...It is several years after OEDIPUS was banished from Thebes, the city he once ruled. The play begins in the GROVE OF THE FURIES at Colonus, which is close to and ruled by the great city of Athens. Oedipus is now a sorry sight, blind and hobbled, dressed in rags, led by his daughter ANTIGONE. OEDIPUS tells ANTIGONE that acceptance is the lesson taught by his suffering. He then asks Antigone to find a place for them to rest, and wonders where they are. Antigone recognizes Athens in the distance, though she doesn’t recognize their precise location. But from the landscape she believes they are on holy ground. They decide to rest. A CITIZEN of Colonus approaches and demands that they move from their resting place, because it is holy ground, THE GROVE OF THE FURIES. OEDIPUS responds that this is a sign and that in fact he must not move from this place, which will be his refuge. He asks the citizen to send for the king, THESEUS, and promises that if Theseus does Oedipus a small service, great good will come of it. The citizen leaves. Oedipus prays to the Furies. In his prayer, he says that, in the same prophecy in which the god Apollo foretold Oedipus’s terrible fate, the god also spoke of the grove of the Furies as a place where Oedipus could rest, and where the last chapter of Oedipus’s life would take place. More citizens (the CHORUS) come looking for the stranger who has dared to set foot on the sacred ground of the terrible Furies. When OEDIPUS speaks to them, they tell him he...
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...The Tragic Hero in Antigone According to the dictionary, a tragic hero is a literary character who makes an error of judgment or has a fatal flaw that, combined with fate and external forces, brings on a tragedy. In the story "Antigone," by Sophocles, Antigone has all the necessary traits to be qualified as the tragic character of the story. She is an honorable and important person, she has a fearless attitude, and she ends up facing a downfall because of her deeds. Antigone is an honorable and important person in Thebes. She obviously has a very good heart because she has decided to give her brother Polynieces a proper burial even though her uncle, Creon, has forbidden anyone to and has states that if someone does then they will be put to death. Antigone tells her sister, Ismene, "Ismene, I am going to bury him" (Antigone Prologue. 31) Even though she has Creon's threat in her mind, she takes the responsibility of bringing "honor to her family" by burying Polynieces. This shows good character as she is showing love for her family. Also, she does not let Ismene take part in her "crime". This shows how considerate she is of her sister's well being. Another important trait which Antigone has is her fearless attitude and her consistency. Throughout the play, Antigone sticks to her believes. Once she has made the decision to bury Polynieces, she does it without any fear. "Creon is not strong enough to stand in my way" (Antigone Prologue...
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...ripped off. Plot The plot of the story is that no one should judge someone else unless they know the truth. The difficulty is that the man who helps Oedipus is the same man he accused of trying to kill him. The plot of this story is to look at who you do business with no matter what the reward will be. Conflict The conflict in this story is who Creon should believe when it comes to life. It is also important to look who is the one presenting the problem. The conflict is with Lena. Does she trust her son or does she live their dream? It is difficult to understand what will benefit all of them in the end. Which author do you think most effectively utilized dramatic literary devices and conventions—Sophocles or Lorraine Hansberry? Explain your answer. I believe that Sophocles effectively utilized dramatic...
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...In the play “Antigone”, by Sophocles, there is an antagonism between Antigone and Creon. As the novelist George Eliot says, “the antagonism between valid claims”, there is such an antagonism in the play, and it is hard to judge who is right because they both have their valid claims. Is Antigone right to bury her brother Polynices’ died body even though she will die? Yes, she is right, because she has her valid claims. First, Antigone has a strong belief in protecting her family. Antigone states: “for me, the doer, death is the best. Loving, I shall lie with him, yes, with my loved one, when I have dared the crime of piety”(71). Polynices is her brother, there is blood relation between them. I remembered that once, when my brother disputed with other people, and they wanted to fight with my brother; however, I stood in front of my brother immediately and wanted to protect him! At that moment, I don’ t where my courage comes from, but I did. It is how Antigone believes: even though I will be killed, I still want to protect my brother. Religious belief is another reason in Antigone’s decision to break the law and bury her brother. She states: “For me it was not Zeus who made that order. Nor did that Justice who lives with the gods below mark out such laws to hold among mankind”(450). She believes the God’s law is the only law that she obey, even though she will break the law of the state. If one believes that someone or something is the great in the world, then nothing can...
