...development throughout different cultures and historical time periods. The study of the development of the English language has been used to represent the specific ideals and notions that pertain to particular cultures throughout history. Anglo-Saxon poetry express its cultural identity and values that underpin Anglo Saxon society, through ancient texts such as Beowulf exploring notions of heroism and servitude. Middle English literature such as The Millers Tale, unmasks the inner feudal system that deciphers the hierarchal structure within Middle England. The Holkam bible through both visual representation and literature highlights the Biblical understanding at the time and cultural barriers that were associated. The Miller’s Tale by Geoffrey Chaucer is an example of Middle English poetry that represents the societal structure of the time through language. The Miller’s Tale expresses the hierarchal structure in Middle England through denoting each individual characters social standing within society. The Miller’s Tale entails the story of a carpenter who falls in love with a juvenile/adolescent girl (“Of eighteteene yeer she was of age”); a love triangle develops between three men and a woman, further digressing into a story of humor and irony aimed to satisfy the upper class. Geoffrey Chaucer depicts the carpenter as man who acts above...
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...Canterbury Tales AUTHOR · Geoffrey Chaucer TYPE OF WORK · Poetry (two tales are in prose: the Tale of Melibee and the Parson’s Tale) GENRES · Narrative collection of poems; character portraits; parody; estates satire; romance; fabliau LANGUAGE · Middle English TIME AND PLACE WRITTEN · Around 1386–1395, England DATE OF FIRST PUBLICATION · Sometime in the early fifteenth century PUBLISHER · Originally circulated in hand-copied manuscripts NARRATOR · The primary narrator is an anonymous, naïve member of the pilgrimage, who is not described. The other pilgrims narrate most of the tales. POINT OF VIEW · In the General Prologue, the narrator speaks in the first person, describing each of the pilgrims as they appeared to him. Though narrated by different pilgrims, each of the tales is told from an omniscient third-person point of view, providing the reader with the thoughts as well as actions of the characters. TONE · The Canterbury Tales incorporates an impressive range of attitudes toward life and literature. The tales are by turns satirical, elevated, pious, earthy, bawdy, and comical. The reader should not accept the naïve narrator’s point of view as Chaucer’s. TENSE · Past SETTING (TIME) · The late fourteenth century, after 1381 SETTING (PLACE) · The Tabard Inn; the road to Canterbury PROTAGONISTS · Each individual tale has protagonists, but Chaucer’s plan is to make none of his storytellers superior to others; it is an equal company. In the Knight’s Tale, the protagonists...
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...Death of a Salesman Analysis In the play Death of a Salesman, Arthur Miller crucifies the old-fashioned American Dream. Miller, while striking down the old idea that being well liked equates to being successful, shows that the American Dream of yesteryear can no longer be achieved. This idea is shown in both the last section of Act 2 and in the Requiem. Arthur Miller illustrates the condemnation of the old American Dream through Biff’s epiphany, Happy’s delusional success, and Willy’s funeral. While Biff flees Oliver’s office, he comes to a sudden realization that he’s been lying to himself his entire life and that Willy’s outdated version of the American Dream is unachievable for Biff and has caused him to fail. To reiterate this, Miller uses the “sky” (Miller, 1520) as a symbol for Biff’s possibilities. This is ironic, because Biff is running through “the middle of the [office building] and [he saw] the sky” without there being any windows mentioned. The “sky” (1520) that Biff sees isn’t the real sky, but the open-ness and the freedom that it grants. The sky also represents Biff’s chance to escape the web of lies that he has entangled himself in since high school, as its vastness is open and clear. The next way that Biff’s realization shows that the old American Dream has been demolished is that he denounces himself and his father of faking their way through life. As Biff and Willy argue, Biff admits that “[he is] not a leader of men” (1520) and that Willy is not either...
