...Beowulf: A Historical Masterpiece Written in approximately 750 A.D., Beowulf is the only remaining transcript of the 10th century. Even before it was written though, it had been circulated though it’s original oral narrative. Many of the events and characters tie to battles and actual figures in history that pre-date the Anglo-Saxon invasion in 450 A.D. Though originally pagan in nature, due to the Anglo-Saxon conversion to Christianity Beowulf was told through a Christian poet. The poet does reference to biblical thoughts and ideas, it’s mixed within the basic Anglo-Saxon principle. Which is pretty impressive. The fact that one can use Beowulf as a way to look at and understand the Anglo-Saxon culture, which may have been lost without it, is an historical feet all on its own. The values shown in the characters in Beowulf are the same values the Anglo-Saxon had. When it came to the values of the warrior class, it’s especially similar. Beowulf is in a sense the quintessential Anglo-Saxon warrior. Warriors at that time were first and foremost loyal to his people and his thane. A warrior was also brave and valorous. Without these what kind of warrior would one be? The warrior had to be courageous to go out to battle without certainty of coming home. Along with courage, a warrior also had to be proud. Not too proud as to offend the thane or his lady, just enough to make him seem worthwhile. Strength was a very sought after trait in a warrior. Strength was so highly viewed in...
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...Beowulf: What Makes Him a Human In Beowulf, the hero Beowulf possesses great strength, which gives him the ability to defeat vicious monsters throughout the story. His strength is not compared with any man, but only with the monsters he faces in battle. Although he possesses a seemingly un-human-like strength, Beowulf is separated from the monstrous by his caring, honorable nature, his ability to think rationally in every battle he enters, and the fact that God is on his side. Beowulf’s caring nature for his people and everyone around him are crucial aspects of his personality when it comes down to whether he is a monster or not. Although Beowulf can be looked at as arrogant and boastful, his honor and love for his people is undeniable. In passage 1 included in this essay (2177-83), Beowulf is described as a man who acts with valor: “Thus Beowulf bore himself with valour; / he was formidable in battle yet behaved with honour.” (2177-78). These lines show that Beowulf is an honorable man in the eyes of many, and that he is highly respected especially in terms of battle etiquette. He never takes advantage of the power he possesses, and he will never enter battle with a man who is drunk because it would be an unfair battle: “and took no advantage; never cut down / a comrade who was drunk, kept his temper…” (2179-80) This shows the aspects of Beowulf’s character that men highly respect because he would rather fight a man who is fully capable of fighting, not one who is at a...
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...human nature that we cannot escape because it is too strong for us to overcome the temptation on a daily bases. In the epic poem, Beowulf, the actions of many of the main characters reflect how revenge seduces us to make decisions that have negative impact not only on us but the people around us. Because seeking revenge more and more destroys us, the nature of evil is revenge. After spending most of his life in the dark doing nothing with his time, Grendel strives to deprive the people of Herot of their happiness. The grandfather of Grendel, Cain was banished so along with Grendel and his parents were banished as well, as a result it made him feel alone and isolated. Being alone made him a monster in only on the outside but the inside as well. “…A powerful monster, living down in the darkness, growled in pain, impatient as day the music rang…” This quote shows the impact on how being lonely change someone. It lead Grendel to snatch up thirty men, smashed them, and take them way. Grendel’s choice to focus on his pain and become self-absorbed leads directly to his violent actions. Instead of cowering in grief, the mother seeks revenge upon Beowulf for what he did to her son Grendel. She takes the king’s right hand man and Beowulf’s trophy. Something that he believes that is rightfully his. When his mother visit Herot, she carries off Grendel’s arm, which Beowulf hung high from the rafters. This indicates that Grendel’s mother, as part of her grieving, gets back at Beowulf for the...
