...Eternal Sunshine of the Spotless Mind The film, Eternal Sunshine of the Spotless Mind follows the relationship of Joel and Clementine. From both recently breaking up together, Joel in an attempt to win her back finds out that she has had her memory erased of him. She does so by a company called Lacuna, which is able to select memories of people or a time and erase them. Joel ends up doing the same thing and while his memories are erased of her, he realizes what a huge mistake it was. During this film, there are interweaving story lines that all weave within Joel’s sleeping state while his memory is being erased. The main character Joel’s moral decision he makes during the film is to have his memory erased of Clementine like he did of her. While Joel is hurt at the realization that Clementine has done this, he decides to have the procedure done as well so that they both are not hurt when they see each other ever again. Joel as well believes this is the best option as in the film, it seems she has already moved on with someone new and believes he should do the same for himself. This idea of erasing his own memory as well leads to him following the Utilitarianism view. Utilitarianism says that one should always choose the action which consequences yield the largest net gain of happiness over pain, for everyone (Turetzky, 2013). Joel believes as he does not want to feel the pain of loss for Clementine anymore. As well as the Doctor who gives the procedure likens the experience...
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...like to call it “drug”, was created by Memory Pharmaceutical based off of Eric Kandel’s experiments and discoveries that he made. Memory Pharmaceutical makes a new class of drugs that help people forget memories and help us remember little things that we might have thought were long gone. Even though people have gone through some tough and horrific memories, memory-altering drugs can ultimately cause further damage because not only we will lose our memories and forget, but also we will never learn from our mistakes and repeat them over again which can consequently make us unhappy. Deleting memories can severely alter our brains and cause future problems that we may consequently regret. In the movie Eternal Sunshine of the Spotless Mind, Joel and Clementine meet at a train, but what they do not know is that in the past they were in a relationship and ended up quite badly to the point that they had each other’s memories erased. Clementine is the first that decides to...
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...Eloisa is tortured by the separation and is constantly contemplating weather to live the simple happy life and follow God, or to follow her heart and pursue Abelard. The movie “Eternal Sunshine of the Spotless Mind” is a romantic fantasy about Joel and Clementine who both have procedures to have their memory of each other erased but meet each other again and fall in love again, the movie ending says that they hear tapes of what happened in the past and they learn from their mistakes and live happily ever after. The relationship between art and happiness is that the art and happiness are more effective when Eloisa and Abelard remember each other and choose a life together. In the poem, Eloisa says “Not on the Cross my eyes were fix'd, but you: Not grace, or zeal, love only was my call, And if I lose thy love, I lose my all.” Eloisa marries Abelard because she is truly in live with him and wants the life that is natural to every human. Wanting to find someone to spend the rest of your life with is part of human genetics, healthy human genetics. She says that her eyes were not fixed on the cross, but her eyes were fixed on Abelard, this not only shows how much she loves him, but also where her priorities are. She is not interested in the religious aspects of marrage, but rather him alone. Abelard means everything to her at this point in her life. Eloisa says that if she looses her love, she looses her all, in other words, if she cant love Abelard then she looses everything then...
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...On Love and The Human Condition Devin Conway Philosophy In Film 06/11/2015 In mankind’s never-ending search for truth, purpose, and meaning, at the very center of the human experience, lies a universal longing for an unconditional love; bound not by circumstance or subject to change, an exclusive relationship to be molded by acceptance and solidified by an impenetrable barrier of trust and understanding. Our personal relationships, in reality, do not reflect this perversely romanticized notion of true love. Generally speaking, people are emotionally volatile beings with ideas and desires that are constantly evolving to accommodate newly processed information and experiences. When you combine this emotional instability with the continuous adjustments being made to our basic dispositions, you get individuals who rarely compliment one another in any compatible manner, let alone in a functional intimate relationship. Given these circumstances, it’s easy to see why so many people cling desperately to the love that they do happen to find in this world, that the search for love serves as fuel for our endlessly burning desires, and how the pain of a love lost can twist an innocent soul, driving many towards radical and even reckless behavior, often in the direction of a maddening state of emotional oblivion. Since the earliest developments in man’s creative pursuits, the concept of love has played an essential role in...
