...Christianity and Medieval Literature The Middle Ages saw a great influence of Christianity on the literature of that time. Christianity also saw a period of growth and its influences on literature were also very notable. The Medieval Period was a time of significant social revolution and this is often reflected in the literature of that age. This can be seen by observing the principles of the time, and exploring the literature which addresses them. By analyzing the religious, political and societal ideals, the reader can see how these influenced the literature during this time period. The Medieval Period was a time in history that lasted from the 5th Century to the 16th Century. Through the early Middle Ages, literacy was often essential for entry into religious orders and even nuns were compelled to meet this requirement. However, the only people trained to read and write properly were those who were high church officials and monks. Society was centered mainly on the Medieval Church. However, the Church became corrupted but more at the higher levels. Geoffrey Chaucer illustrated this in his writings, “Prologue to the Canterbury Tales.” He exposes this in his prologue by his use of satire in regards to the religious figures. Using a naïve “Chaucer the Pilgrim” to describe them, he points out that certain characters, namely the Prioress and the Monk, are not as they should be. Although he does not criticize them openly, he merely emphasizes qualities that are favorable...
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...• Characteristics of Medieval Literature Themes of Medieval Literature: • The Seven Deadly Sins • The Seven Heavenly Virtues • Physiognomy and "The Humours" • Values of "courtly love" • The Code of Chivalry(CF) The Poets and Authors: Caedmon: First English poet; author of "The Dream of the Holy Rood." Venerable Bede: wrote the Ecclesiastical History of England and the scientific treatise, De Natura Rerum. Geoffrey Chaucer: Famous Medieval author of the Canterbury Tales. Margery Kempe: Author of the first autobiography in English. John Gower: Medieval poet and friend of Geoffrey Chaucer Francesco Petrarch: Italian poet, and a humanist. Famous for his poems addressed to Laura. Dante: Medieval poet and politician. Christine de Pizan: Medieval author and feminist. William Longland: English poet who wrote the Vision of Piers Plowman. Boccaccio: Italian writer who was famous for writing the Decameron. Raphael Holinshed: Medieval author of Holinshed's Chronicles of England, Scotland, and Ireland. (KM) Romance: • Chivalry was the reason behind this type of literature. • The greatest English example of the romance is Sir Gawain and the Green Knight. • The romance hero-who often has the help of magic-undertakes a quest to conquer an evil enemy. (KM) Chivalry: • A system of ideals and social codes governing the behavior of knights and gentlewoman. • The rules included: taking an oath of loyalty to the overlord and observing...
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...The Song of Roland is a French poem written between 1040 and 1115. The poem, considered a medieval literature, is based on a battle that took place in 788 A.D involving the army of Charlemagne and the Saracens . The poem was originally written as propaganda and to provide a certain version of historical truth. Embodied within the poetry are the characters of Roland and Oliver. Despite the name of the song, the analysis of both characters illustrates that both Roland and Oliver can be considered heroic to the extent that each character reflects certain attributes of what is considered a hero in medieval literature. Nonetheless it is also possible that one character may possess more heroic qualities than another. This essay firstly examines the notion of a hero in relation to medieval literature. Secondly, the figures of Roland and Oliver are compared to show how both these characters shed light on the nature of medieval heroic ideals. The song of Roland portrays the quality of a medieval hero through the dichotomy of the two characters. The characterisations of Roland and Oliver sheds light on the nature of medieval heroic ideals in that, to be a complete hero, one needs to possess all the traits which both Roland and Oliver possess. However the poet recognises that no one man can possess all such traits thus resulting in a tragic dichotomy of ideals. However one character may be considered more of a hero than another, and as argued by Fraser, Roland can ultimately be viewed...
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...Amanda Whitley Ashley Morgan ENG 2003 D2 29 November 2015 Courtly Love – Annotated Bibliography Boase, Roger. The Origin and Meaning of Courtly Love: A Critical Study of European Scholarship. Towota, New Jersey: Manchester UP, 1977. This rather compressed study covers an amazing variety of sources, taking up how numerous periods of literary scholars commented on courtly love, the various locations where courtly love arose in the medieval period (and why), and how the significance of courtly love itself has been understood across time, geography, and literary movements. Eventually, after surveying the field, Boase argues that courtly love appear on behalf of as a wide-reaching traditional trend, arising predominantly in a court-based Christian culture, influenced by predominantly Spanish (and relatedly, Arabic) concepts of love and relationships between men and women. He detects courtly love strictly in the fictive world of poetry, denying that any person actually meant to apply its principles to the ‘real-world’ – this element of ‘play’ recognized courtly love as an acceptable aristocratic manifestation of passion. Cherchi, Paolo. “The Ambiguity of Courtly Love in Andreas Capellanus’ Model.” Andreas and the Ambiguity of Courtly Love. Toronto: U of Toronto P, 1994. 3-41. The emphasis in this chapter is on courtly love as it is conveyed by musicians – among the many poets and geographies to choose from. Troubadours focus on...
