society. Result – Distributing the three major entertainment industries such as the music industry, gaming industry and the Movie production industry the research helps in proving the question about why is piracy good to the society. Piracy is not only the back bone of the entertainment business but is also the backbone of the internet as by doing critical analysis we find that it even protects us from the government. Conclusions - A theoretical analysis, backed up by observation and intense reading and understanding of how the Internet and the piracy works we can conclude that the piracy has had good effects on the entertainment industry. Table of Contents Abstract……………………………………………………………………… 2 ...
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...Throughout the times music has advanced in many different forms, evolved into unique styles and altered societal behaviors for both the good and the bad. Developments from the phonograph to the radio and now the IPod have made it extremely easy for listeners to become more engaged in their music. Each new development has led society to listen to music in a different way, thus changing the way we perceive music and the role that it plays in our lives. The advent of the technological era in the 1990’s has created a global marketplace where individuals have access to all different kinds of audio files at any time. With the world becoming more and more commercialized, countless numbers of corporations are now involved in the music and recording industries. The largest of them all is Apple. Known as an innovative corporation, Apple has been controlling the way most people listen and interact with the audio world since its creation of the iPod. After the release date of the IPod, November 10, 2001, listening to your favorite music became easier than ever before. The main goal Apple was shooting for when creating the personal digital device was to create an extremely simple user interface and sleek design many users would appreciate. Many people who were walking around with a Walkman, or seemed uninterested in owning a digital MP3 device now own an IPod. The product line has grown so large that businesses and educational institutions accept it as a useful tool. For example, a college...
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...Intellectual Property 12/05/12 Music Piracy in the US Counterfeit, piracy, bootleg, or stealing, these are some of the many terms associated with the unauthorized dissemination and distribution of copyrighted music. For over five decades, the music industry in the United States has had to grapple with the effects of such activity. The Copyright Act of 1909 was the first granting exclusive rights to copyrighted music. The Berne Convention for the Protection of Literary and Artistic Works was created in 1886 and governs international copyrights. As technology evolved, the music industry was altered in profound ways. Globalization has created a smaller world where information and goods are shared at a pace faster than ever before. With this vast advancement in technology, the way society accesses and purchases music has created a whirlwind of problems for the music industry. New innovations have pitted a war between the new generation and the music industry; each blaming the other for the ills created. There have been many debates in the legal arena as to just what is “legal” when it comes to modern digitalized music. Where are the lines drawn? Can there be compromise, or must the music industry engage in a complete overhaul and settle for fewer profits? The answer is as varied as the very music that is at the center of debate. If one were to look back at the history of music players, we would end in 1877. It was that year that Thomas Edison first invented the Phonograph...
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...04/16/2015 Professor: Arthur Basler Illegal Downloading of Copyrighted Material I want to paint you a picture. The picture has two sides. One side is a group of copyright owners that live in a system and a mindset that has not been updated in over 100 years. This group has not adapted to the changing times. On the other side of this picture you have individual people that what to experience what artist of music, movie and software present to the world. What I am presenting to you is world around illegal downloading of copyrighted material. The question I present to you is this, how can we bring both sides of this picture together with both sides being able to get what they want? To begin lets go back a few years to around 1998. I am sure most of you have heard of Napster. For those that didn’t think was a new file sharing program that was able to download copyright material digitally. The processed worked by taking small parts of the overall file from multiple sources and piecing them back together on your end as a whole file. This was a huge problem to the recording industry and as such saw their record sales fall. Instead of the recording industry trying to work with the leaders of Napster and other programs to come up with a solution, the recording industry along with some artist sued Napster for lost revenue. In the end Napster lost their court battle, but this was not the end of illegal downloading of copyrighted material. Since this time the recording, movie, software and...
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