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The Critics Corner

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The Critics Corner

Roger Ebert a prolific movie critic, had this to say about “Citizen Kane,” “Citizen Kane” is more than a great movie; it is a gathering of all the lessons of the emerging era of sound, just as “Birth of a Nation” assembled everything learned at the summit of the silent era, and “2001” pointed the way beyond narrative (Ebert, 1998).” I most certainly agree with Mr. Ebert on this movie does begin to break into the categories not yet truly explored in movies sound and special effects. However being a child and growing up in the age of “Star Wars” and most recently “Avatar” I found myself losing interest quickly. “For the first time in the American cinema, the very process of telling a story on film became every bit as tricky and exhilarating as the story itself”, said columnist Owen Gleiberman. (Gleiberman, 1991) Certainly agree with the columnist here the story itself although to me took a moment to unfold at the end became a lot more plain for the viewers. Citizen Kane proved to be a slightly difficult movie to watch not because the acting was horrible or the movie production was awful but more because it was not what I was accustomed to. The movie started a little slow with the introduction of the main character in what almost seemed like a very early slide show. The takeaway from the movie as opposed to what Mr. Ebert stated in his review I believe is to see how far we have come as a movie going and producing society. The movie was a masterpiece of its time however without the help of Mr. Ebert’s review I believe that I would have lost some of the brilliance of the movie. Movie 2 was “Casablanca” this movie has been talked about since I was a little tike and it did not disappoint. I would like to start by saying that I do not normally seek out black and white films so two pictures in a row that were black and white had me wanting to seek out my children’s crayons to add some color. However quite surprisingly there was more color in this movie then the first I reviewed by way of actors. The piano player who sang at the beginning of the movie was a black man although not a major part of the movie it was noted that this was different for the time period were many blacks were depicted in lesser roles as house helpers and the likes. Speaking of sound the movies soundtrack or the signing at the beginning of the movie was nice and seemed to be an addition to movie as opposed to a distraction it appeared as if the director was actually attempting to showcase the vocals. The movie just seemed to be very easy to follow and found myself engulfed in the different stories from the very beginning. Reelviews movie critic had this to say about Casablanca, “Casablanca accomplishes that which only a truly great film can: enveloping the viewer in the story, forging an unbreakable link with the characters, and only letting go with the end credits.” (Berardinelli, n.d.). Casablanca in 1942 was taking the viewers through different characters roles in movies and allowed each character to develop and the viewer to either like or dislike the character.
The New Yorker critic says, “its worth going: the most familiar movie in the world is still fresh; it has so many little busy corners to nestle in” (Denby, 2012). As I stated earlier this movie I am not aware if this is the first time in film but in my opinion this movie allows the individual characters to develop. I was not glued to only the main character but interested to see how things would play out with the supporting characters as well and how their stories played out.
The Music Man my third movie brought a little color and music to my movie experience. Brian Koller a movie critic says, “The problems with musicals are that the songs tend to reduce the dramatic tension, distract from the storyline, and force a simplification to the characters and plot to make room for the production numbers (Koller, 1999).” This moment here I have to agree and disagree yes there are some songs in this movie that I could probably do without you do not have to sing every line in a musical. However they did deliver some good lines and I do not think that the musical selections were so overdone that it detracted from the movie.
I must admit that I think that this might have been one of my favorite movies to watch and I am normally not a musical fan. However I found this movie very light and also a bit funny. The characters did an excellent job at singing and delivering their lines without over doing it.
An individual film critic had this to say “The real treasure of The Music Man is Robert Preston, who brought the fast talking Professor to life and is dynamic every second he is on camera (Chabot, 2009).” The Professor in the movie brings it to life I instantly thought of the guys who have those late night info-mercials when he broke into his first song about the pool hall. I think his ability to capture the attention of the audience with his voice absolutely made the movie better.
My fourth movie was filmed in the 1990’s and I was glad expecting to see some great cinematography well at least a step up from the sixties. Surprisingly after the going out of the candles it went to black and white. However the most interesting part of the movie for me is the question that they leave unanswered. I must agree with Robert Ebert who says “What happened to turn him from a victimizer into a humanitarian? It is to the great credit of Steven Spielberg that his film "Schindler's List" does not even attempt to answer that question (Ebert, Chicago sunt times, 1993).”
In the end I think that the movie could have continued and attempted to shed a little light about what occurred to change his life in the movie. Seeing how the images of the Holocaust are so present and powerful in this movie I was left wondering why he would change? I guess that is the genius of Stephen Spielberg to leave you wondering and I suppose talking about the movie, which is what immediately occurred at its end with my children.
The movie was well produced and directed I was so moved by the story I was consumed and not able to notice any flaws production wise. I found myself thinking during the movie about the vivid portrayal of shooting the people in the concentration camps as target practice very moving. Unlike this movie critic from the post who said “"Schindler's List" is a ruthlessly unsentimental portrait of a German war profiteer's epiphany that inspires neither sorrow nor pity, but a kind of emotional numbness. It's as if Steven Spielberg, so famous for emotional manipulation, here has let the material speak for itself. The result is less than heart-rending (Kempley, 1993).” The movie however was real and up front I think it did a fine job at allowing you to feel the realness of what happened at the concentration camp. I think Spielberg did a great job allowing the viewer to see it as real as it gets. What better way to end my paper then to review the classic Ben-Hur. This movie was awesome I am unsure if it had a lot of critical acclaim but its story and literal invitation to Christ is very moving. The technical things that could have been better were some of the great scenes the chariot race and the battle at the sea. I think they were great for that time period. This critic seem to think this movie was boring he say “Entire new frontiers in boredom were opened up by this MGM whopper from 1959, produced at the then staggering cost of $15 million (hardly enough to pay for a mid-80s Dudley Moore vehicle) (Kehr, n.d.).” This critic did not seem to go into a lot of detail as to why he felt the movie was boring but I disagree totally. I think anytime you bring Christ into a story you will have some very biases critic regardless of how well the movie is made. I think this critic sums not only this movie but life in general best saying about the movie and Ben-Hur the main character, “At crucial junctures in his life, he also crosses the path of Jesus, and each time he benefits from it (Crowther, 1959).” This is critical to the movie and possibly not expressed enough but it is through the magnificent power of Jesus that Ben is able to go on to do great things.

