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Ridley Scott's Alien, Prometheus

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Interstellar and off-world tales are fully engrained in the fabric of entertainment. As consumers, we ingest wide variations of outer space fiction – with the most popular and obvious examples being Star Wars and Star Trek. But, space exploration isn’t always about alien encounters or laser-themed weapon. Sometime it’s simply brings out the finer qualities of humanity.

In Ridley Scott’s (Alien, Prometheus) latest directing effort, based on the novel (of the same name) by Andy Weir, Matt Damon stars as Mark Watney – an astronaut that’s stranded on Mars alone when his crew is forced to abandon him after an accident leads them to believe he’s dead. But, it turns out Mark is very much alive.

N.A.S.A. also believes Mark to be decease, although …show more content…
Scott, who is arguably one of the greatest directors of all-time, obviously loves the sci-fi genre – clearly evident from his work on Alien related films, not to mention Blade Runner. Still, his eye for historically themed details – from his work on films like Gladiator, American Gangster, and Kingdom of Heaven, add realism to a backdrop that is not yet possible. Keyword: yet.

Thus, Scott’s big screen visuals explodes with delightful authenticity – what with well-designed outfits, convincing sets, and tools (big and small) that allow viewers to unmistakably buy into this point in human history. And, to boot – this is a story that doesn’t rely on a violent aliens or intrusive scare tactics to put an audience on the edge of its seat. The simple idea of being secluded on a planet will suffice in that respect.

For the most part, The Martian is fully functioning plot that leaves no rock unturned as far as the task at hand is concerned – meaning it’s a grueling fight for Damon’s character and the people at N.A.S.A. to keep the faith (so to speak). But, if there’s only one flaw – and one flaw only – it’s the lack of an emotional connection between Mark Watney and well, anyone. Apparently, he doesn’t have a wife, kids, or girlfriend to take an interest in his survival – an aspect that could be easily, and unobtrusively added to the script for

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