...Harriet Tubman and Rosa Parks: Rebellious Historical Heroes Monique Jones ENG/220 Philip Schunk April 25, 2016 Harriet Tubman and Rosa Parks: Rebellious Historical Heroes Harriet Tubman and Rosa Parks were two incredibly brave women who became heroes in history. They had a calling to stand up for what they believed in from the time they knew the world around them was not a fair place to live. A time when African Americans were sold to Caucasians, to work as slaves, and segregation was alive, black and whites were not allowed to sit together on buses, or learn together in schools. Both Harriet Tubman and Rosa Parks were heroes in different eras around the civil war, but both experienced discrimination, wanted freedom, and acted in rebellious ways to stand up to what they believed in. Maturing into the Unbeknownst Heroes Harriet Tubman and Rosa Parks were maturing when white supremacy had the upper hand, although in different ways they held the same belief. On one hand, Harriet Tubman was a runaway slave who wanted to help her friends and family, too, escape to their freedom. She was illiterate due to a childhood head injury or furthermore by the law that was against the teaching of enslaved Africans (Singer, 2012). On the other hand, Rosa Parks grew up standing up to the white bullies back talking the whites who treated her in an unfair way. She stated to her grandmother, "I would rather be lynched than live to be mistreated and not be allowed to say 'I don't like...
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...The presence of archetypes is an essential element of the quest storyline, both in American and foreign literature. Pioneers of the archetype concept include scholars Joseph Campbell, Christopher Vogler, and Carl Jung, whose notions of archetypal literature developed into what most academics accept as the characteristic blueprint for a quest story today. Though these archetypes were first described just over a hundred years ago, they have persisted throughout literary and visual art for millennia. The most important archetype that Vogler describes in his Memo That Started It All is The Hero. He describes Hero characters as the central figures of stories that often make influential accomplishments on behalf of their respective civilizations...
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...Men and women are still viewed differently in spite of all efforts that have been made in gender equality. Hester’s many actions throughout the novel prove that she is a strong female character in The Scarlet Letter by Nathaniel Hawthorne. Hester Prynne is also viewed as a hero by some people in parts of the novel. A point one could argue is whether The Scarlet Letter is a feminist novel or not; although the novel is supportive and negative to both men and women, it is often considered to be a feminist novel. Despite Hester’s heroic actions throughout the novel, The Scarlet Letter is not a feminist novel because during Puritan times, punishment was equal between men and women. To begin, the most distinguished action carried out by Hester was her affair with the town’s priest. The fact that Hester had an affair became public knowledge when she became pregnant and gave birth to her child. This action was considered a crime: Hester’s punishment included jail time, public shaming, and, “On the breast of her gown, in fine red cloth, surrounded with an elaborate embroidery and fantastic flourishes...
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...T. Kelley Professor Fox English II, 11 am Due: 30 Nov 2012 Heroes After more than 10 years of combat, the media has given many soldiers the title of hero. Jessica Lynch was one Soldier who was given the title hero. Was she truly a hero? What actions merited such a label? Pat Tillman also received the coveted title of hero, despite much controversy. Pat Tillman’s label of heroism occurred because of his strong social status. However, the word hero in Tillman’s case was misused to disguise actual events or cover up the misfortunes of war. Shoshona Johnson would be called a hero as well. Shoshana Johnson and Lynch were captured the same day but because of race, one hero would receive more accolades than the other. These soldiers wanted to share the truth, but media’s opportunity to transform them into hero took precedence. All of these heroes received differential treatment based on their gender, race or social status. Jessica Lynch seemed to be the perfect candidate to depict as an American Hero. Lynch is 5’6, 130 lbs. with blonde hair and blue eyes (Fluharty). With Barbie doll like qualities, Jessica not only served as an American Soldier, but possessed the beauty necessary to attract attention of viewers and develop a great story. The War on Terrorism has allowed news anchors to televise and participate in more combat related events than ever before, yet truth is often skewed to give a better news line story. The events that led to her capture in Iraq in 2003...
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...gender. Since we are kids, in the TV shows, but also in most of all the cartoon movies we see that normally the man is the main character. In these cartoons, the hero is a man and the woman is seen as a person that needs to be saved from bad people. At least that was happened when I was a kid. All the Disney movies I saw when I was young was this kind of type like The Lion King, Aladdin, Cinderella, etc. In these movies always the male character saves the girl, but actually that point of view is changing. The first animation movie where I saw that changed was Shrek. It is true that the main character is male, but in this movie in reality the female main character does not need to be saved, and in most of the times the female is the one who saves the hero. The language used by the female character is different, we see that in the beginning the female acts like women to be saved, but in reality it does not need anyone. This movie changes the topics of the male that need to save the female. (https://www.youtube.com/watch?v=q2aF3h7yxYU ) This film opened the door to all new kind of movies, where the female was the protagonist and they do not need to be saved; instead, they assume the role of the hero and do not need to be saved. The perfect example of this is in the movie Brave. In this movie we can see that the hero is a woman and in any part of the movie she needs to be saved by a man. Wee can see a perfect example of what the society expects from a woman and the language they...
