...Cinema Business Plan Executive Summary The executive summary for your Cinema Business should be written last. It should include the main people involved in your Cinema Business and their experience related to the Cinema Business. There should be a brief description of what the Cinema Business entails. Your Cinema Business should include some brief financial statements such as loans you will require and profit/loss statements for the first 3 years. Objectives The should be your short term and long term objectives for your Cinema Business. Mission What is the main mission for your Cinema Business. Keys to Success A few bullet points to briefly describe why your Cinema Business will be a success. Company Summary Company Ownership Who owns your Cinema Business and what type of business will it be – will you be an LLC etc. Location(s) and Facilities Address of your business if possible or a rough idea of the surroundings and the benefits this location will be for your Cinema Business. Start-up Summary for a Cinema Business Provide basic details of the capital you require for your Cinema Business and how you intend to acquire that capital if you don’t have it already. Start-up Expenses for a Cinema Business This should be a list of all your start up capital required before you start trading as well as the amount if any you will be needing to loan. Products / Services Product Description Describe all the products you will sell and give an indication of future products...
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...STMG191 – 16A | INDIVIDUAL STEPP ANALYSIS | HOYTS Cinema – Cinema Industry | Name: Hannah Bree Student ID: 1286049 Tutorial time: Thursday 9-11amTutor: Danielle CookWord Count:902 | Introduction Hoyts cinema is one of the world's leading entertainment corporations which operate in the New Zealand and Australian Cinema industry. This industry encompasses organisations that display movies to the public. It includes cinemas, drive-in and outdoor movie theatres and film festival exhibitors. This report is a STEPP analysis of the NZ and Australian Cinema industry. STEPP Analysis Socio-cultural factors: Holidays- When there are school or public holidays, the total revenue to the movie theatre industry will increase as more of the population have enough leisure time to travel to a movie theatre. As the most frequent moviegoers are those under the age of 21, the cinemas will expect a large increase in attendance when school holiday are occurring. Types of movies released at the time- The attendance and therefore total revenues received by the movie theatre industry will depend on what sort of movies are available to view at a specific time. If a huge blockbuster movie is coming out of the film industry than the cinema industry can expect an influx of sales as more f population will be interested to attend. Urbanisation – If the cinema is located in a densely populated area, or the population of the area is rising such as the increase in house purchases in Auckland...
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...Digital transformation [pic] Summer 2008: Dramatic developments in digital technologies and the diffusion of the Internet protocol as an open and efficient communication standard are wiping out the specialized symbiotic link between content and technology. That’s how Gianvito Lanzolla and Jamie Anderson see the digital world, and here they reveal three trends that companies need to prepare for. Comments In the past, media and technology industries operated through specialized value chains with clearly defined boundaries. Mobile phones were used to make simple voice calls, Walkmans were used to play cassette tapes, and computers existed mainly to crunch data. But new technologies have made it possible to convert different kinds of content – a radio programme, a book, a magazine, a song, a phone call – into digital data; in digital terms, there is little difference between them. At the same time, the Internet and other communication networks based on Internet protocol have made it possible to distribute this digitized content in costeffective and ubiquitous ways. The extent and nature of these changes and their consequent strategic implications remain substantially misunderstood. While some studies have been made, they have mainly had an industry-specific focus, with the consequent limitation of overlooking the systemic effect of ongoing transformations. In order to address this limitation, we researched current transformations in media, telecommunications and technology...
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...01/18/2013. Global Cinema Questions for Spanish Cinema and Cell 211. 1. Individual Question: I have not used this film in a class before. I want your honest opinion of it. Look at the course objectives and refer to specific ones as you address whether or not I should use this film again in Global Cinema. I think Cell 211 portrays a very excellent example of Spanish cinema and Global Cinema at large and hence, should be used in future classes. One of the main objectives of the Global Cinema course is for the student to be able to differentiate between film as mass consumption entertainment like the ones produced in Hollywood and film as cultural art as produced in other countries. Even though Cell 211 has a lot in common with Hollywood style of film production, I think it still kept close to the international style of filming because the main Character in the movie, Juan Oliver, was not Idolized and made to seem superhuman. The movie was realistic and not only was it entertaining but also very emotional, which is a strong trait of Spanish films. I particular like the final scene where Armando asked if there was any questions signifying that the movie answered all and any questions the audience had. Another important objective of this course is help the student identify the historical and political issues being addressed in the film and I think Cell 211 couldn’t have done that any better. The ETA members were taken hostage in the prison and I remember sitting...
