...reawakening of the Renaissance man. The arts, sciences, philosophy, and man being master of many things were all resurgence during this time. One particular painting to be analyzed for an example of Southern Italian style is Giuliano Burgiardini, Madonna and Child with St. John the Baptist, 510. Giuliano Burgiardini painting conveys the typical Southern Italian style with its composition in a pyramidal fashion, the particular way the bodies are depicted, and use of chiaroscuro of shadowing that differentiates it from Northern style. To continue on forth, the composition of the painting must be taken into account as well as Giuliano use of color, light and shadow as evidence of Southern Italian style. It must be noted, the painting is considered historical because it is depicting a significant event in time whether or not the event actually took place. In this particular historical painting you see depicted Mary and Christ with Saint John the Baptist in a pyramidal formation. The pyramidal formation and the fact that there are 3 figures were often seen in Southern Italian style. You can see Christ and St. John the Baptist as the corner base of the triangle and the head of Mary at the apex (Giuliano). A straight line can almost be drawn from the foot of Christ up to the head of Mary down to the foot of St. John the Baptist back to the foot of Christ to further accentuate that pyramidal shape. It was often seen even when there was a mass of people in a scene that they were often...
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...a wide breadth of technical skills, including metalworking, leather arts, carpentry, drawing and sculpting. By the age of 20, he had qualified as a master artist in the Guild of Saint Luke and established his own workshop.Florentine court records show that da Vinci was charged with and acquitted of sodomy at the age of 22, and for two years, his whereabouts went entirely undocumented. The Last Supper (Italian: Il Cenacolo or L'Ultima Cena) is a late 15th-century fresco painting by Leonardo da Vinci in the refectory of the Convent of Santa Maria delle Grazie, Milan. It is one of the world's most famous paintings, and one of the most studied, scrutinized, and satirized.[1]The work is presumed to have been commenced around 1495 and was commissioned as part of a scheme of renovations to the church and its convent buildings by Leonardo's patron Ludovico Sforza, Duke of Milan. The painting represents the scene of The Last Supper of Jesus with his disciples, as it is told in theGospel of John, 13:21. Leonardo has depicted the consternation that occurred among the Twelve Disciples when Jesus announced that one of them would betray...
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...Paper Assignment I Throughout Europe, the Renaissance period had various effects on art which can be broken down and seen from Southern (Italian) and Northern paintings. With the renaissance, came disinterest in dogma, and more of a focus on naturalism and humanism. However, the strong influence of religion never left either the Northern or Southern art works, due to the commission by the church. Giuliano Bugiardini’s, Madonna and Child with St. John the Baptist, 1510, is a pristine depiction of what Southern European art during the renaissance contained, element by element. Northern artists kept most their roots, focusing heavily on religion while enhancing on the details and adding few aspects of naturalism; while Southern artists took more of a maniera greca and humanistic type approach, where religion and abstraction was in a conflicting battle with what was reality. The color, light, and shadow of Bugiardini’s, Madonna and Child with St. John the Baptist, emits a naturalistic feel that is seen throughout the whole painting. The painting’s main colors of brown and green are abundantly found in nature, usually representing trees, grass, dirt, etc. Mary’s red and blue gown contrasts with the rest of the scenery, making her stand out while emitting a calm (blue) but emotional (red) tone. The colors in the painting also seem to tell a story with a dull, dark brown in most of the foreground, and more vivid greens in the background. This could represent current dark times, followed...
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...Two Great Renaissance Artists The Renaissance period is known as a period of the rebirth of Greek ideas. The works of this time were more individualized and the artists had more artistic freedom then were allowed in the Medieval or middle Ages. Two of the greatest individuals of the Renaissance time period were Leonardo Da Vinci and Michelangelo. Not only was Da Vinci a great artist, he was also the best in many fields other than art. “Leonardo is often viewed as the archetype of the "Renaissance Man" because of his expertise and interest in many different areas, including art, science, music, mechanics, the arts of war, politics, philosophy, and nearly every other subject that mattered” (Wikibooks, 2010). Michelangelo Buonarroti is arguably one of the most inspired creators in the history of art and the most potent force in the Italian High Renaissance. As a sculptor, architect, painter, and poet, he exerted a tremendous influence on his contemporaries and on subsequent Western art in general. Both artists had multiple pieces of great art in this time period. Michelangelo had plenty of influences. When he was young he would sketch things on his way to art class. He soon had lessons from a local artist who was also his art teacher named Francesco Granacci. Granacci worked with him for the next couple of years (Harris). He was amazed at how fast Michelangelo learned and how much he excelled compared to Granacci's other students (Ryan). Around age thirteen Michelangelo...
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...own unique style that set her apart from many of the men artists during her time. This is what makes Artemisia Gentileschi an icon of Feminist art.Her depictions of famous scenes differ greatly from men’s. In her first signed painting, Susanna and the Elders depicts the story of a young woman being sexually harassed by the elders in her community. While, many of the male artists at this time depicted the woman as being coy...
