...Fear, Love, and Sacrifice: Film Review of Donnie Darko By Ruby Redmond Professor Heck English 1010-122 9 September 2013 Outline Thesis statement: Donnie Darko (2001) is an excellent must-see film because of the conflict between Donnie Darko (Jake Gyllenhall) and Frank the Bunny (James Duval) and the underlying theme of sacrifice. I. Conflict A. Donnie Darko B. Frank the Bunny II. Theme A. Sacrifice to save loved ones B. Sacrifice to change others Fear, Love, and Sacrifice: Film Review of Donnie Darko Weird, attention-grabbing, different, and back to the future explains Donnie Darko perfectly. It is all about sacrifice and caring for loved ones more than you care for yourself. The characters are definably cut out, and their attitudes are astonishing. I guarantee this movie will draw you in more than any other movie you have ever seen. Donnie Darko (2001) is an excellent must see film because of the conflict between Donnie Darko (Jake Gyllenhall) and Frank the Bunny (James Duval) and the underlying theme of sacrifice. In Donnie Darko there is this weird, but agreeable, conflict between Donnie Darko and a bunny only he can see in his head, Frank the Bunny. Since Frank tells Donnie to commit crimes some viewers may not agree with these “crimes” because, they may think that any crime is bad, even if they are good. However, these “crimes” help Donnie and others as well. In one incidence he burns down a house of a man who speaks on letting go of your problems and helping little...
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...John Carpenter’s Halloween: A Film Critique Michael Chapes Instructor David Hayes ENG 225 February 13, 2014 “It's Halloween, everyone's entitled to one good scare.” - Sheriff Leigh Brackett As long as there have been stories, there have been stories about the other, the unrealities we might categorize today as fantasy... Early myths in all cultures are populated by demons and darkness, early Egyptian mythology resounds with tales of a world beyond the physical, a realm of the spirits, to be revered and feared. Classical mythology is filled with monsters such as the Cerberus, the Minotaur, Medusa, the Hydra, the Sirens, Cyclops, Scylla and Charybdis, to name just a few. Every culture has a set of stories dealing with the unknown and unexplained, tales that chill, provoke and keep the listener wondering "what if..?" Horror films are the present-day version of the epic poems and ballads told round the fires of our ancestors. Horror movies of the 1970s reflect the grim mood of the decade. After the optimism of the 1960s, with its sexual and cultural revolutions, and the moon landings, the seventies was something of a disappointment. By 1970, the party was over; the Beatles split, Janis Joplin, and Jimi Hendrix died, while John Kennedy, his brother Robert, and Martin Luther King were all felled by an assassin’s bullet. These tragedies seemed to be just the first domino to fall, for then came Nixon...
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...Semester Term Paper: Film Sound Katayoun Nawabi University of North Carolina at Chapel Hill On my honor, I have neither given nor received aid in completing this assignment. _____________________________ Katayoun Nawabi In analyzing film, critics constantly gloss over the importance of the use of sound. Those critics that do touch on the function of sound often underestimate its role in the overall impact of the film as a whole. There are those that are of the opinion that there has been little, if any, real contributions made by sound in film. Should sound have been added to film at all? A look back at the history of film, from silent movies to “talkies” to major motion pictures of the 1990s, will help establish the fact that film has not only benefited from the addition of sound, but has only gotten more sophisticated with time. “Reevaluating the role of sound in film history and according it its true importance is not purely a critical or historical enterprise. The future of cinema is at stake. It can be better and livelier if it can learn something valuable from its own past” (Chion, 1994, p. 142). There is no argument that, in cinema, it is the image that will continue to radiate power and spectacle. However, the technological and conceptual advances that have been made over the decades reinforce the fact that it is the role of sound to decorate the image and “show” us what it wants us...
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...1 Film Essay: “Perfume: The Story of a Murderer” as an Illustration of ADHESIVE PSEUDO-OBJECT-RELATIONS Like the novel by Patrick Süskind, Tom Tykwer’s film adaptation of Perfume: the story of a murderer (1986) is a gripping horror tale of a fictional eighteenth-century French serial killer. I believe it is also a grotesque version of those cases of trauma and consequence that analysts observe in the privacy of their consulting rooms. Perhaps if, as Freud (1933) suggests, extraordinary pathology can draw our attention to normal neurotic conditions, it may also be true that extraordinary fantasy may provide insight into those more ordinary pathological states. It may also be that certain artists, having “turned away from external reality... know more about internal, psychical reality and can reveal a number of things to us that would otherwise be inaccessible to us” (Freud 1933,p. 58-59). Tykwer’s visually sumptuous film version of Süskind’s story is a masterpiece, to be sure. However, as one intimately acquainted with the book, I cannot help but regret the necessary abbreviation of the details of each character’s experience, the reduction in the number of events in the life of the protagonist and the condensation of the passage of years leading to the development of the murderer that the translation of Süskind’s story into a commercially viable film unfortunately demands. However, I believe that, in spite of Tykwer’s considerable abridgement, Perfume (the...
