...1) The trombone in the renaissance (A history in pictures and documents. Stewart Carter Bucina: the historic brass society series, no.8 Pendragon Press, Hillsdale New York Copyright 2012 This book was really good. This source helped me trace the development of the trombones physical form, musical use and social functions during the renaissance. I like this because my essay is on the physical development of brass instruments. With the illustration of the physical change you can see how much the trombone has changed. 2) Yale musical instrument series The trumpet John Wallace and Alexander McGrattan Yale Unversity Press New Have and London Copyright 2011 by John Wallace and Alexander McGrattan This book traces the evolution and the colourful performance history f one of the world’s oldest instrument (the trumpet), and how it rise to prominence as a solo instrument, this was a good source in some areas but unfortunately this book lacked on information on physical change, and how these physical changes affected the trumpet in certain area of being a solo instrument. 3) The Trombone Trevor Herbert Yale University Press Copyright 2006 by Trevor Herbert This source was very helpful as it helped me gain more knowledge in exploring the origins of the trombone, its invention in the fifteenth century, but also how the story of the trombones lead up to modern times. I like it. 4) The music history ofhe baroque trumpet before 1721 Don L. Smithers J...
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...Book Review of Hoplites: The Classical Greek Battle Experience Kyle Bonds History 3300, Dr. Kicklighter 09 October 2013 Kyle Bonds Dr. Joseph Kicklighter 9 October 2013 History 3300 Hoplites: The Classical Greek Battle Experience Review Collected and edited by Victor Davis Hanson, Hoplites: The Classical Greek Battle Experience is a collection of nine scholarly essays specifically about the Hoplite warrior: describing the weapons used, how the identification and retrieval of casualties was conducted, the style of phalanx battle from the perspective of the actual soldier fighting as well as sacrifices and battle rituals. He reveals a new experience to the reader using these works, one that sheds new light on the hoplite warrior. Born on September 5th, 1953, Victor Hanson is a military historian and columnist specializing in the study of the classics and ancient warfare. Most notably known for his contributions on modern warfare and contemporary politics for the National Review he has published a number of books on ancient warfare and the classics most on Greek warfare and the Peloponnesian Wars. Keeping his love for the classics intact he received his Ph.D in that field from Stanford University in 1980. Hanson recently relinquished his position and California State University where he began teaching in 1984 where his solely responsible for the creation of the classics program. He currently writes two articles per week for the National Review. Although...
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...Cause and Effect Essay Throughout history music has accompanied Humanity in many different forms and styles. From Medieval and Baroque to Classical and Romantic, the genres we’ve seen in the past are largely similar in their foundations, with variations in theme and style that appropriately reflected moods of the time period. The music of today however, known as the Modern period, is much unlike the others. The introduction of Jazz music in the early 20th Century has sculpted what we know music as today. As a style that has evolved over time, people aren’t able to pinpoint a specific moment where Jazz was first played. Although, most accept it was initially developed in New Orleans, Louisiana. Jazz music at its core is a unique combination of both European and African musical elements. It takes its “rhythm and feel” component from African music. Additionally, the component of harmony -- that is, the chords that accompany the melody of the tune (usually played on the piano) -- and various instruments, such as the saxophone, trumpet, and piano, are borrowed from European music. While Jazz initially only saw popularity in a small minority of communities throughout the American South, it soon grew far beyond those reaches, developing many alternate styles of its own as it was introduced to new corners of society. Some examples include: Swing, Ragtime, Bossa Nova, Blues and Bebop. Classic jazz and its alternates are the facilitators of the evolution of popular music. While...
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...Culture The Land of the Howling... Culture is the totality of people’s lifestyles and life stories. It summarizes one’s place’s history and reflects its civilization. It is an identity. There is no place without culture; there is no society without culture. Without it, there is no existence; no stories to share to future generations. Catanduanes, a small kidney-shaped island in the Pacific, abounds with a conglomeration of folkways and mores which constitute its rich culture. Some of these stories are commendable while others are dishonourable to some extent. Catanduanes has been known as the “Land of the Howling Winds” because of the many strong tropical cyclones that visit it every year and leave it devastated and desolated like a lover forsaken by a beloved. But aside from this epithet affixed to our province which implies its geographical condition and location, are there still other words we can attach to the phrase “Land of the Howling...” which in one way or another will help other people imagine and understand what our province really is? Well, maybe we just need to try. Land of the Howling Pigs and Drunkards Percy Bysshe Shelley in his “Ode to the West Wind” wrote, “O trumpet of the Prophecy, If winter comes, can spring be far behind?’. Cirilo Bautista, that celebrated Filipino poet, wrote in one of his essays, “If summer comes, can teacher seminars be far behind?”. I, on the other hand ask, “If summer comes, can fiestas be far behind?” This is the summer...