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...i THE CONSUMER’S BEHAVIORAL INTENTION TOWARD E-TICKETING SYSTEM OF GOLDEN SCREEN CINEMA (GSC) IN MELAKA SHAFINAZ NADIA BINTI MOHD MOTTASIR Report submitted in partial fulfillment for the Bachelor of Technology Management (High Technology Marketing) FAKULTI PENGURUSAN TEKNOLOGI & TEKNOUSAHAWAN UNIVERSITI TEKNIKAL MALAYSIA MELAKA ii VERIFICATION “I hereby declare that I have read this thesis and in my opinion this thesis is sufficient in terms of scope and quality for the award of the degree of Bachelor of Technology Management (High Technology Marketing) Signature: Name of Supervisor: Madam Azrina Binti Othman Date: Signature: Name of Panel Supervisor: Dr. Norfaridatul Akmaliah Binti Othman Date: iii CONFESSION “Hereby, I declare that this thesis entitled “The Consumer’s Behavioral Intention Towards e-Ticketing of Golden Screen Cinema (GSC) in Melaka” is the result of my own research except as cited in the reference. The thesis has not been accepted for any degree and is not concurrently submitted in candidature of other degree. Signature: …………………………………… Name : Shafinaz Nadia Binti Mohd Mottasir Date : …………………………………… iv DEDICATION I learn patience, perseverance and dedication. Now I really know myself, and I know my voice. It’s a voice of pain and victory. To my beloved Mom and Dad, My siblings, My lecturers, My friends, Those who have helped me during my rough time, Helped shape me into what I’ve...
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...The cultural and economic trends of Cinema in Ireland and Wales Acknowledgements This audit of cinemas in Ireland and Wales was commissioned by Sgrîn Cymru Wales and the Arts Council. The study was financially supported by the Ireland/Wales Interreg IIIA Community Initiative Programme: ERDF 2000–2006. Throughout the study we have been fortunate to benefit from the knowledge, enthusiasm and commitment of Rhian Iolo (Exhibition Manager, Sgrîn) and Siobhan Bourke (Film Adviser, Arts Council). Additional invaluable assistance was provided by Stephanie O’Callaghan, Michelle Hoctor, Antoinette O’Neill, and the staff at both Sgrîn and the Arts Council of Ireland. This study would not have been possible without the generous contribution of time, expertise and information from the many cinema owners, managers, projection and customer services staff we met during the study. Our thanks are also due to the individuals and organisations contacted for comment and information during the research. Our sincere thanks are due to each and every one. The views expressed in this report are those of the authors. Unless specifically attributed, they do not represent the views of Sgrîn, the Arts Council, nor those of any persons or organisations who have been consulted in the course of the study. J Ron Inglis & Sue Todd April 2004 Inglis Todd Consultants is an independent arts and media consultancy operating throughout the UK and Ireland. J Ron Inglis and Sue Todd - are among the UK’s leading...
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...nature of digital cinema and its relationship to analogue filmmaking. I would like to argue that “pure” digital or analogue cinema does not exist anymore. Even films which are shot and edited using digital technology, in most cases, eventually will be printed onto film in order to be projected. I am interested in the transformation of storytelling and narration caused by digital revolution. I will analyse the shift that occurred in cinema after 1997, when the video techniques became more popular. I would like to avoid simplifying or dismissive statements about the aesthetics developed by digital techniques. It is a very rare occurrence for a film to be entirely analogue or digital. Therefore, I intend to talk about the intersection of digital and analogue techniques and the effect that digital practices have upon the tradition of storytelling. In their analysis of new media, Anna Everett and John T. Caldwell describe this intersection of analogue and digital with a term “digitextuality”. This fusion of “digital” and “intertextuality” illustrates the process in which old media acquire new shape and form: M.A. Digital Culture and Technology New digital media technologies make meaning not only by building a new text through absorption and transformation of other texts, but also by embedding the entirety of other texts (analogue and digital) seamlessly within the new. 1 My intention is to discuss the artistic rather than economical aspects of digital cinema. Simply because...
