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The Japanese Period

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The Japanese Period (1941-1945)

Historical Background: Between 1941-1945, Philippine Literature was interrupted in its development when the Philippines were again conquered by another foreign country, Japan. Philippine literature in English came to a halt. Except for the TRIBUNE and the PHILIPPINE REVIEW, almost all newspapers in English were stopped by the Japanese. This had an advantageous effect on Filipino Literature, which experienced renewed attention because writers in English turned to writing in Filipino. Juan Laya, who uses to write in English, turned to Filipino because of the strict prohibitions of the Japanese regarding any writing in English. The weekly LIWAYWAY was placed under strict surveillance until it was managed by Japanese named Ishiwara. In other words, Filipino literature was given a break during this period. Many wrote plays, poems, short stories, etc. Topics and themes were often about life in the provinces.
A. FILIPINO POETRY DURING THIS PERIOD The common theme of most poems during the Japanese occupation was nationalism, country, love, and life in the barrios, faith, religion and the arts. Three types of poems emerged during this period. They were:
1. Haiku –a poem of free verse that the Japanese like. It was made up of 17 syllables divided into three lines. The first line had 5 syllables, the second, 7 syllables, and the third, five. The Haiku is allegorical in meaning, is short and covers a wide scope in meaning.
2. Tanaga –like the Haiku, is short but it had measure and rhyme. Each line had 17 syllables and it’s also allegorical in meaning.
3. Karaniwang Anyo (Usual Form) –like those mentioned earlier in the beginning chapters of this book.
B. FILIPINO DRAMA DURING THE JAPANESE PERIOD Many of the plays were reproductions of English plays to Tagalog. The translators were Francisco Soc Rodrigo, Alberto

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