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Pirating Isn't Pirating

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Senior Composition I
Argumentative Paper

Pirating Isn’t Pirating

Sentenced to serve a year in Swedish prison and pay a fine of 3.5 million dollars. What would be your educated guess to the crime commited to earn this sentence? Would you be surprised if I told you it was for running servers which didn’t host any files more than it takes to supply a website with navigation capabilities? I’m not underselling this either, Peter Sunde, Gottfrid Svartholm and Fredrik Neij of Sweden were handed down a very harsh sentence from Stockholm, Sweden’s district court in the 2008-2009 case against The Pirate Bay for hosting a website people were using to (technically) only share the links to copyrighted material. When you think of an internet pirate, do you imagine someone taking the livelihood away from a rich Hollywood bigshot, robbing a human of their ability to live and take care of themself? Chances are that isn’t the image that comes to mind to the average American, nor the average Earth citizen.
Now, the statement that “piracy is a victimless crime” isn’t completely wrong or completely wrong from my view. I can understand the side that says that it isn’t a victimless crime, because the creators of software or media do rely on that money to make a living in some situations. I see the other side too though. The side that says that piracy is a victimless crime. A great deal of available software and media have quite a few steps between the end user and the actual creator or whatever the digital good is.
Movies have many production companies, including 20th Century Fox, DreamWorks, Metro-Goldwyn-Mayer, Columbia Pictures, and many, many other studios. These are the companies of which you see the logos before almost all movies. These studios are owned by the biggest wigs in town, whose pockets are lined with millions. Sony Pictures Entertainment claimed over $8 billion in sales last year. These studios are who gets the money when you go pay for a movie at the theater or you buy a DVD. These are the companies that pay for the filming of a movie if the pitch goes well. The music industry has a similar structure, except the above-all companies are referred to as “labels,” short for record labels. They are the companies such as Sony Music Entertainment, Razor & Tie, Artery Recordings, and hundreds, if not thousands more. These are the companies who are responsible for giving a band money to tour, as well as sending the band to record new albums at a studio. Software designers are quite a bit more tricky. Software piracy has a lot bigger gray area to me, because most software you will find, such as Photoshop, Ableton, and others are owned and distributed by big companies and gouge big companies for licences to use the software, just because most of the most popular products are popular because they work the most efficient and are the industry standard. Other programs like Xpadder, which allows you to remap buttons on Xbox 360, PlayStation 3 and other controllers to use with your computer, are independently developed by one or a small group of programmers. Now, I’ve just explained the gist of how different digital goods industries work to show my point about downloading software without paying for it isn’t starving a malnourished person who is writing code for his livelihood, acting in a movie or making music just to make it to their next meal. The film companies have billions in yearly revenue from the 99% of people who would rather go watch a movie in a theater and get the “theater experience” than people who would rather watch a version that was recorded with a handheld camera in a movie theater. Finding and downloading good quality movies isn’t exactly the easiest thing to do, but with some work it can be done. It is getting increasingly dangerous to download copyrighted material, though, as the government and many individual organizations have started cracking down hard on monitoring Internet usage in downloading pirated intellectual property. The music industry is a bit different, however. Many artists in the metal industry, which is the kind of music I listen to, release their albums and EPs (extended plays) for free on Facebook or Twitter or wherever they have social media. For bigger genres like current pop music with Justin Bieber and Selena Gomez and various other top 40 musicians, though, they never release anything for free. They are also the artists and record labels that go after pirates the most. This is because most of their fans are the teenage kids who have iPods and get most of their music from iTunes (this is fact based, not just my assumption) and they use gift cards they get for holidays or they use their parents’ accounts to buy music. This is one of the reasons that top 40 artists are top 40 artists; because their lawyers are the ones who go after sites like The Pirate Bay and sue until someone can’t be sued anymore. Now for the software, the biggest gray area in all of piracy. Software companies generally don’t have huge legal teams that go after individuals like movie and music companies do. As mentioned earlier, Adobe’s Photoshop and Ableton AG’s Ableton music production software charge a hefty fee for licenses that professionals have to pay for to use the software, because most professional users of such programs work for an employer who get audited by some government agency or another, and they usually have to show the proof that they are able to legally use whatever software they use. A business license for Photoshop, for example, is in the hundreds for a yearly license, even more expensive for other software suites. Then on the other hand, there are independent coders who make themes and addons for web browsers who usually just ask for donations if someone likes their work. This kind of software is my personal favorite, and I usually donate a dollar or two if I use someone’s free software. There is also what is called open-source software, which is where the creators put the code the program is made of out for anyone to edit and redistribute, like the Firefox browser among other software. Next time you hear someone being called a pirate, think of the millionaires in Hollywood who are hardly affected by less than 5% of the public acquiring their movies or music without paying. I mean, if someone isn’t willing to pay for something in the first place, why not let them see what they might be missing out on? Maybe they will catch on to the movie, TV series or artist and end up buying merchandise to support the creators in the end.

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