...the killing first. He knifed Riff first.” “And Bernardo is dead,” says Schrank. “If we go about letting a killer roam the streets, then I’ll be the one that gets the dirty looks.” “I see. So all you care about is how you look. And how do you suppose I look? I didn’t even start the rumble. It wasn’t my fault. You can’t keep me here forever,” says Chino. “You see,” says Schrank, “the thing is, whatever happened, happened. Krupke and I caught you killing Tony and you’re going to pay for it.” Schrank pushes Chino into a jail cell as he stumbles over his two feet yet keeps his balance. “You won’t be seeing anyone new for a while, let alone your Puerto Rican friends,” says Schrank as he locks up the door and walks out of the room leaving Chino alone. __________________________________________________________________ 12:00 P.M. The next day. The...
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...survival together.) GEORGE HHkigjhgioerhgioehcefewihfiowe4ghweio;pv jnporphsroghoesrgodfujeirgjuierjghoihgioejugidxfjgijwigtjueijgtoiefghdfghfhfghHello… If there’s anyone out there you’re not alone. I and my son Ralph stay in what was the old downtown Los Angles. You can find us on the roof of LAX every day at 1200 hours. I Say again you can find us here every day at 1200 hours. (Talking into old radio) RALPH Do you think everyone is dead? We come here and do the same thing every day and still we get no response. Do you honestly think there are people out there that hear this? GEORGE We have to stay positive and hope there is more of mankind then just us two. RALPH Yeah but this is old already I want to get out of here if there’s people out there how do you know they have a radio… how do you know that they can here you? You don’t we should leave here and go look for survivors. Even if we don’t find anyone at least we tried we do nothing here but wait for something were not even sure of. (Shooting rifle at targets) GEORGE See out there we are more likely to get hurt or even killed. RALPH Here we do nothing, nothing positive we don’t do anything but wait what if they don’t have any way of transportation. What if they are stuck in a horrible situation? GEORGE I’m only doing what’s best for us I am only trying to keep us alive. Only trying to keep us safe I mean what I been doing has been working so far. RAPLH I...
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...survival together.) GEORGE HHkigjhgioerhgioehcefewihfiowe4ghweio;pv jnporphsroghoesrgodfujeirgjuierjghoihgioejugidxfjgijwigtjueijgtoiefghdfghfhfghHello… If there’s anyone out there you’re not alone. I and my son Ralph stay in what was the old downtown Los Angles. You can find us on the roof of LAX every day at 1200 hours. I Say again you can find us here every day at 1200 hours. (Talking into old radio) RALPH Do you think everyone is dead? We come here and do the same thing every day and still we get no response. Do you honestly think there are people out there that hear this? GEORGE We have to stay positive and hope there is more of mankind then just us two. RALPH Yeah but this is old already I want to get out of here if there’s people out there how do you know they have a radio… how do you know that they can here you? You don’t we should leave here and go look for survivors. Even if we don’t find anyone at least we tried we do nothing here but wait for something were not even sure of. (Shooting rifle at targets) GEORGE See out there we are more likely to get hurt or even killed. RALPH Here we do nothing, nothing positive we don’t do anything but wait what if they don’t have any way of transportation. What if they are stuck in a horrible situation? GEORGE I’m only doing what’s best for us I am only trying to keep us alive. Only trying to keep us safe I mean what I been doing has been working so far. RAPLH I...
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...Look up. I have so many friends yet I'm lonely. I speak to them everyday but none of them really know me. We know only a few of them. Others, we know others through our screens. We spend hours looking at our screen. But, have we ever looked up, sat back and realised that the media we go social is nothing but when we open our computers and shut our doors. All this technology we have is advanced and helpful in every way but it's just an illusion. We are so addicted to it that we forget what's actually happening in the real world. Community, companionship, a sense of inclusion, but when we step away from these devices of delusion, we're awakened to see a world full of confusion. Even while we go meet our friends and have a nice time, but...
