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Film Analysis: All Quiet On The Western Front

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Based on a true story, the film opens with the usual callous killing among three groups of soldiers - German, French, and Scottish - who face an oncoming Christmas Eve in the trenches, the realities of fighting have precluded their getting time to retreat for air. But a miracle happens: among the Germans is a famous opera tenor Nikolaus Sprink (Benno Fürmann) who has aligned with his fellow troops in the trenches, hoping he can bring some minor sense of Christmas and understanding to them. His soprano partner Anna Sorensen (Diane Kruger) finds a way to be with him in the trenches on Christmas Eve, 1914. Meanwhile the disgruntle troops of all three sectors are planning meager festivities and a bit of relaxation even in the trenches as the bodies …show more content…
Soon he is accompanied by the Scottish bagpipes and the 'chorus' of the Germans, the Scots and the French. They all emerge, share gifts of champagne and other libations, and agree to a cease-fire in honor of the holiday. It is in this magic moment that the true personalities of these warring men surface and each is seen as a vulnerable puppet of the WW I, exchanging addresses to meet after the war. Anna Sorenson has managed to enter the scene and during a communal mass led by Palmer she sings (the voice is Natalie Dessay) an Ave Maria (composed by the film's composer Philippe Rombi): the lovers have previously sung a duet version of Bach's 'Bist du bei mir'. For that moment in time the horrors of war melt and the camaraderie of the men glows and is carried into Christmas Day when all three groups of soldiers agree to bury their dead together. Of course the brutality and ignorance of war re-engages and the leaders of the three groups enter camp and threaten courts martial and punishment for the troops' lack of military discipline. The film ends in a manner that leaves the audience able to integrate the happenings of that Christmas Eve on the futures of these

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