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...1. INTRODUCTION Medieval theatre refers to the theatre of Europe between the fall of the Western Roman Empire in the 5th century A.D. and the beginning of the Renaissance in approximately the 15th century A.D. Medieval theatre covers all drama produced in Europe over that thousand year period and refers to a variety of genres, including liturgical drama, mystery plays, morality plays, farces and masques. A theatrical performance in the Middle Ages was much more than just an example of a literary genre; it was often a social, religious, and commercial event affecting a whole community and involving not only the spoken word, but also spectacle, music, and even dance. 2. HIGH AND LATE MEDIEVAL THEATRE As the Viking invasions ceased in the middle of the 11th century A.D., liturgical drama had spread from Russia to Scandinavia to Italy. Only in Muslim-occupied Spain were liturgical dramas not presented at all. Despite the large number of liturgical dramas that have survived from the period, many churches would have only performed one or two per year and a larger number never performed any at all. The Feast of Fools was especially important in the development of comedy. The festival inverted the status of the lesser clergy and allowed them to ridicule their superiors and the routine of church life. Sometimes plays were staged as part of the occasion and a certain amount of burlesque and comedy crept into these performances. Although comic episodes had to truly wait until...
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...Seen by most as the birthmark of French Literature, as well as perhaps the greatest and oldest chanson de geste (epically heroic poems that began to appear in the late eleventh century), La Chanson de Roland is undoubtedly a landmark in Medieval Literature. It celebrates the heroic feats of count Roland, Charlemagne’s nephew and right-hand, in serving his country, his king and his faith. A large variety of themes, including religion, faith, loyalty, bravery and heroism, amongst others, recur throughout La Chanson de Roland. I intend to draw upon a few of these themes, paying particular attention to what is considered by most as the climax of the chanson, Roland’s death; more specifically, laisses CLXXI and CLXXII. The importance given to Christian faith and God is both evident and undeniable throughout the chanson, and portrayed quite accurately in laisses CLXXI and CLXXII. For instance, Roland’s plea for help to ‘Sainte Marie’, to an extent, indicates this. Despite Roland's inherent stubbornness and arguably excessive pride, seen, for instance, through his reluctance to blow the Oliphant knowing that defeat was imminent, he doesn’t hesitate in seeking both comfort and help from celestial powers. Further religious importance is revealed through the divine powers Charlemagne is accredited: ‘Carles esteit es vals de Moriane, Quant Deus del cel li mandat par sun angle’. Here, as with his prophetic dreams, Charlemagne, the king, someone who would have been widely admired, and...
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...ASPECTS OF MIDDLE ENGLISH LITERATURE (1066-1500) Middle English, Anglo-Norman, Anglo-Latin After the Conquest: dramatic changes in language and cultural temperament Old English literature: Middle English literature realistic,matter-of-fact,unromantic, growing audience, a panorama of most serious, often melancholic, diverse folk of many social classes (castle, monochrome gray, loyalty to the lord, barnyard, town); the appearance of leasure desperate courage in defeat, class and an audience of women rigorous adherence to the tribal code; new type of secular entertainment: major theme: agony of the lordless man, code continued but became chivalric social alienation, noble and heroic deeds; agony of alienation, physical hardships for audience: almost exclusively male;lords and the sovereign lady thanes - no mention of lower classes, strong courtly flavour, …So they duly arrived The sumptuous bed on which she lay in their grim war-graith and gear at the hall, Was beautiful. The drapes and tassel, and, weary from the sea, stacked wide shields Sheets and pillows worth a castle. of the toughest hardwood against the wall, The single gown she wore was sheer … And made her shapely form appear. … And the troops themselves She’d thrown, in order to keep warm, were as good as their weapons. Then a proud warrior An ermine stole over her arm, questioned the men concerning their origins: White fur with the lining dyed ...