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...and figurative language. The wintry imagery in this poem is used to express the wonders of the mind while forcing the reader to determine what is metaphorical and what is literal. Wallace uses imagery and figurative language to aid in showing how our mind becomes one with a scene upon seeing it. While Stevens’ poem is masterfully painted with imagery, it is ultimately the meaning of the poem that is so very rewarding and that makes it so great. The speaker describes snow covered trees as the sun glitters off of the top of the distant snow covered banks, while the wind blows and creates a sound that gives the reader a miserable feeling. The speaker talks about how winter is a cold and miserable time and it takes a special type of mind to see past that. The speaker has two realities in his hands- the cold and harsh reality of winter and what the speaker creates using his own perspective. What all of this really means is that using imagination, a whole new perspective can be created allowing the reader to hide the harsh, bare reality that the world really is. Stevens’ uses this to demonstrate that the central viewpoint of this poem lies in perspective. When reading the poem the reader comes to the realization that there is no snowman in the poem. Well, how could this be? That is because the title of “The Snow Man” is a metaphor. At the first glimpse of “The Snow Man”, it does not give much away. The only thing that can be deduced from the title is that it is going to be about...
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...pretty from far away,just down get up close you might just be disappointed.Tucking my blond hair behind my ear so I could see clearer not wanting to leave this all behind,but summer was over.Back to my life in North Carolina."I'll come back,I promise." I say barely in a whisper,I turn on my heel and start walking down the steep hill,back down to the city,where dreams are crushed easily,but memories are quickly made.I remember the argument me and my mother had before I ran up here.'Your father and I see it fit that we are going to stay in North...
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...sitting on the sofa, smoking a cigar He wears a nice-looking lounging robe. Presently ROBERTING, his twenty-year old son, good-looking, well-dressed, enters. He wants to ask some. thing from his father, but before he gathers enough courage, he maneuvers about the stage and clears his throat several times before he finally approaches him. ROBERTING (Clearing his throat). Ehem-ehem-ehem! FRANCISCO (Looking up briefly). Ehem ROBERTING. -Father- FRANCISCO (Without looking at him). What? ROBERTING. Father- FRANCISCO. Well? ROBERTING. Father- FRANCISCO. Again? ROBERTING. Well, you see it's like this- FRANCISCO. Like what? ROBERTING. It's not easy to explain, Father FRANCISCO. If it isn't then come back when I'm through with the paper ROBERTING. Better now, Father. It's about-money. FRANCISCO. Money! What money? ROBERTING. Well, you see- FRANCISCO (imitating his tone). Well, you see-I'm busy! ROBERTING. I need money. FRANCISCO (Dropping the paper). Need money! Aren't you working already? ROBERTING. Yes, but-it isn't enough. FRANCISCO. How much are you earning? ROBERTING. Eight hundred, Father. FRANCISCO. Eight hundred! Why, you're earning almost as much as your father! ROBERTING. You...
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...sitting on the sofa, smoking a cigar He wears a nice-looking lounging robe. Presently ROBERTING, his twenty-year old son, good-looking, well-dressed, enters. He wants to ask some. thing from his father, but before he gathers enough courage, he maneuvers about the stage and clears his throat several times before he finally approaches him. ROBERTING (Clearing his throat). Ehem-ehem-ehem! FRANCISCO (Looking up briefly). Ehem ROBERTING. -Father- FRANCISCO (Without looking at him). What? ROBERTING. Father- FRANCISCO. Well? ROBERTING. Father- FRANCISCO. Again? ROBERTING. Well, you see it's like this- FRANCISCO. Like what? ROBERTING. It's not easy to explain, Father FRANCISCO. If it isn't then come back when I'm through with the paper ROBERTING. Better now, Father. It's about-money. FRANCISCO. Money! What money? ROBERTING. Well, you see- FRANCISCO (imitating his tone). Well, you see-I'm busy! ROBERTING. I need money. FRANCISCO (Dropping the paper). Need money! Aren't you working already? ROBERTING. Yes, but-it isn't enough. FRANCISCO. How much are you earning? ROBERTING. Eight hundred, Father. FRANCISCO. Eight hundred! Why, you're earning...