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...The story of Oedipus the King, is about his destiny and choices he makes along the way. Oedipus from the beginning was destined to kill his father and marry his mother. The God’s had already set this life for the king, but they never expected him to make the decisions he made to fulfill his destiny. When the play begins, the citizens of Thebes are begging their king, Oedipus, to take away the plague that threatens to destroy the city. Oedipus sent his brother-in-law, Kreon, to talk to the oracle at Delphi to learn on what to do. When he returned, Kreon announced that the oracle instructed the city to find the murderer of Laios, the king who ruled Thebes before Oedipus. As soon as they find out who murdered the late king, it would be an end to the plague. Oedipus took upon himself to find out who murdered the king. Tiresias, the blind prophet refuses to speak, but finally accuses Oedipus himself of killing Laios. Oedipus orders him to leave, but before he leaves, Tiresias hints of an incestuous marriage, future of blindness, infamy, and wandering. Oedipus then goes to Jokasta for advice. She told him to ignore prophecies because a prophet once told her that Laios, her husband, would be killed by her son. According to Jokasta, it never came true because the baby died, and Laios himself was killed by a band of robbers. Oedipus then begins to worry because just before he came to Thebes he killed a man who resembled Laios. To learn the truth, Oedipus sends for the only living witness...
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...Does Antigone Deserve to Be Punished? Antigone has been acclaimed as a model that challenges authority and insists on just acts. However, according to Aristotle, a tragedy requires a man’s harmartia, which means error. Therefore, as a main character of a great tragedy, Antigone must possess flaws. Antigone’s self-certainty is one of her mistakes that contribute to her tragic fate. She regards burying dead people as absolute just behavior under any circumstance. This rite is important in Ancient Greek culture, but weather or not gods desire appropriate arrangement of Polyneices’ body is under question. It is Zeus that brings death to Polyneices because Polyneices brings war to his country and undermines the peace of Thebes. He “sought to consume utterly with fire the city of his fathers and the shrines of his father’s gods, -sought to taste of kindred blood, and to lead the remnant into slavery”. In Creon’s opinion, Polyneices is so wicked that even gods do not want to see him buried. When asked whether the gods have covered Polyneices’ body, Creon replies angrily that “was it for high reward of trusty service that they sought to hide his nakedness, who came to burn their pillared shrines and sacred treasures, to burn their land, and scatter its laws to the winds”. Creon ‘s opinions are reasonable before Teiresias gives out the correct interpretation of gods’ wills. If Antigone realized the limit of her wisdom, she would hesitate to kill herself and Haemon...
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...Sophocles Oedipus the King Translated by Ian Johnston Malaspina University-College Nanaimo, British Columbia Canada Richer Resources Publications Arlington, Virginia USA Sophocles Oedipus the King copyright 2007 by Richer Resources Publications All rights reserved Cover Art by Ian Crowe. No part of this book may be reproduced in whole or in part without express permission from the publisher except for brief excerpts in review. Reprint requests and requests for additional copies of this book should be addressed to Richer Resources Publications 1926 N. Woodrow Street Arlington, Virginia 22207 or via our web site at www.RicherResourcesPublications.com ISBN 978-0-9797571-1-2 Library of Congress Control Number 2007931684 Published by Richer Resources Publications Arlington, Virginia Printed in the United States of America 3 Translator's Note In the following text the numbers in square brackets refer to the Greek text; the numbers without brackets refer to the English text. In the line numbering for the translated text a short indented line is normally included with the short line above it. The translator would like to acknowledge the valuable help provided by Sir Richard Jebb’s translation and commentary. Background Note Sophocles (495 BC-405 BC) was a famous and successful Athenian writer of tragedies in his own lifetime. Of his 120 plays, only 7 have survived. Oedipus the King, also called Oedipus Tyrannos or Oedipus Rex, written around 420 BC, has long been...
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...RESEARCH PAPER SOURCES COPYRIGHT 2010 Gale, Cengage Learning Source Citation: "Seamus Heaney (1939-)." Poetry Criticism. Ed. Michelle Lee. Vol. 100. Detroit: Gale, Cengage Learning, 2010. 191-360. Literature Criticism Online. Gale. Liberty University. 23 February 2012 <http://galenet.galegroup.com.ezproxy.liberty.edu:2048/servlet/LitCrit/vic_liberty/FJ1585650004> Gale Document Number: FJ1585650004 Goldhill, Simon. "The audience of Athenian tragedy." The Cambridge Companion to Greek Tragedy. Ed. P. E. Easterling. Cambridge University Press, 1997. Cambridge Collections Online. Cambridge University Press. 23 February 2012 DOI:10.1017/CCOL0521412455.003 Hall, Edith. "The sociology of Athenian tragedy." The Cambridge Companion to Greek Tragedy. Ed. P. E. Easterling. Cambridge University Press, 1997. Cambridge Collections Online. Cambridge University Press. 23 February 2012 DOI:10.1017/CCOL0521412455.005 Alexander, Nigel. "Critical Disagreement about Oedipus and Hamlet." Shakespeare Survey Volume 20: Shakespearean and Other Tragedy. Ed. Kenneth Muir. Cambridge University Press, 1967. Cambridge Collections Online. Cambridge University Press. 23 February 2012 DOI:10.1017/CCOL0521069009.004 Buxton, Richard. "Tragedy and Greek Myth." The Cambridge Companion to Greek Mythology. Ed. Roger D. Woodard. Cambridge University Press, 2008. Cambridge Collections Online. Cambridge University Press. 23 February 2012 DOI:10.1017/CCOL9780521845205.005 Wiles, David. "Aristotle’s...