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...Gender Collisions in Much Ado about Nothing Some of Shakespeare’s plays are related to the love between male and female, such as, Romeo and Juliet, Twelfth Night, Much Ado about Nothing and etc. Shakespeare’s focuses in these plays varied from different periods in his life. I’m going to analyze the gender collisions in the following couples in Much Ado about Nothing: Hero and her father Signor Leonato, Hero and Claudio, Benedick and Beatrice. I. Hero and her father Signor Leonato Hero and Leonato’s relationship is the typical father-daughter relationship in the feudal patriarchy. Signor Leonato, the father, is an arbitrary male chauvinist, loves his daughter superficially but never truly care about Hero. Hero, like most women in that time, follows everything what her father says. Obedience is rooted in her life. Marriage and obedience are the only two things she could use to please her father. As a “useless” girl in feudal society, Hero accepts her fate. All these factors result in the chaos in wedding. When Claudio doubted Hero’S chastity and dishonored Hero, Leonato’S first response is feeling humiliated for himself, worrying about his reputation and wanting to kill his daughter to save his fame. Hero just cried and even cried to faint. The only thing she could do is sitting, crying and saying “no”. She never thought stand up, and tell her father Claudio bravely “No! You are wrong! I am innocent!” The arbitrary and arrogant father and the coward daughter are still exist...
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...In his book, The Hero with a Thousand Faces, Joseph Campbell explains the structures of many hero-based myths, using a common pattern shared throughout known as the monomyth, or the hero’s journey, a sequence of actions that can be found in most stories. In fact, the structures of the monomyth outlined by Campbell are consistent with those of The Godfather: Part I, a 1972 film directed by Francis Ford Coppola. By taking Michael Corleone, the main character of The Godfather, and viewing him as a hero within his world, one may be able to conclude that Coppola may have employed the ideas of Campbell. Campbell’s monomyth theory consists of 17 stages that may appear at different times along the story. Nonetheless, a story may not contain all 17 stages. The Godfather contains many elements of the monomyth, however, they are found in an unusual order. DEPARTURE The first part of the adventure of the hero, as seen in Campbell’s book, is Departure. This is the initial frail state before the hero’s transformation begins. The hero is sympathetically introduced to the audience. The hero’s situation and dilemma can already be noticed and we can see that he is living some kind of polarity which is pulling him in different directions and causing him stress. In this chapter, there are many stages that a hero must go through....
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...emphasizes three major elements of a good play: plot, character, and thought. To be more specific, in an Aristotelian play, thought sets the cause of action with character as emotion developer based on plot as the basic form. Besides these three main factors, the idea that a play should be a complete whole is also the basis of the Poetics (Aristotle 61). Therefore, when comparing the choices Lobby Hero by Kenneth Lonergan and The Philadelphia Story by Philip Barry for the play of the season, unification and regularity of all three elements. After comparing and contrasting both plays, Lobby Hero fits the Aristotle’s model’s three elements, plot, character and thought better than The Philadelphia Story does because Lobby Hero has a more consistent development of action, characters’ personality and emotions. The imitation of one action is very essential to construct a complete plot. Lobby Hero constructs a smooth unity of action in all of its plots while The Philadelphia Story’s imitation is vague. Although both plays have connected actions that make the structural union of all parts, Lobby Hero has a more surrounded action which is the pursuit of right things. Jeff repeatedly shows his ambition of lending help. For example, he praises William’s kindness when William is baffled by his brother’s incident; he also emphasizes his importance as a “safety specialist” to make himself sound superior. These series of repetition and imitation cumulate to an end of telling the truth. To Jeff,...
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...In many accounts the archetypical hero has been used time and time again. The heroic character has traits that are collectively inherited and admired by many. In Silence of The Lambs and the mythological story of Theseus an archetypical hero is used. The reason why mankind has steadfastly composed the archetypical hero is because it is found relatable. The hero is relatable because they are intriguing, impressive and inspirational. The archetypical hero is intriguing as he comes from an obscure or mysterious origin and he is also spiritually alone. Theseus is intriguing as his father is unknown. Theseus’ mother slept with two different men the night of his conception. These men were Poseidon, a god and Aegeus, a king. So Theseus could either be a demigod or the son of a king. Theseus begins his journey by collecting flying sandals and a sword from under a rock from (his could be father) Aegeus. By himself, Theseus set off to find his father as well as his maturity. In Silence of the Lambs, Clarice is an outsider in her field of work for the FBI, since she is a female in a man’s world. Her father dying when she was only 10 and her mother already deceased created an even more captivating past. Despite her difficult beginnings she prospered as the head of her class. She was then chosen for an important case even though she was still training in the academy. Clarice is an introvert to society and remains spiritually isolated, haunted by her past. After her father died she lived with...
