...AS English Language [pic] [pic] [pic] Fiction style models and tasks – 2012/2013 Style Model Workbook Style models are examples of a type of writing used to give you an idea of the features used when adapting a particular style and form. As you will be required to include a fiction and non-fiction annotated style model as part of your coursework folder we have compiled a selection of materials to give you a head start. The two booklets (one fiction, one non-fiction) will contain the type of extracts you should be looking for and the questions that accompany them will help you to annotate the materials appropriately. You will be given some of the extracts to study in class and some to complete as homework tasks. There may be some materials that you haven’t been directed to by your teachers, these will make very good additional preparation and you should look at these in your own time. All the resources, and some additional style models, can be found in the AS Language section of Moodle. AS LANGUAGE COURSEWORK You must keep all work during the production of the coursework in your folder. You will need all drafts and style models for part of your final grade. Criteria • Two pieces of your own writing • Each piece must have a different audience and purpose • You should write with a specific genre in mind • Pieces should be designed with a real publication in mind • Two...
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...Addiction is a One-Way Street In Susan Minot’s “Lust”, an unnamed, faceless girl, the Narrator, becomes a victim to her own feelings. Falling further into conflict with herself, she becomes both the protagonist and antagonist of the story. Throughout the story, she develops symptoms for Post-Coital Dysphoria, a feeling of melancholy or sadness after sexual intercourse, making the title of “Lust” to be quite ironic. Originally overwhelmed by strong sexual impulses and a deviant nature, the narrator changes dramatically throughout the story; her motivation and character undergoes vicissitude, while her emotional state rapidly declines and her personal image diminishes to null. The Narrator, although dynamic and complex, does not allow ample introspection. Her actions themselves do not offer up much information, however, they do reveal her relationships with others. It is not her itemized list of encounters, but rather the relationships themselves that inform the audience about the character and marks her change. She seems rather detached emotionally to everyone, including her parents, the men, and herself. To start, out of the whole story, the Narrator’s parents were mentioned once, and were not exactly addressed personally. “My parents had no idea. Parents never really know what’s going on, especially when you’re away at school most of the time.” (275) Her relationships with her partners were also pretty impersonal, getting worse as the story continued. The only connection that...
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...http://en.wikipedia.org/wiki/The_Dark_Knight_(film) http://www.imdb.com/title/tt0468569/ http://thedarkknight.warnerbros.com/dvdsite/ http://www.rottentomatoes.com/m/the_dark_knight/ 1. With reference to the opening sequence of one narrative you have studied this year, explain how the opening sequence of the narrative starts the chain of cause and effect and establishes characters. 2. Explain how Harvey Dent is established as a character at the beginning of the film. 3. Explain how the character of Bruce Wayne, and his relationship with both Rachel and Harvey Dents, is developed further using a combination of production elements (00:18:34-00:20:46) 4. Explain how The Joker is developed as a character using a combination of production elements when he meets the mob bosses (00:20:47-00:25:05). How does Nolan use stereotypical characterisation throughout this scene? 5. Explain how Nolan uses the structuring of time to compress Bruce Wayne’s journey to Hong Kong (00:27:27-00:28:23) 6. Explain how The Joker is developed as a character when he kills Gambol. How does Nolan engage the audience in this scene? (00:28:23-00:30:24) 7. Explain how Nolan uses the structuring of time when Dent tries the mob bosses and their associates (00:37:56-00:38:56). 8. Explain how Nolan uses a combination of acting, mise-en-scene, camera movement and music to develop the character of The Joker in the video of him tormenting the Batman impersonator (00:40:43- 00:41:46) 9. Explain how multiple...
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...JAMES JOYCE -AN IRISH MODERNIST MODERN FICTION GROUP NUMBER 4 GROUP MEMBERS : HAFSA SHAHID R CONTENTS: Introduction to James Joyce Modernism and James Joyce A portrait of an Artist as aYoung Man Ulysses Themes and Style of Joyce's two Works a) Mythological Allusions b) Kunslerroman c)Stream of conciousness c)Focus on inner time rather than outer time d)Search for identity e)Treatment of religion f)Treatment of sexuality Conclusion James Joyce (from February 2, 1882 to January 13, 1941) was one of the most preeminent Irish authors of the 20th century. He is known for his literary innovation strictly focused narrative and indirect style. James Joyce matriculated from University College of Dublin in 1903. After moving to Paris, Joyce planned on studying medicine. The lectures were conducted in a technical French but Joyce’s education had not prepared him for it. Despite his mother’s attempts to get him to return to Catholic Church, Joyce remained unmoved even after her death. Joyce studied at Clongowes Wood College from 1888 until 1892. When the family’s financial state devolved, Joyce had to leave the school. After a brief time at Christian Brothers School, Joyce was enrolled at Belvedere College in 1893. In 1898, Joyce began studying Italian, English and French at University College Dublin. At this time, Joyce also began his entry into the artistic...