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...Fabiane Freitas British Literature Mr. Conole 9/18/15 Wife of Bath’s Tale; Breton Lais or Arthurian Romance The Wife of Bath’s Tale is one of the most famous tale by Chaucer's Canterbury Tales, in which it discusses women issues in the medieval time. Indecent and strong willed, the wife of Bath refuses to allow men to control her existence by taking measures to shape her own destiny; she tells men what to do instead of letting them have the control in the relationship. The wife is often viewed as a feminist because she ignores the rules and makes people think about the roles women play in society. Although many readers might think the Wife of Bath's Tale is an Arthurian Romance, it is more accurately described as a Breton Lais. Early in the tale the reader learns that, “There was a knight who was lusty live / One day as he came riding from the river / He saw a maiden walking all forlorn / Ahead of him, alone as she was born, / And of that maiden, spite of all she said, / By very force he took her maidenhead” (Chaucer 141). The knight rapes the virgin early in the tale and is a central figure throughout the entire story, thus making him a clear candidate for the protagonist. Although one might think that the knight is the protagonist Goucher College suggests that, “The protagonist could be male or female, which is rare in romances, where the protagonist almost always is male” (Breton 1). The old woman in the tale illustrates this point. She enters the tale when the...
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...Troubadours of the middle ages Different eras provided different kinds of lifestyles, and can be seen through the music that people listened to, or the architecture that was prevalent in those times. The middle ages lasted from about 476 to 1420 AD, and ended at the fall of the Roman Empire. In the middle ages, music was played through either the church, or the within the secular places such as the streets or the divine office. Also, at those times, only monophony was used because music was mainly made for chant. Also so people can participate by singing along as well as provide a better voice to the audience because of the bad acoustics of chapels. Furthermore, the Middle Ages was a time when a lot of growth happened, such as the rise of troubadours. Troubadours became known within the secular portion of the empires in the middle ages, and became popular within monarchs and noblemen very quickly. The troubadours were well known for their expressions for chivalry and courtly love. Troubadours become popular in the 12th and 13th centuries of the middle ages. They were very popular in the middle ages because the rise of troubadours was a significant movement in the arts. The influence of the troubadours became so large in the Middle Ages that it spread through different countries of Western Europe, such as Spain and Italy. Troubadours became so popular in the middle ages because they played music and poetry together. This was something unheard of before the starting of the...
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...to a greater cause showed the determination that these women of this era had; thus, opening a world of change for women of the Medieval Era. After Eleanor’s and the other 300 ladies great tribute to their cause, women began to explore reading and writing which opened a new wave of ideas in the form of self-expression; ergo, birthing the troubadour (men) and trobairitz (women) poets. Using a lyre or lute, these poets used conventions and terms to describe their idea and feelings of romantic love; however, coming from different point of views, in terms of gender troubadour poems focused on a knight or nobleman longing for a woman while trobairitz poems focused on the woman longing for the knight or nobleman (Sayre, 2010). Both poems convey one message: to love is to suffer: thus, one will lose oneself mentally because of not having the one they love. Aren’t these expressions of love the same as many displayed in the entertainment industry? For example, the courtly love tradition has the knight or nobleman performing a deed to win his lady’s favor (Sayre, 2010). Many movies display a man or woman willing to give it all to win his or her lover back. The only difference is the way the words are noted. As with many women, I find these expressions of love thrilling and sad. True, the content is a little surprising considering that it was from medieval times where one would think that people were more secretive about their feelings and extra-marital endeavors. How these individuals...
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...Romantic stories of courtly love were spread throughout Medieval Europe by troubadours and minstrels. These wandering minstrels and troubadors sang ballads about courtly love and were expected to memorize the words of long poems describing valor and the code of chivalry followed by the Medieval knights. This new style of expressive writing transcended everything from ballads of battles and monsters like Beowulf to romantic adventures, such as the Arthurian legends. The romance of courtly love popularized during the Middle Ages was combined with the code of chivalry. There were strict rules of courtly love that were practiced and observed by the members of the courts across Europe during the Middle Ages. These rules allowed knights and ladies to show their admiration regardless of their marital state. It was a common occurrence for a married lady to give a token to a knight of her choice to be worn during a Medieval tournament. Despite the existence of these rules, the parties who started their relationship with such elements would sometimes become deeply involved. A famous example of a relationship which was stirred by courtly love is described in the Legend of King Arthur, where his Queen, Guinevere fell in love with Sir Lancelot. Many illicit court romances were fuelled by such practices. The Comtessa de Dia or Beatritz (born c. 1140) was perhaps the most famous of a small group of trobairitz, or female troubadours who wrote songs of courtly love during the twelfth and...
