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Domination and Subordination of Women

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Submitted By JoseMuroP
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After reading both Toward The Stony Mountains and Jean Baker Miller’s Domination and Subordination and examined John Gast’s painting American Progress; there are many connections that arise between the three pieces that must not be overlooked and represent important frames that overlap each other in the most interesting ways.
Starting with Miller’s Domination and Subordination, it deals with a theoretical framework of inequality relationships, their different types, and the characteristics of the parties involved in said relationships. The author talks about inequality regarding two crucial concepts: power and status; and identifies the two participants in this type of relationships which are the “superior” party and the “lesser” party. As the author states in page 110, the superior party is supposed to “help the lesser party to fill up to full parity, to end the relationship of inequality”. Also, in all these types of relationships, disparity should be a temporary passage, ending with the relationship and moving to the next level, whether be a friendship, partnership or simply nothing. Building on this same instance, Miller goes as far as to analyzing the behavior of the two parties, who ultimately will always depend in the inequality at stake, since the dominant party will never want to leave room for the inferior party to dissent from their ideas and will go as far as taking the lesser party’s freedom. Finally, one of the most important points the author makes deals with the dissatisfaction that the lesser party always suffers because of the dominant party’s inability to allow any type of free movement or expression as mentioned in page 116.
This last point brought to account by Miller relates greatly to the article Toward The Stony Mountains, since this type of relationship seem to dominate the scene on Chapter 4 of this piece. The author, Takaki, mentions how

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