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...statement was Hawthorne making about the puritan beliefs of his ancestors? Read about Hemingway's life and how it compares with the lives of his protagonists. What were Hemingway's attitudes towards war as discerned through novels like "All Quiet On the Western Front" and "A Farewell to Arms." Discover essays that examine the symbolism in Conrad's "Heart of Darkness." What did Conrad mean by the phrase "heart of darkness"? What does "The Great Gatsby" have to say about the American Dream? Is its picture of life in the 1920's a favorable one? How does F. Scott Fitzgerald's personal life tie into the plot and tone of this novel? Find essays that discuss Arthur Miller's intent for his "Death of a Salesman." How does the fact that "Death of a Salesman" is a play and not simple prose impact the effectiveness of the tale it tells? Find writing examples here that illuminate Edith Wharton's theme of failed marriages and confining social conventions as evidenced in "Ethan Frome" and "The Age of Innocence." What does the person of Beloved represent in Toni Morrison's "Beloved"? What made Anthony Burgess' novel, "A Clockwork Orange," so controversial when it was first published, and what is the value of difficult, sometimes shocking stories like it? Consider this the place to go for examples of literary-themed writing. Whether you're seeking a...
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...bru6171X_case02_023-038.qxd 11/24/12 2:24 PM Page 23 CASE 2 Bill Miller and Value Trust Bill Miller’s success is so far off the charts that you have to ask whether it is superhuman. Quite simply, fund managers are not supposed to be this good. Is it mortal genius, or is it celestial luck?1 By the middle of 2005, Value Trust, an $11.2-billion mutual fund2 managed by William H. (Bill) Miller III, had outperformed its benchmark index, the Standard & Poor’s 500 Index (S&P 500), for an astonishing 14 years in a row. This record marked the longest streak of success for any manager in the mutual-fund industry; the next longest period of sustained performance was only half as long. For many fund managers, simply beating the S&P 500 in any single year would have been an accomplishment, yet Miller had achieved consistently better results during both the bull markets of the late 1990s and the bear markets of the early 2000s. Over the previous 15 years, investors in Value Trust, one of a family of funds managed by the Baltimore, Maryland–based Legg Mason, Inc., could look back on the fund’s remarkable returns: an average annual total return of 14.6%, which surpassed the S&P 500 by 3.67% per year. An investment of $10,000 in Value Trust at its inception, in April 1982, would have grown to more than $330,000 by March 2005. Unlike the fund’s benchmark, which was a capitalization-weighted index composed of 500 widely held common stocks, Value Trust only had...
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...examine exactly whom Loki is truly fighting truly against. Perhaps Baldr is in the middle of a larger argument of Loki’s. As Throkk, Loki refuses to cry for Baldr because “ the old man’s son gave [him] no joy” (69). Why would Loki bring Odin (the old man) into the situation? Contrary to popular modern belief, I believe that Odin and Loki are rivals. Loki makes Baldr’s death personal to Odin. Does he despise Odin? As previously mentioned, Loki is the trickster archetype who reveals the flaws in characters. Perhaps, Loki has another reason to create a rivalry with Odin. Loki might want to expose a flaw by murdering Baldr. I notice that the trickster often utilizes family connections to get what they desire. In the tale Rumpelstiltskin, Rumpelstiltskin takes the miller’s daughter’s baby as payment for weaving the string into gold. He realizes the power a child has over their parent and desires the first-born child. Like Rumpelstiltskin, Loki utilizes the child to gain power over Odin. The connection tricksters have to taking children away could illustrate one of the motives Loki would have for killing Baldr. Baldr’s murder might result from Odin's role in the kidnap of Loki’s children. Odin takes Loki’s children away, although he does not do it himself. Odin “sent the gods to seize the children and bring them to him” (39). Perhaps, this again returns to the dichotomy between utility and uselessness. Odin does not take the children himself, making him useless. Loki physically transforms...
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...Narcissism and the American Dream in Arthur Miller’s Death of a Salesman Narcissism och den amerikanska drömmen i Arthur Millers en handelsresandes död. Fredrik Artan Faculty of Arts and Education Subject: English Points:15.0 Supervisor: Magnus Ullén Examiner: Anna Swärdh 2014-06-18 Serial number Abstract This essay focuses on the theme of the American Dream in relation to narcissism in Miller’s Death of a salesman. The purpose is to demonstrate that a close reading of the main protagonist, Willy Loman, suggests that his notion of success in relation to the American Dream can be regarded as narcissistic. This essay will examine this by first observing how Willy´s notion of success is represented in the play, then look at how his understanding of it can be viewed from a narcissistic standpoint. The results I have found in my analysis show that there is a connection between Willy’s understanding of success and his narcissistic behavior. He displays traits such as grandiosity, arrogance, need of specialness and denial of emotions. His relationship with other characters reveals his lack of empathy, manipulation and exploitation of others as well as his need of superiority and fear of inferiority. The conclusion is that Willy and his notion of success could be considered as narcissistic. Contents Introduction ................................................................................................................................................................1 The American...