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...belief set. The hero is the most dominant archetype in Beowulf because it deals with the fraternity warrior’s culture. Although the pluralism of Anglo-Saxon culture is very similar to our American culture, the archetype of The Ruler takes place in America today because everyone wants to take control and have power over their own lives and others around. In Literature, an Archetype is a typical character, an action or a situation that seems to represent such universal pattern or human nature. There are many set archetypes; The Innocent, The Lover, and The Rebel. However, the one that dominates the most in Anglo-Saxon culture is the Hero. “I’ve never known fear, as a youth I fought in endless battles. I am old, now, but will fight again, seek fame still, if the dragon hiding in his tower dares to face me” (Beowulf’s Last Battle 607-610). In Anglo-Saxon culture being boastful and prideful is praised because it is a characteristic of a Hero. The poem itself was named after Beowulf to show that he was the dominant hero, the one who stood in the spotlight. “Then he stepped to another still body, clutched at Beowulf with his claws, grasped at a strong-hearted wakeful sleeper” (Beowulf 268-270). That night, Hrothgar threw a huge party for the brave Geats and Beowulf was the only man in the hall who was sober and awake. He had the foresight to not get drunk and pretend to sleep because he knew the monsters would come. Once again Beowulf is demonstrating the Anglo-Saxon culture existence...
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...Trails of heroic fate of Beowulf Introduction The narrative of epic poem Beowulf consists of three episodes in which the hero is engaged in the peculiar mission of fighting with three fabulous monsters (Fisher 1958, p.173). The first monster Grendel is quickly defeated; the second, Grendel’s dam is depicted with greater elaboration but also ends in demise at the hands of Beowulf; and the eventual dragon, distanced from the previous two in a span of fifty years, brings the heroic career of aging Beowulf to an end. The unity of Beowulf’s three fights from ease to death, perceived by some researchers like Klaeber (1950), holds the epic together. Others see the epic poem more than a collection of three different fights in a hero’s life, but it is united and intertwined by two parts—the fights with Grendel and his dam and the final dragon fight—signaling “the opposition of hero and king, youth and age, the beginning and ending of a life achievement” (Tolkien 1936). On the basis of this premise, Fisher (1958) conceives the theme of the epic as the “doom of Beowulf”, the integration of “redemption and judgment treated in a way which skillfully blends the Germanic hero with the Christian saint” (p.171). Wrenn (1958) states the similar notion, arguing Beowulf, a Germanic hero, shows his greatest splendor “ not alone in winning glory by victory, but rather by finding his supremely noble qualities especially in the moment of death in battle”. The essay aims to analyze the three fights...
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...evident themes portrayed in the novels Beowulf and Grendel. These themes were seen in a variety of methods used by the author point of view, purpose, style of the text, persuasiveness, beauty of the text, and a number of other ways. Major themes seen in both of these stories are search for identity and violence. These themes are in both these stories and are what bring power and uniqueness to the style of the writing. Beowulf and Grendel are both very well known for displaying what a true epic hero was and showed the flaws every epic hero had as well. In both Grendel and Beowulf, a strong theme seen the author’s point of view is a search for identity. It is not just Beowulf and Grendel...
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...The Power of Knowledge Knowledge can be approached in different ways and numerous interpretations are considered. Knowledge can be stimulated through humility or ignorance. I have selected three separate texts that illustrate the connection human aspirations and knowledge has in common and the impact hierarchy rankings have on one’s insight. The literary analysis essay interprets and defines the term “knowledge”. The meaning focuses around learning, instruction, insight, philosophy, and proficiency. The texts that will be used throughout the essay as sources are: Beowulf translated by Michael Swanton, The Wife of Bath’s Tale and the author is Geoffrey Chaucer, and The Tempest which is a product of William Shakespeare. Characters from the chosen texts demonstrate their perception of knowledge and wisdom based on the significance of superficial existence. People’s assumed power and privilege promote certain actions they could partake in when trying to fulfill personal desires. Acts of knowledge can be either appropriate or inappropriate gestures. It is difficult to distinguish right from wrong deeds the overall circumstances has to be examined and the answer lies in the outcome of the decision when wisdom was applied. There is good and evil in everyone, selfless or self-centered choices formulate one’s character and the observed perception others have. The texts educate the reader that karma usually constructs challenges or rewards depending on if your knowledge was practiced...