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...Eternal Sunshine of the Spotless Mind The most significant dream element that I see in this film is the fact that time becomes fluid. It does in fact become fluid throughout the whole film. Past, present, and future all become mixed up and happen at the same time. When the film begins, we see what we believe, and the characters believe to be their first encounter. “Have we met before?” Clementine asks, and Joel says that they haven’t. Clementine keeps feeling like they have, and Joel brings up that he has seen her at her place of work, Barnes and Noble. Looking back, this is significant because we later realize that this is not the first time that they’ve met, and they actually knew each other quite well. We find out not long after this scene that Clementine has taken means to erase Joel entirely from her memory. To spite Clementine, Joel decides to do the same. Throughout the rest of the film, time becomes very fluid. Past memories, and things that are currently happening in the room are seen from Joel in a dreamlike state. He is asleep, and getting his memories erased. Throughout the dreaming, he is aware of Clementine, and he decides that he does not want to get his memories of her erased. In order to try to keep her in his memories, he goes back and forth while dreaming from the present to different times in his past. Some of the memories stem all the way back to his childhood, the most embarrassing memories that he long tried to forget. The dreams...
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...as much attention to the means of work as to its end. He was a great man from whom I learnt it, and his own life was a practical demonstration of this great principle I have been always learning great lessons from that one principle, and it appears to me that all the secret of success is there; to pay as much attention to the means as to the end. Our great defect in life is that we are so much drawn to the ideal, the goal is so much more enchanting, so much more alluring, so much bigger in our mental horizon, that we lose sight of the details altogether. But whenever failure comes, if we analyse it critically, in ninety-nine per cent of cases we shall find that it was because we did not pay attention to the means. Proper attention to the finishing, strengthening, of the means is what we need. With the means all right, the end must come. We forget that it is the cause that produces the effect; the effect cannot come by itself; and unless the causes are exact, proper, and powerful, the effect will not be produced. Once the ideal is chosen and the means determined, we may almost let go the ideal, because we are sure it will be there, when the means are perfected. When the cause is there, there is no more difficulty about the effect, the effect is bound to come. If we take care of the cause, the effect will take care of itself. The realization of the ideal is the effect. The means are the cause: attention to the means, therefore, is the great...
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...Film Theory and Approaches to Criticism, or, What did that movie mean? by Christopher P. Jacobs Movies are entertainment. Movies are documents of their time and place. Movies are artistic forms of self-expression. Movies we see at theatres, on television, or home video are typically narrative films. They tell stories about characters going through experiences. But what are they really about? What is the content of a film? DIGGING DEEPER: FOUR LEVELS OF MEANING Recounting the plot of a movie, telling what happens, is the simplest way to explain it to someone else. But this is neither a film review nor a film analysis. It’s merely a synopsis that anyone else who sees or has seen the movie will likely agree with. This level of content may be called the referential content, since it refers directly to things that happen in the plot and possibly to some aspects of the story that are merely implied by the plot. In John Boorman’s Deliverance (1972), four men from the city go on a weekend canoe trip that unexpectedly becomes a life or death struggle for survival of man against man and man against nature. Some characters survive, others don’t. Most films can be analyzed more thoroughly to reveal deeper levels of meaning. A review (perhaps 400-1200 words) typically includes personal impressions and evaluations of a movie’s content and techniques. A good review may be subjective, yet still touch superficially on topics that might be explored in more detail in a longer...
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...Broken Promise … “Chinnu... Tell me something. What if we both separate, what if we are never to see each other again. Ofcourse, you’ll marry someone. But will you name your daughter after me?” As I waited by the taxi outside her room to accompany her to the railway station, I felt a sudden desire to erase everything that had happened between us till that day. The device in Eternal Sunshine of the Spotless Mind, which erased selected people or things from one’s memory, came to my mind, and I felt that it was what I needed most because whatever pain I felt then seemed possible only because of whatever happened between us in the past - in the last three years. Three short, lovely years!!! Had I not met her for the first time at my friend’s birthday, had I not called a week after that and told her that I wanted to see her, had I not seen her and revealed my love for her and had I not loved her, would I have felt whatever I felt then? Whatever was the answer, I had made up my mind that I would not be seeing her again after that day. I had made a promise to her and to myself to never try to contact her after that evening... after that last trip to the station together. She walked slowly to the taxi and as she bent herself into the backseat, I noticed her smile at me, probably a smile of greeting, or one of love, or one of mockery. I sat beside her but felt extremely sorry for myself for doing that. I felt I had missed an opportunity to make a statement by sitting in the front...