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...The Genius That is Da Vinci & Michelangelo Tammy Klapper-Sinclair Art 101 Art Appreciation Instructor: Todd Leisek October 15, 2012 Leonardo da Vinci and Michelangelo Buonarroti were two of the most famous and talented artists of their time. Born only 20 years apart, their artistic styles and interpretation had a similar focus, much of which was thought of as a reflection of their tortured and troubled minds. Michelangelo was intrigued with the precision of the human form and sought perfection of such in his work. Leonardo da Vinci saw a strong, continuous connection between art and science, and many of his works were explanations and findings of many such experiments. Michelangelo and da Vinci were both ground-breaking, pioneering artistic giants and innovators. Through their use of brilliant color, influential and powerful imagery, and their unusual ways of creating complexity in their work, they established themselves as two of the worlds’ greatest artistic geniuses. Although their artwork and forms were quite different, they shared many similar commonalties. For example, both da Vinci and Michelangelo attained much of their inspiration from passages in the bible. They were also both also extremely eccentric and seemingly tormented men who were also very misunderstood and underestimated during their time. It was also believed that both repressed their homosexuality. Both famous men have gone on to live eternally through their ageless and remarkably, breathtaking...
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...Raphael Madonna in the Meadow Oil on panel 1505 Figure 4.16 The artist Raphael painted the Madonna in the Meadow when he was in his twenties in Florence. The painting is also known as Madonna del Belvedere. The painting is currently held in the Kunsthistorisches Museum in Vienna. Light: There are multiple sources of lights in this painting. The most obvious is the light from the sky. Although you can see clouds, the sky lights up the scene behind the Virgin Mary. There appears to be light that makes Christ and St. John light up. Their figures are almost iridescent as well as the Virgin Mary’s foot. Color: The colors in this portrait are mostly subdues except for the Virgin Mary’s dress. The red and the blue in the dress are very bold. The scene behind them appears serene because of the greens and the light blues. The shading on the children’s bodies makes parts of their bodies glow. Shape: The figures in this work appear to be arranged in a pyramidal form. The way the Virgin Mary is sitting and the children are placed in front of her form a pyramid. The mountains behind her also appear in a pyramid shape. Space: The backgrounds of the mountains appear very light and the blue leading up to the top of the portrait display a great amount of atmospheric perspective. Much of the background is also taken up by the green around Mary and the children. The subtle flower popping up also fills the space. Texture: The texture in this work are also very organic. The green...
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...gallery. Feast of Herod is truthfully one of my favorite pieces of art, in any location. Mattia Preti completed Feast of Herod between 1656 and 1661 in Europe. The piece is oil on canvas and it’s completed height and width is 2521 cm x 1778 cm or 70 x 99 ¼ inches. This piece is a darker, more sinister looking piece with many characters, and exemplifies baroque imagery. Mattia Preti born February 24th 1613 in Taverna, Calabria, Italy and deceased January 3rd 1699 in Valletta, Malta. Preti was an Italian Baroque artist who worked mainly within Italy and Malta. Preti was a member of the Order of Saint John, a catholic...
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...___________________________________________________________ Family Members/Ages __________________________________ _______________________________ __________________________________ _______________________________ __________________________________ _______________________________ Address ______________________________________ City _______________________ State _____ Zip _____________ Email _________________________________________ Telephone ________________________________________________________________ When did your family join St. John the Baptist Parish?__________________________ Please tell us the story of your family’s journey to joining St. John the Baptist Parish. (attach more paper if necessary) Turn this page over & become an active part of our celebration! Please return to the Rectory Office, place in the collection basket during mass or in the box in the Narthex. Check off areas of interest and we will contact you. Events ____ Parish Kick Off Potluck on Oct. 21, 2008, 2-5 PM in the Parish Hall Set-up_____Decorating _____ Food Serving_____ Clean-up______ Supply Purchases_____ ____ Heritage Tree and Christ the King-beginnings of...
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...picture, they have to consider two things: firstly, the subject to paint, and secondly, the methods they are going to apply to produce an impression of the subject on the canvas. These points are of greater importance when faced with the challenge of painting God, since the methods used must compare to the Divine; so to answer this question fully, it is important to consider if it really is impossible to portray God adequately, if at all. God is a metaphysical concept, rather than a physical being, so arguably anyone might create a representation of God and say it is correct in their eyes. The very fact that many artists have depicted God in their paintings shows that it is not impossible to set out to portray Him, it is just a case of whether or not they have done so in such a way that the Christian community feels that it is adequate enough. There are two main...