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...Teaching Guide The Fire Next Time by James Baldwin The Novel at a Glance SUMMARY The book opens with the essay “My Dungeon Shook,” written as a letter to Baldwin’s nephew on the one hundredth anniversary of the Emancipation Proclamation of 1863. Baldwin says that the celebration is a hundred years too early, because black people in America are still not free. He exhorts his nephew to approach life with love, even though he lives in a racist world. In the second essay, “Down at the Cross: Letter from a Region in My Mind,” Baldwin describes his visit to the leader of the Nation of Islam, Elijah Muhammad. Baldwin concludes that he does not agree with the Nation of Islam’s bitter beliefs about white people. In closing, Baldwin says that if Americans stop thinking of the United States as a white nation, it can transform the world. MORE ABOUT THE WRITER When James Baldwin was sixteen, he began one of the most important friendships of his life. As a confused and self-doubting teenager, he needed a mentor, and he found one in Beauford Delaney, a painter who lived in Greenwich Village in New York City. A black man and an artist, Delaney provided Baldwin with a model of how to respond to experience and transform it into works of art. Virtually taking the place of a father, Delaney introduced his young protégé not only to music and art, but also to a wide circle of friends, and Baldwin began to recognize new possibilities for himself. Through Beauford Delaney and his scratchy phonograph...
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...heterogeneous as any. Besides the French and, for a time, Spanish colonial powers, other groups included African Americans (both free and slave), people from the Caribbean and Latin America, and Scandinavians and other Europeans. The United States purchased Louisiana from France in 1803 (for $15M), and this more than doubled the size of the young country. The Louisiana Territory included parts of Alberta and Saskatchewan, as well as almost a quarter of the modern-day United States. Naturally, New Orleans became one of the country’s major cities. Its variegated racial realities played a major role in the spiritual and moral lives of Abraham Lincoln and Walt Whitman, both of whom first witnessed the true cruelties of slavery there. In his series of essays that eventually comprised the classic The Cotton Kingdom, Frederick Law Olmsted stated the following about New Orleans in the mid-1850s: I doubt if there is a city in the world, where the resident population has been so divided in its origin, or where there is such a variety in the tastes, habits, manners, and moral codes of the citizens. Although this injures civic enterprise—which the peculiar situation of the city greatly demands to be directed to means of cleanliness, convenience, comfort, and health—it also gives a greater scope to the working of individual enterprise, taste, genius, and conscience; so that nowhere are the higher qualities of man—as displayed in generosity, hospitality, benevolence, and courage—better developed...
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...Shantae Todd Intro to Jazz History Mrs. Lester 10 February 2014 "King of the Clarinet" Artie Shaw was a bandleader, clarinetist, composer, and writer. He was born Arthur Jacob Arshawsky on May 23, 1910, in New York, New York. Sometimes referred to as the King of the Clarinet, Artie Shaw was one of the leading jazz performers and bandleaders of the swing era of the 1930s and 1940s. Born on New York’s Lower East Side, he was the only child of Jewish immigrants from Russia and Austria. The family eventually moved to New Haven, Connecticut, where Shaw spent many of his formative years. A shy child, he was deeply hurt by the anti-Semitic taunts from his schoolmates. Shaw was further wounded when his father abandoned the family. While he learned the ukulele early on, Shaw first started getting serious about playing music when he took up the saxophone. He later moved on to the clarinet. Around the age of 15, he quit school to learn to become a better musician. Shaw listened to such jazz greats as Bix Beiderbecke and Louis Armstrong in an effort to improve his own playing. Moving to Cleveland, he eventually found work with Austin Wylie, a well-known bandleader. In addition to his music, Shaw was an avid reader and maintained literary aspirations. In 1927 Artie heard several "race" records, the kind then being made solely for distribution in black (or "colored," as they were then known) districts. After listening entranced to Louis Armstrong and his Hot Five playing Savoy Blues...