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...changed our cinema? Thesis: Over the years technology has majorly advanced in various aspects; one of these wonderful advances has been within the cinema industry. Source that I found for this topic: http://thecreatorsproject.vice.com/blog/9-mind-blowing-technologies-changing-the-film-industry%E2%80%99s-future--2 This article explains the growth of the movie industry and how clear it’s adapting, shifting towards two polar points; higher-quality and sensorial experiences in the theater. According to the article in late 2013 better and brighter IMAX movies, thanks to lasers and other features such as 3D, movie projections and audio enhancements. Source found for my second topic: http://www.smh.com.au/digital-life/computers/blog/gadgets-on-the-go/why-do-movies-look-so-fake-on-my-new-hdtv-20130710-2ppd2.html This article talks about the new look in cinema how “Everything looks a little too crisp and real, to the point where foreground objects can stand out as if they’re not really part of the scene”. The issue is known as “soap opera” effect, because it makes grand-looking Hollywood movies appear as if they were shot on video tape like a budget soap opera. Everything looks to crisp and real, to the point where foreground objects can stand out as if they’re not really part of the scene were added later using CGI trickery. Outline essay #3 Intro- theses: With advancing technology one of these wonderful advances has been digital cinema. II. The growth of cinema movies III...
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...2007 Assignment Name & Number Assignment 2 I declare the following to be my own work and that to the best of my knowledge and belief does not contain any material published or written by another person except where due reference is made in the text. I authorise the University to test any work submitted by me, using text comparison software, for instances of plagiarism. I understand this will involve the University or its contractor copying my work and storing it on a database to be used in future to test work submitted by others. I understand that I can obtain further information on this matter at: http://www.unisanet.unisa.edu.au/learningconnection/student/studying/integrity.asp Signed: CWani Dated: 8th October 2007 Tanjung Golden Village (TGV) Sdn Bhd operates the largest multiplex in the country, Malaysia. TGV has 63 cinemas in 8 multiplexes which located at Klang Valley of five and one multiplex in Kinta City, Ipoh. The mission is to provide the ‘ultimate cinema – going experience’ which offers good facilities and conveniences such as cozy seating gradients, good quality digital sound, central computerized ticketing system with integrated tele-reservation hotlines and so forth. By providing such a sophisticated productivity, expected benefits would be gained by the respondents or customer...
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...Reflection: Cinema Paradiso The film “Cinema Paradiso”, directed by Giuseppe Tornattore in 1988, was set in Italy and focused on a boy named Salvatore Di Vita nicknamed Toto. At the start it showed Salvatore as a grown man going home to his girlfriend. That night, his girlfriend told him about how his mother called again to announce the death of a man named Alfredo. After, they show Salvatore reminiscing about his past. Soon after they showed Salvatore’s life as a child. They showed how when Toto was a young kid, he developed an interest in film and he would usually sneak into the projection room in the local cinema. Alfredo was the man in charge of the film showings and he was very fond of Toto even if he was very mischievous. He taught Toto at an early age how to work with the projection. He would also give Toto the cut out films that show intimate moments in the film since the priest does not want the people to watch any intimate moments. One film showing there was a fire accident that caused Alfredo to lose his eyesight and burned the cinema down. Toto took in Alfredo’s place in managing the films at an early age once a rich man who won the lottery paid for the cinema to be rebuilt. They showed Toto as a teenager and how he still works for the cinema. Honestly, this was my favourite, as well as my friend’s, part of the movie since we found Toto attractive. They showed his first sexual encounter in the cinema and how he grew more into cinema like shooting with his...
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...very first movies were screened at the iconic community hall. Since then it has been the heart of movie theatre. The hall was later transformed into Tokoroa 3D Cinema & Time Out Party Lounge in 2010 and since then has grown from strength to strength. Technology upgrade enabled the Cinema take another leap where the platform was converted into 35mm analog. In a provincial town like Tokoroa with limited entertainment options on offer, the Cinema becomes an important part of the community. The new Cinema Complex Manager had a Vision - DIGITAL AND 3D. This vision was later realized in June 2014 when DIGITAL AND 3D was launched to the South Waikato District. The only town in the country that serves 3D movies to its community. Through converting the 35mm film operating system to the Digital Platform and by introducing 3D capability has increased its revenue significantly. 1. Company Overview Tokoroa 3D Cinema & Time Out Party Lounge (referred to Tokoroa 3D Cinema hereafter) is a cinema entertainment service provider based in Tokoroa, South Waikato, New Zealand. It commenced operations in 2010 and since then has grown significantly, mainly through technological advancement to be in sync with current customer needs for fine cinema entertainment. There are around 10 workers employed at the cinema. The Tokoroa 3D Cinema aims to continuously provide the residents of Tokoroa and South Waikato District with the finest movie and family entertainment...