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...Good Vs. Evil In Beowulf, the conflict between good and evil is the poem's main and most important aspect. The poet makes it clear that good and evil doesn’t exist as only opposites, but that both qualities are present in everyone. Beowulf represents the ability to do good or to perform acts selflessly and in help of others. Goodness is also showed throughout this epic as having the ability to cleanse evil. Even though evil is presented by Grendel, Grendel's mother, and the dragon, who are filled with a desire to act against people and ultimately destroy them, even pride, a human quality, is presented in Beowulf as a sign that evil exists. This story might even be considered a classic because it mainly talks about the old fashion good vs. evil, hero vs. villain. Beowulf and the three monsters show the significant difference between good and evil, and why god will always prevail. At the beginning of the play, one reads about Grendel, who is a man eating monster who is feared by everyone. Grendel represents sin and evil throughout the story in various ways. Evil is first shown by the monster Grendel when, “Suddenly then the God-cursed brute was creating havoc: greedy and grim, he grabbed thirty men from their resting places and rushed to his lair”. (Beowulf 120-124). Grendel lives in the darkness and has absolutely no remorse on human life. This shows a very big quality of an evil being and how the Anglo-Saxons viewed evil in forms of monsters. Evil is also thought to be greedy...
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...have always had an educative role. In the literary works of fiction, authors use diverse images and symbols in order to trigger a particular reaction from the audience. Some authors, however, use traditional images in new contexts challenging the audience's perception of those iconic characters. Authors often argue that characters can have different meanings and symbolism in different cultures and different times. The best example of these new meanings is seen through the writing about iconic monsters in different time periods. From the analysis’ of Beowulf and Grendel: The Truth Behind England’s Oldest Legend by John Grigsby and Grendel by John Gardner, the character of Grendel in both books is the symbolic meaning of how society is afraid of the unknown. When people are confronted with an unfamiliar circumstance, it is human nature to twist the unknown into something frightening and unacceptable....
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...strong attachment to nature; where loyalty and honor were more important than life. And for a culture that did not believe in the immortality of the human soul. Beowulf is the oldest and longest known poem of the Old English period. The passionate struggle between Beowulf and the sea monster Grendel is a reflection of the struggle between man and the forces of nature. INTRODUCTION The Medieval Times encompass one of the most turbulent periods in the History of England and scatter the Medieval History books and other historical documents. Middle Ages embraced two quite different periods of literary history, the Old English (or Anglo-Saxon) and the Middle English, sharply divided from each other by the Norman duke William´s conquest of the island in 1066. Both English culture and the English language changed radically in the years following this event, and English literature was given a new spirit. (The Norton Anthology of English Literature) Old English was the West Germanic language spoken in the area now known as England between the 5th and 11th centuries. Anglo-Saxon was first written with a version of the Runic alphabet known as Anglo-Saxon or Anglo-Frisian runes. This alphabet was an extended version of Elder Futhark with between 26 and 33 letters. Anglo-Saxon runes were used probably from the 5th century AD until about the 10th century. All these qualities of form and spirit of literature in this Era are exemplified in the epic poem Beowulf. Beginning...
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...Throughout history and even in the modern world, tales, fables, and stories tell of hideous and cunning monsters who wreak havoc on those around them. Similarly, in the epic poem Beowulf, monsters such as demons and dragons are integral parts, playing a large role in the plot. No historian has been able to conclusively prove how the idea of monsters was invented. Several theories claim to explain how the existence of monsters was created; one credible theory states that monsters could have derived from the projection of unwanted qualities in humans. Monsters could be a twisted personification of humans who exaggerate elements of human nature that the world has traditionally perceived as bad (Trout). In the translation of Beowulf by Seamus...
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...Stephanie Newman English 41 Midterm Essay Beowulf: Man and Monstrosity After winning his fight against the monster Grendel, Beowulf stands on rooftop and holds up the demon’s torn-off arm, displaying the mangled limb for all to see. Our hero has just defeated this monster whose attacks on the mead-hall Heorot lasted for years, thereby relieving the Danes of “no small affliction” (832). This victory scene can easily be read as a rally of hope against the grim threat of monstrosity in Beowulf—but that would be to ignore the monstrous nature of the scene itself. There is a certain horror in watching Beowulf revel unabashedly in his slaughter of another creature. As he exhibits Grendel’s “shoulder and arm, his awesome grasp” we are invited to question what “awesome” signifies in this context (835). Are we repulsed by Grendel’s destructive force? And are we impressed by Beowulf’s equally grotesque power? If monstrosity is the insolvable problem in Beowulf, then the question at hand is where it becomes manifest: in monster, or in man. One clear fact about Beowulf’s monsters is that they are pitilessly committed to human destruction. The damage they cause to the Danes and the Geats is immeasurable, and their acts of terror afford impressive description in the text. Whole sections of the epic are dedicated to the monsters’ assaults on humans. From Grendel’s first attack on Heorot, the monster gruesomely kills men by the fistful; he is depicted, in a brutely alliterative line...