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...In modern society there are many stresses not felt by previous generations, these pressures have increased significantly as we continue to create new and more complex human systems. In a society driven by wealth and an obsession with success we have begun to cloud our vision of what values we deem important. This can ultimately culminate in a feeling of being pursued and trapped and society’s mental health has subsequently deteriorated. Accordingly the Ministry of Health Statistics 2009 1/5 New Zealanders experience a mental disorder sometime during their life, of these only 39% have visited mental health services, the Ministry of Health also found that 4.5% of New Zealanders have attempted suicide with males being 3.6% more likely to commit suicide than females. This is also reflected in OECD (Organisation for economic co-operation and development) statistics, New Zealand currently has the highest rate of youth suicide, ages 15-24, in countries belonging to the OECD and 29th highest overall suicide rate. This is why I have decided to explore ‘the catalysts prevalent in established society which can be detrimental to our populations overall mental health.’ This theme is prevalent within the following combination of texts; Howl by Allen Ginsberg, Mental Cases by Wilfred Owen, Requiem for a Dream by Darren Aronofsky and Shutter Island by Martin Scorsese. These texts explore different aspects of the human psyche and of mental illness by examining these texts I hope to identify and...
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...Lambs: Film Critique Midari Marrero ENG 225 Intro to Film Instructor: Julie Pal-Agrawal June 25, 2012 It is uncommon in our day to find horror movies that can compare to the critically acclaimed film of Jonathan Demme's 1991 The Silence of the Lambs, starring Anthony Hopkins as Dr. Hannibal Lecter, the infamous and psychotic cannibal psychiatrist. This movie, along with Alfred Hitchock's Psycho (1960), is one of limited horror/suspense films recognized by movie critics as one of the greatest American films ever made. Critics had much to say about the “commercialization” of one of the most horrifyingly amazing characters in the history of American theatre, but even more interesting is the change that is specified through the character's approval in mainstream culture. Hannibal Lecter is a different type of monstrous cannibal than those formerly seen in horror films, as shown through his criminal activities, and has been acknowledged by its viewers as an “anti-hero” as opposed to the adversary or antagonist of the movie. The story line behind this movie captured the audience to want to watch this disgusting anti-human film, which included cannibalism. Everyone that was involved in the creation of this film from the film director, cinematographer, art editors, sound directors, the costumes the staging everyone had to be in that same dark place in order to make this a captivating need to watch film. In the following pages I would like to describe scenes of the film and by...
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...and avant-garde films. To explore various genres, film theories, and cinematic styles. To illustrate a variety of filmmaking techniques, conventions, and icons. To gain knowledge of international cinema. To study the works of prominent filmmakers and their cinematic impact. To provide a critical methodology and practical application to facilitate a greater critical understanding and appreciation of all aspects of film. To gain experience in writing critical academic essays in relation to film analysis. Students should gain a solid foundational knowledge and understanding of different film genres, forms, and techniques of film making and be able to analyze and communicate how those concepts are used in films to 1) tell a story effectively, 2) communicate meaning in a visual medium, and 3) persuade audiences towards different or particular ways of feeling about or seeing themselves and the world. As a result of taking this course, I hope that students will 1) understand how films create and communicate meaning 2) seek out and enjoy watching a greater variety of films, and 3)...