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...The Carpenter’s Wife During the telling of “The Miller's Tale” within The Canterbury Tales, Chaucer goes to great lengths to describe the character of Alison, the carpenter's wife. This is done not only so readers will have a detailed physical portrayal of her in their minds, but also so they can make inferences as to her character by the way she chooses to presents herself. The vivid depiction of Alison implies that she has very little value except as an object to be used for sexual gain by men. Furthermore, the lengthy, highly descriptive examination of her character when weighed against the almost nonexistent description of her husband creates such a contrast that the reader feels as if it is wrong for the two to be together. Chaucer begins by very briefly detailing the aspects of herself that she has no control over: she is 18 years old, fair, slender, and delicate. He follows this with a description of each article of clothing she wears. It quickly becomes clear to the reader that Alison is fully aware of how physically attractive she is, and she dresses to show off her finer attributes. She wears highly decorative clothing of embroidered silk rather than a more practical linen or wool. Even her purse, an object that only has to carry belongings, is decorated with silk tassels and “perled with latoun” (line 143). The apron she wears at first suggests some sense of practicality, as she does not want to dirty the clothes beneath it, but it is described as “whit...
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...The Knight’s Tale Courtly love, according to Mr. Windham, is the idealized view of an extra-marital relationship between the sexes in which a knight performs brave deeds to win the approval of a lady. Courtly love occurred mostly during the 1066-1485, otherwise known as the middle ages. This form of love can be found all throughout The Knight’s Tale, a tale of two cousins, who do everything from the proclaiming of their love for Emily, to fighting an epic knight battle in an arena; this tale seems to be courtly love through and through, but there is something that is prohibiting this tale to be a true tale of courtly love; their proclaimed love, Emily, is not married. The first reading of courtly love is the knights’ proclamation of love towards Emily. These two knights, Arcite and Palamon, are cousins with a brotherly bond. They have a chivalrous honor and promised to watch after each other no matter what. This is their code of honor emphasizing loyalty to each other. After the Battle of Thebes, these two knights are found wounded on the battle field. Theseus, the king of Athens who marched on Thebes, spares their lives but condemns them to life in an Athenian tower. On one day of their imprisonment, Palamon wakes up early and looks out of the tower window. This is when he first sees Emily, and proclaimed his love for her. Arcite then wakes up and looks to see what is causing Palamon such distress. He sees Emily and then too proclaimed his love for her. They fight over her...
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...is the most romantic manner of attraction and a "must" for writers who desire to portray the essence of love during that period in Europe. This ritual consisted of the men, in the medieval Europe, behaving courteously and gallant while expressing love and admiration towards women. Practiced frequently by nobles, yet strange for married couples."The courtly lover existed to serve his lady." (Encyclopedia britannica). The affection felt was adulterous. One of the reasons was because one or both of the lovers cheated on their marriage, which at that time was seen as "the result of business interest or the seal of a power alliance." (EB) The men were absorbed completely by their lover whom they love and worshiped like a saint. This manner affection had a code and rules that the lovers had to follow in order to show their interest on the other. The golden rule for the men was to show commitment to his mistress. They would act brave and submit themselves to do whatever his mistress desire. While the ladies participating were usually of higher status, rich, powerful, and or the wife of the men's lord. Although, this difference of ranks didn't stop the lower ranks of men (and even women) to court each other for the need of love and sexual affection. Making this the revolution of romantic medieval European novels and stories. Encyclopedia Britannica...
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...Candice Prestel Historical Foundations DB 2 Dr. Kimberly Roff September 1, 2012 A class of medieval lyric poets, called troubadours, flourished principally in southern France, eastern Spain and northern Italy from the 11th to 13th centuries (Dictionary.com, 2012). They wrote songs and poems of a complex metrical form in langue d’oc, mainly about courtly love. In courtly love the lover sees his ability to resist these temptations and rise above his own base humanity as evidence of his spiritual purity (Syre, 2013). According to Syre (2013), “The smitten knight or nobleman must be willing to perform any deed to win his lady’s favor, the lady often being his lord’s wife”. The trobairitz is the female version of the troubadour but their poems were mainly focused on romantic love (Dictionary.com, 2012). The trobairitz used poetry to share stories of romantic longing and unattainable love, focusing on the feelings associated with romantic love such as longing, suffering, and a desire to do whatever possible to have the feeling of love reciprocated (Career Education Corporation, 2010). The troubadours are said to have “invented” romantic love as we know it today by the conventions and vocabulary that we use to describe it (Syre, 2013). According to Syre (2013), “to love is to suffer, to wander aimlessly, unable to concentrate on anything but the mental image of the beloved, to give up life for a dream”. While reducing women to barely more than objects of male desire...
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