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Response To American Architecture

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A Subjective Response to the World
Since the beginning of history, buildings have been pulled, poured, and pushed, into all sorts of shapes and styles. Whether in response to post war planning, new technologies, interest in the past or of the future, architecture has manifested as a living reminder of different societies wavering tastes and concerns. Throughout time, architecture has persevered as one of the most historically important reflections of culture. Whether we consider monumental structures such as the Greek and Rome Parthenon, or modern icons such as the Crystal Palace, Red House or the Bauhaus, we see each building reflecting the story of that time, and how that iteration of culture wished to project itself to the future.
Every …show more content…
The use of flying buttresses displayed how to make more ornamental use of the wall with the incorporation of glass, thus making cathedrals look lighter and more heavenly. In the beginning year of 1850, London began the planning of the great world premiere to showcase all the latest technologies and innovations form around the world. Already a famous designer at the time, John Paxton experimented extensively with glasshouse construction and submitted a design. Of the many submitted and denied designs, Paxton’s was accepted. Using new combinations of prefabricated cast iron, laminated wood, and standard sized glass sheets, Paxton created a world-shattering roof design. In 1836 this system was used for the first time in creating the largest glass building (at the time). The construction was built to act as a self-supporting shell, like domes across other architectural styles. This maximized interior space, and the glass cover allowed for an ample amount of daylight into the building. Paxton’s ingenious design created an unprecedented exhibition space. This method of construction was a breakthrough in design, economics, use of material, and technology, in addition to paving the way for more sophisticated pre-fabricated designs (Cohen p. …show more content…
This style was portrayed as true to material, no iron, and frank expression of structure. While this contradicts some of the previous styles and monumental structures, similarities can still be seen with the birth of a new style. The use of grand open space, arches, classical floor plan, and light is still utilized in Gothic revival, this is primarily seen in churches and public spaces such as Kings College Chapel, or Owen Jones Osler’s Glassware Showroom (1860). However, in Sir Charles Barry and AWN Pugi House of Parliament (London 1836-68), it is here that the world retracts back to the tall steeply-pitched roofs which emphasized the Parliament's lively skyline. Height, as stated by the Russian writer Nikolai Gogol on his analysis of Gothic architecture, is a principal idea (p.23). In addition, the use of new materials such as the colored and different texture stones brought a new Gothic scheme for the building which extended to its interior, such as wallpapers, carvings, furnishings, and stained

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