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...Fahrenheit 451 Quotes Identity Quotes: 1) "You're one of the few who put up with me. That's why I think it's so strange you're a fireman, it just doesn't seem right for you, somehow." Montag’s identity crisis begins during his conversations with Clarisse. We immediately sense conflict between his desire to be a dutiful member of society and his inner belief that something is wrong. 2)"I mean," he said, "in the old days, before homes were completely fireproofed–" Suddenly it seemed a much younger voice was speaking for him. He opened his mouth and it was Clarisse McClellan saying, "Didn't firemen prevent fires rather than stoke them up and get them going?" Montag escapes the guilt of betraying his duty by ascribing his actions to other things: in this case, to another person 3) The numbness will go away, he thought. It'll take time, but I'll do it, or Faber will do it for me. Someone somewhere will give me back the old face and the old hands the way they were. Even the smile, he thought, the old burnt-in smile, that's gone. I'm lost without it. Montag isn’t just talking about the numbness in his legs; he’s afraid of his new rebellious, fugitive self. 4) "All of those chemical balances and percentages on all of us here in the house are recorded in the master file downstairs. It would be easy for someone to set up a partial combination on the Hound's ‘memory,’ a touch of amino acids, perhaps. That would account for what the animal did just now. Reacted...
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...In his dramatic monologue, The Love Song of J. Alfred Prufrock, T.S. Eliot explores the timeless issues of love and self-awareness - popular themes in literature. However, through his use of Prufrock's profound self-consciousness he skews the reader's expectations of a Love Song and takes a serious perspective on the subject of love, which many authors do, but few can create characters as deep and multi-layered as Prufrock; probably the reason that this poem still remains, arguably, Eliot's most famous. The beginning of the poem is pre-empted by an excerpt from Dante's Inferno which Eliot uses to create the poem's serious tone, but also to begin his exploration of Prufrock's self-consciousness. By inserting this quote, a parallel is created between Prufrock and the speaker, Guido da Montefeltro, who is very aware of his position in hell and his personal situation concerning the fate of his life. Prufrock feels much the same way, but his hell and the fate of his life are more in his own mind and have less to do with the people around him. The issue of his fate leads Prufrock to an overwhelming question...(10) which is never identified, asked, or answered in the poem. This question is associated somehow to his psyche, but both its ambiguity to the reader and Prufrock's denial to even ask What is it?(11) gives some insight into his state of internal turmoil and inability to reason. Prufrock's dissatisfaction in his personal appearance is one, but not the most important of his idiosyncrasies...
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...Nelle Harper Lee is an American writer who won the Pulitzer-Prize (1961) for her only book To Kill a Mockingbird. The plot and characters are broadly based on the author's observations and recollections of her family and neighbourhood, as well as on an event, similar to that in her novel, that occurred near her hometown. In 2007 Harper Lee was awarded the Presidential Medal of Freedom for her contribution to literature. The extract begins with Atticus’s concluding words on the evidence for the defence. The author passes on to the lawyer’s appeal to the jury: the defendant points at the lack of medical evidence of Tom Robinson’s criminal actions, the doubtful testimony of the Ewells and the fact that Mayella couldn’t be beaten by right-handed Tom Robinson. Then the lawyer supposes that Mayella slandered against Tom to conceal her attempt to tempt him. The author exposes the widespread false assumption on the black through Atticus’s antiracist appeal to the jury for being unprejudiced against Tom Robinson. The final part of the speech reveals the author’s criticism at the common opinion on the equality of people. The extract ends with finding Tom Robinson guilty. The main idea of the story is to make the reader think about the power of prejudices and the consequences they may bring about. The author treat this subject critically: she not only develops the idea of equality of people in the eye of the law and shows us how narrow-minded people of prejudice are, but proves that the...