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...notable horror films, Nosferatu (1922) Horror is a film genre seeking to elicit a negative emotional reaction from viewers by playing on the audience's primal fears. Horror films often feature scenes that startle the viewer; the macabre and the supernatural are frequent themes. Thus they may overlap with the fantasy, supernatural, and thriller genres.[1] Horror films often deal with the viewer's nightmares, hidden fears, revulsions and terror of the unknown. Plots within the horror genre often involve the intrusion of an evil force, event, or personage, commonly of supernatural origin, into the everyday world. Prevalent elements include ghosts, aliens, vampires, werewolves, curses, satanism, demons, gore, torture, vicious animals, monsters, zombies, cannibals, and serial killers. Conversely, movies about the supernatural are not necessarily always horrific.[2] Contents [hide] 1 History 1.1 1890s–1920s 1.2 1930s–1940s 1.3 1950s–1960s 1.4 1970s–1980s 1.5 1990s 1.6 2000s 2 Sub-genres 3 Influences 3.1 Influences on society 3.2 Influences internationally 4 See also 5 References 6 Further reading 7 External links [edit]History [edit]1890s–1920s See also: List of horror films of the 1890s, List of horror films of the 1900s, List of horror films of the 1910s, and List of horror films of the 1920s Lon Chaney, Sr. in The Phantom of the Opera The first depictions of supernatural events appear in several of the silent shorts created by the film pioneer Georges...
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...Film i Engelsk Bilag 1a FILM ANALYSIS – an introduction (Source: http://www.filmeducation.org) – bearbejdet af Mi og LK, Favrskov Gymnasium Reading a film is just like reading a book, except that instead of looking at a written page we are looking at the cinema screen. Reading a film works in exactly the same way as a written text, or a picture, except that the tools that are used to create meaning are different. We call these tools film language. The opening sequence From the moment we first start watching a film, we begin to get involved. The first few minutes of a film (the opening sequence) are very important to us as they give us lots of clues about the film: 1) what will the film be about (conflicts/themes); 2) who are the most important characters (hero, villain, love interest); 3); what is the setting of the film (time and place); 4) the genre; and finally, 5) what sort of film language characterizes the film? We look at all these elements and begin to put them into context. Based on their environment, how they look, what they say and what we see them do, we make assumptions about the characters, their roles in the film and their relationship to each other. We also recognize so-called genre markers (things we associate with one particular genre) which tell us if we are watching a Western or a Sc-Fi film and, thus, form specific expectations about what is going to happen during the rest of the film. At the same time, we listen to the sounds and the music...
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...genres of film changes through time in tune with the prevailing human social mood. Human social mood is determined by the human herding instinct which is generated by the limbic system of the human brain and is an involuntary, unconscious, “hard-wired” human condition. In order to establish the correlation between highly successful movies and human social mood we require a quantitative measure of human social mood, this is provided by the “Wave Principle” which measures the wave behaviour of the major stockmarket indices. These indexes are a qualitative measure and ‘barometer” of social mood. We will discuss principally, highly successful movies, as these are believed to be most representative of the public mood since they reach the largest audience. Successful movies don’t just happen, but rather they result from having perfect empathy with the prevailing mood of the public en-masse. Highly successful movies, include groundbreaking movies which define a genre and we will look at the historical correlation of these with public mood. We will discuss numerous examples of how social mood has influenced the production of blockbuster movies over the past 70 years and how these movies have captured the public mood and imagination of the times. We will then discuss, in more detail, the manifestation of the ongoing severe “bear” market in equities since 2000 within the film industry. Specifically, we will look at the recent blockbuster ‘The Dark Knight’ (2008) and how This film differed...
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...Crime and the affecting factors of the criminal behavior Prof. Dr. Ayman Elzeiny First : - Introduction to crime : The information about the crime reaches to the public may be through the newspapers , television programs, films, and novels . Some of us have accumulated experience with crime by having ourselves been victims or knowing others who have been victims, some by being offenders (or at least defendants), or knowing such individuals, and others by being occupationally concerned with prevention of crime or supervision of people found guilty of violating the law . There's many difficulties to offer a wholly satisfactory definition of the crime, a word frequently used and a phenomenon often encountered . For the purposes of scholarly study specifically, the amassing of reliable statistics, development of explanations and theories, and preparation of sound public policy a definition more exact than the mental images held by the public is essential . Crime is a by-product of civilization. Most civilized members of society obey authority and conform to the norms prevailing in their culture. Their obedience and compliance may vary in degree, but law-abiding citizens remain within the limits of tolerance. Crime then is a sociopolitical event subject to the definitions of the society in which it occurs. The social response to crime in terms of treatment of offenders is dependent upon the advance of the civilization and the affluence of the society...