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...Scattered the few threads on her body Still she was wandering to find out the spaces... (Here are few spaces for her to bite...All Face Book Lovers) Released her to make that vow. To Just stroke once.. Now in a lily-cup, and now Setting a jacinth bell a-swing, In his wandering; Sit closer love: it was here I throw I made that vow, Swore that two lives should be like one As long as the sea-gull loved the sea, As long as the sunflower sought the sun,-- It shall be, I said, for eternity 'Twixt you and me! Dear friend, those times are over and done, Love's web is spun. Look upward where the poplar trees Sway and sway in the summer air, Here in the valley never a breeze Scatters the thistledown, but there Great winds blow fair From the mighty murmuring mystical seas, And the wave-lashed leas. Look upward where the white gull screams, What does it see that we do not see? Is that a star? or the lamp that gleams On some outward voyaging argosy,-- Ah! can it be We have lived our lives in a land of dreams! How sad it seems. Sweet, there is nothing left to say But this, that love is never lost, Keen winter stabs the breasts of May Whose crimson roses burst his frost, Ships tempest-tossed Will find a harbour in some bay, And so we may. And there is nothing left to do But to kiss once again, and part, Nay, there is nothing we should rue, I have my beauty,--you your Art, Nay, do not start, One world was...
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...in the air like we don't care 'Cause we came to have so much fun now Bet somebody here might get some now If you're not ready to go home Can I get a "Hell, no!"? (Hell no) 'Cause we're gonna go all night 'Til we see the sunlight, alright So la da di da di We like to party Dancing with Molly Doing whatever we want This is our house This is our rules And we can't stop And we won't stop Can't you see it's we who own the night? Can't you see it's we who 'bout that life? And we can't stop And we won't stop We run things, things don't run we Don't take nothing from nobody Yeah, yeah It's our party we can do what we want It's our party we can say what we want It's our party we can love who we want We can kiss who we want We can sing what we want To my home girls here with the big butt Shaking it like we at a strip club Remember only God can judge ya Forget the haters 'cause somebody loves ya And everyone in line in the bathroom Trying to get a line in the bathroom We all so turned up here Getting turned up, yeah, yeah So la da di da di We like to party Dancing with Molly Doing whatever we want This is our house This is our rules And we can't stop And we won't stop Can't you see it's we who own the night? Can't you see it's we who 'bout that life? And we can't stop And we won't stop We run things, things don't run we Don't take nothing from nobody Yeah, yeah It's our party we can...
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...Independent Nora (looking at her watch). It’s still not very late. Sit down here, Torvald. We have a lot to talk over. (She sits down at one side of the table.) Helmer. Nora — what is this? — That hard expression — Independent Nora. Sit down. This’ll take some time; I have a lot to say. Helmer (sits down at the opposite side of the table). You worry me, Nora! — and I don’t understand you. Independent Nora. No, that is exactly it. You don’t understand me, and I have never understood you either — until tonight. No, don’t interrupt. You must simply listen to what I say. Torvald, this is a settling of accounts. Helmer. What do you mean by that? dependent nora. You have always been so kind to me. But our home has been nothing but a playroom. I have been your doll-wife, just as at home I was papa’s doll-child; and here the children have been my dolls. I thought it was fun when you played with me, just as they thought it fun when I played with them. Independent nora. That is what our marriage has been, Torvald. Helmer. There is some truth in what you’re saying — under all the raving exaggeration. But it’ll all be different after this. Playtime is over, now for the schooling. dependent Nora. Whose schooling? Mine, or the children’s? Helmer. Both yours and the children’s, dearest. Independent Nora. Oh, Torvald, you are not the man to teach me to be a good wife for you. Helmer. And you can say that? dependent Nora. And I— how am I equipped to bring up the children? Helmer...
