Audubon’s Passion
The Amon Carter Museum, Fort Worth, Texas The Amon Carter Museum hosts many permanent and traveling collections that are important to the art of the American west. Landscape artists such as Thomas Moran and Albert Bierstadt are just two examples of prolific artists that have contributed to the art and the history of an era that still evokes mystery and intrigue. The varied collections comprise of familiar artists such as Charles Bird King, George Catlin, and Carl Wimar. However, the temporary exhibition of John James Audubon provides a distinct experience of artistic rendition that bridges both the arts and sciences. It is difficult to comprehend the volume of work that was produced by artists such as John James Audubon. Upon entering an exhibition space of 60’ by 20’ feet approximately, you find yourself surrounded by only a glimpse of the productions that were achieved by this very talented artist. Audubon is different. It isn’t landscape. It isn’t a historical account richly romanticized. His work is a treatise with specific focus on American wildlife and ornithology. One must keep in perspective that these renderings were completed by personal observation. Every specimen was examined then documented. Although every artist spends much of their time developing studies and sketches before they approach the canvas, Audubon’s developmental phase of creation was distinctly unique. Much time was consumed in the field and laboratory before he approached the paper. The centerpiece of this exhibit is one of the massive elephant-folio’s that is characteristic of the archival practice of John James Audubon. The large collection of prints is well preserved and is one of only a few copies that Audubon published. It is titled, The Birds of America. One of the more interesting portions of this exhibit are the prints that are referred to as the Bonaparte Audubons. These prints were originally sent to the nephew of Napoleon Bonaparte who was an authority on ornithology during this time. It is interesting to note that even during the mid 1800’s, printing was still very expensive. These prints were done in full color, only adding to the cost of pressing. Few people could afford these items and only those who were passionate about such a select topic of art and study invested in these works. The print titled Baltimore Oriole’s, perhaps best captures the style and technique that is so closely associated with Audubon. The subject matter is clearly defined and colorized while an infinite, flat background creates a sense of weightlessness. The detail of form and proportions is particularly impressive. Audubon creates a realistic example of the species within their natural environment, using foliage and flora. The color palette is also realistic. Every detail is achieved with the utmost devotion to both the arts and the sciences. The exhibition Audubon’s Passion is a unique collection that is difficult to come by. Viewing these works reinforced the contextual themes that I have studied over the course of this semester. I personally enjoyed it and would recommend it strongly.