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...© Sri Aurobindo Ashram Trust 1997 Published by Sri Aurobindo Ashram Publication Department Printed at Sri Aurobindo Ashram Press, Pondicherry PRINTED IN INDIA VOLUME 19 THE COMPLETE WORKS OF SRI AUROBINDO Publisher’s Note The first series of Essays on the Gita appeared in the monthly review Arya between August 1916 and July 1918. It was revised by Sri Aurobindo and published as a book in 1922. The second series appeared in the Arya between August 1918 and July 1920. In 1928 Sri Aurobindo brought out an extensively revised edition in book form. For the present edition, the text has been thoroughly checked against all previous editions and against the manuscripts of the revised Arya. CONTENTS FIRST SERIES I Our Demand and Need from the Gita II 3 12 20 29 39 47 57 68 81 94 105 114 124 The Divine Teacher III The Human Disciple IV The Core of the Teaching V Kurukshetra VI Man and the Battle of Life VII The Creed of the Aryan Fighter VIII Sankhya and Yoga IX Sankhya, Yoga and Vedanta X The Yoga of the Intelligent Will XI Works and Sacrifice XII The Significance of Sacrifice XIII The Lord of the Sacrifice CONTENTS XIV The Principle of Divine Works XV 134 145 158 168 177 188 200 212 224 234 247 The Possibility and Purpose of Avatarhood XVI The Process of Avatarhood XVII The Divine Birth and Divine Works XVIII The Divine Worker XIX Equality XX Equality and Knowledge XXI The Determinism of Nature XXII Beyond the Modes of Nature XXIII Nirvana and Works in the...
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...19 Essays on the Gita VOLUME 19 THE COMPLETE WORKS OF SRI AUROBINDO © Sri Aurobindo Ashram Trust 1997 Published by Sri Aurobindo Ashram Publication Department Printed at Sri Aurobindo Ashram Press, Pondicherry PRINTED IN INDIA Essays on the Gita Publisher’s Note The first series of Essays on the Gita appeared in the monthly review Arya between August 1916 and July 1918. It was revised by Sri Aurobindo and published as a book in 1922. The second series appeared in the Arya between August 1918 and July 1920. In 1928 Sri Aurobindo brought out an extensively revised edition in book form. For the present edition, the text has been thoroughly checked against all previous editions and against the manuscripts of the revised Arya. CONTENTS FIRST SERIES I Our Demand and Need from the Gita 3 II The Divine Teacher 12 III The Human Disciple 20 IV The Core of the Teaching 29 V Kurukshetra 39 VI Man and the Battle of Life 47 VII The Creed of the Aryan Fighter 57 VIII Sankhya and Yoga 68 IX Sankhya, Yoga and Vedanta 81 X The Yoga of the Intelligent Will 94 XI Works and Sacrifice 105 XII The Significance of Sacrifice 114 XIII The Lord of the Sacrifice 124 CONTENTS XIV The Principle of Divine Works 134 XV The Possibility and Purpose of Avatarhood 145 XVI The Process of Avatarhood 158 XVII The Divine Birth and Divine...
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...The Yoga Sutras of Patanjali Introduction, Commentaries, and Translation What are the Yoga Sutras and who is Patanjali? Over fifty different English translations of the Yoga Sutras are extant, standing as a human testament to how Universal Truth is celebrated in terms of a rich diversity. Rather than the common and external type of knowledge (emanating from book knowledge), the following translation and commentary are a result of an intimate familiarity and direct experience both with an authentic yogic tradition and with western culture, psychology, and language that has been refined, tested in fire, and integrated for over thirty five years of intense practice (sadhana). This work is dedicated toward revealing the universal message of authentic yoga that the sage, Patanjali, first wrote down approximately 2000 years ago. Patanjali is not the inventor of yoga, but rather yoga's most popularly known scribe. What has become known simply as the "Yoga Sutras" (sutra means thread) or almost equally as common, as the "Yoga Darshana" (the vision of Yoga), is actually a compendium of an ancient pre-existing oral yoga tradition consisting of both practical advice and theoretical context. The most accepted format of the Yoga Sutras consists of four chapters (called padas) written in the Sanskrit language approximately 2000 years ago in Northern India while utilizing the terminology of the time, i.e., Samkhya philosophical trappings. The dates ascribed to the Yoga Sutras...