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...Question 1 Why have American films been so successful over the last half century? Outline what you consider to be key success factors for a film (type of story and genre; actors; directors, pace, music, and so on). Was the fascination for the American culture and way of life the prominent reason for that success? What was the contribution of the American melting pot with its huge diversity of migrants’ origins to the creativity and global outlook of the American movie industry? There are several reasons for the success of American movies: the budget, the Hollywood brand, the directors and the universal themes that appeal to a broad public. When the production can cover most of its costs by the local profit, it allows for a relatively low selling price to the foreign distributors. A large budget also makes it possible to use expensive actors with a recognized name that attracts visitors, as well as developing an efficient distribution system. The US has the most prominent country-brand equity in the world, which has without a doubt contributed to the Hollywood success. Therefore one might say that the fascination for American culture has helped their movie industry, but there are too many other factors to say that this is the main reason for its success. Several of the well renowned Hollywood directors have origins outside of the US. This knowledge of more than one culture might have contributed to a more international touch to their films, appealing to many different cultures...
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...PVR Limited Management Discussion and Analysis The following Management Discussion and Analysis Section should be read in conjunction with the financial statements and notes to accounts for the period ended 31st March, 2012.This discussion contains certain forward looking statements based on current expectations, which entail various risks and uncertainties that could cause the actual results to differ materially from those reflected in them. All references to “PVR”, “we”, “our”, “Company” in this report refers to PVR Limited and should be construed accordingly. to increase. (Source: FICCI- KPMG Indian Media and Entertainment Report 2012) 1. Largest Industry - The Indian film industry is one of the largest globally with a history of steady growth. With films being the most popular form of mass entertainment in India, the film industry has witnessed robust double-digit growth over the past decade. Industry Structure & Development 2. Demographic scenario supports long-term fundamentals: Due to favorable demographics (75% of the country’s population is below the age of 35) and economic conditions in India, coupled with consumers willing to spend more on a variety of leisure and entertainment services, the filmed entertainment business is set to grow in the years to come. 3. Under screened market: When compared to global benchmarks such as USA, UK, France, Spain, India is a significantly under screened. Mumbai and Bangalore have...
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...When Dada Saheb Phalke gave India its first Hindi talkie with Raja Harishchandra, he had no idea what Hindi Cinema will turn out to be in the following decades. The ‘dream-weaving’ filmmakers of the era went on to create clichés in film making which is sacrosanct even today. Too afraid to experiment, the Indian directors went by the ‘formula’. It is evident that a formula which hits the target lives a long life in Bollywood. Each decade witnessed new breed of actors and filmmakers. It will be interesting to see Hindi Cinema’s journey through the decades. The Golden Era 50s This decade is considered as the ‘Golden Age’ of Hindi cinema. Focused on social themes, films in the 50s depicted the urban working class of new independent India. The films which are considered as classics today were all made in the 50s. Mother India, Mughal-E-Azam, Do Bigha Zameen, Kaagaz Ke Phool, Pyasa, Awaara and Shree 420 all these movies provided lessons in filmmaking to generations to come. 50s gave India the dreamy eyes of Nutan, peeking from her saree’s palloo, the mesmerising face of Madhubala and the candid Nargis enthralling one and all. Be it Dilip Kumar’s tear-jerking acts or Dev Anand’s inimitable style, they all revolutionised Hindi cinema. The unforgettable melodies gave us our first classics. The Eastman Coloured 60s The 1960s brought winds of colour. The themes continued to follow the rich and evil versus the poor and the rural good guy and the city bad guy formula. The decade brought...
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...fastest growing sectors recording a growth of 12.4 per cent and projected to reach Rs 1052 billion by 2013 • India is the highest producer and consumer of filmed entertainment • The cinema exhibition industry in India is growing at 10% per annum driven by multiplexes, which are expanding rapidly in major metropolitan cities as well as second and third tier cities. • The South Indian cinema industry is pegged at Rs 17.3 billion with the domestic theatrical revenue stream being most dominant, accounting for nearly three-fourth (around Rs 12.6 billion) • The four southern states have 50 per cent of the theatres in India and almost 25 per cent (1,200 theatres) of the 5,000 theaters in the south are digital • Growth opportunities galore as some of the world’s largest multiplex chains are foraying into India Categories of services Offered Cinema exhibition industry: The cinema exhibition industry in India is growing at 10% per annum driven by multiplexes, which are expanding rapidly in major metropolitan cities as well as second and third tier cities. Favorable demographics in a cinema-crazy nation, tax exemptions, and quality locations such as malls, are driving growth of multiplexes in India. The report provides a snapshot of the market including the two segments multiplexes and single screen cinemas. An overview gives a quick picture of the market with estimated market size, growth rate and theatre distribution in India. Various business models adopted by Indian multiplex operators...
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