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...Communicating Design Research Knowledge: A Role for Ethnographic Writing Lois Frankel Concordia University & School of Industrial Design, Carleton University, Canada lois_frankel@carleton.ca Abstract: The recent use of ethnographic field research methods in design research practice reflects the growing interest of designers in the expressive Design researchers have not, however, exploited ethnographers to report their findings, but instead and cultural im pact of the artifacts they create. the "thick description" methods used by prefer to apply the results of design-driven ethnographic research directly to the development of new product concepts. This paper proposes that ethnographic representation methods , including innovative visual representations, offer untapped potential for design research reporting, not just field of historical design. Te in term s of facilitating com munications during the mpts by designers to make sense of the broader the potential of ethnographic design process, but also as a record of ongoing atte representation methods for design. Keywords: Ethnography in design, Ethnographic writing, Ethnographic representation st projects by design students show 1. Introduction Ethnography is often viewed as a specialized area within reveal and preserve cultural knowledge, using methods such the larger activity of cultural anthropology, seeking to as interviewing or cultural submersion to discover important values. Since design is also a profession...
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...Table of Contents S. No Page No. 1. Tutorial 1………………………………………………………………………… 2 2. Tutorial 2………………………………………………………………………… 5 3. Tutorial 4………………………………………………………………………… 7 4. Tutorial 5………………………………………………………………………… 11 5. Tutorial 6………………………………………………………………………… 14 6. Tutorial 7………………………………………………………………………… 16 7. Tutorial 8………………………………………………………….…………….. 23 Tutorial 1: Question 1. In this paper, Collinson discussed based on shop-floor humor, particular its relationship on the organization. To purpose is to gender identify and working class resistance. 3 main points Collinson made in this paper: * Human as resistance * Human as conformity * Human as control Each element that author gave some exactly examples and databases in the work place and then he analyzed his opinion depend on Willis case study Question 2. There are 3 parts in structure of the paper: * Human as resistance * Human as conformity * Human as control Human as resistance * Shop-floor humor was in part a form of resistance both to the tightly controlled repetitious work tasks and to the social organization of production within a company * Some nicknames come from exaggerated and stereotyped personal characteristics. * Human was shown to operate as one medium through which collective solidarity to resist boredom, the organizational status system and managerial control emerged. Human...
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...Narrative A narrative is a sequence of events that a narrator tells in story form. A narrator is a storyteller of any kind, whether the authorial voice in a novel or a friend telling you about last night’s party. Point of View The point of view is the perspective that a narrative takes toward the events it describes. First-person narration: A narrative in which the narrator tells the story from his/her own point of view and refers to him/herself as “I.” The narrator may be an active participant in the story or just an observer. When the point of view represented is specifically the author’s, and not a fictional narrator’s, the story is autobiographical and may be nonfictional (see Common Literary Forms and Genres below). Third-person narration: The narrator remains outside the story and describes the characters in the story using proper names and the third-person pronouns “he,” “she,” “it,” and “they.” • Omniscient narration: The narrator knows all of the actions, feelings, and motivations of all of the characters. For example, the narrator of Leo Tolstoy’s Anna Karenina seems to know everything about all the characters and events in the story. • Limited omniscient narration: The narrator knows the actions, feelings, and motivations of only one or a handful of characters. For example, the narrator of Lewis Carroll’s Alice’s Adventures in Wonderland has full knowledge of only Alice. • Free indirect discourse: The narrator conveys a character’s inner thoughts...