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...Siu Man, Yuen Rich K English 102 February 29, 2012 Gabriel Garcia Marquez & Magical Realism Magical Realism is often perceived as a form of literature where the author blends the realistic and fantastic elements together, and readers cannot tell what is reality or fantasy. The definition of Magical Realism always stays in that frame. However, Gabriel Garcia Marquez takes the definition of Magical Realism to a whole new level. Under his pen, Garcia Marquez uses Magical Realism as a tool to show readers the multi-layered side of his motherland, Colombia. To be more precise, Garcia Marquez tends to reveal mostly politics in his writings. Garcia Marquez was born in 1928 in the town of Aracataca, Colombia. Colombia is a unitary constitutional republic comprised of thirty-two departments. In the past, the intense battle over sovereignty between the conservatives and liberals never stopped; the continuing conflicts between political parties even initiated civil wars, which played a big role in the formation of Colombia. The unstable and chaotic political situation partly influenced Garcia Marquez’s writings. As a Colombian who was born during such turbulent times, Garcia Marquez witnessed and experienced various historical events. The history of Colombia and his personal experiences played a huge part in inspiring Garcia Marquez’s writing. Here comes the question, why would Garcia Marquez write about politics through Magical Realism? What is his intention? Since Garcia Marquez’s...
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...nd bubbleWall Street values brands higher than Main Street. Watch out. B 6 Spring 2009 BuBBle John Gerzema “Time destroys the speculation of men, but it confirms nature.” —Cicero, 106-143 B.C. As we leave behind 2008, the numbers are both historic and dismal. The S&P 500 declined by 38 percent, and almost 2 million jobs were lost. The median home price fell by 22 percent, while almost 7 trillion dollars in market value evaporated from the Dow Jones 5000 Index. Taxpayers funded $700 billion to bail out financial institutions, with another $17.5 billion to keep General Motors and Chrysler operating into the new year. The credit crisis intertwined virtually every economy and sector in the world, shattering consumer confidence to its lowest point in decades. The market bubbles in the S&L crisis of the 1980s, the dot-coms of the early 2000s and the home equity markets of today all exemplify the regular and recurring danger of rampant speculation, when unfettered zeal bids prices up to levels that far exceed the real value of the assets they represent. Yet bubbles are, as Shirley Bassey sings, “Just another case of history repeating.” Tulipmania. One of the first bubbles on record occurred some 400 years ago, in Holland. And the asset that perpetrated this bubble was a tulip bulb. The Dutch aristocracy had acquired a particular fondness for a type of tulip from Turkey that grew very well in the fertile lowlands of Holland. Citizens from all walks of life, from businessmen...
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...Universität Bayreuth “ Notes on Indian Country: Native American Literature” SS 2012 Claudia Deetjen American Modernism and House Made of Dawn Daniel Quitz Matrikelnummer: 1164204 Englisch (5) / Geschichte (5), LA Maximilianstrasse 16, 95444 Bayreuth Tel.: 0176/ 73911615 danielquitz@t-online.de Table of Contents 1. Introduction 2. Defining American Modernism 3. American Modernism in House Made of Dawn 3.1 Complex and Modern Urban Life 3.2 Alienation: The Portrait of a Lost Generation 3.3 The Stream of Consciousness 3.4 Other Features 4. Conclusion 5. Bibliography Quitz 1 1. Introduction When Navarre Scott Momaday first published his award-winning novel House Made of Dawn, literary critics celebrated the book as the Renaissance of Native American Literature. The novel, which won the Pulitzer Prize for fiction in 1969, has influenced both readers and well-known Native American writers such as Leslie Marmon Silko or Sherman Alexie since its first publication. Moreover, it has certainly made the success of Native American Literature possible. This is one of the reasons why Momaday can be considered as the “dean of Native American writers“ (Hager 2). House Made of Dawn is about Abel, a young Native American who returns home to Walatowa from World War II. There, he struggles to reintegrate into the tribal community as he is torn between two different worlds. On the one hand, it is the traditional environment of his pueblo...
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...has not a special title. The title of the whole book is thought-provoking and idiomatic; it makes the reader wonder what a Mockingbird is and who is supposed to kill it. The subject matter of the story is racial discrimination, corruption of the court system in the American world of prejudice. This extract depicts a trial of Tom Robinson, a Negro, who is in the criminal dock on a capital charge of assaulting a white girl. His defending counsel Atticus Finch is an experienced lawyer and progressive minded man. It is the Atticus’s speech to the jury that takes the best part of the text, so as far as contextual style is concerned; it presents a vivid example of oratorical style. Thus the main part of the text presents the main character’s monologue with bits of the story-teller’s commentary and dialogues. As for the type of narration, it is the first person narration the story-teller being the observer of the events. It is chosen to convey the atmosphere of the court-room. The story is told by the Atticus’s daughter, Jean Louise, and her description makes the story more convincing, vivid, real and emotional. Now I would like to dwell upon the compositional analysis of the text. The story has neither introduction nor conclusion. It can be explained that the text is only an extract from the novel, so there are big parts of the novel which both precede and follow the given excerpt. * The exposition is found in the very first paragraph, it presents the main characters – Atticus...