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...In scene three of Sophocles Antigone, there is a conversation between Creon, the king, and his son, Haimon. Haimon comes to his father to talk to him in grief and concern over Antigone, his bride-to-be. Creon questions Haimon and is unsure if he agrees with him or not. Haimon tells his father that he, Creon, is his guide and that no marriage is as important as his fathers continuing wisdom. Creon being satisfied with his sons answer, he tells his son that he is subordinate, and that is the way to behave towards his fathers will. He continues to tell his son that he should be loyal, hate his enemies; in the end an obedient son will turn out to be good leader. Creon also views Antigone inferior, and does not want to be put down or given rule over by a women, even if it is just and the right thing to do. After Creons chat with Haimon, Haimon gets a chance to talk about how he feels. Haimon tells his father that he might be wrong and mistaken about his decision. He thinks his decision is too harsh and unjust, and the people of the city agree. Creon says it is not up to the people and he can not pardon her or it will make him look weak. Creon makes all the decisions; he is the state, not the people. At this point he has become a dictator and what he says is all just and true. Haimon threatens his father that if he takes Antigone life, then another will be taken, being he. His father does not like the threat and demands Antigone to be bought out and killed in front...
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...Antigone Essay The Tragic Hero in Antigone According to the dictionary, a tragic hero is a literary character who makes an error of judgment or has a fatal flaw that, combined with fate and external forces, brings on a tragedy. In the story "Antigone," by Sophocles, Antigone has all the necessary traits to be qualified as the tragic character of the story. She is an honorable and important person, she has a fearless attitude, and she ends up facing a downfall because of her deeds. Antigone is an honorable and important person in Thebes. She obviously has a very good heart because she has decided to give her brother Polynieces a proper burial even though her uncle, Creon, has forbidden anyone to and has states that if someone does then they will be put to death. Antigone tells her sister, Ismene, "Ismene, I am going to bury him" (Antigone Prologue. 31) Even though she has Creon's threat in her mind, she takes the responsibility of bringing "honor to her family" by burying Polynieces. This shows good character as she is showing love for her family. Also, she does not let Ismene take part in her "crime". This shows how considerate she is of her sister's well being. Another important trait which Antigone has is her fearless attitude and her consistency. Throughout the play, Antigone sticks to her believes. Once she has made the decision to bury Polynieces, she does it without any fear. "Creon is not strong enough to stand in my way" ...
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...State control A well established theme in Antigone is the right of the individual to reject society's infringement on her freedom to perform a personal obligation,[14] obvious in Antigone's refusal to let Creon dictate what she is allowed to do with her family members. She says to Ismene about Creon's edict, "He has no right to keep me from my own."[15] Related to this theme is the question whether Antigone's will to bury her brother is based on rational thought or instinct, a debate whose contributors include greats like Goethe.[14] [edit] Natural law and contemporary legal institutions In Antigone, Sophocles asks the question, which law is greater: the gods' or man's. Sophocles votes for the law of the gods. He does this in order to save Athens from the moral destruction which seems imminent. Sophocles wants to warn his countrymen about hubris, or arrogance, because he knows this will be their downfall. In Antigone, the hubris of Creon is revealed. [edit] Civil disobedience The contrasting views of Creon and Antigone with regard to laws higher than those of state inform their different conclusions about civil disobedience. Creon demands obedience to the law above all else, right or wrong. He says that "there is nothing worse than disobedience to authority" (An. 671). Antigone responds with the idea that state law is not absolute, and that it can be broken in civil disobedience in extreme cases, such as honoring the gods, whose rule and authority outweigh Creon's. [edit]...