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...HISTORY 1500 WINTER 2014 RESEARCH ESSAY TOPICS 1. Select a crusade and discuss the extent to which it accomplished its objectives. Why did it succeed or fail? Jonathan Riley-Smith, The Crusades: A Short History; Carole Hillenbrand, The Crusades: Islamic Perspectives; Christopher Tyerman, God’s War: A New History of the Crusades 2. How did anti-Semitism manifest itself in medieval Europe? Kenneth R. Stow, Alienated Minority: The Jews of Medieval Latin Europe; Mark R. Cohen, Under Crescent and Cross: The Jews in the Middle Ages; Solomon Grayzel, The Church and the Jews in the Thirteenth Century 3. What was the position of prostitutes in medieval society? Ruth Mazo Karras, Common Women; Leah Otis, Prostitution in Medieval Society; Margaret Wade Labarge, A Small Sound of the Trumpet: Women in Medieval Life 4. Why did the French choose to follow Joan of Arc during the the Hundred Years War? Kelly DeVries, Joan of Arc: A Military Leader; Bonnie Wheeler, ed., Fresh Verdicts on Joan of Arc; Margaret Wade Labarge, A Small Sound of the Trumpet: Women in Medieval Life 5. Discuss the significance of siege warfare during the crusades. You may narrow this question down to a single crusade if you wish. Jim Bradbury, The Medieval Siege; Randall Rogers, Latin Siege Warfare in the Twelfth Century; John France, Victory in the East: A Military History of the First Crusade 6. Why did the persecution...
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...Mulatto – ½ black (this is an offensive term which the root word is mule) o Quadroon – ¼ black o Octoroon – 1/8 black Video – Fisk singers and early white gospel video • Literacy was a problem – acapella singing. • Gospel – “Good news” • Fisk = HBCU in 1866 Video: the history of gospel music 02 • In the African heritage it had to be the music, the preacher and the religious. o Had to be the preacher and the response • Music was to be free but then brought Christianity which was pulled out from that they say. • Involving percussion tones • Melees tone – not singing the tone right to but to shape it. We wear the mask poem: Paul Laurence Dunbar (1872 – 1906) • Mask – façade, disguises you, hides you, masquerade, protection, performers. Performance v. rituals • Ritual o Gospel • Performance o For others/benefits o Entertainment o Image Video: Education on Minstrel – goes into the Images topic • Developed in 1820. • T.D. Rice • Jim crow presents himself as an African (black face) by performing how the Africans perform. Performance within a performance. • Compromise of 4, etc. o Paid performances • Call and response Images: • Co-opted • Corruption of the history image • Massive available – were everywhere. • The images like the lips exaggerated, clothing, hair. • Looked more animalistic in the pictures • Children in images that they were alligator bait • Food that they ate – watermelon and chickens. Watermelons grow in Africa...
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...A Guide to Writing the Literary Analysis Essay I. INTRODUCTION: the first paragraph in your essay. It begins creatively in order to catch your reader’s interest, provides essential background about the literary work, and prepares the reader for your major thesis. The introduction must include the author and title of the work as well as an explanation of the theme to be discussed. Other essential background may include setting, an introduction of main characters, etc. The major thesis goes in this paragraph usually at the end. Because the major thesis sometimes sounds tacked on, make special attempts to link it to the sentence that precedes it by building on a key word or idea. A) Creative Opening/Hook: the beginning sentences of the introduction that catch the reader’s interest. Ways of beginning creatively include the following: 1) A startling fact or bit of information Example: Nearly two hundred citizens were arrested as witches during the Salem witch scare of 1692. Eventually nineteen were hanged, and another was pressed to death (Marks 65). 2) A snatch of dialogue between two characters Example: “It is another thing. You [Frederic Henry] cannot know about it unless you have it.” “ Well,” I said. “If I ever get it I will tell you [priest].” (Hemingway 72). With these words, the priest in Ernest Hemingway’s A Farewell to Arms sends the hero, Frederic, in search of the ambiguous “it” in his life. 3) A meaningful quotation (from the book you are analyzing...
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...Foundation to Eschatology in the Old Testament 3 5) Biblical Foundation from the New Testament 3 a) Eschatology from Saint Paul b) Eschatology from the Gospels 4 6) Theological Reflection to Eschatology 4 7) Conclusion 5 8) Bibliography 6 1) Introduction In this 21st century people continue to wonder what their destiny will be after death; perhaps people have many definitions and explanation about it. Hence, people are struggling to reconcile to one common understanding. This questions I believe remain their and our question today. Now, having this understanding in mind I believe there is a great need for a clear and coherent explanation of Eschatology to my people. Therefore, in this essay I will begin to explore and try to instil to my people a clear understanding of eschatology by looking into our traditional belief about the last day. Then, later I will align this understanding to the Biblical texts of eschatology and my Theological reflection. Through these, I certainly believe that it will enrich the minds of my people to fully understand; what eschatology mean to them? Definition of Eschatology Perhaps it is appropriate for me to begin by defining; what Eschatology really mean? Well, According to the New Bible Dictionary; “Eschatology comes from the word eschata in Greek, which refer to the...