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...The Politically Correct Private Investigator: Not Much Different From The Old Guys People who read detective/Private Investigator (P.I) fiction do so because they are attracted to certain elements that they can expect and enjoy from this genre. Indeed, it seems de rigueur that the hero should have certain character traits and face certain problems in certain ways. In a chapter titled “The Private Investigator,” in fact, we read that a typical investigator will be, male, hard-boiled, an expert on the city, a loner, streetwise, tough, physical, and a mixture of an idealist and cynic. In, however, “Lost Polars,” we see that the author wants to add the novelty of a female character, while maintaining the integrity of the detective genre. Therefore, in Shelley Singer’s depiction of Barrett Lake, the salient and correlative aspects of the archetypal qualities of a private investigator are not tainted with progressive, feminist values. Even though Lake is a woman, she still typifies the noir, solitary hero who stands up for justice even in the face of circumstances that would break the morale of anyone else. This is Singer’s big trick on the audience. We see, for instance, Lake’s intuition, coupled with her quick-thinking, which assured her successful investigation into Judy Garbman’s murder. She’s a woman who does this, but there’s nothing really “feminine” about this process. Her willingness to calm and collectively rationalize and reason, while the rest of her reunion...
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...A Jungian analysis of the warrior woman in popular culture and a brief look at what the archetype means culturally and psychologically. The 1990s and the new millennium saw an influx of female action heroes on television from Xena to Scully, Buffy to Sidney Bristow. Countless girls and boys eagerly jumped to their television set each evening to absorb the warrior energy of their new role models. Adults, too, were intrigued by the possibility of a new gender role for women – fighters. These women were not only stereotypically beautiful characters, but, untypically, they were also highly intellectual, courageous and strong – stronger indeed than the men portrayed alongside them, if not their equals. These fighting women usually depended on themselves for rescue and did not always wait around for their men. Some women warriors had martial arts expertise (Xena, Buffy, Sidney, Nikita), some wielded weapons (Dana Scully from The X Files, Samantha Carter from Stargate SG1), while others used magic (Willow from Buffy the Vampire Slayer, the three sisters in Charmed), and then there was the cyborg (Seven of Nine from Voyager and Max from Dark Angel). All nevertheless embodied the warrior archetype: a fighting spirit evoking a new female consciousness, one that reflected a shift of values in Western society's gender norms. C. G. Jung Research Online books, journals for academic research, plus bibliography tools. www.Questia.com/C._G._Jung Jungian Philosophy Analytical psychology...
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...of England, which was the age when females were considered significantly inferior to their male counterparts. Shakespeare has used this concept of gender for creating humour in his play. The characters Benedict and Beatrice are involved in a complex relationship which contrasts between love and hate. Both Beatrice and Benedict are strong willed, intelligent characters, who fear that falling in love will lead to a loss of freedom and eventually heartbreak. Various theories have been proposed which govern humour and comedy. The superiority theory proposed by Plato describes the darker side of comedy that Is often laughed at over unfortunate situations and social standings. Infirmity in others as compared to our own is often laughed at. These same principles has been applied to the story of the play, and the inferiority of females has been used as the basis for creating humour. [quick quote & example to back this up?] The characters Shakespeare's “Much Ado about Nothing” contribute to build the humorous essence of play through their roles. Several characters of the play presented comical language and gestures such as Benedick and Beatrice’s unromantic backbiting. In addition, the high-mannered Elizabethan society in which the characters of the play lived in also played a part to make the play a comedy. Beatrice wants to remain an unmarried women which is going against the social norms at that time. Beatrice also speaks up when Hero is accused of violating chastity....
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...Big Hero 6 became an instant hit in theaters, earning an estimated 657.8 million dollars in the box office. However, it did not become an instant hit to the minority groups all over America and around the world. Big Hero 6 uses gender differences and race stereotypes to establish a new and improved society in the movie. Big Hero 6 is not the new equally diverse movie it claims to be. There are Asian characters and white characters. However, there is only one African American and no Indians or Latinos! Although, Disney claims that the movie is culturally diverse because a white character, Honey Lemon, is voiced by Genesis Rodriguez, who comes from a line of Latino ancestors. Minority groups do not want to see a white character voiced...
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...Society has many ideas about proper behaviors regarding gender roles. Over time, it is obvious the rules and expectations made up by society regarding proper male and female behavior has become very different. Males have to live up to the standards of having a good career and living up to strong goals to reach it. Males are always seen as strong and tough while females are known for their feminine behaviors and softness—the least capable to qualify for tough jobs. “Like all sciences and all valuations, the psychology of women has hitherto been considered only from the point of view of men.” (Karen Horney). In Buffy the Vampire Slayer, the Director David Solomon challenges gender roles in society by empowering the woman, and challenges traditional ideas...
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...During the late 19th century Victorian era, women’s roles and positions were portrayed as dependent, devoted to families, and home-loving (Trueman). As time goes on, the term “New Woman” was introduced (Shmoop). Later, this term was popularized by British-American writer Henry James. This “New Woman” moved away from the stereotypical woman during the Victorian era. The “New Woman” was educated, intelligent, and independent (Melani). One novel that represents these two types of women is Bram Stoker’s Dracula. The two female characters in the novel are Mina Murray Harker and Lucy Westenra. Both Mina and Lucy represent the typical woman in the Victorian era. For example, the Victorian women were portrayed as an innocent person. Lucy appears in...
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