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...Leonardo was, and is, renowned primarily as a painter. Among his works, the Mona Lisa is the most famous and most parodied portrait and The Last Supper the most reproduced religious painting of all time, with their fame approached only by Michelangelo's The Creation of Adam. Leonardo died at Clos Lucé, France, on May 2, 1519. François I had become a close friend. Vasari records that the King held Leonardo's head in his arms as he died, although this story, beloved by the French and portrayed in romantic paintings by Ingres, Ménageot and other French artists, may be legend rather than fact. Da Vinci has been called a genius and the archetypal Renaissance man. His talents inarguably extended far beyond his artistic works. Like many leaders of Renaissance humanism, he did not see a divide between science and art. STYLE OF PAINTING da Vinci’s Painting Technique Throughout his years (1452-1519), Leonardo da Vinci employed a variety of techniques from painting on a dry stone wall to using wet plaster depending on the work surface he was commissioned to paint. Leonardo da Vinci typically painted with oil paint that he made by hand from ground pigments; later in his career, he worked with tempera made from egg whites. His work surface typically would be a canvas or board, or sometimes stone when painting a mural. As da Vinci...
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...Leonardo was, and is, renowned primarily as a painter. Among his works, the Mona Lisa is the most famous and most parodied portrait and The Last Supper the most reproduced religious painting of all time, with their fame approached only by Michelangelo's The Creation of Adam. Leonardo died at Clos Lucé, France, on May 2, 1519. François I had become a close friend. Vasari records that the King held Leonardo's head in his arms as he died, although this story, beloved by the French and portrayed in romantic paintings by Ingres, Ménageot and other French artists, may be legend rather than fact. Da Vinci has been called a genius and the archetypal Renaissance man. His talents inarguably extended far beyond his artistic works. Like many leaders of Renaissance humanism, he did not see a divide between science and art. STYLE OF PAINTING da Vinci’s Painting Technique Throughout his years (1452-1519), Leonardo da Vinci employed a variety of techniques from painting on a dry stone wall to using wet plaster depending on the work surface he was commissioned to paint. Leonardo da Vinci typically painted with oil paint that he made by hand from ground pigments; later in his career, he worked with tempera made from egg whites. His work surface typically would be a canvas or board, or sometimes stone when painting a mural. As da Vinci...
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...work—which includes "Virgin of the Rocks," "The Last Supper" and "Mona Lisa"—have influenced countless artists and made da Vinci a leading light of the Italian Renaissance. Leonardo was, and is, renowned primarily as a painter. Among his works, the Mona Lisa is the most famous and most parodied portrait and The Last Supper the most reproduced religious painting of all time, with their fame approached only by Michelangelo's The Creation of Adam. Leonardo died at Clos Lucé, France, on May 2, 1519. François I had become a close friend. Vasari records that the King held Leonardo's head in his arms as he died, although this story, beloved by the French and portrayed in romantic paintings by Ingres, Ménageot and other French artists, may be legend rather than fact. Da Vinci has been called a genius and the archetypal Renaissance man. His talents inarguably extended far beyond his artistic works. Like many leaders of Renaissance humanism, he did not see a divide between science and art. STYLE OF PAINTING da Vinci’s Painting Technique Throughout his years (1452-1519), Leonardo da Vinci employed a variety of techniques from painting on a dry stone wall to using wet plaster depending on the work surface he was commissioned to paint. Leonardo da Vinci typically painted with oil paint that he made by hand from ground pigments; later in his career, he worked with tempera made from egg whites. His work surface typically would be a canvas or board, or sometimes...
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...writing. Although Italian Renaissance broke all tradition with Gothic style of art during the 15th century, it was a different story on the north side of Europe. The north never really abandoned the dark and gothic styles, it held on to it. In the North, Artistes were focusing more on the Middle-class and peasant class than on the wealthy. Artists such as Pieter Bruegel and Hieronymus Bosch were creating masterpieces of the peasant life. They were showing their perspective of it. “The Peasant Wedding” is a great example of this; Pieter Bruegel painted it in 1567 and it just simply show a wedding celebration of a peasant. The North also focused more on nature and landscapes. They focused more on the out doors and less on humans. “St John The Baptist in the wilderness” is an example of this. It was painted by Hieronymus Bosch in 1489. The illustration shows a man lying down on the dirt and around him is a bunch of trees, wild flowers, and even an animal. This shows the they were still giving the humanist idea some love, but they were also giving their...
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...edu/blackboard/) This assignment asks you to visit the Museum of Fine Arts, Houston. You will be describing and analyzing a painting in the collection of the museum, paying particular attention to the relationship between the form, composition, and culture of the society from which this painting originated. Then you will contrast that with what you’ve learned about the Northern style of painting, especially considering different Northern priorities in depicting religious themes. First, locate the painting: Giuliano Bugiardini, Madonna and Child with St. John the Baptist, 1510 in room 216 of the Audrey Jones Beck building of the Museum of Fine Arts. Discuss how the painting is representative of the Southern Italian style. How does the artist’s use of color, light and shadow, and composition (relationship of figures and space) affect your interpretation of the narrative? How is the human body rendered, and in what sort of environment? What priorities does this artist have in visualizing the narrative for the audience? After describing the painting, consider the cultural differences represented by Southern and Northern painting. How might this theme look differently had it been painted by a Northern artist? How might a Northern artist have interpreted the same scene differently? How might you recognize the museum’s painting as an Italian painting, even if you didn’t know the name of the artist? As a 1-paragraph conclusion, consider the impact of the museum space in framing...
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