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...Choose a topic and write an essay of 3-4 pages: 1 Don't tell people how to do things, tell them what to do and let them surprise you with their results.” (US Gl. George S. Patton) 2 Management is working in the system; leadership is working on the system. 3 Managers gain authority by position, leaders gain it by influence and character. 4 Every manager should be a leader, while every leader must know management. 5 Leadership and management must go hand in hand. 6 People hate each other because they are afraid of each other; they are afraid of each other because they don’t know each other; they don’t know each other because they don’t COMMUNICATE” (Martin Luther King) 7 What makes a leader? 8 There is an abundance of managers in the world but very few truly have the characteristics of a leader. 9The challenges we face today are not economic, environmental, social, or legal; they are challenges of character and leadership. 10 Management is nothing more than motivating other people. 11 Good managers increase productivity—great leaders, peak performance. 12 Inventories can be managed but people must be led. 13 Management is neither an art nor science. It is both, and the real trick is to determine the right mixture at the right time! 14. ’Never tell people how to do things. Tell them what to do and they will surprise you with their ingenuity!’ (General George S. Patton) 15. The best executive is the one who has sense enough to pick...
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...NCFE-AUD-405 MUSICIANSHIP & THE MUSIC INDUSTRY NCFE LEVEL 4 IN AUDIO & MUSIC PRODUCTION WESTERN MUSICAL ERAS ESSAY Name : Abel Varghese ID No. : AAT/MPDN/00029/BLR Starting Date : 08/05/2016 Submission Date : 13/05/2016 Assessor : Raemus Casterlino Content Introduction…………………………………………………………………………..03 Medieval Music……………………………………………………………………....04 Renaissance…………………………………………………………………………..05 Baroque...…………………………………………………………………………….06 Classical……………………………………………………………………………...07 Romantic……………………………………………………………………………..08 20th Century music…………………………………………………………………...09 21st Century………………………………………………………………………….10 Introduction Music is said to be present in the ancestral period and it was first evolved from Africa and was later spread to the west, which later on became a fundamental constituent of life. Each era existed for a period of time, such as the pre-historic music, ancient music, biblical period , western musical period etc. The western musical era of music will be mentioned in detail below. This period consisted of the medieval music, renaissance music, baroque, classical, 20th century music, and 21st century music. Medieval Music The western music is popularly known for the Gregorian chant also known as the plain chant. This was during years 500 – 1400. It was more of the vocal religious practices of the roman catholic church. The plainchants had very little pitch change and had consisted of only a single melody and lacked harmony. There...
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...recording with help of George Martin. This essay will discuss the studio techniques of the Beatles and how they changed the course of sound recording forever. The Beatles started to experiment in their recording techniques as early as 1964, having achieved incredible commercial, financial and critical success by this stage they were then essentially given free range in the recording studio, this gave them the unique opportunity for experimentation. With the help of George Martin that’s exactly what they did. Prior to the nineteen sixties and the Beatle’s experiments in the studio, sound recording was not a fully refined art that is there were none of the widely used seemingly natural conventions we are familiar with today. A good example of this is the 1966 song Taxman where drums are all panned to left; this might seem like nothing out of the ordinary now but in that time were defining the nature of sound recording. Much of the Beatle’s enthusiasm and desire to create new sound-scapes stemmed from their recreational drug use in particular trying to re-create sonically and lyrically their experiences of the drug LSD. This of course had to do with changing social order, the emergence of hippy culture and the band’s recent adventures in India. This excitement combined with George Martin’s enthusiasm for experimenting with new recording technology and his willingness to create and try new things resulted in recordings that would change history. George Martin ( a former BBC radio producer)...
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...independence for Ghana or Canada. It was not until later on that the colonies realized that Britain would not easily hand over the land. What I find interesting is that only the Founding Fathers seemed to realize the great events taking place during their time. John Adams even instructed his wife to file and keep all of his records. It is as if he knew that hundreds of years from then, we the future Americans would look back at his notes and recognize his greatness. This makes me wonder why they were so sure of themselves. The Americans were at a disadvantage during the beginning of the war. How was it that they seem so certain that the war would end up in their favor? Ellis backs up my point by stating, “Men make history…, but they can never know the history that they are making (pg.4).” Every event in life can go two ways: really good or really bad. If the British were to take the...
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