References
Berardinelli, J. (n.d.). Reelviews. Retrieved from http://www.reelviews.net/php_review_template.php?identifier=134
Chabot, G. (2009, May 17). epinions. Retrieved from http://www.epinions.com/review/mvie_mu-1014453/content_470702067332
Crowther, B. (1959, November 19). The New York Times. Retrieved from Movies: http://movies.nytimes.com/movie/4794/Ben-Hur/overview
Denby, D. (2012, March 19). The New Yorker. Retrieved from http://www.newyorker.com/online/blogs/culture/2012/03/casablanca-rerelease.html
Ebert, R. (1993, December 15). Chicago sunt times. Retrieved from Robertebert.com: http://www.rogerebert.com/reviews/schindlers-list-1993
Ebert, R. (1998, May 24). Robertebert.com. Retrieved from Chicago sun times : http://www.rogerebert.com/reviews/great-movie-citizen-kane-1941
Gleiberman, O. (1991, May 03). Entertainment Weekly. Retrieved from Ew.com: http://www.ew.com/ew/article/0,,314144,00.html
Kehr, D. (n.d.). Reader. Retrieved from http://www.chicagoreader.com/chicago/ben-hur/Film?oid=1049179
Kempley, R. (1993, December 15). The Washington Times. Retrieved from http://www.washingtonpost.com/wp-srv/style/longterm/movies/review97/schindlerslistkemp.htm
Koller, B. (1999, September 21). Epinions. Retrieved from http://www.epinions.com/review/mvie_mu-1014453/mvie-review-1116-743F3D9-37E85E36-prod1

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