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...say that we were meant to be or that after years of separation we’ll finally break the walls that separate us and be one once more. I can’t say that in the time we’ve been apart I’ve become a better person, better for you….better for us. If I said anything along these lines it would have been a lie. There’s much I want to tell you and a lot that I know I shouldn’t. Let’s start at the beginning: I remember when we met. You were one of the popular people. I was not. Everyday prior to our meeting I was nothing more than a background image on a less-than-boring wall. But for some reason on this day you chose to acknowledge me. On this day you chose to talk to me. I’ll probably never know why, or care why for that matter, but you did and since then my life has never been the same. As if you pulled me into light from the dark, or as though you created something out of nothing I had existence. I had meaning in my life. And that meaning was you. I would wake up every morning just to see you smile. I would miss my bus on purpose just to spend a few extra moments in your presence. I would shed the few nickels and dimes I had to give you whatever happiness money could buy. I would have given you the earth, the moon and even the sun if it so pleased you. I would have done it all. When you’re young everyone tells you to shoot for the stars, but no one tells you how dangerous ambition can be. No one tells you the heartache you feel through selfish self-interests. No one tells you how...
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...I see a shadow running past the window as my vision inches closer to the house. It isn't the first time my dreams have brought me here and I know it won't be the last. There is something that happens every time I arrive, but I'm already too late to see the crime taking place by the time I arrive. Yet for once, I'm outside the house as the build up of events is taking place and I can feel the tension rising in the air. I feel myself moving forward, but I know I am unseen to everyone else around me, even though there is barely anyone in this secluded area as it is. A sudden movement catches my attention on the left side of the house and my heart thrashes harshly in my chest. Anxiety rushes over me as I watch the front door slowly open towards me and I see both of them standing in the narrow hall way in the middle of a heated argument. The words nearly incoherent to me, I struggle to hear the content of their disagreement, but its impossible with the sound of the bitter wind outside. Suddenly, I'm being pulled forward into the house, racing through an ending obstacle course through the disaster they called home. Their yelling, or his to be exact, echoes off the walls and sounds as if they're right in my ear. A force stops me at the bottom of the stairs where the kitchen is to my right, trashed as if a tornado had just blown through. My vision zooms in on the counter top where there is a small splatter of blood on the corner as if someone had been holding onto it with a bloody...
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...real is becoming which is changing. While Plato who sided with Parmenides says what is real is the world of Forms, the world that reflects our world today. However, Aristotle says that the real are matter and form. Furthermore, Levinas stresses the importance of the other as if your relationship with the other helps you fulfill your being a person. That is really true if you will live it. Another philosopher, St. Thomas Aquinas says what is real is being “that which exists” wherein his essence and existence is a participation or came from the Pure Act/ God who acted his act of existence. On the other hand, Heidegger makes a turn of these Western views of metaphysics. Heidegger claims that what is real is that the nothing which makes being possible and reality is the unfolding and keeping of Being. Thus, for Heidegger reality is whole and dynamic. This is compared to Buddhistic view of reality. Buddhism believes that reality is interdependently arising which is impermanent and no separation. Moreover, Derrida adds something. He believes that meaning is impossible for no matter how you process to signify the meaning of something, you could not really get the meaning of that something. So, what one can do is just to let this process of signification and one will observe that meaning is impossible. However, these views of philosophers though different have something in common in terms of the foundation of their views. I observe that...
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...in the air like we don't care 'Cause we came to have so much fun now Bet somebody here might get some now If you're not ready to go home Can I get a "Hell, no!"? (Hell no) 'Cause we're gonna go all night 'Til we see the sunlight, alright So la da di da di We like to party Dancing with Molly Doing whatever we want This is our house This is our rules And we can't stop And we won't stop Can't you see it's we who own the night? Can't you see it's we who 'bout that life? And we can't stop And we won't stop We run things, things don't run we Don't take nothing from nobody Yeah, yeah It's our party we can do what we want It's our party we can say what we want It's our party we can love who we want We can kiss who we want We can sing what we want To my home girls here with the big butt Shaking it like we at a strip club Remember only God can judge ya Forget the haters 'cause somebody loves ya And everyone in line in the bathroom Trying to get a line in the bathroom We all so turned up here Getting turned up, yeah, yeah So la da di da di We like to party Dancing with Molly Doing whatever we want This is our house This is our rules And we can't stop And we won't stop Can't you see it's we who own the night? Can't you see it's we who 'bout that life? And we can't stop And we won't stop We run things, things don't run we Don't take nothing from nobody Yeah, yeah It's our party we...
Words: 522 - Pages: 3