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...Review: The Battle of Algiers Gillo Pontecorvo was a director way ahead of his time. He directed two anti-colonialism in the 1960, when most of the movie-going audience was probably comfortably numb to the plight of the Third World. He created a film genre (anti-colonialism) that while at first controversial would eventually become a mainstream source for modern classics. He was one of the first directors to take on the challenging subjects of terrorism and torture, in an era where the preferred treatment of the historical film was sterilization, not realism. Pontecorvo portrayed women realistically, not as an idealized pieces of scenery. Most important, Pontecorvo achieved the admirable feat of creating films that accurately reflected historical accuracy and cinematic excellence. And he did all this while advancing a political thesis. In The Battle of Algiers (1966) Gillo Ponetcorvo uses factual content extrapolated from the history of the Algerian War to demonstrate a historical lesson: to defeat an ideologically entrenched, locally supported underground nationalist movement, you must employ measures (suppression of civil liberties, police brutality, military aggression, and eventually torture) that while crucial to winning battles against underground networks (like the FLN in Algiers) in the short run, these counter-insurgency actions will ultimately serve to bolster the opposition to authority in the long run. Eventually, as Pontecorvo's coda suggests, the tactics of the...
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...Hamid, leaves the reader disturbed and questioning. Why does Changez adopt the rabid path that he does? Who really is the quiet and muscular American sitting across the table from Changez, sharp and cautious, with a metallic object by his chest, for which he repeatedly reaches upon sensing a threat? Who is the waiter, formidable and terse, serving Changez and the American at the café, and why does he seemingly pursue them through the dark alleys of the Pakistani city of Lahore? And what happens after the novel ends, late at night, as the waiter signals to Changez to stop the American, Changez cryptically pronounces—“we shall at last part company”—and the American reaches for the metallic object under his jacket? The novel, a dramatic monologue, follows Changez from Pakistan to America and back to Pakistan. Changez recounts his tale when he sees an American at a Lahore café and initiates a conversation with him. Born and brought up in Pakistan, Changez matriculates at Princeton, graduating summa cum laude. He begins work, thereafter, with a dauntingly selective and boutique valuation firm, Underwood Samson, based in New York. Just as his professional career is about to start, he forms an intimate friendship with the enchanting and well-placed Erica. Content both financially and socially, Changez is enthusiastic about his new life as a New Yorker. But then, as he is in Philippines on a work trip, 9/11 happens. It seems odd, perhaps, to review today a book published in 2007. Revisiting The...
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...The current issue and full text archive of this journal is available at www.emeraldinsight.com/0953-4814.htm Leadership style and entrepreneurial change The Centurion operation at Philips Electronics Luchien Karsten University of Groningen, Groningen, The Netherlands Leadership style 73 Sjoerd Keulen University of Amsterdam, Amsterdam, The Netherlands Ronald Kroeze Free University of Amsterdam, Amsterdam, The Netherlands, and Rik Peters University of Groningen, Groningen, The Netherlands Abstract Purpose – This paper aims to look at the role of the top and middle management of the Philips organization during the transition from one type of organizational change to another in the 1990s and the role the history of the organisation played in this process. Design/methodology/approach – The paper analysis is based on historical records, literature and interviews with former Philips top managers. Findings – The paper shows that Philips’ leaders used different styles of leadership to create a deliberate atmosphere and willingness to change. The final emergent transformation, however, could only sufficiently materialise while it rejuvenated existing management concepts like Quality Management. The success was partly based on the fact that these concepts played a historical role in the Philips organisation. Originality/value – The paper adds the historical style approach to leadership research and pays attention to the important role of the organization’s history...
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...The current issue and full text archive of this journal is available at www.emeraldinsight.com/0953-4814.htm Leadership style and entrepreneurial change The Centurion operation at Philips Electronics Leadership style 73 Luchien Karsten University of Groningen, Groningen, The Netherlands Sjoerd Keulen University of Amsterdam, Amsterdam, The Netherlands Ronald Kroeze Free University of Amsterdam, Amsterdam, The Netherlands, and Rik Peters University of Groningen, Groningen, The Netherlands Abstract Purpose – This paper aims to look at the role of the top and middle management of the Philips organization during the transition from one type of organizational change to another in the 1990s and the role the history of the organisation played in this process. Design/methodology/approach – The paper analysis is based on historical records, literature and interviews with former Philips top managers. Findings – The paper shows that Philips’ leaders used different styles of leadership to create a deliberate atmosphere and willingness to change. The final emergent transformation, however, could only sufficiently materialise while it rejuvenated existing management concepts like Quality Management. The success was partly based on the fact that these concepts played a historical role in the Philips organisation. Originality/value – The paper adds the historical style approach to leadership research and pays attention to the important role of the organization’s history during processes...
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