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Identification of Women After Marriage

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IDENTIFICATION OF WOMEN AFTER MARRIAGE
Marriage is known by all as a legal union of a man and woman forming together to become one as equal partners. Unfortunately, in the plays Trifles by Susan Glaspell and Doll House by Henrik Ibsen. Marriage is identify as a type of union were women have to adapt to a mans need, and be subject to be beneath their husband. In both stories, the main idea and theme interact with each other in the sense of degrading women and leaving them with no sense of worth.
The universal definition of Theme is defined as the subject of a talk or a person’s thought. However, in literature it’s illustrated as a main idea or the foundation for an entire piece. In the plays, Trifles and Doll House, one common similarity shared was theme. Identification of women was a main component because not only did both story portrayed women as not having any sense of identity but because their role were mostly determined by who their husband was.
In Doll House, the main character Nora is initially known for her silly, childish ways. For example, “oh yes, Torvald let us…squander a little…I’ve been buying a lot…oh, please Torvald can I hung money on the tree…oh please wouldn’t that be fun.” (Act I) This quote demonstrate how poorly Nora thinks as a woman and how she acts and beg like a child just to get what she wants. As a matter of facts, because Nora acts like a child her husband treats her as such. Instead of calling her by her name he refers to her as his “little spendthrift….scat ter brain… squirrel” (Act II) Not only does he undermine her but he doesn’t even feel it’s appropriate to consider her as a person equal to his level of standard. According to the play Trifles by Susan Glaspell, women had no self-importance in this society. Their importance’s lies solely on their husband or the law. Mrs. Wright who used to be Minnie Foster, was always a

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