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...Министерство образования и науки Республики Казахстан Кокшетауский государственный университет им. Ш. Уалиханова An Outline of British Literature (from tradition to post modernism) Кокшетау 2011 УДК 802.0 – 5:20 ББК 81:432.1-923 № 39 Рекомендовано к печати кафедрой английского языка и МП КГУ им. Ш. Уалиханова, Ученым Советом филологического факультета КГУ им. Ш. Уалиханова, УМС КГУ им. Ш. Уалиханова. Рецензенты: Баяндина С.Ж. доктор филологических наук, профессор, декан филологического факультета КГУ им. Ш. Уалиханова Батаева Ф.А. кандидат филологических наук, доцент кафедры «Переводческое дело» Кокшетауского университета им. А. Мырзахметова Кожанова К.Т. преподаватель английского языка кафедры гуманитарного цикла ИПК и ПРО Акмолинской области An Outline of British Literature from tradition to post modernism (on specialties 050119 – “Foreign Language: Two Foreign Languages”, 050205 – “Foreign Philology” and 050207 – “Translation”): Учебное пособие / Сост. Немченко Н.Ф. – Кокшетау: Типография КГУ им. Ш. Уалиханова, 2010 – 170 с. ISBN 9965-19-350-9 Пособие представляет собой краткие очерки, характеризующие английскую литературу Великобритании, ее основные направления и тенденции. Все известные направления в литературе иллюстрированы примерами жизни и творчества авторов, вошедших в мировую литературу благодаря...
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...The Gospel ACCORDING TO FEMIGOD He who has ears, let him hear The author and publisher have provided this e-book to you without Digital Rights Management software (DRM) applied so that you can enjoy reading it on your personal devices. THE GOSPEL ACCORDING TO FEMIGOD Copyright © 2013 by Femigod Ltd. Published by Femigod Ltd. www.femigod.com Femigod® is a registered trademark of Femigod Ltd. ISBN: 9780992642600 For my darling sister, Pero. I love you dearly. No matter what you want, it’s yours. Beyond money and weapons. Contents Introduction ............................................................................................................................................... 1 Book One: Understanding Mainstream and Organised Religion.............................................................. 5 Christianity ............................................................................................................................................ 6 Islam ...................................................................................................................................................... 9 Hinduism.............................................................................................................................................. 12 Buddhism ........................................................................................................................................... 155 Chinese traditional religions ...........
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...the recent rapid growth of derivatives markets and the dangers posed by the widespread use of such instruments. What lessons do these events hold for policymakers? Do they indicate the need for stricter government supervision of derivatives markets, or for new laws and regulations to limit the use of these instruments? A better understanding of the events surrounding recent derivatives debacles can help to answer such questions. This article presents accounts of two of the costliest and most highly publicized derivatives-related losses to date. The episodes examined involve the firms of Metallgesellschaft AG and Barings PLC. Each account begins with a review of the events leading to the derivatives-related loss in question, followed by an analysis of the factors responsible for the debacle. Both incidents raise a number of public policy questions: Can government intervention stop such incidents from happening again? Is it appropriate for the government even to try? And if so, what reforms are indicated? These issues are addressed at the end of each case study, where the lessons and public policy concerns highlighted by each episode are discussed. Alex Mendoza assisted in the preparation of this article. Ned Prescott, John Walter, and John Weinberg provided valuable comments on earlier drafts. Any remaining errors or omissions are the responsibility of the author. The views expressed are those of the author and do not necessarily represent those of the Federal Reserve Bank of Richmond...
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...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...
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...Donald Bradman From Wikipedia, the free encyclopedia "Bradman" redirects here. For other uses, see Bradman (disambiguation). Page semi-protected Sir Donald Bradman DonaldBradman.jpg Personal information Full name Donald George Bradman Born 27 August 1908 Cootamundra, New South Wales, Australia Died 25 February 2001 (aged 92) Kensington Park, South Australia, Australia Nickname The Don, The Boy from Bowral, Braddles Height 5 ft 8 in (173 cm)[1] Batting style Right-handed Bowling style Right-arm leg break Role Batsman International information National side Australia Test debut (cap 124) 30 November 1928 v England Last Test 18 August 1948 v England Domestic team information Years Team 1927–34 New South Wales 1935–49 South Australia Career statistics Competition Tests FC Matches 52 234 Runs scored 6,996 28,067 Batting average 99.94 95.14 100s/50s 29/13 117/69 Top score 334 452* Balls bowled 160 2114 Wickets 2 36 Bowling average 36.00 37.97 5 wickets in innings 0 0 10 wickets in match 0 0 Best bowling 1/8 3/35 Catches/stumpings 32/– 131/1 Source: Cricinfo, 16 August 2007 Sir Donald George Bradman, AC (27 August 1908 – 25 February 2001), often referred to as "The Don", was an Australian cricketer, widely acknowledged as the greatest Test batsman of all time.[2] Bradman's career Test batting average of 99.94 is often cited as the greatest achievement by any sportsman in any major sport.[3] ...
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