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...[Transcriber's Notes] Original "misspellings" such as "fulness" are unchanged. Unfamiliar (to me) words are defined on the right side of the page in square brackets. For example: abstemious diet [abstemious = Eating and drinking in moderation.] The blandness of contemporary (2006) speech would be relieved by the injection of some of these gems: "phraseological quagmire" "Windy speech which hits all around the mark like a drunken carpenter." [End Transcriber's Notes] BY GRENVILLE KLEISER HOW TO BUILD MENTAL POWER A book of thorough training for all the faculties of the mind. Octa cloth, $3.00, net; by mail, $3.16. HOW TO SPEAK IN PUBLIC A practical self-instructor for lawyers, clergymen, teachers, businessmen, and others. Cloth, 543 pages, $1.50. net; by mail, $1.615. HOW TO DEVELOP SELF-CONFIDENCE IN SPEECH AND MANNER A book of practical inspiration: trains men to rise above mediocrity and fearthought to their great possibilities. Commended to ambitious men. Cloth. 320 pages, $1.50. net; by mail, $1.65. HOW TO DEVELOP POWER AND PERSONALITY IN SPEAKING Practical suggestions in English, word-building, imagination, memory conversation, and extemporaneous speaking. Cloth, 422 pages, $1.50 net; by mail, $1.65. HOW TO READ AND DECLAIM A course of instruction in reading and declamation which will develop graceful carriage, correct standing, and accurate enunciation; and will furnish abundant exercise in the use of the best examples...
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...English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK FIFTEEN THOUSAND USEFUL PHRASES *** Produced by Don Kostuch [Transcriber's Notes] Original "misspellings" such as "fulness" are unchanged. Fifteen Thousand Useful Phrases Unfamiliar (to me) words are defined on the right side of the page in square brackets. For example: abstemious diet [abstemious = Eating and drinking in moderation.] The blandness of contemporary (2006) speech would be relieved by the injection of some of these gems: "phraseological quagmire" "Windy speech which hits all around the mark like a drunken carpenter." [End Transcriber's Notes] BY GRENVILLE KLEISER HOW TO BUILD MENTAL POWER A book of thorough training for all the faculties of the mind. Octa cloth, $3.00, net; by mail, $3.16. 2 HOW TO SPEAK IN PUBLIC A practical self-instructor for lawyers, clergymen, teachers, businessmen, and others. Cloth, 543 pages, $1.50. net; by mail, $1.615. HOW TO DEVELOP SELF-CONFIDENCE IN SPEECH AND MANNER A book of practical inspiration: trains men to rise above mediocrity and...
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...MODULE C – History and Memory Sample 1 How has your understanding of events, personalities or situations been shaped by their representations in the texts you have studied. Refer to your prescribed text and at least TWO other related texts of your own choosing. History can be defined as “the methodical record of public events” where memory is defined as “the faculty by which events are recalled or kept in mind”. Thus history and memory interrelate as history can be seen as the contextual justification for memory. “The Fiftieth Gate” is a poignant interweaving of history and memory. The text follows protagonist, Mark Baker an historian, son of Holocaust survivors Genia and Yossl (Joe), on an historical journey through memory, to uncover the origins of his past and act as a catalyst for future generations to also connect with their history. Mark Baker’s journey through history and memory is also executed through his conventional ideas that memory is biased and less valid than history. There are numerous references to the discrepancies between the personal memories of his parents and the documented history Mark as an historian believes. In this way it is apparent that Mark is on a quest for verification, “my facts from the past are different”. This displays the flaw Mark traditionally notes in memory and his need for historical evidence. As responders accompany Mark on his journey, they also encounter the complexity of simultaneously being a son and an historian. This...
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...Synonyms and Antonyms, by James Champlin Fernald 1 Synonyms and Antonyms, by James Champlin Fernald Project Gutenberg's English Synonyms and Antonyms, by James Champlin Fernald This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: English Synonyms and Antonyms With Notes on the Correct Use of Prepositions Author: James Champlin Fernald Release Date: May 21, 2009 [EBook #28900] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK ENGLISH SYNONYMS AND ANTONYMS *** Produced by Jan-Fabian Humann, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net English Synonyms and Antonyms A Practical and Invaluable Guide to Clear and Precise Diction for Writers, Speakers, Students, Business and Synonyms and Antonyms, by James Champlin Fernald Professional Men Connectives of English Speech "The work is likely to prove of great value to all writers."--Washington Evening Star. 2 "The book will receive high appreciation from thoughtful students who seek the most practical help."--Grand Rapids Herald. "It is written in a clear and pleasing style and so arranged that but a moment's time is needed to find any line of the hundreds of important though small words which this book discusses."--Chattanooga Times. "Its...
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