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...House of Atreus. His interpretation is as follows: The close of the Eumenides is anything but an anticlimax. It is closely knit to the body of the whole trilogy, showing the manner in which the playwright supposes the necessary reconciliation between Zeus and the Furies to be made possible and acceptable. The King of Heaven is mystically identified now and forever with Fate. The joyful procession is the sign not only that the moral government of the world has been set at last upon a sure basis, but also that this government is alreadt in operation and sanctifying human institutions. This is what Owen means when he says: The story is not the poet's subject; his artistic purpose goes beyond the dramatic development of the legend; that is why his play does not end with the story.5 In each play we have pointed out that Aeschylus was not primarily concerned with the legend, and here, it seems, is sufficient evidence to support our contention. What Owen maintains is the subject of the Oresteia is as follows: The subject of the Oresteia is the creation of a new moral order; Aeschylus depicts the vast chain of events which the death of Agamemnon started in heaven and earth, how it and its results shook the 4 5 Norwood, PP• 114-116. Owen, The Oresteia, P• 442. universe to its foundations and altered the spiritual history of the world; he presents the legend as a turning-point in the destinies of mankind.6 63 If this interpretation is true, which is most...
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...Surname: Students name: Professor`s name: Course: Date: Antigone Antigone is a tragedy, in this play two key characters, king Oedipus and his daughter Antigone seem to be followed by tragedy and misfortune. Their seemingly innocent and just actions to them initiate a series of unexpected tragic events such as their deaths and those close to them. The tragic misfortunes that Antigone and her father king Oedipus face can in part be attributed to their shared flaws such as; pride, rash decision making, and rebelious attitudes. Their misfortues can however be partly blamed on their seemingly shared dark fate that manifests itself through their actions. Defiant Antigone and her father Oedipus are defiant for both choose to go against oders given by authority figures. In King Oedipus`s case he failed to heed a warning by a revered prophet named Tiresias, not to look for who killed king Laius resulting into a heated exchange between the two with Tiresius saying “this day will bring your birth and destruction”. Due to his defiance he later finds out that he is the killer and this leads to his downfall and death. Defiance can also be seen as the reason that led to Oedipus killing his father as he refused to let King Laius go first where the three roads crossed each other wanting to go first instead, and when King Laius`s chariot proceded first in an act of defiance Oedipus killed him. Like her father Antigone defies the order by king Creon requiring that nobody...
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...Malanee Janes Mrs. Ashmore Dual English IV 23 September 2014 Blindness and Regret The play Oedipus Rex, written by Sophocles has a lot to do with excess. Mainly dealing with how some of the actors of this play lack the ability to use moderation. Greeks believed in moderation, but in this curtain scenario that’s not the case. In fact the play Oedipus Rex abuses excess on many different levels just like we do here in the 20 and 21st century. The problem in which we use excess quiet heavily, is the worldwide disaster of a thing we use everyday, the Internet. If we ‘d gone by the Greeks way of thinking by using moderation, the world wouldn’t be such a messed up place like it is today. People created Internet to make our lives easier, but yet it complicates our lives and gives everyone virtually no privacy in their everyday lives. Our entire lives can be discovered by a total stranger, anywhere from where a person lives, to how much income a person makes, even the contents of their backyard which makes everyone of us vulnerable to the people around us just because we’ve abused and excessively taken advantage of computer technology. Our personal lives and accumulations aren’t private anymore. Which is in certain cases threatening, this allows people to be in our lives who really have no business being in good, bad, or otherwise. In the play Oedipus Rex, Oedipus lacks in using moderation, which he instead uses a lot of excess, “Than once more I must bring what is dark to light”(DiYanni...
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...of a tragic hero can be seen in many works of Literature, and has verified its importance towards a lot of authors. His definition basically states that the character comes from a noble figure, occupies a high position in his/her society or kingdom and epitomizes a tragic flaw that ultimately leads to his or her downfall. The term Hubris is defined as excessive pride and self-confidence. It indicates that the person who exhibits it has lost contact with reality and always overestimates his accomplishment, which can lead to his/her downfall. The downfall could be anything from mental disturbance to even death. The concept of a tragic hero can definitely be seen in Sophocles’ Oedipus Rex and Shakespeare’s King Lear. Even though there are differences in both the writing, they also have some similarities. In Sophocles’ Oedipus Rex, the title character was the king of Thebes, and his city was infected with a poisonous plague. To discover the source of the plague and to get rid of it, the Oracle of Delphi was called. It turned out to be that the only way to get rid of plague would be to banish the killer of the former ruler of Thebes, Laius, from the city-state. Oedipus was Laius’s and Jocasta’s son, which was given to shepherd and was order to kill Oedipus, because it was found out that he would kill his father and sleep with his mother. He was very shocked after hearing this because he did not believe that he would ever do something like that. Jocasta then mention how Laius was...
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