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Funeral Blues

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Submitted By haleyyohill
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Haley Hill
Benton
Eng104
Funeral Blues In W.H. Auden’s poem, “Funeral Blues”, the emotional writing is spell-bounding. It is originally a traditional blues song, and blues are always known for their melancholy tone that expounds the hard-won wisdom of bitter life experience. The song shown as a poem really portrays the emotional imagery and the rhyme it uses. It is obvious in the title that the poem is about a funeral. Auden creates, through his images of solemn, sadness and pain, looking deeper into somebody’s pain for the loss of a loved one. The first four lines are an interesting beginning to such a poem: Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.
The author uses an interesting technique to open this poem. He is telling everything to quiet down, and to listen, as the funeral proceeds to happen. End rhyme is used in all four lines, in the form of two couplets. The rhyme correlates with this poem well because it’s also a song, and it runs off the tongue nicely. The examples of things that need to be silenced, like the clocks, the barking dogs, and the telephones, are interesting things to focus on. It opens up that this funeral is a great loss, and all life must pause while the mourners come. Even when I read the first simple stanza, I feel that the tone quality is solemn, when it may not even mean to be.
As the poem progresses, it keeps focusing on how the world must fall to this “funeral” mode. The point of view person of this poem is telling the world to put all its attention on this funeral. An odd thing that stood out to me is these lines: Let the airplanes circle moaning overhead Scribbling on the sky the message He Is Dead
I was confused reading this because it’s stated literally, like there is actually

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