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Andy Warhol Analysis

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Being a printmaking major I was very interested in work done by Andy Warhol. Learning about his history, techniques and why he does some of the things he does was the reason I picked him to write this research paper. I have selected three different authors that have both similar and different opinions for Warhol. They each talk about specific pieces and talk about different aspects that support the reasons they have in their opinion for Warhol. To start off I will be talking about the opinions I have towards this artist.
Printmaking is the process of printing on normally paper in which the artist uses ink to convey multiple images that do not necessarily have a photographic look to them. This allows an artist to manipulate images and able …show more content…
In the image of smashed cars the brutality of this scene pointed to the world of Warhol rejected, that of abstract expressionism. He states, “This world is very macho… in a way, Jackson Pollock had to die the way he did, crashing his car up…” In this piece this author views these cars as untouchable, dematerialized with no focus and no narrative. The cars were one of the great pop art pieces because not only did they show an everyday consumer good and its cult provided a reflection of the changes the era had due to mass production. The icon of this car reminds Messer of the Marylin Lips which Richard Linder referred to as the “public lips.”
Messer enjoys the way Warhol is not afraid to overlap images of the same object to show a differentiating affect it has and how the audience views it. His sequence becomes very rich in color patterns which repeated motifs are indescribable, and Warhol has a liking for complementary contrasts that are also seen in other pieces like him Marilyn painting and self …show more content…
He states that “Toward the end of his career, Warhol seems to have successfully integrated the two halves of the dialectic of consumption, his existence between what he once called ‘his favorite places to go’, the department store and the museum.” Buchloh speaks of Warhol’s “strategically brilliant blagues” and strives to determine what the painter’s schemes owe to modernism. He wonders about techniques as much as subject matter and sometimes seems to be defining the postmodern without actually saying that’s what he’s doing—which is postmodern I suppose. Although Benjamin did not talk about a specific piece he includes great point that some of the other artists did not talk about. He is an art critique with great input and much more

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