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...Dan Gallegos October 20, 2014 Ms.Delgado While the classic battle between good and evil forces is a major theme of the medieval epic Beowulf, one may question whether these good and evil forces are as black and white as they appear. Scholars such as Herbert G. Wright claim that “the dragon, like the giant Grendel, is an enemy of mankind, and the audience of Beowulf can have entertained no sympathy for either the one or the other”. However, other scholars such as Andy Orchard disagree with this claim, and believe that there is “something deeply human about the ‘monsters’”. While Grendel, Grendel’s mother, and the dragon are indeed portrayed as evil and violent foes, there are parts within Beowulf that can also lead a reader to believe that the “monsters” may not be so monstrous after all. This ultimately evokes traces of sympathy in the reader for the plight of these “monster” figures, and blurs the fine line between good and evil within the poem The first opponent Beowulf must face in the land of the Danes is Grendel, textually described as “a fiend out of hell … a grim demon / haunting the marches, / marauding round the heath / and the desolate fens” (Beowulf, line 100 – 104). The author also provides us with a moral description, explaining how Grendel is “merciless … malignant by nature, he never showed remorse” (line 135-137). As we can see here, the author’s physical and moral portrayal of Grendel is rather unforgiving. We also resent Grendel further once we learn that...
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...covered in Masters in Pieces. Beowulf, composed by an unknown author between the eight and the tenth centuries AD was an epic poem from the Medieval Era. Faustus was a play written in verse by Christopher Marlowe during the Renaissance Era between 1564-1593, both reflecting the dominant ideas and values of the context. The Medieval Era was a politically unstable time predominantly influenced by Christian culture and storytelling, where heroic tales of the noble were highly valued and as a result reflect religious ideas. The Renaissance era marked a major cultural turning point for British Culture as the philosophy of humanism emerged, which engendered literature to become increasingly vibrant and free- thinking. Both canonical texts provide significant insight into both the Medieval and Renaissance era. These concepts are explored through the principals of Christianity and the prevailing conflict during each context time. The importance of religion were relevant in both contexts, Beowulf reinforcing the beliefs of the time while Faustus indicates Britain's shift to humanist values and intensified the assertion of personal independence and individual expression. Beowulf demonstrates his trust in God easily into Christian context and repeatedly acknowledges God as his protector. “The captain of evil discovered himself in a grip harder than anything he had ever encountered in any man on the face of the earth.” Allusion to supernatural powers and biblical allusions allow emphasis...
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...Beowulf/SGGN Essay Beowulf, a strong and courageous king, willing to defend his people and his honor at any given moment, was the definition of an epic Anglo-Saxon hero. He conquered his enemies with strength and power and ruled over his people with wisdom. From the 7th century, in which Beowulf was written, to the late 14th century there was an evolution in the type of heroic characters that were portrayed in epic stories. You can see this change in Sir Gawain and the Green Knight. Gawain, a noble knight of king Arthur, was humble and full of integrity. Although claiming to be the least of Arthur’s knights he was well respected across the land. He was a man of his word and a true representation of a chivalric hero. Both characters in these stories were brave and daring and shared some heroic qualities but they held individual traits as well that made them distinct and one of a kind. Beowulf is depicted in the self titled poem to be adventurous, brave, strong, determined, and willing to take any challenge. The poem focuses on three main battles that help the audience determine his character; his fight against Grendel, his victory over Grendel’s mother, and his defeat with the fire breathing dragon. In these confrontations you can understand that he was a hero, a guardian, and a protector. He rescued those in need by conquering whatever was threatening them. One example is shown when Beowulf is introducing himself to King Hrothgar. He says, “ I battled...
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