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...influenced by many factors, this is I will speak content Body The early work in the structure of personality revolved around attempts to identify and label enduring characteristics that describe an individual’s behavior. Popular characteristics include shy, aggressive, submissive, lazy, ambitious, loyal and timid. Those characteristics, when they are exhibited in a large number of situations, are called personality traits.[1] In recent year, an impressive body of research supports the theory that five basic dimensions underlie all others and encompass most of the significant variation in human personality.[2] Extraversion is that a personality dimension describing someone who is sociable, gregarious and assertive. In the beginning of the film, Travis actively met girl. After that, he made friend with Michael Barris and always say “Flying man” Tinker Bell. He and his boss was talking in the office. His boss said:”you’ve been talking about seeing the world the whole time you’re been here”. He offered to chat with Michael Barris in the rendezvous. And he said:”Hey, you made it. Travis offered to chat with he in the rendezvous. Michael Barris said:”I was hoping I’d have someone to talk to.” Compared to introverts, extraverts tend to be happier in their job and in their livers as a whole. They usually have more friends and spend more...
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...the Impact of Images 187 Early Technology and the Evolution of Movies 192 The Rise of the Hollywood Studio System 195 The Studio System’s Golden Age 205 The Transformation of the Studio System 209 The Economics of the Movie Business 215 Popular Movies and Democracy In every generation, a film is made that changes the movie industry. In 1941, that film was Orson Welles’s Citizen Kane. Welles produced, directed, wrote, and starred in the movie at age twenty-five, playing a newspaper magnate from a young man to old age. While the movie was not a commercial success initially (powerful newspaper publisher William Randolph Hearst, whose life was the inspiration for the movie, tried to suppress it), it was critically praised for its acting, story, and directing. Citizen Kane’s dramatic camera angles, striking film noir–style lighting, nonlinear storytelling, montages, and long deep-focus shots were considered technically innovative for the era. Over time, Citizen Kane became revered as a masterpiece, and in 1997 the American Film Institute named it the Greatest American Movie of All Time. “Citizen Kane is more than a great movie; it is a gathering of all the lessons of the emerging era of sound,” film critic Roger Ebert wrote.1 CHAPTER 6 ○ MOVIES 185 (c) Bedford/St. Martin's bedfordstmartins.com 1-457-62096-0 / 978-1-457-62096-6 MOVIES A generation later, the space epic Star Wars (1977) changed the culture of the movie industry. Star Wars, produced, written, and directed...
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...an outcome of SAP” (Clarke, Flaherty, Newell, McMillen, 2009, p. 174). Purpose Statement The purpose is directly stated in the article as follows, “this study… attempts to extend the marketing education literature by empirically investigating the specific intercultural proficiencies that may advance while students study abroad” (Clarke III, et. al. 2009 p. 174). The purpose then specifically addresses the benefits for marketing educators from “expanded knowledge on the possible outcomes of a SAP” (p. 174). Background & Importance/Significance (literature review) In this study, the literature review serves three purposes. First, it defines the specific intercultural proficiencies that are likely to advance from the study abroad experience: intercultural proficiency, global mindedness, intercultural communication, openness to diversity, and intercultural sensitivity (Clarke III, et. al. 2009). Second, the review discusses current findings regarding the impact that study abroad has had on each of these skills. Finally, the authors introduce instruments that have been used to measure these skills, such as the scale developed by Pascarella, Bohr, Amaury, Ranganathan, Desler, & Bulakowski (1994), Bennett’s (1993) Developmental Model of Intercultural...
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...To what extend the need of being perfect leads man to its own destruction? Perfection seen through the film “The Black Swan”. Claudia Patricia Villacís Galarza IB Code: 001421-054 Words: 3980 Abstract The research question of this extended essay is: To what extend the need of being perfect leads man to its own destruction? It is an analysis of perfection through the film The Black Swan. In the film the main character, Nina, is an obsessed ballerina who at the end destroyed her own life. I began the essay trying to prove that her obsession with being perfect is what leaded her to her destruction and death, but after analyzing the movie it all turned around. I based my investigation in reviews of the film, different type of articles; such as from doctors who give their opinion about Nina’s behavior. These ones in particular where the most important for the answer of my research question, because these doctors have analyzed the mental condition of Nina and together with my own opinion it helped me to come to a conclusion. I also focused on the opinion of various dancers about the film, because they are the ones that understand the world of ballet more than anyone else. At last there were also interviews with the director to explain why he decided to make this movie and what he was trying to prove through it. The movie was, of course my principal source, I applied the whole investigation in the analysis of the movie. Then after having read all that information and having...
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